It's important to really define what you mean by "Digital Utopianism". <br><br>Are we really trying thoroughly and accurately examine whether these people are operating on "Utopian" fundamental assumptions? Or, are we really just trying to build a "brand" of intellectualism that has as it's basis an "anti" digital socio-techno bent?
<br><br>So far, my conclusion is that I think it's quite unfair, and definitely not accurate, to label these people discussed in this book as "Digital Utopians". <br><br>A "Utopian" view is generally defined as a non-realistic view of perfection. I think this word is misused to describe the social/technological/cultural phenomenon this book is covering.
<br><br>I am part of the networks that have emerged from the "Whole Earth Network"(and also part of many other networks that have nothing to do with this network). The visions and concepts discussed by people like Kevin Kelly, Howard Rheingold, Alan Kay, and others referenced in Fred's book are grounded in reality, and are generally workable, usable theoretical constructs. The works these people put out take into account the pros and cons of technology. Calling them "Digital Utopians" seems to steer me towards the conclusion that these people are are irrationally one-sided in their conclusions about technology, and that they espouse the view that the world will be a perfect place, if people only were to adopt their techno-social visions.
<br><br>I'd like to get down to direct references. Hard evidence of why we should consider these people "Utopians". Who are the "Digital Utopians", exactly, and why exactly should we regard them as illogical and unrealistic "Utopians" vs. theorists, or designers? Where is the evidence? And, if there is no evidence, then why are we talking about this?
<br><br>Are we saying that these people discussed in Fred's book have somehow foisted a lifestyle and culture upon the Western world based on a counter-culture Utopian vision of digital human perfection? If so, should we think the same way about anyone who tries to improve human existence through technological design? Especially if their patterns are rapidly adopted and used on a mainstream scale? Were they "Utopians", or were they pragmatic thinkers? Where is the inherent sinister evil in these "Digital Utopians" that I am missing here? Where were the "Digital Utopians" misguided, and how has reality shown them to be wrong?
<br><div><span class="gmail_quote"><br><br></span><blockquote class="gmail_quote" style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><br>Message: 2<br>Date: Fri, 04 May 2007 20:52:29 -0700
<br>From: Andrew Keen <<a href="mailto:ak@aftertv.com">ak@aftertv.com</a>><br>Subject: Re: [iDC] Hello out there<br>To: Fred Turner <<a href="mailto:fturner@stanford.edu">fturner@stanford.edu</a>><br>Cc: <a href="mailto:idc@bbs.thing.net">
idc@bbs.thing.net</a><br>Message-ID: <<a href="mailto:463BFF7D.1030002@aftertv.com">463BFF7D.1030002@aftertv.com</a>><br>Content-Type: text/plain; charset=us-ascii; format=flowed<br><br>Fred -- some questions that might help people understand your intriguing
<br>argument:<br><br>-- What were the ideological and cultural roots of the Silicon Valley<br>computer revolution?<br>-- Why do think so many people in the counter culture were attracted by<br>the potential of the computer to turn the world upside down?
<br>-- How do you define the concept of "digital utopianism" and how has it<br>(re)shaped Silicon Valley and the computer industry?<br>-- What role do you think digital utopianism has played in the cultural<br>origins and development of the internet? Does it now represent an
<br>intellectual orthodoxy that is changing the counter-cultural assumptions<br>of business and media?<br>-- Can we now talk about a computer-military industrial complex?<br><br><br><br>Fred Turner wrote:<br>> Hi All --
<br>><br>> The ever-resourceful Trebor has asked that I get over my reticence and<br>> let the list know I'm on it. I'm the author of From Counterculture to<br>> Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of
<br>> Digital Utopianism. In that book, I talk a lot about the ways that<br>> countercultural movements of the 1960s drew from and ultimately<br>> enabled the growth and diffusion of military-industrial culture.<br>
> Trebor and I have been talking about the consequences of that turn for<br>> contemporary digital collaborations and artistic activism -- I'm happy<br>> to continue the discussion here.<br>><br>> -- Fred Turner
<br>><br>> ___________________________________________________________________<br>> Fred Turner<br>> Assistant Professor<br>> Director of Undergraduate Studies<br>> Dept. of Communication<br>> Building 120
<br>> Stanford University<br>> Stanford, CA 94305-2050<br>> O) 650-723-0706<br>> Fax) 650-725-2472<br>> <a href="http://fredturner.stanford.edu">http://fredturner.stanford.edu</a><br>><br>><br>> _______________________________________________
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