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<div class="MsoNormal"><b><i><span style="font-size:36.0pt;
mso-bidi-font-size:10.0pt;font-family:Helvetica;mso-bidi-font-family:Helvetica">E</span></i></b><b><span style="font-size:26.0pt;mso-bidi-font-size:
10.0pt;font-family:Helvetica;mso-bidi-font-family:Helvetica"> XPERIMENTAL<i> </i></span></b><b><i><span style="font-size:36.0pt;
mso-bidi-font-size:10.0pt;font-family:Helvetica;mso-bidi-font-family:Helvetica">I</span></i></b><b><span style="font-size:36.0pt;mso-bidi-font-size:
10.0pt;font-family:Helvetica;mso-bidi-font-family:Helvetica"> </span></b><b><span style="font-size:26.0pt;mso-bidi-font-size:
10.0pt;font-family:Helvetica;mso-bidi-font-family:Helvetica">NTERMEDIA<o:p></o:p></span></b></div>



<div class="MsoNormal"><b><span style="font-size:20.0pt;mso-bidi-font-size:10.0pt;font-family:
Helvetica;mso-bidi-font-family:Helvetica">The Fortieth Anniversary of EI
performances at 224 Centre Street, The Forty-fifth Anniversary of the Founding
of Experimental Intermedia, the Forty-fifth Anniversary of the 224 Centre
Street loft, and, not least, The Twenty-fourth Annual Festival  with no
fancy name, Part Two (or B)        
       <o:p></o:p></span></b></div>



<div class="MsoNormal"><b><span style="font-size:20.0pt;mso-bidi-font-size:10.0pt;font-family:
Helvetica;mso-bidi-font-family:Helvetica">Phill Niblock, curator  </span></b><span style="font-size:12.0pt;mso-bidi-font-size:10.0pt;font-family:Helvetica;
mso-bidi-font-family:Helvetica">         </span><b><span style="font-size:20.0pt;mso-bidi-font-size:
10.0pt;font-family:Helvetica;mso-bidi-font-family:Helvetica"><o:p></o:p></span></b></div>



<div class="MsoNormal" align="right" style="text-align:right;tab-stops:right 495.0pt 499.5pt"><b><span style="font-size:22.0pt;mso-bidi-font-size:
10.0pt;font-family:Helvetica">March 2014<o:p></o:p></span></b></div>



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mso-bidi-font-size:10.0pt;font-family:Helvetica;mso-bidi-font-family:Arial"> </span></div>



<div class="MsoNormal"><span style="font-size:12.0pt;
mso-bidi-font-size:10.0pt;font-family:Helvetica;mso-bidi-font-family:Arial">Bolsa
Ernesto de Sousa, a memorial fellowship named for the Portuguese Intermedia
Artist, sponsored by the Luso-Americana Foundation and the Fundação Calouste
Gulbenkian, in Lisbon, coordinated by Isabel Alves, presents an intermedia
performance by:  <o:p></o:p></span></div>



<div class="MsoNormal"><b><span style="font-size:12.0pt;mso-bidi-font-size:10.0pt;font-family:
Helvetica;mso-bidi-font-family:Arial">Pedro Sousa (Portugal)               Friday  7<o:p></o:p></span></b></div>



<div class="MsoNormal"><span style="font-size:12.0pt;
mso-bidi-font-size:13.0pt;font-family:Helvetica;mso-bidi-font-family:Arial">A Song
for True: Performance for Plural Larynx: "Using as an inspiration -
Jerry True, an American saxophonist who used an air compressor to be able to
play saxophone following a throat cancer operation, this composition aims at
the experimentation of the saxophone as an unusual medium for the creation of
drone music - exploring the microtonal, reflective and acoustic properties or
differences that are characteristic of these woodwind instruments      </span><span style="font-size:12.0pt;font-family:Helvetica;mso-bidi-font-family:"Times New Roman \(Arabic\)""><a href="http://www.facebook.com/Pedro.Sousa.Musician"><span style="mso-bidi-font-size:
13.0pt;mso-bidi-font-family:Arial;color:windowtext">http://www.facebook.com/Pedro.Sousa.Musician</span></a></span><span style="font-size:12.0pt;mso-bidi-font-size:13.0pt;font-family:Helvetica;
mso-bidi-font-family:Arial"><o:p></o:p></span></div>



<div class="MsoNormal"><span style="font-size:12.0pt;
mso-bidi-font-size:13.0pt;font-family:Helvetica;mso-bidi-font-family:Arial"><a href="https://soundcloud.com/pedro-sousa-a-carajillo"><span style="color:windowtext">https://soundcloud.com/pedro-sousa-a-carajillo</span></a><o:p></o:p></span></div>



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mso-bidi-font-size:10.0pt;font-family:Helvetica"> </span></div>



<div class="MsoNormal"><b><span style="font-size:12.0pt;mso-bidi-font-size:10.0pt;font-family:
Helvetica">Benjamin Thigpen and Stefano Bassanese (USA/Italy/France)           Sunday
9<o:p></o:p></span></b></div>



<div class="MsoNormal"><span style="font-size:12.0pt;
mso-bidi-font-size:10.0pt;font-family:Helvetica">Les Frères Bobine - Paris-based
electroacoustic composers working regularly at GRM and fascinated by electromagnetism
and gesturality; they collaborate on sonic research experiments and perform
instant collective compositions based on newly-invented instruments and (silent)
magnetic feedback loops; they will perform Les Aimants by Stefano Bassanese, malfunction30931 by Benjamin Thigpen, and a new collective work,
Induction<o:p></o:p></span></div>



<div class="MsoNormal"><span style="font-size:12.0pt;
mso-bidi-font-size:10.0pt;font-family:Helvetica"><a href="http://thigpen.free.fr/index.html"><span style="color:windowtext">http://www.benjaminthigpen.net</span></a>;      <a href="http://www.stefanobassanese.eu/"><span style="color:windowtext">http://www.stefanobassanese.eu/</span></a><o:p></o:p></span></div>



<div class="MsoNormal"><span style="font-size:12.0pt;
mso-bidi-font-size:10.0pt;font-family:Helvetica"><a href="https://soundcloud.com/benjamin-thigpen"><span style="color:windowtext">https://soundcloud.com/benjamin-thigpen/sets</span></a>;    <a href="https://soundcloud.com/user4482641"><span style="color:windowtext">https://soundcloud.com/user4482641</span></a><o:p></o:p></span></div>



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mso-bidi-font-size:10.0pt;font-family:Helvetica"> </span></div>



<div class="MsoNormal"><b><span style="font-size:12.0pt;mso-bidi-font-size:10.0pt;font-family:
Helvetica">Sarah Halpern (New York) </span></b><b><span style="font-size:12.0pt;mso-bidi-font-size:21.0pt;font-family:
Helvetica;mso-bidi-font-family:"Arial Narrow"">A Video Presentation</span></b><b><span style="font-size:12.0pt;mso-bidi-font-size:
10.0pt;font-family:Helvetica">                  Monday
10  <o:p></o:p></span></b></div>



<div class="MsoNormal"><span style="font-size:12.0pt;
mso-bidi-font-size:13.0pt;font-family:Helvetica;mso-bidi-font-family:Arial">A
series of collages made with printed text, found images and discarded film,
mounted onto 35mm leader and projected frame by frame through a film strip
projector; each of these new compositions presents the viewer with suggestive
language and imagery, as an experiment in the perception of meaning           <a href="http://sarahhalpern.com/"><span style="color:windowtext">sarahhalpern.com</span></a>  <o:p></o:p></span></div>



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mso-bidi-font-size:10.0pt;font-family:Helvetica"> </span></div>



<div class="MsoNormal" style="margin-bottom:13.3pt;mso-pagination:none;tab-stops:
right 499.5pt;mso-layout-grid-align:none;text-autospace:none"><b><span style="font-size:12.0pt;mso-bidi-font-size:
21.0pt;font-family:Helvetica;mso-bidi-font-family:"Arial Narrow"">Marica
Radojčić Prešić (Belgrade, Serbia)  A Video Presentation                           Tuesday
11</span></b><span style="font-size:12.0pt;mso-bidi-font-size:18.0pt;
font-family:Helvetica;mso-bidi-font-family:Verdana"> </span><span style="font-size:12.0pt;mso-bidi-font-size:21.0pt;font-family:Helvetica;
mso-bidi-font-family:"Arial Narrow"">BRANCHING: - </span><span style="font-size:12.0pt;mso-bidi-font-size:15.0pt;font-family:Helvetica;
mso-bidi-font-family:"Arial Narrow";mso-bidi-font-weight:bold">DIGITAL AMBIENT:
diffracted projections of 3D animations and video, digital sound, sound
effects; </span><span style="font-size:12.0pt;mso-bidi-font-size:16.0pt;
font-family:Helvetica;mso-bidi-font-family:"Arial Narrow"">the artist was
inspired by the tree; experts
and public have found the project as a kind of mathematical poetic ambience through
which public can walk - the tree is one of the oldest symbols with layers of
meanings developed through history; old meanings culminated in the twentieth
century with the mathematical theory of
trees; and the branching
itself, so much more powerful than the human step-by-step traveling through the
crags of its own existence, has a power of growing-up, but also the power of
disappearance – fatal power of Death         http://youtu.be/Hi82udn6Nr4,
http://youtu.be/1e8p3D4JNdU        </span><span style="font-size:12.0pt;mso-bidi-font-size:13.0pt;font-family:Helvetica;
mso-bidi-font-family:Arial"><o:p></o:p></span></div>



<div class="MsoNormal"><b><span style="font-size:12.0pt;mso-bidi-font-size:13.0pt;font-family:
Helvetica;mso-bidi-font-family:Arial">Marco Donnarumma (UK)                 </span></b><b><span style="font-size:12.0pt;mso-bidi-font-size:
10.0pt;font-family:Helvetica">Wednesday 12</span></b><b><span style="font-size:12.0pt;mso-bidi-font-size:13.0pt;font-family:
Helvetica;mso-bidi-font-family:Arial"><o:p></o:p></span></b></div>



<div class="MsoNormal"><span style="font-size:12.0pt;
mso-bidi-font-size:13.0pt;font-family:Helvetica;mso-bidi-font-family:Arial">Biophysical
Music: This concert includes two music performances, Music for Flesh II and
Ominous both for the Xth Sense, a biophysical musical instrument I perform with
since 4 years; in these pieces I create music by literally composing in real
time the sounds emitted by my body muscular tissues; by performing physical,
whole-body gestures, muscle sounds are produced by my limbs, amplified, live
sampled, and diffused through loudspeakers; the natural sound of my flesh and
its virtual counterpart blend together into an unstable sonic object; this is
what I call biophysical music, music that is a joint result of bioacoustic body
mechanisms and physical performance<o:p></o:p></span></div>



<div class="MsoNormal"><span style="font-size:12.0pt;
mso-bidi-font-size:13.0pt;font-family:Helvetica;mso-bidi-font-family:Arial"><a href="http://marcodonnarumma.com/"><span style="color:windowtext">http://marcodonnarumma.com</span></a>       <a href="http://res.marcodonnarumma.com/xth-sense/"><span style="color:windowtext">http://res.marcodonnarumma.com/xth-sense/</span></a><o:p></o:p></span></div>



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mso-bidi-font-size:10.0pt;font-family:Helvetica"> </span></div>



<div class="MsoNormal"><b><span style="font-size:12.0pt;
mso-bidi-font-size:10.0pt;font-family:Helvetica;mso-bidi-font-family:Helvetica">Hallveig
Agustsdottir (Belgium, Iceland)</span></b><b><span style="font-size:12.0pt;mso-bidi-font-size:10.0pt;font-family:Helvetica;
mso-bidi-font-family:Helvetica">                Thursday
13<o:p></o:p></span></b></div>



<div class="MsoNormal"><span style="font-size:12.0pt;
mso-bidi-font-size:10.0pt;font-family:Helvetica;mso-bidi-font-style:italic">From
Graphic Score To Sound Drawing</span><span style="font-size:12.0pt;mso-bidi-font-size:
10.0pt;font-family:Helvetica"> - her
performances are purified reflections on sound and image, finding their roots
in the 'graphic score' as it started to appear in the 1950s in the works of
composers such as J. Cage, E. Brown, and M. Feldman; each drawing leads towards
and is at the same time the immediate result of a new composition; the
improvised communication between artist, computer and musician creates an
environment where sound and image combine and conduct each other - what remains
is a witness; a drawing / a video composition capturing the gesture of drawing,
melody and rhythm; with David Watson, collaboration                 
</span><span style="font-size:12.0pt;mso-bidi-font-size:10.0pt;
font-family:Helvetica;mso-bidi-font-family:"Times New Roman \(Arabic\)""><a href="http://www.hallveiggkagustsdottir.com/"><span style="mso-bidi-font-family:
"Times New Roman";color:windowtext">http://www.hallveiggkagustsdottir.com/</span></a></span><span style="font-size:12.0pt;mso-bidi-font-size:10.0pt;font-family:Helvetica;
mso-bidi-font-style:italic"><o:p></o:p></span></div>



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font-family:Helvetica;mso-bidi-font-family:Courier"> </span></div>



<div class="MsoNormal"><b><span style="font-size:12.0pt;font-family:Helvetica;mso-bidi-font-family:
Courier">SCREEN COMPOSITIONS 10 curated by Katherine Liberovskaya             Saturday
22<o:p></o:p></span></b></div>



<div class="MsoNormal"><span style="font-size:12.0pt;
mso-bidi-font-size:21.0pt;font-family:Helvetica;mso-bidi-font-family:"Arial Narrow"">A
Video Presentation</span><span style="font-size:12.0pt;font-family:Helvetica;
mso-bidi-font-family:Courier"><o:p></o:p></span></div>



<div class="MsoNormal"><span style="font-size:12.0pt;
font-family:Helvetica;mso-bidi-font-family:Courier">Screen Compositions
celebrates its 10th edition this year! as always a collection of intersections
of moving image with sonic art; a program of screen works representing dynamic
two-way collaborations between video/ film artists and sound/ music artists
specifically intended for single-channel projection with no live or performance
component; featuring collaborations by: Carlos Casas / Ghedalia Tazartes;
Bradley Eros / Rachael Guma; Kit Fitzgerald / Peter Gordon; Richard Garet /
Wolfgang Gil; Sarah Halpern / Matt Wellins; Victoria Keddie / Scott Kiernan;
Hedya Klein / Bulbul; Carole Kim / Toshimaru Nakamura + Lewis Keller; Katherine
Liberovskaya / Al Margolis (If,Bwana); Marie Verry / Yvan Etienne<o:p></o:p></span></div>



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font-family:Helvetica;mso-bidi-font-family:Courier"> </span></div>



<div class="MsoNormal" align="center" style="text-align:center;mso-pagination:none;
tab-stops:.5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in right 499.5pt;
mso-layout-grid-align:none;text-autospace:none"><b><span style="font-size:16.0pt;mso-bidi-font-size:10.0pt;font-family:
Helvetica;mso-bidi-font-family:Helvetica">Our programs are supported by the New
York State Council on the Arts, The David & Sylvia Teitelbaum Fund, Inc,
the Aaron Copland Fund for Music, and the Phaedrus Foundation<o:p></o:p></span></b></div>



<div class="MsoNormal"><b><span style="font-size:18.0pt;mso-bidi-font-size:10.0pt;font-family:
Helvetica;mso-bidi-font-family:Helvetica">224 Centre Street at Grand, Third
Floor, N Y 10013       <o:p></o:p></span></b></div>



<div class="MsoNormal"><b><span style="font-size:18.0pt;mso-bidi-font-size:10.0pt;font-family:
Helvetica;mso-bidi-font-family:Helvetica">9pm         212 431 5127, 431
6430<o:p></o:p></span></b></div>



<div class="MsoNormal"><b><span style="font-size:18.0pt;mso-bidi-font-size:10.0pt;font-family:
Helvetica;mso-bidi-font-family:Helvetica">www.experimentalintermedia.org and
www.XIrecords.org<o:p></o:p></span></b></div>



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font-family:Helvetica;mso-bidi-font-family:Courier"> </span></div>


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