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<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>Here’s a link to an article about
digital cinema, from an industry magazine:</span></font><font size=3
face="Times New Roman"><span style='font-size:12.0pt;font-family:"Times New Roman"'><o:p></o:p></span></font></p>
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<p class=MsoNormal><font size=2 face="Book Antiqua"><span style='font-size:
10.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><a
href="http://www.backstage.com/bso/news_reviews/film/article_display.jsp?vnu_content_id=1002158114">http://www.backstage.com/bso/news_reviews/film/article_display.jsp?vnu_content_id=1002158114</a><o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>At issue, of course, is distribution and
how to secure it (and bandwidth). The movie industry is heavily invested in
having a digital distribution network as one of the greatest post-production
costs of an industry movie is, quite simply, printing. Digital networked
distribution poses some logistical problems, obviously, but also poses (for
Hollywood) an elegant solution: basically the master print stays home, the
photographic paradigm (negative; no “original”; many copies) is
disrupted in favor of something else (“master” and “slaves”?).<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>Judith<o:p></o:p></span></font></p>
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