thingist January 2011

thingist@mailman.thing.net

3 participants
2 discussions

What about a subjective, evolving, archive?
by Justin Berry 18 Feb '12

18 Feb '12

I am new to THE THING, having only become involved in the last year or so, working with W and Christoph on The.Thing.Net and the White Slab screenings. I became involved almost by accident--I was recently out of graduate school and making non-salable and non-exhibitable work, mostly web stuff, and feeling a bit chagrined about the art world and its various camps of ideology. I was randomly surfing the web and sending out feeler emails to every organization I could find that was involved in New Media. Wolfgang was the one who answered back. I had no idea what THE THING actually was. I went to look it up online and struggled to find information, only coming up with numerous references to someTHING but never an actual history or a literal description. The most glaring example of THE THING online was the Post, and I think enough has been said about that. It took a long time of being involved, listening in conversation, and attending talks by Wolfgang, etc. in order to really arrive at a sense of what THE THING was and what it represented. If it were not so tragic it would be humorously ironic that an organization that did so much to galvanize thinking about the internet as an artistic and political medium has no functioning legacy online. I think that a proper and academic archive could potentially happen, but it will take a long time and a great deal of work. The nature of academia is to quest after a kind of perfection, to create a source of objective authority. Great! That would be awesome. In a few years it will be something we can all be proud of. I think something different needs to be planned in the interim. What about creating a subjective archive? What about creating a nexus for the stories and narratives of THE THING. It could be a relatively simple interface, something like a data or tag cloud full of links to various stories, where the only hierarchy might be determined by font size. People with a story to tell or an event to document could create their own HTML page, with the only standard requirement being a ‘back to home’ button of some kind. The advantage is that this would allow each person’s ‘history’ to be acknowledged without necessarily privileging one or the other. One link might be called ‘eToy war’ and could be an account of those events while another might be called ‘Justin Berry’ and include simply my own experiences. These pages don’t even have to share styling, though we could certainly provide a CSS sheet for people to use if they chose. One person’s page might be a video, while another person could choose to simply write an essay; an event might be documented with only a series of contextless pictures. Something like this embraces the history of THE THING as a forum and a platform. This does not have to exist in opposition to a formal archive; it can be an accompaniment to that project. It also requires less energy to happen. Once a stable and functioning interface is set up it can be left to individuals to create pages as they wish. Each contribution can be considered on its own terms. It does not have to be ‘finished’, it can be an ever evolving project as new pages are added. Perhaps this is only a selfish wish. I would like to hear the stories and see the history and I would like to have that kind of experience sooner than later. There should be an online presence of THE THING’s legacy. In my experience every time people attempt to create an authoritative history of something there are a whole lot of histories on the table and it takes a long time to negotiate which ones stick around. Justin Berry -- Justin Berry (713) 302 9599 www.waymakergallery.com JustinBerryArt(a)gmail.com Waymaker(a)WaymakerGallery.com

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auctionthing
by w 31 Jan '11

31 Jan '11

after two years in the making we are getting ready to launch auctionthing at <http://auctionthing.net>. the idea came to me more than two years ago when i wanted to buy an armleder print in berlin, but didn't have the necessary cash to do so. i did have this armleder multiple sitting in my place in nyc <https://auctionthing.net/109/John-M-Armleder--Caprice>, but i had no idea how i could sell the bowling ball and get the print instead. so i thought, why not create some liquidity for this market? we all have prints, multiples, photographs and stuff sitting around, but they are really hard to sell when you want to. auctionthing is here to solve this problem. don't get me wrong, i love my collection, but sometimes you just want to consolidate, get something new or just make room in your apartment. at THE THING we pioneered online art auctions. the first one occurred in 1999 <http://auction99.thing.net> and actually some pieces that didn't sell back then made their way back into the new iteration. the difference is that the new site will stay open for business all year round, and you can become a seller too. if you are interested send me an email or request an invitation code on the site after you register there. we are also looking for people who want to offer their whole collection or curators who want to put a show together under its own heading. art spaces can talk to us about setting up their online benefit auctions, we just did one for whitebox earlier this month. auctionthing charges a 10% commission from the seller after a transaction has taken place. there are no membership fees, no placement fees and no buyer premiums. at least not at this time. ten to twenty percent of the proceeds from the commissions will go towards funding independent art and media projects, things like THE THING @ WHITE SLAB PALACE tonight: http://post.thing.net/node/3271 what you can do is to spread the word among other art junkies and help generate some buzz for this project. this is just the beginning of THE THING RELOADED. more soon... wolfgang

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thingist January 2011