[thingist] a rant : France/Sarkozy against online piracy : cut first, think later
Jerome Joy
joy at thing.net
Fri Apr 3 08:03:21 UTC 2009
France, a country where the Internet access is cheap with a very good
quality of bandwith, but ...
France is now one of the sole countries which adopt a anti-freedom
law against internet users ... against civil liberties and human rights
... and against European rules ...
France voted yesterday a law (Hadopi) that threat internet neutrality
by removing liberties from french internet users and give that
liberties for industrial interests.
Hadopi means "High Authority for the distribution of works and the
protection of rights with respect to the Internet".
The law intend to cut the Internet accesses that are detected as
being used to download data protected by copyright.
Christine Albanel, France’s Minister of Culture and Communication,
wants to cut off Internet access for people who are suspected of
illegal filesharing. Those guilty of illegal downloads will receive
an online warning, then a letter, and finally have their internet
access cut off for up to a year if they persist. A newly created
independent authority, called HADOPI, is to be in charge of issuing
warnings and potentially cutting infringers’ Internet subscription –
though it remains unclear exactly how the offenders will be caught.
On the upside, the entertainment industry will reportedly also drop
existing copyright protection on French material so that music or
videos bought legally online can be played on any sort of device.
Blocking Internet access as a sanction might breach constitutional
protections guaranteed by the French Constitutional Council (Conseil
Constitutionnel).
Despite massive lobbying efforts by the French, a 44-member EU
commission on civil liberties just unanimously voted for securing
Internet access as a basic human right ...
In 2008, The French government has given the green light to the
controversial "three strikes" (graduated response) plan, which will
disconnect pirates in the country from their broadband connections if
caught downloading illegal material three times. The scheme was
endorsed by the cabinet of President Nicolas Sarkozy, who said that
"there is no reason that the internet should be a lawless zone".
Any amendment proposed in the direction of a global license, such as
the "creative contribution" proposed by the socialist Patrick Bloche
was rejected. The proposed mechanism would have implied a fee paid by
the Internet subscribers to their ISP for legal downloading of
copyrighted material. The fees collected could be used to remunerate
artists for their work. "With a universal licence, the money
recuperated will not uniquely go into the pockets of the producers,
which is definitely the case now. Today, artists' royalty payments
are significantly less, while the (media companies') royalty payments
are considerably more," said Bloche.
On 24th September 2008, by voting the amendment 138 proposed by
Daniel Cohn Bendit, European Parliament strongly hit the French
initiative HADOPI for flexible response. in a letter (http://
www.ecrans.fr/IMG/pdf/Lettre_Barroso.pdf), French president, Nicolas
Sarkozy asked Jose Manuel Barosso (President of the European
Commission) to drop this amendment.
Jose Manuel Barroso rejected the possibility for the Commission to
reject it. It is not the role of EC to censorship a decision voted by
90% of the European deputies, unless democracy is at stake (http://
www.iptegrity.com/pdf/Rapid%20-%20Press%20Releases%20-%
20EUROPA.web.page.MEMO-08.607.pdf). It will be up the European
Council of Ministers to promulgate or drop amendment 138.
The purpose of Hadopi is to alleviate the courts. Before, there were
very few prosecutions for downloading copyrighted files, because the
courts were overburdened. Hadopi was created at the request of the
majors. The European Parliament is against this law because it does
not allow people to defend themselves (or with their lawyer), and
because the sanctions must be imposed by the courts. (This is not the
case for Hadopi: sanctions will be imposed by the government and
majors.)
The french law goes further than any other country in Europe nowadays
regarding anti-piracy. You can be held guilty for something you
didn't do (neighbor hacked in WLAN). That's like being held guilty
for the damage someone makes that stole your car. That would negate
the base assumption: everyone is innocent as long as his/her guilt
has not been proven.
This is not "held guilty" in the legal sense. They are just
disconnect you before bring to court. This is a proactive measurement
to prevent further "harm".
The French government (Christine Albanel, French Ministry for Culture
& Communication) votes for the "graduated response," i.e., the
possibility that the public authorities will be able to deprive
"pirate" Internet users of their Internet access. the "Hadopi" law,
a.k.a the "Olivennes" or "Creation and Internet" (!!!!!) proposal, is
a disproportionate response to the objective of developing creative
content online.
The graduated response and the Hadopi proposal are retrograde. They
tend to confirm the widespread concern that the creative industry and
its representatives have not yet adapted their activity and economic
models to the new situation created by the digital environment.
Cutting people off from the Internet prevents them from accessing
many services, both public and private, such as filing taxes, online
banking, and even education. It should be recalled that, according to
European law, a member State cannot interfere unlaterally in
the trans-border supply of electronic services.
The Hadopi proposal and, more generally, the principle of the
graduated response requires the collection and keeping of phenomenal
quantities of personal data within the framework of investigations
into Internet users suspected of piracy. The exact legal scope of this
surveillance is not yet clear. In addition, in France, the data
concerning alleged pirates may not necessarily correspond to the true
offenders. Inadequate protection, a loss or the misuse of such data
could be particularly damaging to the families or individuals
involved.
The graduated response is harmful from both an economic and a social
standpoint.
The proposed measures and sanctions show a lack of understanding of
what the Internet actually is.
The blocking is arbitrary, upon request of the majors. Majors give IP
addresses to a high authority, and high authority blocks the Internet
connection, without legal proceedings. People can not defend
themselves. It is even impossible to denounce a neighbor who uses our
wireless connection: the French state provides software to protect
connections, and it consider that the owner of the connection is
protected and responsibly. The European Parliament is against French
law, but no European law has been passed yet (http://eric-diehl.com/
blog/?x=entry:entry090331-182629). The French minister of culture
want several hundred million of sanctions per year without legal
proceedings.
The french community, and specially art community, is afraid by this
law.
alternative ?
Certainly there are some breaks in the sanctions of french law
Hadopi. Hadopi allow censured users to use television, telephone and
maybe anothers payables services. So, victims will have a lot of
censured ports, but not all. Some ports will continue to run. Can we
found a method to override this censorship (with freenet)? e.g.
encapsulate traffic into VoIP ?
To install a filtering software on your computer to escape the
sanctions of the Hadopi law ?
a reminder :
Read http://freenetproject.org/philosophy.html item 5:
" The only way to ensure that a democracy will remain effective is to
ensure that the government cannot control its population's ability to
share information, to communicate. So long as everything we see and
hear is filtered, we are not truly free. Freenet's aim is to allow
two or more people who wish to share information, to do so.
reactions :
http://tuxfamily.org/en/news/200904
http://en.hadopi.infobrulante.com/
http://www.nnsquad.org/archives/nnsquad/pdfuGxV0bmwjf.pdf
http://internetmonamour.wordpress.com/
articles :
http://french-law.net/french-culture-minister-to-present-graduated-
response-bill-on-11th-june.html
http://arstechnica.com/tech-policy/news/2009/03/french-anti-p2p-law-
toughest-in-the-world.ars
The manifesto "Téléchargez-moi" (Download me), September 2008 (in
french)
“téléchargez-moi”
Le projet de loi «Création et Internet» nous préoccupe. Il est en
total décalage avec notre réalité, bien loin de la «Création» et
encore plus de cet «Internet» dont il prétend réguler les pratiques.
Cela dit, il semble très naturel qu’une communauté de cinéastes
«défendent cette loi sans réserve» et se fendent d’une tribune
intitulée «Culture ne rime pas avec gratuité» dans le Monde du 8
juillet. Comme il semble naturel que l’enjeu industriel soit au cœur
de cette loi.
Sauf que. Depuis les débuts du World Wide Web, nous nous sommes pris
au jeu de cette mutation et existons 1.0, 2.0, et demain 3.0. Nous
sommes les créateurs de demain, sans prétention aucune. Très
sérieusement et depuis longtemps, nous nous posons la question du
droit d’auteur, celle de la diffusion des œuvres sur les réseaux et
de leur réception. Tout comme nous nous posons la question de
l’économie de la création, sur l’Internet et ailleurs.
Ce projet de loi est contraire à nos pratiques, tout comme il est
extrêmement méprisant des usages et totalement ignorant d’un monde
simplement contemporain.
-Nous souhaitons qu’un projet de loi intitulé «Création et Internet»
prenne en compte nos processus de création. C’est un droit.
-Nous désirons partager et être téléchargés, sans filtrage aucun.
C’est une nécessité.
-Nous espérons que le principe démocratique selon lequel l’œuvre
existe ou n’existe pas au travers du regard de l’autre s’applique à
cette multiplicité que d’autres nomment «piratage». C’est une
revendication.
L’auteur, le créateur, le spectateur, a muté. L’œuvre est regardée,
écoutée, partagée, comme jamais auparavant. Et c’est pourquoi
créateurs et regardeurs ne peuvent être filtrés par une loi obsolète
et crétine. Une loi qui asphyxie la «Création» et «l’Internet».
LES PREMIERS ARTISTES SIGNATAIRES SONT :
Adrien Mondot, Agnès de Cayeux, Alain Escalle, Albertine Meunier,
Alexandre Perigot, Anne Laforet, Annie Abrahams, Bérénice Belpaire,
Caroline Hazard, Cécile Babiole, Chloé Delaume, Christian Vialard,
Christophe Bruno, Christophe Fiat, Christophe Jacquet dit Toffe,
Claude Closky, David Guez, Dinah Bird, Electronic Shadow (Yacine Ait
Kaci et Naziha Mestaoui), Emmanuel Maa Berriet, Emmanuelle Gibelo,
Eryck Abecassis, Etienne Cliquet, Etienne Mineur, France Cadet,
Franck Ancel, Gilbert Quélennec, Grégoire Courtois aka Troudair,
Grégory Chatonsky, Invader, Jacques Perconte, Jan Kopp, Jean-Noël
Montagné, Jean-Philippe Roux, Jérôme Joy, Joachim Montessuis, Julien
Lassort, Karine Lebrun, Karen O’Rourke, La Boîte Blanche, Louis Bec,
Luc Dall’Armellina, Luc Martinez, Lucille Calmel, Lydwine van der
Hulst, Lynn Pook, Martin Le Chevallier, Mathieu Briand, Michaël
Borras aka Systaime, M. Chat (Thomas Vuille du Collectif Chat),
Nicolas Boone, Nicolas Clauss, Nicolas Frespech, Olga Kisseleva,
Olivier Auber, Olivier Le Gal (collectif MU), Pascal Lièvre, Pascale
Gustin, Paul-Armand Gette, Pavel Smetana, Pierre Beloüin (Optical
Sound), Philippe De Jonckheere, Philippe Castellin (Akenaton/Doc(k)
s), Philippe Quesne, Pierre Bongiovanni, Pierre Giner, Ramona
Ponearu, Roland Cahen, Shu Lea Cheang, Stéphane Sautour, Sylvie
Marchand (Gigacircus), Thierry Théolier aka THTH, Triny Prada, Valéry
Grancher, Vincent Elka aka Lokiss, Vincent Epplay, Wolf Ka (Compagnie
Respublica), Xavier Cahen.
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