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<div class="MsoNormal" style="tab-stops:495.0pt"><o:p> </o:p></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Times"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><b style="mso-bidi-font-weight:
normal"><span style="mso-bidi-font-family:Helvetica">I know you've been missing
those emails with my tour info. So here is a biggish one, after my dislocation
from touring in November 2012.<o:p></o:p></span></b></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><b style="mso-bidi-font-weight:
normal"><span style="mso-bidi-font-family:Helvetica"><o:p> </o:p></span></b></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><b style="mso-bidi-font-weight:
normal"><span style="mso-bidi-font-family:Helvetica">I'll list the coming ones
first, and the previous ones second.<o:p></o:p></span></b></div>
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</span></b></div>
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mso-layout-grid-align:none;text-autospace:none"><b style="mso-bidi-font-weight:
normal"><span style="mso-bidi-font-family:Helvetica">
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<!--StartFragment-->
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">An review of the book - Working Title, by Yusef Sayed, is in the
current issue of The Wire magazine.<o:p></o:p></span></div>
<!--EndFragment--></span></b></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:2.25in 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Arial">In conjunction with the Phill Niblock Retrospective at </span><span style="mso-bidi-font-family:Helvetica">Circuit and the Musée de l’Elysée<span style="mso-spacerun: yes"> </span>http://www.elysee.ch/<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:2.25in 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Arial"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin-bottom:13.0pt;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span style="font-size:13.0pt;font-family:Arial;
mso-bidi-font-family:Arial">May 3 - Friday Susan Stenger and Robert
Poss play Phill Niblock at Le Bourg, Lausanne<span style="mso-spacerun:
yes"> </span></span><span style="mso-bidi-font-family:
"Times New Roman \(Arabic\)""><a href="http://www.le-bourg.ch"><span style="mso-bidi-font-family:Helvetica;color:windowtext;text-decoration:none;
text-underline:none">www.le-bourg.ch</span></a></span><span style="font-size:
13.0pt;font-family:Arial;mso-bidi-font-family:Arial"><o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom:13.0pt;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><span style="font-size:13.0pt;font-family:Arial;
mso-bidi-font-family:Arial">May 4 - Saturday, Phill Niblock and Thomas Ankersmit
at Circuit (Contemporary Art Centre Lausanne - <a href="http://www.circuit.li/"><span style="mso-bidi-font-family:Arial">http://www.circuit.li/</span></a> )<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="mso-bidi-font-family:"Times New Roman""><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="mso-bidi-font-family:"Times New Roman"">May 5
in Basel - Phill Nilbock and Thomas Ankersmti, at </span><span style="mso-bidi-font-family:Arial"><o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="mso-bidi-font-family:Arial">OSLO 10 |
OSLOSTRASSE 10 | CH-4142 MÜNCHENSTEIN | <a href=""><span style="mso-bidi-font-family:Arial;color:windowtext;text-decoration:none;
text-underline:none">info@oslo10.ch</span></a></span><span style="mso-bidi-font-family:
"Times New Roman""><o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:2.25in 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Arial"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:2.25in 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Arial">=====<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:2.25in 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Arial"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:2.25in 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Arial">May 9, Berlin - The festival - Emitter Micro:<span style="mso-spacerun:
yes"> </span>http://emittermicro.com/<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:2.25in 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Arial">The venue is at the Musik Instrumenten Museum,<span style="mso-spacerun:
yes"> </span><o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:2.25in 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Arial">http://www.sim.spk-berlin.de/curt-sachs-saal_455.html<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:2.25in 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Arial">The Emitter Micro Festival 2013 will feature performances by Phill
Niblock, Thomas Ankersmit, Kim Cascone, Jochen Arbeit+Hopek Quirin, Rinus Van
Alebeek+Barbara Lazara, Seiji Morimoto, Louis Laurain, Schneider
TM+kptmichigan, David Gomez (aka Krapoola) and LOUP, as well as workshops and
talks with Peter Cusack, Udo Noll and Derek Holzer. <o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="font-size:13.0pt;mso-bidi-font-size:12.0pt;
font-family:Arial;mso-bidi-font-family:Arial"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="font-size:13.0pt;mso-bidi-font-size:12.0pt;
font-family:Arial;mso-bidi-font-family:Arial">====<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="font-size:13.0pt;mso-bidi-font-size:12.0pt;
font-family:Arial;mso-bidi-font-family:Arial"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:495.0pt;mso-layout-grid-align:
none;text-autospace:none"><span style="mso-bidi-font-family:Helvetica">June 30,
6 pm, Pulheim-Stommeln (suburb of Cologne)<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:495.0pt;mso-layout-grid-align:
none;text-autospace:none"><span style="mso-bidi-font-family:Helvetica">Alte
Kirche St. Martin, Ingendorfer Str, 50259 Pulheim-Stommeln<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:495.0pt;mso-layout-grid-align:
none;text-autospace:none"><span style="mso-bidi-font-family:Helvetica">A
concert of Phill Niblock, with his music and film:<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:495.0pt;mso-layout-grid-align:
none;text-autospace:none"><span style="mso-bidi-font-family:Helvetica">FeedCorn
Ear, played by Arne Deforce and A Cage of Stars, played by Rhodri Davies,<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:495.0pt;mso-layout-grid-align:
none;text-autospace:none"><span style="mso-bidi-font-family:Helvetica">Part of
the series raumklaenge, curatorical team: Harald Kimmig and Georg Dietzler<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:495.0pt;mso-layout-grid-align:
none;text-autospace:none"><span style="mso-bidi-font-family:Helvetica"><a href="http://www.raumklaenge.de/"><span style="mso-bidi-font-family:Helvetica;
color:windowtext">www.raumklaenge.de</span></a> / <a href="http://www.gerngesehen.de/"><span style="mso-bidi-font-family:Helvetica;
color:windowtext">www.gerngesehen.de</span></a><o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:2.25in 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Arial"><o:p> </o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Times">=======<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:495.0pt;mso-layout-grid-align:
none;text-autospace:none"><span style="mso-bidi-font-family:Arial"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:495.0pt;mso-layout-grid-align:
none;text-autospace:none"><span style="mso-bidi-font-family:Arial;mso-bidi-font-weight:
bold">4th July Walcheturm Zuerich</span><span style="mso-bidi-font-family:Arial"><o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:495.0pt;mso-layout-grid-align:
none;text-autospace:none"><span style="mso-bidi-font-family:Arial">Tomas Korber
+ Konus Quartett "Musik für ein Feld" for electronics and saxophone
quartet<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:495.0pt;mso-layout-grid-align:
none;text-autospace:none"><span style="mso-bidi-font-family:Arial">Phill
Niblock + Konus Quartett "To Two Tea Roses" <o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:495.0pt;mso-layout-grid-align:
none;text-autospace:none"><span style="mso-bidi-font-family:Arial">Phill
Niblock + Tomas Korber, N. N. "Two Lips"<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:495.0pt;mso-layout-grid-align:
none;text-autospace:none"><span style="mso-bidi-font-family:Arial">Phill
Niblock + Konus Quartett "Sax Mix" <o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:495.0pt;mso-layout-grid-align:
none;text-autospace:none"><span style="mso-bidi-font-family:Arial"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:495.0pt;mso-layout-grid-align:
none;text-autospace:none"><span style="mso-bidi-font-family:Arial;mso-bidi-font-weight:
bold">5th July Dampfzentrale Berne</span><span style="mso-bidi-font-family:
Arial"><o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:495.0pt;mso-layout-grid-align:
none;text-autospace:none"><span style="mso-bidi-font-family:Arial">Phill
Niblock + Konus Quartett "To Two Tea Roses" <o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><b style="mso-bidi-font-weight:
normal"><span style="mso-bidi-font-family:Helvetica">These are ongoing or past.<o:p></o:p></span></b></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><b style="mso-bidi-font-weight:
normal"><span style="mso-bidi-font-family:Helvetica">However, the retrospective
continues only until May 12.<o:p></o:p></span></b></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">Phill Niblock retrospective in Lausanne CH - the exhibition will be
realised in partnership between Circuit (Contemporary Art Centre Lausanne -
http://www.circuit.li/ ) and the Musée de l’Elysée (the national museum devoted
to photography - http://www.elysee.ch/ ), Mathieu Copeland, curator; January 29
until May 12, 2013<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">====<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">A review from 1973, of a concert / performance of my Environments
series.<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="font-family:Arial;
mso-bidi-font-family:"Times New Roman \(Arabic\)""><a href="http://www.vasulka.org/archive/Artists4/Niblock,Phil/general.pdf"><span style="font-size:15.0pt;mso-bidi-font-size:12.0pt;mso-bidi-font-family:Arial">www.vasulka.org/archive/Artists4/Niblock,Phil/general.pdf</span></a></span><span style="font-size:15.0pt;mso-bidi-font-size:12.0pt;font-family:Arial;mso-bidi-font-family:
Arial"> <o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="font-size:15.0pt;
mso-bidi-font-size:12.0pt;font-family:Arial;mso-bidi-font-family:Arial"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="font-size:15.0pt;
mso-bidi-font-size:12.0pt;font-family:Arial;mso-bidi-font-family:Arial">======</span><span style="mso-bidi-font-family:Helvetica"><o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">A documentary video by Frederick Bernas of Phill Niblock:<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">Minimalist composer Phill Niblock has been living in his Chinatown
loft since the late 1960s, and curating concerts there for almost as long. <o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">This film explores Niblock's work, and tracks its significance for
New York's downtown experimental music scene – past and present...<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">Published online by The Wire magazine – February 6, 2013.<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">Watch here: <a href="http://www.thewire.co.uk/video/watch-an-exclusive-video-about-phill-niblock"><span style="mso-bidi-font-family:Helvetica;color:windowtext;text-decoration:none;
text-underline:none">http://www.thewire.co.uk/video/watch-an-exclusive-video-about-phill-niblock</span></a>
<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">==========<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">An interview of Phill Niblock by Yusef Sayed:<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">http://audiovisualsalvage.blogspot.co.uk/2013/04/working-life-conversation-with-phill.html<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">=====<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">Concert by Phill Niblock and Thomas Ankersmit, Feb 7 2013<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">Musee dArt Moderne et Contemporain de Strasbourg, 1, place Hans-Jean
Arp <o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">Strasbourg, France<span style="mso-spacerun:
yes"> </span>www.musees.strasbourg.eu<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">====<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
"Times New Roman \(Arabic\)"">A book launch for "Working Title",
articles about Phill Niblock, edited by Yvan Etienne, published by </span><span style="mso-bidi-font-family:Helvetica">Les Presses du Réel, with 4 DVDs
included</span><span style="mso-bidi-font-family:"Times New Roman \(Arabic\)""><span style="mso-spacerun: yes"> </span></span><span style="mso-bidi-font-family:Helvetica">http://www.lespressesdureel.com/</span><span style="mso-bidi-font-family:"Times New Roman \(Arabic\)""><o:p></o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">Saturday February 9 at 7PM at Palais de Tokyo, Paris<span style="mso-spacerun: yes"> </span></span><span style="mso-bidi-font-family:"Times New Roman \(Arabic\)"">www.palaisdetokyo.com/fr/</span><span style="mso-bidi-font-family:Helvetica"><o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">Intervenants : Phill Niblock et Kasper Toeplitz: Atau Tanaka,
Mathieu Saladin, Dan Warburton et Anne Roquigny, produced by Patrick Javault<o:p></o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Times"><o:p> </o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Times">======<o:p></o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Times"><o:p> </o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Times">ARANÉIDE (La Danse en Levitation), </span><span style="mso-bidi-font-family:
Helvetica;mso-bidi-font-weight:bold">14 & 15 FÉVR. 2013<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:495.0pt;mso-layout-grid-align:
none;text-autospace:none"><span style="mso-bidi-font-family:Times">MYRIAM
GOURFINK<o:p></o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Times">Chorégraphie : Myriam Gourfink / trapèze : Clémence Coconnier / musique
: Kasper T.Toeplitz / création lumière : Séverine Rième / réalisation structure
: Pierre-Yves Guillaumin.<o:p></o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Helvetica;mso-bidi-font-weight:bold">Phill Niblock</span><span style="mso-bidi-font-family:Times">, figure américaine du minimalisme,
réalisateur de films et compositeur, pour plusieurs pièces emblématiques de son
parcours.<o:p></o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Times">Music and Films by PN, with Kasper Toeplitz, bass guitar and electronics<o:p></o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Times">Le Manège de Reims Scène nationale, King's Fountain, in Reims France<o:p></o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Times">www.manegedereims.com/<o:p></o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Times"><o:p> </o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Times">=======<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">February 19, Bolsa Ernesto de Sousa, Lisbon, Portugal - a jury to
select an artist for a residency at Experimental Intermedia in New York for
this year, the 20th year of the residency, sponsored by the Luso Americana
Foundation and Gulbenkian Foundation<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">=====<o:p></o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Times"><o:p> </o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Times">Phill Niblock and Al Margolis (If Bwana) in Lisbon Portugal<o:p></o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Times">February 21 2013, 10PM<o:p></o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Times">Galeria Ze Dos Bois, Rua da Barroca, nº 59, Lisbon, Portugal<o:p></o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Times">http://www.ip.pt/zedosbois<o:p></o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Times">====<o:p></o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Times">February 27, Café Oto radio broadcast on ResonanceFM London, 10 / 11pm,
with Rie Nakajima and Phill Niblock - </span><span style="mso-bidi-font-family:
"Times New Roman \(Arabic\)""><a href="https://soundcloud.com/resonance-fm/22-00-00-oto-broadcasts-5"><span style="mso-bidi-font-family:Arial;color:windowtext">https://soundcloud.com/resonance-fm/22-00-00-oto-broadcasts-5</span></a></span><span style="mso-bidi-font-family:Times"><o:p></o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Times"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">Phill Niblock and Thomas Ankersmit, concert, Cafe Oto, 22 Ashwin
Street, London, February 28;<span style="mso-spacerun: yes"> </span>www.cafeoto.co.uk<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none">The Sonic Art Research Unit at
Oxford Brookes University are delighted to announce the 3<sup>rd</sup> annual
Audiograft Festival of experimental music and sound art, <span style="mso-bidi-font-family:Arial">25 February–3 March. Featuring live
performances by Phill Niblock, Daniel Teruggi, Thomas Ankersmit, John Tilbury,
Pierre Berthet, Tim Parkinson, Valerio Tricoli, Susanna Borsch,
installations by Rolf Julius, Max Eastley, Helmut Lemke, Kathy Hinde and
more. PN and Thomas Ankersmit, March 2 at Modern Art Oxford's basement space</span><span style="mso-bidi-font-family:Helvetica"><o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Times">======<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><b><span style="font-size:15.0pt;mso-bidi-font-size:12.0pt;font-family:Times;mso-bidi-font-family:
Times">Dither Guitar Orchestra perform Phill Niblock's '2 Lips' at the Dither
Extravaganza<o:p></o:p></span></b></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
"Times New Roman \(Arabic\)""><a href="http://www.youtube.com/watch?v=toAV4z4E9-U&feature=youtube_gdata_player"><span style="mso-bidi-font-family:Helvetica">http://www.youtube.com/watch?v=toAV4z4E9-U&feature=youtube_gdata_player</span></a><o:p></o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Times">There are a bunch pf Phill Niblock videos on "you tube", do a
search<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Times"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Times">=====<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Times">A review of the Café Oto concert. It is preceded by my comments.<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none">http://www.londonjazznews.com/2013/03/review-phill-niblock-at-80.html</div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Times"><o:p> </o:p></span></div>
<div class="MsoNormal">Retort comments from Niblock - this concert follows the form
that i have used since the late '60s. i am not a stage front "star".
i use the film to be my performance visuals. i choose to work with the
materials i use so that i am not on stage.</div>
<div class="MsoNormal">the film itself, shot in video in osaka japan in 2009 / 2010
(not in the film series that i usually use from 1973 - 1991), was a premier
showing for england, here.</div>
<div class="MsoNormal">two of the pieces of music will be on a new Touch double CD
(out soon), the first piece - FeedCorn Ear, for cellist Arne Deforce, was
finished and played in lyon in march 2012; the third piece - "Two
Lips", played by the Coh Da guitar quartet, recorded in 2011 (a scored piece
for ensemble from 2007) will be on the same touch CDs. neither piece has been
played in england before. Sweet Potato has recorded tones by Carol Robinson,
and was played live by David Ryan, and is on the re-released touch double CD -
Touch Food</div>
<div class="MsoNormal">as far as i know, Sweet Potato has not been played in london
before, and David Ryan was magnificent.</div>
<div class="MsoNormal"><o:p> </o:p></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none">http://www.londonjazznews.com/2013/03/review-phill-niblock-at-80.html</div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="mso-bidi-font-family:Arial;mso-bidi-font-weight:
bold;mso-bidi-font-style:italic">'Phill Niblock at 80'</span><span style="mso-bidi-font-family:Arial;mso-bidi-font-weight:bold"> (Café Oto, 28
February 2013. Drawing and review by Geoff Winston)<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="mso-bidi-font-family:Arial">This was, in many
ways, a lost opportunity. There had been a fair amount of low-key hype about <span style="mso-bidi-font-weight:bold">Phill Niblock</span>'s concert at Café Oto,
as part of his 80th birthday celebration, coinciding with his retrospective
exhibition in Lausanne, yet although he was 'in the house', it was just as a
shadowy presence, lurking entirely unannounced at the back of the room - either
at the mixing desk or by the bar. <o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="mso-bidi-font-family:Arial">Given that it was
to be a rare sighting in the UK of an influential figure in the New York's
Minimalist firmament, it would have been fairer to his followers, and those
just intrigued by the tantilising publicity, to have scheduled a pre-concert
conversation with the composer/film-maker, and/or to devise a concert which
involved Niblock performing onstage, or at the very least to have introduced
him to the audience before the concert started or at its conclusion. The
closest we'll get is Frederick Bernas's concise, well-paced short <a href="http://www.thewire.co.uk/video/watch-an-exclusive-video-about-phill-niblock"><span style="mso-bidi-font-family:Arial;color:windowtext;text-decoration:none;
text-underline:none">documentary</span></a> about Niblock. <o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="mso-bidi-font-family:Arial">The net result
was a curiously impersonal non-encounter, leavened only by <span style="mso-bidi-font-weight:bold">David Ryan</span>'s excellent interaction on
bass clarinet - recalling Dolphy's significant impact on Reich on seeing him
live - during a section of the lengthy <span style="mso-bidi-font-style:italic">'Sweet
Potato</span>', a composition from Niblock's Xenakis Centre Paris residency in
2001. Sampled tones from the instrument were the partial subject matter of
multi-tracked, pre-prepared drones of fluidity verging perilously close to the
soporific in the packed, airless room, which played alongside the projection of
an excerpt from his 1988/89 film series, <span style="mso-bidi-font-style:italic">'The
Movement of People Working'</span>, shot in small workshops in China and Japan.
<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="mso-bidi-font-family:Arial">Against the
intently observed takes of workshop process, primarily in a fish preparation factory
(<span style="mso-bidi-font-style:italic">‘101 Things to do with a Dead Fish’</span>?)
and food and veneer production workshops, the dense, minimally accented flux
acted like a soundtrack. The audience, probably drawn by the musical promise,
were unwittingly, or cynically, turned into a cinema audience, as the film was
the only visual focus offered. As with Niblock's non-appearance, one did
question the validity of constantly recycling his archive films to form the
visual element of a performance/installation; the challenge of creating a new
visual artefact with interactive components for this special event would have
been much more satisfying.<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="mso-bidi-font-family:Arial">If the sonic
proposition, compelling to a degree as it was, would have offered a more
challenging aspect, building on the kind of intense and expressive involvement
that Ryan demonstrated, then the concert might have taken on a mythic
dimension. As it as, it was a bit of a damp squib, as evidenced by the tepid
applause at its termination.<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="mso-bidi-font-family:Arial">Earlier, in solo
performance, <span style="mso-bidi-font-weight:bold">Thomas Ankersmit</span>, a
frequent collaborator of Niblock's, got to grips with a two-panel analogue
synthesiser in a flush of synthetic abstraction and imagism which evoked the
blustering wind catching the sails out at sea and rhythmic aircraft choppers,
with skids and deep drones evaporating in to flickering intrusions and elusive
tinnitus-like whistles. <o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="mso-bidi-font-family:Arial">The whole concert
could have been a more imaginatively connected and integrated event and, given
Café Oto's superb track record, it was a shame that its promise was not
fulfilled.<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="mso-bidi-font-family:Arial">On <a href="http://www.londonjazznews.com/2013/03/review-phill-niblock-at-80.html"><span style="mso-bidi-font-family:Arial;color:windowtext;text-decoration:none;
text-underline:none">Saturday, March 02, 2013</span></a><o:p></o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
"Times New Roman \(Arabic\)""><a href="http://www.londonjazznews.com/2013/03/review-phill-niblock-at-80.html"><span style="mso-bidi-font-family:Helvetica">http://www.londonjazznews.com/2013/03/review-phill-niblock-at-80.html</span></a><o:p></o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
"Times New Roman \(Arabic\)"">=======<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Times"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:495.0pt;mso-layout-grid-align:
none;text-autospace:none"><span style="mso-bidi-font-family:Helvetica">Johnson
Memorial Art Building, Middlebury College, Middlebury Vermont, Sunday, March
10, <o:p></o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Verdana">Music and Film / Video by Phill Niblock, Neil Leonard playing
saxophones, produced by Heimo Wallner<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Times"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Times">=========<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Times"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="mso-bidi-font-family:Helvetica">Monday, March
11, 2013 at 7PM, Wellesley College, Jewett Art Gallery, 106 Central Street, <o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="mso-bidi-font-family:Helvetica">Wellesley,
MA, 02481 - Free and open to the public<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="mso-bidi-font-family:Helvetica">Music of
Phill Niblock, Neil Leonard, saxophones<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="mso-bidi-font-family:Helvetica"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Times">======<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Times"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Times">March12 2013, 7 - 9PM; </span><span style="mso-bidi-font-family:Arial;
mso-bidi-font-weight:bold">MIT Program in Art, Culture and Technology,
School of Architecture and Planning, </span><span style="mso-bidi-font-family:
Arial">Wiesner Bldg. (E15-224)<span style="mso-bidi-font-weight:bold">, </span>20
Ames St., Cambridge, MA 02139; </span><span style="mso-bidi-font-family:ArialMT">Free
and open to the public, </span><a href="act.mit.edu"><span style="mso-bidi-font-family:
"Times New Roman";mso-bidi-theme-font:minor-bidi;color:windowtext">act.mit.edu</span></a><span style="mso-bidi-font-family:Arial"><o:p></o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-weight:
bold"><a href="http://act.mit.edu/projects-and-events/events/public-programs/working-title-a-phill-niblock-book-launch/"><span style="mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;
color:windowtext">http://act.mit.edu/projects-and-events/events/public-programs/working-title-a-phill-niblock-book-launch/</span></a><o:p></o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Arial;mso-bidi-font-weight:bold"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">Event Title: <span style="mso-bidi-font-weight:bold">Working Title,
A Phill Niblock Book Launch</span><o:p></o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">Join us for the launch of <span style="mso-bidi-font-style:italic">Working
Title</span>, a monograph on the avant-garde musician, filmmaker, and performer
Phill Niblock. Written in both French and English, the book provides an
in-depth look at Niblock’s musical and cinematographic work, as well as
historical background, philosophical insights and technical advice. The book is
accompanied by two double-sided DVDs of atypical videos: <span style="mso-bidi-font-style:italic">Remo Osaka</span>, a continuation of <span style="mso-bidi-font-style:italic">The Movement of People Working</span>
series; two separate DVDs of the <span style="mso-bidi-font-style:italic">Anecdotes
from Childhood</span>; and Katherine Liberovskaya’s <span style="mso-bidi-font-style:
italic">70 for 70 (+1), Seventy (one) Sides of Phill Niblock</span>.<span style="mso-spacerun: yes"> </span>The evening includes a live performance
of <span style="mso-bidi-font-style:italic">Two Lips</span>, a piece written by
Niblock and recorded in 2011 </span><span style="mso-bidi-font-family:Verdana">by
three different guitar quartets. At MIT, <span style="mso-bidi-font-style:italic">Two
Lips </span>will be played by </span><span style="mso-bidi-font-family:Arial">students
from the Berklee Interdisciplinary Arts Institute under the direction of Neil
Leonard: Yun Yun Huang, Andrew Ikenberry, Jason Lim, Aseem Suri, and William
Wingnall.<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Arial">An introduction by Florian Hecker.<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Arial"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Arial">======<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-right:-1.0in;mso-pagination:none;tab-stops:
495.0pt;mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Arial"><o:p> </o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="mso-bidi-font-family:Helvetica">Fri, March
22, 2013 - 8:00pm, Issue Project Room<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="mso-bidi-font-family:Helvetica">For
Electronics and Instruments: Al Margolis and Phill Niblock<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="mso-bidi-font-family:Helvetica">at 110
Livingston Street., Brooklyn (Greenpoint) Entrance at </span><span style="mso-bidi-font-family:Arial">22 Boerum Place</span><span style="mso-bidi-font-family:Helvetica"><o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;
text-autospace:none"><span style="mso-bidi-font-family:Helvetica">In this
evening of live electronics and instrumentalists, Al Margolis premieres a new
quartet of bassoonist Leslie Ross, trombonist Monique Buzzarté, live video by
Katherine Liberovskaya, and Margolis on laptop. Phill Niblock presents his
now-classic "Sethwork", a duo for laptop and guitar featuring David
Watson.<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Times"><o:p> </o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><span style="mso-bidi-font-family:
Times">=====<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">April 6, 8:15pm - </span><span style="mso-bidi-font-family:Arial">Counterflows
Festival, Glasgow, Scotland, at the CCA</span><span style="mso-bidi-font-family:
Helvetica">, Phill Niblock and Thomas Ankersmit<span style="mso-spacerun:
yes">
</span>http://blog.counterflows.com/<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 3.5in 280.0pt 308.0pt 336.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Helvetica">Counterflows is pleased to present for the last session at the CCA
Counterflows Saturday and as part of the celebrations of Phill Niblock at 80,
this intriguing and exciting duo. Ankersmit will perform a short solo set which
then will lead into the pair performing together and ending with Niblock’s own
music and images filling the CCA auditorium with the intense aural experience
and the visual bombardment of his studies of people at work. The set will
contain older pieces and also completely new work. With a career spanning more
than 40 years, Phill Niblock has not only proven himself as one of the most
preeminent composers of the American musical avantgarde, but also an
accomplished filmmaker and performer.<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:2.25in 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Arial">=======<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:2.25in 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Arial"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin-bottom:12.0pt;mso-pagination:none;mso-layout-grid-align:
none;text-autospace:none"><b><span style="font-family:Verdana;mso-bidi-font-family:
Verdana;color:#2F351B">Amori Water </span></b><span style="font-family:Verdana;
mso-bidi-font-family:Verdana;color:#2F351B">will play at the Listening Gallery,
SFCA [isaw+subtropocs] :: studio 101, 924 Lincoln road, miami beach :: until
May 1, 2013 ::<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:2.25in 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="font-family:Verdana;
mso-bidi-font-family:Verdana;color:#2F351B">“Aomori Water is a sound collage
piece made in 1998, in Aomori Japan. I was in a residency with other artists. A
Japanese sculptor was making a round house and wanted a sound piece to play in
it. I recorded some very gentle waves lapping the beach, for the first part.
And a very small mountain stream, flowing, for the second part. I layered 8
tracks. This was the first work that I did in ProTools.” — Phill Niblock http://turbulence.org/networked_music_review/2013/04/11/phill-niblock-aomori-water/<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:2.25in 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="font-family:Verdana;
mso-bidi-font-family:Verdana;color:#2F351B">=======<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-pagination:none;tab-stops:2.25in 495.0pt;
mso-layout-grid-align:none;text-autospace:none"><span style="mso-bidi-font-family:
Arial"><o:p> </o:p></span></div>
<div class="MsoNormal" style="tab-stops:495.0pt"><o:p> </o:p></div>
<!--EndFragment--></font>