<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><font face="Times New Roman">The relationship between "game" and media is working with redundancy and it connects sometimes to the books approaching from commercial film style mirroring and mimesis theather
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<div class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><font face="Times New Roman"><span style="mso-spacerun: yes"> </span></font></div>
<div class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><font face="Times New Roman"><span style="mso-spacerun: yes"></span><span style="mso-spacerun: yes"> </span>Games are themselves media that encode </font><strong><a href="http://humanities.uchicago.edu/faculty/mitchell/glossary/information.htm">
<span style="FONT-WEIGHT: normal; FONT-SIZE: 8.5pt; mso-ascii-font-family: 'Times New Roman'; mso-hansi-font-family: 'Times New Roman'"><font face="Verdana" color="#316ac5">information</font></span></a></strong>
<font face="Times New Roman"> within their structures by mirroring.and commertial media an narrative related mimesis world.They are not belong to memory of Deleuze's image time which displays<span style="mso-spacerun: yes">
</span>war pains in a nucleer war</font></div>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><font face="Times New Roman"> </font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><font face="Times New Roman"><span style="mso-spacerun: yes"> </span>Although,play is self reflexive in many situations </font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><font face="Times New Roman"> </font><font face="Times New Roman">In gaming relationships, all games require participants performing some actions. all games require participants performing some actions on stage as a video game, as a literary
<span style="mso-spacerun: yes"> </span>force game or as a unique book mythology</font></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span style="FONT-FAMILY: Verdana"><span style="mso-spacerun: yes"> </span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-FAMILY: Times; mso-fareast-font-family: Times; mso-bidi-font-size: 10.0pt; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-US">
This interest is driven by a kind of love/hate relationship with the medium cultural sophistication in the gaming industry.However,</span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-FAMILY: Times; mso-fareast-font-family: Times; mso-bidi-font-size: 10.0pt; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-US">
Although <span style="mso-spacerun: yes"> </span>life can be <span style="mso-spacerun: yes"> </span>learned and understood by play, game works with movement images...Action and frustration with the limitations of current technology; frustration with a lack of critical theory for properly understanding the medium.
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-FAMILY: Times; mso-fareast-font-family: Times; mso-bidi-font-size: 10.0pt; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-US">
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-FAMILY: Times; mso-fareast-font-family: Times; mso-bidi-font-size: 10.0pt; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-US">
<span style="mso-spacerun: yes"> </span>In representing three termes ,play , game and theatre, many times brings misunderstandings to human nature. Play is rather an area of learn, define and teach self reflexively</span>
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<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-FAMILY: Times; mso-fareast-font-family: Times; mso-bidi-font-size: 10.0pt; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-US">
Play is also away of interactivity rather than prescription, it's a way of<span style="mso-spacerun: yes"> </span>telling<span style="mso-spacerun: yes"> </span>the things that are beyond words or language</span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-FAMILY: Times; mso-fareast-font-family: Times; mso-bidi-font-size: 10.0pt; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-US">
<span style="mso-spacerun: yes"> </span></span></p>
<p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"><span lang="EN-US" style="FONT-FAMILY: Times; mso-fareast-font-family: Times; mso-bidi-font-size: 10.0pt; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-US">
Play is serious and it is not belong to computer, record<span style="mso-spacerun: yes"> </span>and video tricks .Perhaps the most famous<span style="mso-spacerun: yes"> </span>of these conundra occurs at the pivotal point of the play on stage as ildi Solti pointed's article name'Fallacy and mirror concept'coming from mythologies, commercial media and publishings
</span></p><br><br>
<div><span class="gmail_quote">2007/12/7, Gere, Charlie <<a href="mailto:c.gere@lancaster.ac.uk">c.gere@lancaster.ac.uk</a>>:</span>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">This is a really interesting discussion and most helpful for a masters<br>module I am teaching next term on the 'book to come', looking at how
<br>new technologies alter or restructure academic and other text-based<br>discourse<br><br>I can't resist throwing in a quote from the essay by Derrida on 'The<br>Book to Come' which seems to me still relevant in the age of the Kindle.
<br>He suggests that the notion of 'the book to come' might imply a number<br>of things including<br><br>'That the book as such does - or doesn't hasve - a future, now that<br>electronic and virtual incorporation, the screen and the keyboard,
<br>online transmission, and numerical compostion seems to be dislodging or<br>supplementing the codex (that gathering of a pile of pages bound<br>together, the current form of what we generally call a book such that it<br>
can be opened, put on a table, or held in the hands). The codex had<br>itself supplanted the volume, the volumen, the scroll. It had supplanted<br>it without making it disappear, I should stress. For what we are<br>dealling with are never replacements that put an end to what they
<br>replace but rather, if I might use this workd today, restructurations in<br>which the oldest form survives, and even survives endlessly, coexisting<br>with the new form and even coming to terms with a new economy - which is
<br>also a calculation in terms of the market as well as in terms of<br>storage, capital and reserves'.<br><br>There is much else of interest in this essay, published in the recent<br>collection from Stanford, Paper Machine, including the suggestion that
<br>we should 'give up any lamentation' for the supposed 'catastrophe' of<br>the 'end of the book' because 'we know the book isn't simply going to<br>disappear', not least the 'fortunately incorrigible' 'festishism' that
<br>sanctifies the 'aura of culture or the cult of the book' and will also<br>'protect the signs of post-book technologies threatened by even more<br>advanced technologies'<br><br><br>Charlie Gere<br>Head of Department
<br>Institute for Cultural Research<br>Lancaster University Lancaster LA1 4YL UK<br>Tel: +44 (0) 1524 594446<br>E-mail: <a href="mailto:c.gere@lancaster.ac.uk">c.gere@lancaster.ac.uk</a><br><a href="http://www.lancs.ac.uk/fss/cultres/staff/gere.php">
http://www.lancs.ac.uk/fss/cultres/staff/gere.php</a><br><br><br>-----Original Message-----<br>From: <a href="mailto:idc-bounces@mailman.thing.net">idc-bounces@mailman.thing.net</a><br>[mailto:<a href="mailto:idc-bounces@mailman.thing.net">
idc-bounces@mailman.thing.net</a>] On Behalf Of Raymond Cha<br>Sent: 07 December 2007 04:17<br>To: <a href="mailto:idc@mailman.thing.net">idc@mailman.thing.net</a><br>Subject: Re: [iDC] Media dies more slowly than some would like
<br><br>I was delighted to read Rick Prelinger's intial post and the commentary<br>that has followed it. I first met Rick and Megan while working at the<br>Institute for the Future of the Book. Since leaving, I have also had the
<br>opportunity to visit the Prelinger Library, and strongly recommend that<br>anyone with a few free hours in San Francisco to visit it. It is an<br>illuminating experience.<br><br>Steve Borsch brings up an important point regarding containers. For
<br>centuries, the term book has come to mean both the container and the<br>information inside the container. Digital media, including ebooks, blogs<br>and pdf, have liberated the contents of books from the traditional<br>
container of bound pages. We are still gasping to deal with the effects<br>of this change, which also partially explains our displeasure with how<br>current ebook readers are confusing experiences.<br>In the rollout of Kindle, Jeff Bezos has explained that part of our love
<br>for print books is that the container is invisible, we hardly think<br>about the container through long term use and the fact that it works<br>very well. On the other hand, there are things that the ebook obviously<br>
excels over the print book, including physical volume and distribution.<br>If ebook readers could be engineered and used to the point of becoming<br>invisible, would we still hold an attachment to the physical pbook?<br><br>
Of course we would, but our attachment to it would change. One reason<br>our attachment to print books is so strong, is that they come out of an<br>era of publishing scarcity. Publishers could only print a limited amount
<br>of text. Physical bookstores have limited shelf space. In that era,<br>getting a work produced by an academic or trade publisher inferred<br>authority. The published author had gone through a vetting process and<br>received the industry seal of approval. Although self publishing existed
<br>through vanity presses, these works carried the stigma of lacking this<br>authority.<br><br>Today, the costs of publishing have dramatically dropped. Anyone who can<br>afford a computer and network access (which albeit still excludes many
<br>people, especially in the developing world, and this point deserves its<br>own post) can write and publish an ebook. Digital born texts can also<br>be easily transformed into print books through print on demand services
<br>such as <a href="http://Lulu.com">Lulu.com</a> and <a href="http://Blurb.com">Blurb.com</a>, which challenge the authority of the<br>traditional publishing gatekeepers.<br><br>If anyone, with the technical access and the desire, can publish a book,
<br>how will that change our relationship to print books and the<br>gatekeepers? Will this strengthen or weaken the role of the gatekeeper?<br>Will the long tail effects displace the gatekeeper because readers can<br>find their authors directly through the Internet?
<br>Or, will the shift to the era of publishing abundance entrench the role<br>of the gatekeeper because the number of choices is too overwhelming. (Of<br>course, in that scenario, the gatekeepers may not be traditional<br>
publishing houses and book buyers, but any variety of entities which are<br>bestowed an authoritative role by readers.)<br><br>I am waiting for the blockbuster ebook by someone previously<br>unpublished, which may reveal the new role of the publishing gatekeeper
<br>and change our relationship to print books and ebooks. By blockbuster, I<br>mean on the scale of a Da Vinci Code or Harry Potter.<br>Readers would obtain this ebook via download or print on demand by the<br>millions. This book might also be found on online retailers and in
<br>physical bookstores that printed copies for resell. Many others might<br>be compelled to purchase their first ebook reader. For the follow up<br>book, would the author still need or want to sign with a traditional<br>
publisher? If millions of people and enjoy a self-published ebook, how<br>will that change and challenge their notions of authority and their<br>relationship to print books?<br><br>Our attachment to print books is complex. Authority plays one part.
<br>The complexity will only evolve with adoption of ebooks, which will be<br>gradual with the occasional accelerated push. I agree with Rick's<br>assertion that is enough room in the ecological of writing, books and<br>
publishing to sustain both print books and ebooks. Both have much<br>evolving still to do. I am excited to witness the process and further<br>discussion here.<br><br>Ray.<br><br>--<br><a href="http://www.weatherpattern.com">
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