[iDC] A Reflection on the Activist Strategies in the Web 2.0 Era
Curt Cloninger
curt at lab404.com
Fri Jan 23 01:44:59 UTC 2009
Thanks Ryan,
I don't mean that de Certeau's own applications are metaphorical or
analogical. Of course he means them to be exactly the opposite. I'm
saying that a lot of "tactical media" theory and work has applied his
ideas by way of analogy rather than directly (although I admit that's
a pretty broad generalization).
Let's say there is a gradual continuum between strategic production
and tactical use (de Certeau prefers "use" but I'm not afraid to say
"consumption"). A tactical media artist who uses tactics to make
something that she calls "art" is by definition no longer de
Certeau's tactical user/consumer. She is a producer (she has moved
further down the continuum toward strategic production). I'm not
saying there's anything ethically wrong with this. I'm just saying,
it's less like an artistic approach to the practice of life and more
like analogically adapting de Certeau's tactical approaches to life
as a means of making art. In pointing out this distinction, I'm
uninterested in the old ontological differences between art and life.
I'm really interested in the efficacy of a practice.
I will check out Hall and Williams.
This resonates with me:
"Artists who call their own bluffs - and dissolve, at the crisis
point, into the vortex of a social movement."
It makes me think of negative theology (Eckhart, Marion, even Beckett).
But it's tricky to perform.
Here is the full Thompson essay (2006):
http://journalofaestheticsandprotest.org/3/thompson.htm
+++++++++
Latour changed my mind about "political" art (particularly "We Have
Never Been Modern" and "Making Things Public"). To understand
politics in terms of shared matters of concern, gathered in and
inextricable from things (not just Heideggerean bridges and jugs; but
light, sound, language, even "networks") -- "politics" thus
understood finally begins to matter to me as an artist.
Best,
Curt
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