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entertainmen</title></head><body>
<div>Comparisons are difficult in the case of the nomadic</div>
<div>ISEA events. Each and every time, a fresh team of</div>
<div>organizers conceive and develop the symposia, grounded</div>
<div>in local context. One one hand -in addition to providing</div>
<div>impetus for local and regional participants- this method</div>
<div>produces ongoing change of form and venue, at the same</div>
<div>time the nomadic factor mitigates against continuity.</div>
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<div>nina czegledy</div>
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<blockquote type="cite" cite><font face="Verdana">As the ZeroOne board
member who originally proposed ISEA, the question I care about most is
"compared to what?" Some of the seasoned veterans spotted at the
festival were Joan Shigekawa, Roger Malina, Gerfried Stocker, Nina
Czegledy, Peter Richards, and Ann Hatch. Maybe there were even folks
who were at Ars #1 in 1979. I'd like to hear from them. This
discussion would benefit greatly if it were more grounded in such
experience and perspective.<br>
<br>
$0.02,<br>
<br>
-M</font></blockquote>
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