<font color='black' size='3' face='Verdana, Arial, Helvetica, sans-serif'>Please do not reply to this address, but to pniblock@compuserve.com
<div><br>
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<div class="MsoNormal"><b><span style="font-size:24.0pt;mso-bidi-font-size:12.0pt;mso-bidi-font-family:
Helvetica">EXPERIMENTAL INTERMEDIA<o:p></o:p></span></b></div>
<div class="MsoNormal"><b>The Forty-fifth Anniversary of EI
performances at 224 Centre Street, The Fithtieth Anniversary of the Founding of
Experimental Intermedia, the Fiftieth Anniversary of the 224 Centre Street
loft, and, not least, The Twenty-eight Annual Festival with no fancy
name, Part Two (or B) Phill Niblock,
curator </b><b><span style="font-size:16.0pt;mso-bidi-font-size:
12.0pt;mso-bidi-font-family:Helvetica">March 2018<o:p></o:p></span></b></div>
<div class="MsoNormal"><b> </b></div>
<div class="MsoNormal"><b><span style="font-family:Helv;mso-bidi-font-family:"Times New Roman \(Arabic\)"">Jim
Denley (Australia)
Friday 2 <o:p></o:p></span></b></div>
<div class="MsoNormal"><span style="font-family:Helv;
mso-bidi-font-family:"Times New Roman \(Arabic\)"">The Ditch: David Watson
(guitar and bagpipes) and Mij Yelned (Australia, prepared bass flute and alto
sax) and Chris Mann (voice and text); Chris and Mij formed Machine for Making
Sense in the late 1980’s, Chris in Melbourne and Mij in Sydney; Mij and David
first played together in Sydney in the 1990s — making “Bit Part Actor” (Braille
Records) together with Mij’s other Machine for Making Sense colleagues and Ikue
Mori; David has resided in NYC since 1987 and often playing with Chris; Mij and
David have occasionally met on David’s trips downunder, when he crosses The
Ditch (Tasman Sea) to perform in Sydney; they’ve only played all
together once – NYC sometime in the early 2000s?<o:p></o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;
mso-bidi-font-family:"Times New Roman \(Arabic\)""><a href="http://theuse.info/"><span style="color:windowtext">http://theuse.info/</span></a>
<a href="https://soundcloud.com/jim-denley"><span style="color:windowtext">https://soundcloud.com/jim-denley</span></a><o:p></o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;
mso-bidi-font-family:"Times New Roman \(Arabic\)""><a href="https://xirecords.bandcamp.com/album/fingering-an-idea"><span style="color:windowtext">https://xirecords.bandcamp.com/album/fingering-an-idea</span></a> <a href="http://www.splitrec.com/"><span style="color:windowtext">www.splitrec.com</span></a><o:p></o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;
mso-bidi-font-family:"Times New Roman \(Arabic\)""><o:p> </o:p></span></div>
<div class="MsoNormal"><b><span style="font-family:Helv;mso-bidi-font-family:"Times New Roman \(Arabic\)"">Nate
Wooley (New York) and Nicola L. Hein (Berlin) Sunday 4<o:p></o:p></span></b></div>
<div class="MsoNormal"><span style="font-family:Helv;
mso-bidi-font-family:"Times New Roman \(Arabic\)"">The trumpet player and
guitarist will follow a philosophical question and play a conceptual
composition - What is skeptic improvisation? The question of what it
means to be skeptical about improvisation and to be an improvising skeptic will
be followed; it is the scepticism of the musicians regarding destiny, habitus,
certainties, playing and the sense-games of musical action; the composition
serves to irritate the players and their certainties; it is about the challenge
of thinking, the aesthetic thinking about thinking with the means of
improvised music,, playing around and with the limits of musical
thought; revolving around the impossibility of an hyperbolic skepsis,
watching the certainties arise on their own, which Nietzsche and Wittgenstein
understood as an inherent feature of (musical) grammar; the aim is the
idiosyncratic aesthetics of the sceptic musical act<o:p></o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;mso-bidi-font-family:"Times New Roman \(Arabic\)""><a href="http://natewooley.com/"><span style="mso-bidi-font-family:Helvetica;
color:windowtext">http://natewooley.com/</span></a></span><span style="font-family:Helv;mso-bidi-font-family:Helvetica"> <a href="https://nicolahein.com/"><span style="color:windowtext">https://nicolahein.com/</span></a><o:p></o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;mso-bidi-font-family:Helvetica"><o:p> </o:p></span></div>
<div class="MsoNormal"><b><span style="font-family:Helv;mso-bidi-font-family:"Times New Roman \(Arabic\)"">Abigail
Child (New York) A Video Event
Thursday 15<o:p></o:p></span></b></div>
<div class="MsoNormal"><span style="font-family:Helv;
mso-bidi-font-family:"Times New Roman \(Arabic\)"">“A BRACE OF SHAKES”—A
selection of short films (16mm and digital) from across three decades,
exhibiting "a playful musicality and poetic and rigorous
compression…working against the manufactured ambush that images have in store;”
Child has long created a subtle form of agitprop, exploring
issues of gender and class through montage, with a fearless sense of
structure and unself-conscious delight in the visual; she has worked with
downtown musicians including John Zorn, Sylvie Courvoisier, Mark Feldman,
Andrea Parkins and Marty Ehrlich, all of whose music will befeatured in the
films shown tonight <a href="http://www.abigailchild.com/"><span style="color:windowtext">www.abigailchild.com</span></a><o:p></o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;
mso-bidi-font-family:"Times New Roman \(Arabic\)""><o:p> </o:p></span></div>
<div class="MsoNormal"><b><span style="font-family:Helv;mso-bidi-font-family:"Times New Roman \(Arabic\)"">Perry
Bard (New York) A Video Event
Friday 16<o:p></o:p></span></b></div>
<div class="MsoNormal"><span style="font-family:Helv;mso-bidi-font-family:Helvetica">A
program of timely political shorts from 1997 to the present dealing with Nazis,
heightened security, immigration, and war; No Flak, </span><span style="font-family:Helv;mso-bidi-font-family:
Arial">a recent text animation in collaboration with Richard Sullivan,</span><span style="font-family:Helv;mso-bidi-font-family:Helvetica"> links the
attitudes of Dada and Theatre of the Absurd to the current administration
referencing the despotic King Ubu, 1984, and Jonathan Crary's 24/7:
Capitalism and the End of Sleep; f</span><span style="font-family:Helv;
mso-bidi-font-family:Arial">ollowed by a crowdsourced version of Dziga Vertov's
1929 masterpiece, Man With A Movie Camera: The Global Remake<o:p></o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;mso-bidi-font-family:"Times New Roman \(Arabic\)""><a href="http://www.perrybard.net/"><span style="mso-bidi-font-family:Helvetica;
color:windowtext">www.perrybard.net</span></a></span><span style="font-family:
Helv;mso-bidi-font-family:Helvetica">. <a href="http://dziga.perrybard.net/"><span style="color:windowtext">dziga.perrybard.net</span></a>
archived at <o:p></o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;mso-bidi-font-family:Futura"><a href="http://rhizome.org/art/artbase/artwork/man-with-a-movie-camerathe-global-remake/"><span style="color:windowtext">http://rhizome.org/art/artbase/artwork/man-with-a-movie-camerathe-global-remake/</span></a><o:p></o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;mso-bidi-font-family:Futura"><o:p> </o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;mso-bidi-font-family:Futura"><o:p> </o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;mso-bidi-font-family:Futura"><o:p> </o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;mso-bidi-font-family:Futura"><o:p> </o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;mso-bidi-font-family:Futura"><o:p> </o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;mso-bidi-font-family:Futura"><o:p> </o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;mso-bidi-font-family:Futura"><o:p> </o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;mso-bidi-font-family:Futura"><o:p> </o:p></span></div>
<div class="MsoNormal"><b><span style="font-family:Helv;mso-bidi-font-family:"Times New Roman \(Arabic\)"">Pierre
Marietan (Paris) A Video Event
Sunday 18<o:p></o:p></span></b></div>
<div class="MsoNormal"><span style="font-family:Helv;mso-bidi-font-family:Helvetica">This
is an invitation for you to use your power of ubiquity; it is proposed here
with the transfer of a distant world to the moment of your listening and gaze
onto the present; I have traveled the World and captured 32 short visual
sequences and recorded and retained 37 audio situations; with these
elements I have composed a set juxtaposing/superimposing images and music
independently from each other, leaving the freedom of interpretation between
sight and sound up to the spectator; it is by this perceptible process that the
gift of ubiquity is acquired ttps://pierremarietan.wordpress.com/<o:p></o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;mso-bidi-font-family:Helvetica;
mso-bidi-font-style:italic">RencontreArchitecturemusiqueecologie.co<o:p></o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;mso-bidi-font-family:Helvetica"><o:p> </o:p></span></div>
<div class="MsoNormal"><b><span style="font-family:Helv;mso-bidi-font-family:"Times New Roman \(Arabic\)"">Screen
Compositions 14, curated by Katherine Liberovskaya A Video Event Monday 19<o:p></o:p></span></b></div>
<div class="MsoNormal"><span style="font-family:Helv;
mso-bidi-font-family:Helvetica">For the 14th year, Screen Compositions brings
you, as every time, a collection of intersections of moving image with sonic
art; a program of screen works representing dynamic two-way
collaborations between video/film artists and sound/music artists specifically
intended for single-channel projection with no live or performance component;
featuring collaborations by: Charlotte Clermont / Alain Lefebvre ; Katherine
Liberovskaya / Ranjit Bhatnagar ; Francesca Llopis / Barbara Held ; Milosz
Luczynski / Marek Choloniewski ; Noriko Nakano / Akio Mokuno with Hitomi Honda
; Rob Parrish / Richard Chartier ; Emily Pelstring / Katherine Kline ; Lorenzo
Sanjuan / Bob Bellerue ; Jorge Simonet / Francisco Lopez ; Beth Warshafsky /
Gerry Hemingway<o:p></o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;
mso-bidi-font-family:"Times New Roman \(Arabic\)""><o:p> </o:p></span></div>
<div class="MsoNormal"><b><span style="font-family:Helv;mso-bidi-font-family:Helvetica">Bettina Wenzel
(Germany) Wednesday 21<o:p></o:p></span></b></div>
<div class="MsoNormal"><span style="font-family:Helv;mso-bidi-font-family:Helvetica">Elastic
materials are stretchable, over-stretchable and mostly unbreakable; a vocal
research based on that principle leads to fall-out frequencies and wanted side
effects that provide the main sound material for an ongoing research; unadulterated
and therefore natural, the resonating body generates extreme - minimal and
maximal - sound vibrations instantly shaped into musical structures; this can
be done in the way of a sculptor and by accepting the uncontrollable part; one
of the most recent results is "head oscillator", a serie of
productive voice glitches <a href="http://soundcloud.com/bettina-wenzel"><span style="color:windowtext">http://soundcloud.com/bettina-wenzel</span></a>,
<a href="http://www.wenzelvoice.de/"><span style="color:windowtext">http://www.wenzelvoice.de</span></a><o:p></o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;mso-bidi-font-family:Helvetica"><o:p> </o:p></span></div>
<div class="MsoNormal"><b><span style="font-family:Helv;mso-bidi-font-family:"Times New Roman \(Arabic\)"">Guy
De Bievre (Brussels)
Thursday 22<o:p></o:p></span></b></div>
<div class="MsoNormal"><span style="font-family:Helv;
mso-bidi-font-family:"Times New Roman \(Arabic\)"">Drone Shyness, version for
trombone and lap steel guitar; is a study of the becoming or not becoming of
drone, investigating how much change and interruption "drone
music" can tolerate before it becomes something else; with Peter Zummo,
trombone<o:p></o:p></span></div>
<div class="MsoNormal"><u><span style="font-family:
Helv;mso-bidi-font-family:"Times New Roman \(Arabic\)"">www.guydebievre.org
https://en.wikipedia.org/wiki/Peter_Zummo<o:p></o:p></span></u></div>
<div class="MsoNormal"><span style="font-family:Helv;
mso-bidi-font-family:"Times New Roman \(Arabic\)""><o:p> </o:p></span></div>
<div class="MsoNormal"><b><span style="font-family:Helv;mso-bidi-font-family:"Times New Roman \(Arabic\)"">Clarence
Barlow (Santa Barbara, Barcelona) Friday 23<o:p></o:p></span></b></div>
<div class="MsoNormal"><span style="font-family:Helv;
mso-bidi-font-family:"Times New Roman \(Arabic\)"">Since about thirty years
ago, the composer has been making films to accompany or illustrate his music;
the video component is either based on the compositional principle of the
music, or based on visual material by other artists, from film archives, or
recorded on site </span><u><span style="font-family:Helv;mso-bidi-font-family:
Helvetica">www.clarlow.org<o:p></o:p></span></u></div>
<div class="MsoNormal"><span style="font-family:Helv;
mso-bidi-font-family:"Times New Roman \(Arabic\)""><o:p> </o:p></span></div>
<div class="MsoNormal"><b><span style="font-family:Helv;mso-bidi-font-family:"Times New Roman \(Arabic\)"">Ricardo
Arias (Colombia) and Judy Dunaway (US) - Sunday 25<o:p></o:p></span></b></div>
<div class="MsoNormal"><span style="font-family:Helv;
mso-bidi-font-family:"Times New Roman \(Arabic\)"">Both have separately specialized in free improvisation
and experimental music on<o:p></o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;
mso-bidi-font-family:"Times New Roman \(Arabic\)"">the latex balloon for
decades, making it their main instrument; Arias’ background as a percussionist
led him to develop the "balloon kit"("batería global”), and
Dunaway’s<o:p></o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;
mso-bidi-font-family:"Times New Roman \(Arabic\)"">background as a guitarist
led her to approach each size and shape of<o:p></o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;
mso-bidi-font-family:"Times New Roman \(Arabic\)"">balloon as a solo
instrument; they will combine their expertise to expand and explore the details
of their shared world and present heretofore unimagined sonic landscapes; this
concert marks the first meeting of these two avant-garde virtuosi<o:p></o:p></span></div>
<div class="MsoNormal"><span style="font-family:Helv;
mso-bidi-font-family:"Times New Roman \(Arabic\)""><a href="http://www.judydunaway.com/judy-dunaway-and-ricardo-arias-duets.html"><span style="color:windowtext">http://www.judydunaway.com/judy-dunaway-and-ricardo-arias-duets.html</span></a></span><o:p></o:p></div>
<div class="MsoNormal" align="center" style="text-align:center;mso-pagination:none;
tab-stops:28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt right 7.0in;
mso-layout-grid-align:none;text-autospace:none"><b><span style="font-size:10.0pt;mso-bidi-font-size:12.0pt;mso-bidi-font-family:
Helvetica">Our programs are supported by The David & Sylvia Teitelbaum
Fund, Inc, the Aaron Copland Fund for Music, the Phaedrus Foundation, and the
New York State Council on the Arts with the support of Governor Andrew Cuomo
and the New York State Legislature<o:p></o:p></span></b></div>
<div class="MsoNormal" align="center" style="text-align:center;mso-pagination:none;
tab-stops:28.3pt 56.65pt 85.0pt 113.35pt 141.7pt 170.05pt 198.4pt 226.75pt 255.1pt 283.45pt 311.8pt 340.15pt right 7.0in;
mso-layout-grid-align:none;text-autospace:none"><b><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-bidi-font-family:
Helvetica">224 Centre Street at Grand, Third Floor, N Y 10013 212
431 5127, 431 6430<o:p></o:p></span></b></div>
<div class="MsoNormal" align="center" style="text-align:center;line-height:12.0pt;
mso-line-height-rule:exactly;mso-pagination:none;tab-stops:.5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in right 7.0in;
mso-layout-grid-align:none;text-autospace:none"><b><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-bidi-font-family:
Helvetica">www.experimentalintermedia.org and
www.XIrecords.org 9pm<o:p></o:p></span></b></div>
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<div class="MsoNormal" style="line-height:12.0pt;mso-line-height-rule:exactly;
mso-pagination:none;tab-stops:.5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in right 7.0in;
mso-layout-grid-align:none;text-autospace:none"><b><span style="font-family:Helv"><o:p> </o:p></span></b></div>
<div class="MsoNormal" style="line-height:12.0pt;mso-line-height-rule:exactly;
mso-pagination:none;tab-stops:.5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in right 7.0in;
mso-layout-grid-align:none;text-autospace:none"><b><span style="font-family:Helv"><o:p> </o:p></span></b></div>
<div class="MsoNormal" style="line-height:12.0pt;mso-line-height-rule:exactly;
mso-pagination:none;tab-stops:.5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in right 7.0in;
mso-layout-grid-align:none;text-autospace:none"><b><span style="font-family:Helv"><o:p> </o:p></span></b></div>
<div class="MsoNormal" style="line-height:12.0pt;mso-line-height-rule:exactly;
mso-pagination:none;tab-stops:.5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in right 7.0in;
mso-layout-grid-align:none;text-autospace:none"><b><span style="font-family:Helv"><o:p> </o:p></span></b></div>
<div class="MsoNormal" style="line-height:12.0pt;mso-line-height-rule:exactly;
mso-pagination:none;tab-stops:.5in 1.0in 1.5in 2.0in 2.5in 3.0in 3.5in 4.0in 4.5in 5.0in 5.5in 6.0in right 7.0in;
mso-layout-grid-align:none;text-autospace:none"><b><span style="font-family:Helv">XI CDs are now available for sale on the
www.XI Records.org website:</span></b><b><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt;mso-bidi-font-family:Helvetica"><o:p></o:p></span></b></div>
<div class="MsoNormal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;
font-family:Helv;mso-bidi-font-family:Courier">Phill Niblock - Four Full Flutes
(XI 101); Lois V Vierk - Simoom (XI 102); Guy Klucevsek - Flying Vegetables Of
The Apocalypse (XI 104); David Behrman - Unforeseen Events (XI 105); Tom
Johnson - Music For 88 (Xi 106); Mary Jane Leach - Celestial Fires (Xi 107);
Fast Forward - Same Same (XI 108); Ellen Fullman - Body Music (XI 109); Jackson
Mac Low - Open Secrets (XI 110); Phill Niblock - Music By Phill Niblock (XI
111); Allison Cameron - Raw Sangudo (XI 112); Daniel Goode - Clarinet Songs (XI
113); Mary Ellen Childs - Kilter (XI 114); Richard Lainhart - Ten Thousand
Shades Of Blue (XI 115); Peter Zummo - Experimenting With Household Chemicals
(XI 116); Logos Duo - Logos Works (XI 117); Annea Lockwood/Ruth Anderson -
Sinopah (XI 118); Eliane Radigue - Trilogie De La Mort (XI 119); Malcolm
Goldstein - The Seasons: Vermont (XI 120); Phill Niblock - YPGPN (XI 121); Paul
Panhuysen - Partitas For Long Strings (XI 122); Tom Johnson - The Chord
Catalogue (XiI 123); Ellen Band - 90% Post Consumer Sound (Xi 124); Philip
Corner - 40 Years And One (Xi 125); Gen Ken Montgomery - Pondfloorsample (XI
126); Michael J. Schumacher - Room Pieces (Xi 127); Alan Licht - A New York
Minute (XI 128); David Behrman - My Dear Siegfried (XI 129); Warren Burt - The
Animation Of Lists And The Archytan Transpositions (XI 130); Matt Rogalsky -
Memory Like Water (XI 131); David Watson - Fingering An Idea (XI 132); Michael
J. Schumacher - Five Sound Installations (XI 133) (Dvd-Rom); David First –
Privacy Issue (XI 134); Charlie Morrow – Toot! (XI 135); Michael Vincent Waller
– The South Shore (XI 136); </span><span style="font-size:11.0pt;mso-bidi-font-size:
12.0pt;font-family:Helv;mso-bidi-font-family:Arial">Ulrich Krieger
-/RAW:ReSpace/ (XI 137); Dan Joseph - Electroacoustic <o:p></o:p></span></div>
<div class="MsoNormal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;
font-family:Helv;mso-bidi-font-family:Arial">Works (XI 138) Coming Soon:
Releases By Leslie Ross (XI 139), Tom Chiu (XI 140)<o:p></o:p></span></div>
<div class="MsoNormal"><span style="font-size:11.0pt;mso-bidi-font-size:12.0pt;
font-family:Helv;mso-bidi-font-family:Arial">The Following Releases Are 2 Cds
For The Price Of 1: XI 115, XI 121, XI 126, XI 127, XI 128, XI 129, XI 130, XI
131, XI 132, XI 136, XI 137, XI 138; The Following Releases Are 3 Cds For The
Price Of 2: XI 119, XI 134, XI 135<o:p></o:p></span></div>
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