Just another announcement of the EI December concert series, now that we are almost halfway through
It has been a great series so far, and the concerts are recorded and possible to see by the next day, in their entirety
Please respond to pniblock@compuserve.com, and not to this address
Phill
 
 
EXPERIMENTAL INTERMEDIA
The Forty-Seventh Anniversary of EI performances at 224 Centre Street, The Fifty-Second Anniversary of the Founding of Experimental Intermedia, the Fifty-Second Anniversary of the 224 Centre Street loft, and, not least, The (Virtual) Fortieth Annual Festival  with no fancy name, Part One (or A)      Phill Niblock, curator    
 
December 2020
This edition of our concert series is entirely virtual. Concerts will be streamed live from our website at 9pm sharp NYC time on the dates listed:
www.experimentalintermedia.org
 
Right after each concert we invite performers and audience to join "The EI Virtual Kitchen Hang", our Zoom meeting room, to interact between each other and with us.
 
The EI Virtual Kitchen Hang Zoom link:
https://zoom.us/j/2120765064?pwd=KzhqdkJmcUkrMGdTZGw0WnV0REZWQT09
Meeting ID: 212 076 5064
Passcode: 869302
 
Earl Howard    (New York)                                                                            Sunday 6 
The Program: Curtis  2019 - Kurzweill 2600 synthesizer, Live performance - 46 minutes and The Cold Hard Tooth 2020 - Alto- saxophone / composer and performer-Live Performance 25 minutes; Notes about Curtis; It is often the case that music is defined by the development of thematic elements which tell a story; the sound of the music is a part of the elaboration of a story, whether in atonal, linear or nonlinear music; Curtis has no themes, but there are many stories; these are not statements in themselves - they are components of their environments; sound does not only sing or harmonize - it is the substance and location of place, mass, and flow - for the sound elements, representing field recordings from an imaginary world        earlhowardmusic.com
 
Bob Bellerue   (New York)                                                                                     Monday  7   
"Imperfect Conditions" -  macrotonal music from a cluttered landscape, improvised resonance and feedback           bobbellerue.net
 
Julien Ottavi and Jenny Pickett (UK, Fr)                                                        Wednesday 9   
Solar Return - //UniVERSE// - Audio-visual performance using modular synth, crotales and mutant guitar-bass - invented instruments in combination with live 3D animation of cosmic astrophysics geometry; the artists duo Solar Return will once more embrace the network
for a cyber-performance through the fiber-optics into outer-space
http://noiser.org      http://jennypickett.art            http://apo33.org
 
Austin Larkin  (Connecticut)                                                                                 Friday 11
Experiments and Observations on Different Types of Reflection"; A solo performance of violin, light projector, mirror, perspective, gesture, room       www.austinlark.in
 
Gill Arno    (New York)                                                                                       Monday 14
Gill Arno’s current work explores sound/image relationships through a process of animated
and sonified thermography; he is presenting a series of short studies in which composition
and improvisation are variously combined; Website (not updated since 1916) -
http://www.m-i-c-r-o.net/mpld/mpldinfo/info.html
 
Ka Baird              (New York)                                                                                                  Tuesday 15
Ictum Exercises (Polyrhythmic Studies) is an audiovisual performance that takes a single randomized pattern through several permutations using electronics, flute, recorder, breath
and voice overlaid with sound reactive color fields and pulses by multimedia artist Camilla Padgitt-Coles         https://www.kabaird.com         http://www.ivymeadows.net
 
Matthias Kaiser, Hans Tammen, Shoko Nagai  (Cologne, NY, NY)                                    Wednesday 16
Kaiser, violin; Nagai, Moog; Tammen, buchla;  Human sound sources join over the internet to freely exchange sonic explorations using acoustic, electroacoustic and electronic systems; Kaiser performs from Cologne, Germany, and Nagai / Tammen from NYC       kaiserandsound.com       shokonagai.net           tammen.org
 
Mike Bullock  (Massachusetts)                                                                      Thursday 17   
Hydrophonisphere is a solo performance using the inner- & under-sounds of the flow and fall of water, filtered by analog, digital, and mechanical means; the second in a three-part suite of pieces that started with October's Ultrasonisphere   
mikebullock.bandcamp.com             earsin.space
 
Our programs are supported by the Aaron Copland Fund for Music, the  Phaedrus Foundation, Fridman Gallery, and the New York State Council on the Arts with the support of Governor Andrew  Cuomo and the New York State Legislature; this project is also made  possible with funds from the NYSCA Electronic Media/Film in  Partnership with Wave Farm: Media Arts Assistance Fund, with the  support of Governor Andrew Cuomo and the New York State Legislature
224 Centre Street at Grand, Third Floor, N Y 10013   212 431 5127, 431 6430
www.experimentalintermedia.org and www.XIrecords.org
 
The video-audio recordings of the concerts will be posted on our website the morning after each concert and will remain there until our next series in March 2021