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<div class="MsoNormal"><b><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt;font-family:
Helv;mso-bidi-font-family:Helvetica">EXPERIMENTAL INTERMEDIA<o:p></o:p></span></b></div>
<div class="MsoNormal"><b><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:
Helvetica">The Forty-fifth Anniversary of EI performances at 224 Centre Street,
The Fiftieth Anniversary of the Founding of Experimental Intermedia, the
Fiftieth Anniversary of the 224 Centre Street loft, and, not least, The
Twenty-eighth Annual Festival with no fancy name, Part One (or
A) <o:p></o:p></span></b></div>
<div class="MsoNormal"><b><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:
Helvetica">Phill Niblock, curator December
2017<o:p></o:p></span></b></div>
<div class="MsoNormal"><span style="font-size:11.0pt;
mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:Arial"><o:p> </o:p></span></div>
<div class="MsoNormal"><b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:
Helv">Tibor Szemzo and </span></b><b><span style="font-size:11.0pt;mso-bidi-font-size:
12.0pt;font-family:Helv;mso-bidi-font-family:Calibri;mso-bidi-font-style:italic">László
Goz</span></b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;
font-family:Helv;mso-bidi-font-family:Calibri;mso-bidi-font-weight:bold;
mso-bidi-font-style:italic"> </span><b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:Helv"> (Budapest) Monday
11<o:p></o:p></span></b></div>
<div class="MsoNormal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;
font-family:Helv;mso-bidi-font-family:Calibri;mso-bidi-font-weight:bold;
mso-bidi-font-style:italic">Counter/culture Closure Night: Part One</span><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:
"Times New Roman""> - </span><span style="font-size:11.0pt;mso-bidi-font-size:
12.0pt;font-family:Helv;mso-bidi-font-family:Calibri;mso-bidi-font-weight:bold;
mso-bidi-font-style:italic">Experimental Intermedia and Balassi Institute -
Hungarian Cultural Center, New York is co-presenting the first CLOSURE NIGHT of
the Center's COUNTER/CULTURE programming series; to celebrate and wrap-up the
events which were focusing on artistic resistance during the era of state
Socialism in Hungary around the Sixties and Seventies; founders of the
world-renowed Group 180, Tibor Szemzo (visuals, music, narration, flutes) and László
Goz (bass trumpet, sea shells) will give a very special cinematographic
music event paying homage to the Hungarian avantgarde film and music scene of
the given decades and will prepare for the evening with a specially curated,
exclusive program </span><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:
"Times New Roman \(Arabic\)""><a href="http://szemzo.org/en/tibor-szemzo-2/"><span style="mso-bidi-font-family:Calibri;color:windowtext">http://szemzo.org/en/tibor-szemzo-2/</span></a></span><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:
"Times New Roman""><o:p></o:p></span></div>
<div class="MsoNormal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;
font-family:Helv;mso-bidi-font-family:"Times New Roman""><a href="http://www.culturehungary.org/"><span style="mso-bidi-font-family:Calibri;
color:windowtext">http://www.culturehungary.org</span></a><o:p></o:p></span></div>
<div class="MsoNormal"><b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:
Helv">Henry Flynt </span></b><b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:
Arial">(New York) Tuesday
12<o:p></o:p></span></b></div>
<div class="MsoNormal"><span style="font-size:11.0pt;mso-bidi-font-size:
12.0pt;font-family:Helv;mso-bidi-font-family:Times">"You Are My
Everlovin’", for rock electric violin and amplified tambura; Tambura: C.C.
Hennix, playing a Pandit Pran Nath tambura; This is a semi-composed,
semi-improvised duet, it was
premiered in SOHO in June 1981, and the recording of that performance has been
released three times; the piece is literally an alap in the broad sense of the word, that is, a complete
performance without drums; the violin is conventionally tuned and the pedal
point is D; the musical material is wide-ranging—all the same, two gats were at the core of the original
performance; at times, Flynt alludes to Shuddh Todi by tonicizing f#; for the
rest of it, he alludes to various musics outside the European orbit and also to
various compositions of his</span><span style="font-size:11.0pt;mso-bidi-font-size:
12.0pt;font-family:Helv;mso-bidi-font-family:Helvetica"> <a href="http://henryflynt.org/"><span style="mso-bidi-font-family:Times;
color:windowtext">henryflynt.org</span></a></span><span style="font-size:11.0pt;
mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:Times">; <a href="http://www.recorded.com/releases/003.html"><span style="color:windowtext">http://www.recorded.com/releases/003.html</span></a></span><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:
Helvetica">; <a href="https://www.superiorviaduct.com/collections/upcoming/products/henry-flynt-you-are-my-everlovin-cd"><span style="color:windowtext">https://www.superiorviaduct.com/collections/upcoming/products/henry-flynt-you-are-my-everlovin-cd</span></a></span><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:Helv">everlovin-cd</span><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:
Helvetica"><o:p></o:p></span></div>
<div class="MsoNormal"><b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:
Helv">Paula Matthusen and Seth Cluett </span></b><b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:
Helv;mso-bidi-font-family:Arial">(Conn, New York) </span></b><b><span style="font-size:11.0pt;mso-bidi-font-size:
12.0pt;font-family:Helv">Wednesday 13<o:p></o:p></span></b></div>
<div class="MsoNormal"><span style="font-size:11.0pt;
mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:Helvetica">For
their first performance together, Paula Matthusen and Seth Cluett will fill a
table with transduced tubes, 3D printed shapes, amplified objects, and cassette
recorders; feedback will be used to explore spaces large and small while
software and hardware instruments capture sound as a material to be sculpted in
time; both are composers, artists, and performers in equal and sometime not
equal parts, so no particular preference will be given to whether the sounds
are loud or soft or short or long but a great deal of attention will almost
certainly be paid to listening in the moment<o:p></o:p></span></div>
<div class="MsoNormal"><span style="font-size:11.0pt;
mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:"Times New Roman \(Arabic\)""><a href="http://www.onelonelypixel.org/"><span style="color: windowtext;">http://www.onelonelypixel.org</span></a></span><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:
Helvetica"> <a href="http://vimeo.com/sethcluett"><span style="color: windowtext;">http://vimeo.com/sethcluett</span></a>
<a href="http://soundcloud.com/sethcluett"><span style="color: windowtext;">http://soundcloud.com/sethcluett</span></a> <u>http://www.paulamatthusen.com/</u></span><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:Helv"><o:p></o:p></span></div>
<div class="MsoNormal"><b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:
Helv;mso-bidi-font-family:Arial">Bernd Klug (New York) </span></b><b><span style="font-size:11.0pt;mso-bidi-font-size:
12.0pt;font-family:Helv;mso-bidi-font-family:Helvetica"> Thursday
14<o:p></o:p></span></b></div>
<div class="MsoNormal"><span style="font-size:11.0pt;
mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:Helvetica">‘sides-
systems under test’ is a live sound work based on ongoing research about the
physical impact of societies as acoustic properties; it traces the question of
what happens if we temporally, spatially and intellectually feedback our lack
of control over the world; maybe void and silence are not too far apart and
active listening can be an information session about our inabilities, a benefit
for our crumbled actions, a funeral party for lost dreams and a launch of
attempts and approaches<o:p></o:p></span></div>
<div class="MsoNormal"><u><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:
Helvetica">http://klug.klingt.org</span></u><span style="font-size:11.0pt;
mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:Helvetica"><o:p></o:p></span></div>
<div class="MsoNormal" style="margin-right:-.5in;mso-pagination:none;tab-stops:
right 7.0in;mso-layout-grid-align:none;text-autospace:none"><b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:
Helvetica">David Lee Myers (New York)
Friday 15<o:p></o:p></span></b></div>
<div class="MsoNormal"><span style="font-size:11.0pt;mso-bidi-font-size:
12.0pt;font-family:Helv;mso-bidi-font-family:Helvetica">CD release party and
performance by Myers, who sometimes works under the name Arcane Device; the
album “Ether Music” is produced by the new music champion Starkland label; he
will be performing his signature “Feedback Music” on decades-evolving
matrix-mixed sound processors accompanied by projected lissajou graphics
created directly from his sounds; marking the 30th anniversary of Feedback
Music, this is Myers’ only performance this year! www.pulsewidth.com https://www.youtube.com/watch?v=Ytqotxofy6Q https://davidleemyers.bandcamp.com<o:p></o:p></span></div>
<div class="MsoNormal"><b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:
Helv">Michael Schumacher (New York)
Sunday
17 <o:p></o:p></span></b></div>
<div class="MsoNormal"><span style="font-size:11.0pt;
mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:"Helvetica Neue"">The
Portable Multi-Channel Sound System is a musical instrument designed
specifically for Michael J. Schumacher’s spatialized compositions; building on
the pioneering work of composers such as Alvin Lucier and Maryanne Amacher,
presentations explore the relationship between musical form and architectural
space and how this relationship can inform listening; combining installation
and performance, algorithmic composition and improvisation, this goes beyond
acoustics to the way people inhabit and use spaces, creating paradigms for
listening and formal expectations </span><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:
Helvetica"><a href="http://michaeljschumacher.com/PM-CSS"><span style="color:windowtext">http://michaeljschumacher.com/PM-CSS</span></a></span><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:Helv"><o:p></o:p></span></div>
<div class="MsoNormal"><b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:
Helvetica">Lucie Vítková (Czech Republic/New York) </span></b><b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:
Helv">Monday 18 </span></b><b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:
Helvetica"><o:p></o:p></span></b></div>
<div class="MsoNormal"><span style="font-size:11.0pt;mso-bidi-font-size:
12.0pt;font-family:Helv;mso-bidi-font-family:Helvetica;mso-bidi-font-style:
italic">MUSIC DOMESTIC</span><span style="font-size:11.0pt;mso-bidi-font-size:
12.0pt;font-family:Helv;mso-bidi-font-family:Helvetica"> is an album, released
on the New York label Bánh Mì Verlag in March 2017; it is a series of
performances focused on domestic space; in each piece, an automatic domestic
instrument such as vacuum cleaner, kettle, washing machine, toilet, shower,
heating and fans is played together with 2 accordions, hichiriki, voice,
harmonica, objects and electronics; the music aesthetics are derived from a
gentle manipulation of the domestic instruments, followed by my set of
instruments; I am going to play four pieces from this album live, with the
domestic instruments found at the venue <a href="https://soundcloud.com/banhmiverlag/lucie-vitkova-music-domestic-excerpt"><span style="color:windowtext">https://soundcloud.com/banhmiverlag/lucie-vitkova-music-domestic-excerpt</span></a><o:p></o:p></span></div>
<div class="MsoNormal"><b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:
Helv;mso-bidi-font-family:Arial">Yasunao Tone (New York) Tuesday
19<o:p></o:p></span></b></div>
<div class="MsoNormal"><span style="font-size:11.0pt;
mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:Helvetica">He
has collaborated with Prof. Tony Myatt, University of Surrey UK, and a team of
researchers including Dr. Paul Modler, with the support of the ISSUE Project
Room in 2016; a series of performances using Tone’s MP3 Deviation software were
captured in a laboratory then used to train Kohoen Neural Networks to develop
artificial intelligences that can simulate several of his performance approaches;
the AIs are integrated in a software framework and computer performance system
that extracts attributes from the audio they generate to “listen” to the output
and make performance actions as if they were virtual Tone performers; five
versions of Tone AI exist in the performance software, each of which exhibits
certain responses modeled on those previously adopted by Tone; in performance,
Tone will deviate and control AI versions of himself along with the mechanisms
that each AI uses to hear and respond to the audio they generate; deviating and
corrupting the technologies designed to simulate his own performances,
deviating and interacting live with AI versions of himself as performer;
special guest artist, Ami Yamasaki, outstanding voice performance artist</span><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:
Arial"> www.</span><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:
Verdana">Google him</span><span style="font-size:11.0pt;mso-bidi-font-size:
12.0pt;font-family:Helv;mso-bidi-font-family:Arial"><o:p></o:p></span></div>
<div class="MsoNormal" align="center" style="text-align:center;mso-pagination:none;
tab-stops:28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt right 7.0in;
mso-layout-grid-align:none;text-autospace:none"><b><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:
Helv;mso-bidi-font-family:Helvetica">Our programs are supported by The David
& Sylvia Teitelbaum Fund, Inc, the Aaron Copland Fund for Music, the
Phaedrus Foundation, and the New York State Council on the Arts with the
support of Governor Andrew Cuomo and the New York State Legislature<o:p></o:p></span></b></div>
<div class="MsoNormal"><b><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt;font-family:
Helv;mso-bidi-font-family:Helvetica">224 Centre Street at Grand, Third Floor, N
Y 10013 212 431 5127, 431 6430<o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height:12.0pt;mso-line-height-rule:exactly;
mso-pagination:none;tab-stops:.5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in right 7.0in;
mso-layout-grid-align:none;text-autospace:none"><b><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt;font-family:
Helv;mso-bidi-font-family:Helvetica">www.experimentalintermedia.org and
www.XIrecords.org 9pm<o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height:12.0pt;mso-line-height-rule:exactly;
mso-pagination:none;tab-stops:.5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in right 7.0in;
mso-layout-grid-align:none;text-autospace:none"><b><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt;font-family:
Helv;mso-bidi-font-family:Helvetica"><o:p> </o:p></span></b></div>
<div class="MsoNormal"><b><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt;font-family:
Helv;mso-bidi-font-family:Arial">Phill Niblock at Roulette for Six Hours of
Music and Film on Thursday, December 21, from 6pm to midnight - the Winter
Solstice </span></b><b><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-bidi-font-family:Helvetica"><o:p></o:p></span></b></div>
<div class="MsoNormal"><b><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt;font-family:
Helv;mso-bidi-font-family:Helvetica">Roulette Intermedium, Inc, 509 Atlantic
Ave, Brooklyn, New York 11217, www.roulette.org<o:p></o:p></span></b></div>
<div class="MsoNormal"><span style="font-family:Helv;mso-bidi-font-family:
Arial"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin-right:-4.45pt;line-height:12.0pt;mso-line-height-rule:
exactly;mso-pagination:none;tab-stops:.5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in right 428.2pt left 6.0in 450.5pt right 7.0in;
mso-layout-grid-align:none;text-autospace:none"><b>XI CDs are now available for sale on the www.XI Records.org website:<o:p></o:p></b></div>
<div class="MsoNormal" style="margin-right:-4.45pt;mso-pagination:none;tab-stops:
.5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in right 428.2pt left 6.0in 450.5pt right 7.0in;
mso-layout-grid-align:none;text-autospace:none">Phill Niblock - Four Full Flutes (XI 101); Lois V Vierk - Simoom (XI
102); Guy Klucevsek - Flying Vegetables Of The Apocalypse (XI 104); David
Behrman - Unforeseen Events (XI 105); Tom Johnson - Music For 88 (XI 106); Mary Jane Leach - Celestial
Fires (XI 107); Fast Forward -
Same Same (XI 108); Ellen Fullman - Body Music (XI 109); Jackson Mac Low - Open
Secrets (XI 110); Phill Niblock - Music By Phill Niblock (XI 111); Allison
Cameron - Raw Sangudo (XI 112); Daniel Goode - Clarinet Songs (XI 113); Mary
Ellen Childs - Kilter (XI 114); Richard Lainhart - Ten Thousand Shades Of Blue
(XI 115); Peter Zummo - Experimenting With Household Chemicals (XI 116); Logos
Duo - Logos Works (XI 117); Annea Lockwood/Ruth Anderson - Sinopah (XI 118);
Eliane Radigue - Trilogie De La Mort (XI 119); Malcolm Goldstein - The Seasons:
Vermont (XI 120); Phill Niblock - YPGPN (XI 121); Paul Panhuysen - Partitas For
Long Strings (XI 122); Tom Johnson - The Chord Catalogue (XI 123); Ellen Band - 90% Post
Consumer Sound (XI 124); Philip
Corner - 40 Years And One (XI
125); Gen Ken Montgomery - Pondfloorsample (XI 126); Michael J. Schumacher -
Room Pieces (XI 127); Alan Licht
- A New York Minute (XI 128); David Behrman - My Dear Siegfried (XI 129);
Warren Burt - The Animation Of Lists And The Archytan Transpositions (XI 130);
Matt Rogalsky - Memory Like Water (XI 131); David Watson - Fingering An Idea
(XI 132); Michael J. Schumacher - Five Sound Installations (XI 133) (Dvd-Rom);
David First – Privacy Issue (XI 134); Charlie Morrow – Toot! (XI 135); Michael
Vincent Waller – The South Shore (XI 136); Ulrich Krieger -/RAW:ReSpace/ (XI
137); Dan Joseph - Electroacoustic <o:p></o:p></div>
<div class="MsoNormal" style="margin-right:-4.45pt;mso-pagination:none;tab-stops:
.5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in right 428.2pt left 6.0in 450.5pt right 7.0in;
mso-layout-grid-align:none;text-autospace:none">Works (XI 138) Coming Soon:
Releases By Leslie Ross (XI 140),
Tom Chiu (XI 141)<o:p></o:p></div>
<div class="MsoNormal"><b><span style="font-family:Helv;mso-bidi-font-family:Cambria">Amnon
Wolman/Neil Leonard - Security Vehicles Only (XI 139) – Our first digital only
release. Recorded live at Experimental Intermedia performance. Available on
bandcamp as well as through most digital outlets (iTunes etc)<o:p></o:p></span></b></div>
<div class="MsoNormal"><b><span style="font-family:Helv;mso-bidi-font-family:Cambria">The
cover art and full notes for the release will be on the </span></b><b><span style="font-size:14.0pt;mso-bidi-font-size:
12.0pt;font-family:Helv;mso-bidi-font-family:Helvetica">www.experimentalintermedia.org
website, and in a form to print and place into a burned CD case</span></b><span style="font-family:Helv"><o:p></o:p></span></div>
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