I am new to THE THING, having only become involved in the last year or so,
working with W and Christoph on The.Thing.Net and the White Slab screenings.
I became involved almost by accident--I was recently out of graduate school
and making non-salable and non-exhibitable work, mostly web stuff, and
feeling a bit chagrined about the art world and its various camps of
ideology. I was randomly surfing the web and sending out feeler emails to
every organization I could find that was involved in New Media. Wolfgang
was the one who answered back. I had no idea what THE THING actually was. I
went to look it up online and struggled to find information, only coming up
with numerous references to someTHING but never an actual history or a
literal description. The most glaring example of THE THING online was the
Post, and I think enough has been said about that. It took a long time of
being involved, listening in conversation, and attending talks by Wolfgang,
etc. in order to really arrive at a sense of what THE THING was and what it
represented. If it were not so tragic it would be humorously ironic that
an organization that did so much to galvanize thinking about the internet as
an artistic and political medium has no functioning legacy online. I think
that a proper and academic archive could potentially happen, but it will
take a long time and a great deal of work. The nature of academia is to
quest after a kind of perfection, to create a source of objective authority.
Great! That would be awesome. In a few years it will be something we can
all be proud of. I think something different needs to be planned in the
interim.
What about creating a subjective archive? What about creating a nexus for
the stories and narratives of THE THING. It could be a relatively simple
interface, something like a data or tag cloud full of links to various
stories, where the only hierarchy might be determined by font size. People
with a story to tell or an event to document could create their own HTML
page, with the only standard requirement being a ‘back to home’ button of
some kind. The advantage is that this would allow each person’s ‘history’
to be acknowledged without necessarily privileging one or the other. One
link might be called ‘eToy war’ and could be an account of those events
while another might be called ‘Justin Berry’ and include simply my own
experiences. These pages don’t even have to share styling, though we could
certainly provide a CSS sheet for people to use if they chose. One person’s
page might be a video, while another person could choose to simply write an
essay; an event might be documented with only a series of contextless
pictures. Something like this embraces the history of THE THING as a forum
and a platform. This does not have to exist in opposition to a formal
archive; it can be an accompaniment to that project. It also requires less
energy to happen. Once a stable and functioning interface is set up it can
be left to individuals to create pages as they wish. Each contribution can
be considered on its own terms. It does not have to be ‘finished’, it can
be an ever evolving project as new pages are added.
Perhaps this is only a selfish wish. I would like to hear the stories and
see the history and I would like to have that kind of experience sooner than
later. There should be an online presence of THE THING’s legacy. In my
experience every time people attempt to create an authoritative history of
something there are a whole lot of histories on the table and it takes a
long time to negotiate which ones stick around.
Justin Berry
--
Justin Berry
(713) 302 9599
www.waymakergallery.com
JustinBerryArt(a)gmail.com
Waymaker(a)WaymakerGallery.com
The Experimental Television Center is happy to announce that our
electronic media arts grants programs have been given new homes. The
*Technical Assistance Program*will be managed by free103point9
<http://www.free103point9.org/>. The *Presentation Funds* and *Finishing
Funds* Programs will be administered by The Arts Council of the Southern
Finger Lakes <http://www.earts.org/>.
ETC has been administering the Presentation Funds and Finishing Funds
Programs since 1989, and the Technical Assistance Program since 1998. It
has been an honor and a privilege to have had the opportunity to work
with all of you over the years. ETC would also like to thank Electronic
Media and Film at the New York State Council on the Arts which has
steadily supported our efforts to help the media arts flourish.
ETC isn't going away, but rather refocusing our programs. We have
redesigned the ETC website <http://www.experimentaltvcenter.org/>, so if
you haven't visited in awhile, please take a look. We will be spending
more time on the development of the Video History Project and working on
preservation activities with our partner organizations at Migrating
Media <http://migratingmedianet.org/>.
/Experimental Television Center: 1969 -- 2009 /(5 DVD set with catalog),
is an anthology of video art works created through the Residency Program
since its inception in 1969 and includes the works of about 100 media
artists. The collection was featured in 2011 at Anthology Film Archives.
It was named top 100 DVDs for 2010 by LUX, the influential arts
organization in London, UK. In 2011 the collection was named by LUX as
one of 50 essential moving-image artists DVDs
<http://www.lux.org.uk/blog/50-essential-artists-moving-image-dvds>in
publication. The collection is available through the well-known
distributor of contemporary art Electronic Arts Intermix
<http://www.eai.org/artistBio.htm?id=13107>.
The complete library of artists' works at ETC is being archived at the
Rose Goldsen Archive of New Media
<http://goldsen.library.cornell.edu/special/etc.php>. Under the
sponsorship of the Division of Rare and Manuscript Collections at the
Carl Kroch Library at Cornell University, the archive is curated by Dr.
Tim Murray, Director of Graduate Studies in Comparative Literature and
Director for the Society for the Humanities at Cornell. The mission is
to digitize the collection and provide multiple levels of access to the
works and study materials for people internationally.
We are excited about the future and look forward to staying in touch
with all of you.
Ralph, Sherry, Hank and Dave
--
dear all,
peter fend is in town, so i thought we would give him the white slab
platform next monday to show some videos and update us on his latest
plans to save the planet:
POST-PETROLEUM
AND POST-DAM
ENERGY PRODUCTION
PETER FEND
THE THING at WHITE SLAB PALACE
77 Delancey Street (at Allan)
Monday, September 26
8 pm
Back Room
more info at http://post.thing.net/
hope to see you there,
wolfgang
I think this is the right time. It is motivation about enriching a
culture not about enriching a purse/wallet.
You are right in this. This is the only way we will advance as a
society without fighting each other. Collaboration is the only way we
can escape from our calculated path of destruction. I know for my self
I would like to live in a society that the motivation is about the
cultural good. Not driven by monetary greed for our situation. It is
tragic that young people are not able to find affordable housing in
NYC. Why does Austria provide a better service to the people. This is
a shame on our existence.
Jee Won Kim Architect
217 Centre Street
5th floor
New York, NY 10013
jeewon(a)jwkarchitect.com
Sent from my iPhone
On Sep 4, 2011, at 6:39 PM, w <w(a)thing.net> wrote:
> if you are in new york next week, come on saturday, september 10.
> i'll be there in the afternoon.
>
> http://www.goethe.de/ins/us/ney/en8045185v.htm
>
> this is my favorite list now. nobody posts anything anymore.
>
> wolfgang
>
>
>
>
>
> _______________________________________________
> thingist mailing list
> thingist(a)mailman.thing.net
> https://mailman.thing.net/mailman/listinfo/thingist
Jee Won Kim Architect
217 Centre Street
5th floor
New York, NY 10013
jeewon(a)jwkarchitect.com
Sent from my iPhone