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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Dear all,<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Greetings! This is Payal Arora from Erasmus University Rotterdam.
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Lovely to read all these wonderful introductions. Looking forward to meeting such an eclectic group and touching base again with some of you that I already know
</span><span style="font-size:11.0pt;font-family:Wingdings">J</span><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">So, briefly, I’ll be taking a historical angle to digital labor in my presentation , “Factory Pleasure Gardens, Social Visionaries and Emotional Labor: A Historical Investigation
of ‘Playbor’ Geographies.” This is drawn from my recently published book , <a href="http://routledge-ny.com/books/details/9780415887113/">
<span style="color:windowtext">The Leisure Commons: A Spatial History of Web 2.0</span></a> (Routledge, 2014). I go back to the industrial era of the nineteenth century where leisure was already being viewed as a potential tool to motivate and mobilize. The
modern question of leisure in our work life was not just driven by workers demanding more freedom from their chores or statesmen with a new utopic dream to sell. It was also driven by certain industrialists that were beginning to believe that productivity
was intrinsically tied to leisure practice. In an age of increasing urbanization, nineteenth century industrialists and the state were concerned about losing control over the socialization of the working class. Providing ‘normal’ leisure spaces became fundamental
to channeling angst and enhancing emotional intelligence, a quality tied closely to competence. Back in the 1880s, a new type of designed green space appeared in the industrial landscapes of Europe and the USA – the factory pleasure garden. These companies
sought to hire the very architects who were instrumental in designing public parks (also a radical spatial architecture then) and thereby extended such aesthetics to work arenas. Viewed as ‘recreational welfare capitalism,’ the efforts of carving park spaces
around factories was seen by corporate visionaries to add economic, social and cultural value to the company by contributing to a more healthy, stable and productive workforce and enhancing the company’s profile in the local and public realm. Today, there
is much hype about the novelty of ‘playbor’ practice brought on by new media technologies and pervasive tensions of what constitutes as virtual work and play. There is ongoing and expanding usurping of social leisure networks for corporate benefit: to foster
more intimate organizational cultures, enhance loyalty of employees and create spaces of sharing, with the hope of promoting the circulation of ideas. Hence, I will argue to leverage on the metaphor of the factory pleasure gardens as leisure geographies of
productivity, challenging the novelty claims of playbor practice. I critically analyze the spatialization of playbor and its roots that go well beyond the Web 2.0 era, offering a more nuanced understanding of what counts as new labor practices today.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">Beyond this area, I am also delving into digital labor in a new book I am in the midst of writing with my co-author Nimmi Rangaswamy from Xerox Labs – “Poor@Play: Digital
Life beyond the West” (expected 2016; Harvard University Press). Here , we will focus on the range of practices by marginalized youth in emerging economies as they get online and exercise tremendous labor to figure out how to leisure within these new internet
spaces. It’s exciting to resituate conversations on digital labor as we go into contexts such as slums in Hyderabad, favelas in Brazil to townships in South Africa.
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">For more on my work, please feel free to check my website :
<a href="http://payalarora.com/"><span style="color:windowtext">http://payalarora.com/</span></a><span style="color:#1F497D">
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif"">And below is my generic bio for a quick glance of what my current and past engagements are. Looking forward to meeting with you soon. Cheers Payal<o:p></o:p></span></p>
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<p class="MsoNormal"><b>Payal Arora</b> has research and consulting experience in both the private and public sector worldwide including with GE, Shell, World Bank, hp, National Health Foundation, The Ministry of Education in Jordan, Sotheby’s, Art Review,
Kellogg and the Beirut Chambers of Commerce. She has been invited to speak by several prestigious universities such as Cornell, Duke, Kings College London, MSU and the University of Utah. She is currently a GE Fellow on the Industrial Internet Project. Her
paper on digitization of information won the 2010 Best Paper Award in Social Informatics by the American Society for Information Science and Technology (ASIS&T). She is the author of several books including
<a href="http://www.ashgate.com/isbn/9781409401070"><span style="color:windowtext">Dot Com Mantra: Social Computing in the Central Himalayas</span></a> (Ashgate, 2010),
<span style="font-size:11.0pt;font-family:"Calibri","sans-serif""><a href="http://routledge-ny.com/books/details/9780415887113/"><span style="color:windowtext">The Leisure Commons: A Spatial History of Web 2.0</span></a></span> (Routledge, 2014; Winner of the
EUR Fellowship Award), Poor@Play: Digital Life beyond the West with co-author N. Rangaswamy (expected 2016; Harvard University Press) and The Shape of Diversity to Come? Crossroads in New media, Identity & Law with co-author W. de Been (forthcoming; Palgrave).
Her expertise lies in social informatics, new media studies, digital cultures and economies, and edutainment. She sits on several boards including
<a href="http://nescor.socsci.uva.nl/"><span style="color:windowtext">NESCoR</span></a>, the
<a href="http://www.globalmediajournal.com/"><span style="color:windowtext">Global Media Journal</span></a>,
<a href="http://research.unt.edu/clusters/strategic-areas/south-asian"><span style="color:windowtext">The South Asian Media, Arts & Culture Research Center</span></a> in University of North Texas, Young Erasmus, and
<a href="http://www.worldwomenglobalcouncil.org/"><span style="color:windowtext">The World Women Global Council in New York</span></a>. She holds degrees from Harvard University (M.Ed. in International Policy) and Columbia University (Doctorate in Language,
Literacy & Technology). She is currently based in the Department of Media and Communication at Erasmus University Rotterdam, The Netherlands.
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