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<div class="MsoNormal"><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt">Hi,
from </span><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt"><span style="mso-no-proof:yes">Phill Niblock<font size="3"> (please respond to this email to - pniblock@compuserve.com)</font></span></span><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt"></span></div>
<div class="MsoNormal"><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt"> </span></div>
<div class="MsoNormal"><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt">This
will be the first time, ever, that everyone in the world, with an internet
connection, can see/hear this concert</span></div>
<div class="MsoNormal"><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt">Maybe
there is a blessing in the pandemic, after<font size="3"> </font>all</span></div>
<div class="MsoNormal"><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt"> </span></div>
<div class="MsoNormal"><b style="mso-bidi-font-weight:normal"><span style="font-size:18.0pt;mso-bidi-font-size:12.0pt">My short announcement of the
Roulette December 21 2020 concert:</span></b><b style="mso-bidi-font-weight:normal"><span style="font-size:16.0pt;mso-bidi-font-size:12.0pt"></span></b></div>
<div class="MsoNormal"> </div>
<div class="MsoNormal"><span style="font-size:16.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:Cambria;mso-bidi-theme-font:minor-latin">I
am playing at Roulette in NY, in my yearly December 21, Winter Solstice
concert, six hours of music never before played at Roulette, most of them New
York premiers, and many World premiers; there are another 3 to 6 hours of
pieces, not played at Roulette, which would not fit in the program; the concert
will be recorded and available after December 21 - roulette.org</span></div>
<div class="MsoNormal"><span style="font-size:16.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:Cambria;mso-bidi-theme-font:minor-latin"> </span></div>
<div class="MsoNormal"><span style="font-size:16.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:Cambria;mso-bidi-theme-font:minor-latin">And
of course, there is much film/video as well. A novel way of presenting the
image work in this time of pandemic</span></div>
<div class="MsoNormal"><span style="font-size:16.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:Cambria;mso-bidi-theme-font:minor-latin">With
a chat screen, for text</span></div>
<div class="MsoNormal"><span style="font-size:16.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:Cambria;mso-bidi-theme-font:minor-latin"> </span></div>
<div class="MsoNormal"><span style="font-size:16.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:Cambria;mso-bidi-theme-font:minor-latin">And
with a short prelude/talk with Jim Staley and David Weinstein and me, before,
probably starting at 5:40pm NY time, and the concert is from 6pm until midnight</span></div>
<div class="MsoNormal"><span style="font-size:16.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:Cambria;mso-bidi-theme-font:minor-latin"> </span></div>
<div class="MsoNormal"><span style="font-size:21.0pt;mso-bidi-font-size:10.0pt;font-family:Times;mso-bidi-font-family:Cambria;mso-bidi-theme-font:minor-latin">Vimeo
Link: <a href="https://vimeo.com/event/472779"><span style="color:blue">https://vimeo.com/event/472779</span></a></span><span style="font-size:27.0pt;mso-bidi-font-size:12.0pt;font-family:Helv;mso-bidi-font-family:Cambria;mso-bidi-theme-font:minor-latin"></span></div>
<div class="MsoNormal"> </div>
<div class="MsoNormal"><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt">Playlist:</span></div>
<div class="MsoNormal"><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt">1
UnMounted, Muted Noun</span></div>
<div class="MsoNormal"><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt">2
ExplTiltBrass</span></div>
<div class="MsoNormal"><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt">3 BaobabBozziniStringQuartet</span></div>
<div class="MsoNormal"><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt">4
ExplPhoenixBasel</span></div>
<div class="MsoNormal"><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt">5
Herbal Cooled</span></div>
<div class="MsoNormal"><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt">6 ExplArdittiStringQuartet</span></div>
<div class="MsoNormal"><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt">7
Noizzze One</span></div>
<div class="MsoNormal"><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt">8
Browner</span></div>
<div class="MsoNormal"><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt">9
ExplWatson</span></div>
<div class="MsoNormal"><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt">10 Poom3</span></div>
<div class="MsoNormal"><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt">11
TwoBlooms & OneLargeRoseMix</span></div>
<div class="MsoNormal"><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt">12
ExplMaranhaLisbon</span></div>
<div class="MsoNormal"><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt">13
ExplWiessenthanerMachine</span></div>
<div class="MsoNormal"><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt">14
BaobabDorf</span></div>
<div class="MsoNormal"><span style="font-size:14.0pt;mso-bidi-font-size:12.0pt">6.355Gb
file, 378 minutes</span></div>
<div class="MsoNormal"> </div>
<div class="MsoNormal"> </div>
<div class="MsoNormal">From the Roulette.org website:</div>
<div style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in"><span style="font-size:12.0pt;mso-bidi-font-size:10.0pt;font-family:hel">As the
longest night of the year unfolds and the journey of our planet nears the point
when Winter commences in the Northern Hemisphere,<strong><span style="font-family:hel"> Phill Niblock</span></strong> stages his annual Winter
Solstice concert for the 10th consecutive year at Roulette. Starting at 6pm,
the performance will comprise of six sublime hours of acoustic and electronic
music and mixed media film and video in a live procession that charts the
movement of our planet and the progress of ourselves through art and
performance at its maximal best. To mark this strange and extraordinary year, all
of six hours of music on December 21 will be a Roulette premiere.</span></div>
<div style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in"><span style="font-size:12.0pt;mso-bidi-font-size:10.0pt;font-family:hel"> </span></div>
<div style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in"><span style="font-size:12.0pt;mso-bidi-font-size:10.0pt;font-family:hel">Niblock’s
minimalistic drone approach to composition and music was inspired by the
musical and artistic activities of New York in the 1960s, from the art of Mark
Rothko, Carl Andre, Sol LeWitt, Donald Judd, and Robert Morris to the music of
John Cage and Morton Feldman. Niblock’s music is an exploration of sound
textures created by multiple tones in very dense, often atonal tunings
(generally microtonal in conception) performed in long durations.</span></div>
<div style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in"><span style="font-size:12.0pt;mso-bidi-font-size:10.0pt;font-family:hel">6 Hours of
Music and Film will be presented virtually and available for free on a variety
of streaming platforms. Roulette’s theater is currently closed for public
performances as a result of the Covid-19 pandemic and the safety measures that
Roulette has put in place to keep staff, artists, and the public safe.</span></div>
<div style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in"><span style="font-size:12.0pt;mso-bidi-font-size:10.0pt;font-family:hel"> </span></div>
<div style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in"><span style="font-size:12.0pt;mso-bidi-font-size:10.0pt;font-family:hel"> </span></div>
<div style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in"><span style="font-size:12.0pt;mso-bidi-font-size:10.0pt;font-family:hel">This one is
a bit long, but . . . .</span></div>
<div style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in"><span style="font-size:12.0pt;mso-bidi-font-size:10.0pt;font-family:hel"> </span></div>
<div style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in"> </div>
<div class="MsoNormal" style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:.01gd;mso-para-margin-left:0in;mso-outline-level:1"><b style="mso-bidi-font-weight:normal"><span style="font-size:17.0pt;mso-bidi-font-size:10.0pt;font-family:Helv;mso-bidi-font-family:Cambria;mso-bidi-theme-font:minor-latin;mso-font-kerning:18.0pt">Phill Niblock’s Solstice Tradition by Kurt Gottschalk</span></b><b style="mso-bidi-font-weight:normal"><span style="font-size:24.0pt;mso-bidi-font-size:10.0pt;font-family:Helv;mso-bidi-font-family:Cambria;mso-bidi-theme-font:minor-latin;mso-font-kerning:18.0pt"></span></b></div>
<div style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in"> </div>
<div class="MsoNormal"><span style="mso-bidi-font-size:10.0pt;font-family:Helv;mso-bidi-font-family:Cambria;mso-bidi-theme-font:minor-latin">Roulette, 2018 </span></div>
<div class="MsoNormal" style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:.01gd;mso-para-margin-left:0in"><span style="mso-bidi-font-size:10.0pt;font-family:Helv;mso-bidi-font-family:"Times New Roman"">There was a time when
Phill Niblock’s six-hour winter solstice concerts were a key part of the
Downtown winter holidays, every bit as much as Phil Kline’s Unsilent Night
boombox parades from Washington Square Park to Tompkins Park or the annual New
Year’s Eve sets with James Blood Ulmer at the old Knitting Factory. From 6pm
until midnight every December 21, Niblock could be found at Experimental
Intermedia, his home and performance space on Centre Street, playing extended,
drone-based music alongside his films of people around the world doing manual
labor.</span></div>
<div class="MsoNormal" style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:.01gd;mso-para-margin-left:0in"><span style="mso-bidi-font-size:10.0pt;font-family:Helv;mso-bidi-font-family:"Times New Roman"">Those days are gone.
Niblock still hosts a run of performances and screenings at the loft—which will
mark its 50th year of operation in 2018— every March and December. But
conflicts with the building owner have forced him to scale back and keep a
close count on attendance. His solstice concerts—where people would meet up to
listen, socialize in the stairwell, pop over to Chinatown for dinner and return
to submerge again into the penetrating volumes of the music—proved too popular
to continue at the loft . When Roulette opened its new theatre on Atlantic
Avenue in 2011, the annual ritual was on the bill and a new tradition was born.</span></div>
<div class="MsoNormal" style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:.01gd;mso-para-margin-left:0in"><span style="mso-bidi-font-size:10.0pt;font-family:Helv;mso-bidi-font-family:"Times New Roman"">Niblock presented his
first solstice concert in 1976 and has been doing it ever since, some years
augmented with a summer solstice concert as well. The original inspiration,
however, seems at this point lost to history.</span></div>
<div class="MsoNormal" style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:.01gd;mso-para-margin-left:0in"><span style="mso-bidi-font-size:10.0pt;font-family:Helv;mso-bidi-font-family:"Times New Roman"">“Actually, I don’t
really know [how it started],” he said in August, speaking via Skype from his
second home in Ghent, where he was preparing for concerts in Poland and
Czechia. “I don’t have any memory of that whatsoever. It used to be eight hours
long, and I don’t know what the fuck I did in eight hours because there wasn’t
that much material then.”</span></div>
<div class="MsoNormal" style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:.01gd;mso-para-margin-left:0in"><span style="mso-bidi-font-size:10.0pt;font-family:Helv;mso-bidi-font-family:"Times New Roman"">Whatever the origin,
the solstice concerts in a sense epitomize much of Niblock’s work. Extended
tones, extreme volume and long, filmed scenes of people working are hallmarks
of his artistic output. Asked what he thought people should take away from the
concerts, he said with a laugh, “It’s not my problem, it’s their problem.” But
he has plenty to say about the work itself.</span></div>
<div class="MsoNormal" style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:.01gd;mso-para-margin-left:0in"><span style="mso-bidi-font-size:10.0pt;font-family:Helv;mso-bidi-font-family:"Times New Roman"">“The volume is
actually about two things,” he explained. “One is that it announces that the
music is not a soundtrack for the film but is a dominant feature. The other
thing, and probably the more important part, is that the music is all about
this microtonal interference in the sound cloud that appears and that occurs
much more at a very high volume. Sometimes the cloud of overtones that occurs
is there only when it’s fairly loud and if you turn the music down, it becomes
the sound of instruments rather than the sound of microtonal interferences.”</span></div>
<div class="MsoNormal" style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:.01gd;mso-para-margin-left:0in"><span style="mso-bidi-font-size:10.0pt;font-family:Helv;mso-bidi-font-family:"Times New Roman"">While making music
might be what he’s best known for today, Niblock’s first work was in
photography and filmmaking. When he arrived in New York City in 1958, he found
a place in the jazz world, photographing Duke Ellington sessions and filming
the Sun Ra and his Solar Arkestra, among others. Before long, he had had taken
to filming dance and, later, creating installation projects with dancers
interspersed among multiple screens projecting his films. (Some of those early
multi-media events were revived in March, 2017, at the Tate Modern in London.)
At that point, he said, he began to see parallels between the motions of dance
and the motions of manual labor.</span></div>
<div class="MsoNormal" style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:.01gd;mso-para-margin-left:0in"><span style="mso-bidi-font-size:10.0pt;font-family:Helv;mso-bidi-font-family:"Times New Roman"">“I was working with a
dance theater from ’65 to ’70 and I began doing this project called the
‘Environment Series’ in ’68,” he said. “There were three screens of video plus
some slide pieces on a fourth screen with music and live players. I found it
very difficult to do these pieces because there were five people and multiple
screens and we simply couldn’t do it. I began to do a series of films that I
could do with a single screen or possibly two or three when it was possible in
’73. I decided to do this series of pieces looking at the movement of people
doing very ordinary work. I was looking at the movement of people working in
the fields or fishing or whatever they were doing rather than live dance.”</span></div>
<div class="MsoNormal" style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:.01gd;mso-para-margin-left:0in"><span style="mso-bidi-font-size:10.0pt;font-family:Helv;mso-bidi-font-family:"Times New Roman"">Those early films are
a major part of Niblock’s solstice concerts, but this year’s concert will give
him a chance to present more recent work as well.</span></div>
<div class="MsoNormal" style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:.01gd;mso-para-margin-left:0in"><span style="mso-bidi-font-size:10.0pt;font-family:Helv;mso-bidi-font-family:"Times New Roman"">“There’s a lot of new
video in the last few years, 100 minutes of finished videos, which is
completely different than the people working, no people whatsoever,” he said.
“We’re doing installations where there are three screens and a fourth set of
pieces that are shot on video and look better on a video monitor than they do
on a large screen.”</span></div>
<div class="MsoNormal" style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:.01gd;mso-para-margin-left:0in"><span style="mso-bidi-font-size:10.0pt;font-family:Helv;mso-bidi-font-family:"Times New Roman"">Niblock has a long
history with Roulette, dating well before his moving the solstice concerts
across the East River. As far back as 1982, he was performing at Roulette’s
original loft on West Broadway (not so far from his own space), presenting a
program called “Once More For the Road” featuring his films from Shanghai and
Lesotho with Roulette co-founder and artistic director Jim Staley on “mobile
trombone.”</span></div>
<div class="MsoNormal" style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:.01gd;mso-para-margin-left:0in"><span style="mso-bidi-font-size:10.0pt;font-family:Helv;mso-bidi-font-family:"Times New Roman"">That history made
moving to Roulette an easy invitation to accept. While Niblock originally
planned to find a new location for the solstice concerts every year, he said he
is glad to have found a permanent home.</span></div>
<div class="MsoNormal" style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:.01gd;mso-para-margin-left:0in"><span style="mso-bidi-font-size:10.0pt;font-family:Helv;mso-bidi-font-family:"Times New Roman"">“I was thinking maybe
we’d switch to different places but Roulette is really a great space for us,”
he said. “I’m extremely happy to work with them.”</span></div>
<div class="MsoNormal" style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:.01gd;mso-para-margin-left:0in"><span style="mso-bidi-font-size:10.0pt;font-family:Helv;mso-bidi-font-family:"Times New Roman"">His image on the
screen then jostled as he adjusted the camera on his laptop.</span></div>
<div class="MsoNormal" style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:.01gd;mso-para-margin-left:0in"><span style="mso-bidi-font-size:10.0pt;font-family:Helv;mso-bidi-font-family:"Times New Roman"">“Let me pull this down
a bit,” he said, “so you can see the hand on my heart.” The gesture was
followed by a laugh that might be as evocative of the experimental composer and
filmmaker, at least to those who were at those early concerts on Centre Street,
as the loud and prolonged tones of his music.</span></div>
<div class="MsoNormal" style="text-align:center" align="center"><span style="mso-bidi-font-size:10.0pt;font-family:Helv;mso-bidi-font-family:Cambria;mso-bidi-theme-font:minor-latin">
<hr width="100%" size="2" align="center">
</span></div>
<div class="MsoNormal" style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:.01gd;mso-para-margin-left:0in"><span style="mso-bidi-font-size:10.0pt;font-family:Helv;mso-bidi-font-family:"Times New Roman"">CONTRIBUTOR: Kurt
Gottschalk</span></div>
<div class="MsoNormal" style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:.01gd;mso-para-margin-left:0in"><span style="mso-bidi-font-size:10.0pt;font-family:Helv;mso-bidi-font-family:"Times New Roman"">Kurt
Gottschalk writes about contemporary composition and improvisation for
DownBeat, The New York City Jazz Record, The Wire, Time Out New York, and other
publications and has produced and hosted the Miniature Minotaurs radio program
on WFMU for the last ten years.</span></div>
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<div style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;margin-left:0in"><em><span style="font-size:12.0pt;mso-bidi-font-size:10.0pt;font-family:Helv;font-style:normal">Phill Niblock’s Winter Solstice is made possible in part with public
funds from the New York State Council on the Arts’ Electronic Media and Film
Presentation Funds grant program, administered by the ARTS Council of the
Southern Fingerlakes.</span></em></div>
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