Experimental-Intermedia

experimental-intermedia@mailman.thing.net

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EI NYC December 2025 Series - December 10-19 - several locations
by Katherine Liberovskaya 03 Dec '25

03 Dec '25

To reply, please use info(a)experimentalintermedia.org *EXPERIMENTAL INTERMEDIA* *The **Fifty-Second** Anniversary of EI performances, the Fifty-Seventh Anniversary of the Founding of Experimental Intermedia, the Fifty-Seventh Anniversary of the 224 Centre Street loft, and, not least, The Thirty-Fifth Annual Festival with no fancy name, Part Two (or B) * *Katherine Liberovskaya, curator * *DECEMBER 2025 - All events 8PM except 16 December 7PM* *Please note the different venues for this series* *Suggested donation $10 all nights except Friday 19th at Fridman Gallery 2 sets / $20* *Al Margolis with Tom Law (New York) - at Various/Artists 8pm Wednesday 10 * A solo; a solo and a half; a duo; Margolis will play a solo set for stringed instrument, contact mic(s), objects/junk, etc; Tom Law will live sample/transform a Margolis tape piece; Al and Tom will then perform a set as their project Duo Denum; with some live video participation by Katherine Liberovskaya; *ifbwana.bandcamp.com <http://ifbwana.bandcamp.com>* ; *bigsphinx.bandcamp.com <http://bigsphinx.bandcamp.com>* *Marcia Bassett & Chuck Bettis (NYC) - at Various/Artists 8pm Thursday 11* Synth duo focused on improvised techniques that explore layered textures and deep dronescapes; *marciabassett.org <http://marciabassett.org>* ; *www.chuckbettis.com <http://www.chuckbettis.com>* ; *yewrecordings.bandcamp.com/album/sunview <http://yewrecordings.bandcamp.com/album/sunview>* *Ras Burnett (NYC) - at Various/Artists 8pm Friday 12* Ras Burnett is a saxophonist-composer-musicologist-educator; he commenced his musical engagement in 1987 with free jazz and reggae; Ras believes in and advocates the positive energy of creative music; featuring Ras Burnett-Tenor Sax; Tor Snyder-Guitar & Electronic Sound; Dave Ross-Guitar; *en.wikipedia.org/wiki/Ras_Moshe <http://en.wikipedia.org/wiki/Ras_Moshe>* *Scott Kiernan (NYC) - at Various/Artists* *8pm **Saturday 13* A screening night of analog and real-time video from the last 15 years: often with a focus on the perils of translation through technology, forced "syntax errors" and a re-shaping of language through the video signal; projects span live performances, TV broadcast experiments, collaborations with musicians, multi-channel works and more; scottkiernan.com *Elaine Summers Centennial (NYC) - at Various/Artists 8pm Sunday 14* Bringing Elaine Summers home to be featured among the events of the thirty-fifth annual series produced by Experimental Intermedia - the very organization she founded back in 1968 - this tribute screening will show five of her early film-works as part of the Centennial year celebrations of her legacy; a choreographer, filmmaker, originator of the movement practice Kinetic Awareness and intermedia artist, Summers was interested in exploring what film could do that dance could not, and how they could work together to create a temporary third, new entity that she referred to as intermedia; two of the works were created with late EIF director Phill Niblock as cinematographer; curated by Katherine Liberovskaya, introduction-video by Thomas Körtvélyessy, special thanks to Gustavo Matamoros (subtropics), Freddy Jouwayed, the Artistic Estate of Elaine Summers and the Jerome Robbins Dance Division, and the New York Public Library of the Performing Arts; *elainesummersdance.com <http://elainesummersdance.com>* *Mariana Carvalho (Berlin, Germany) - at Harvestworks 7pm Tuesday 16* Two pieces for an amplified head, transducers and a tiny speaker in the mouth; Mariana shares her (internal) listening to pre-recorded material such as prepared piano, mouth-to-mouth vocals, voices, seashells and text excerpts; sometimes she sings and eats; *marianacarvalho.me <http://marianacarvalho.me>* ; *sellopostal.bandcamp.com/album/me-alimento-de-voces <http://sellopostal.bandcamp.com/album/me-alimento-de-voces>* *Dafne Vicente-Sandoval (Paris, France) - at Fridman Gallery 8pm Friday 19* Minos Circuit Rewired (2024 - 2025) : performance for microphone feedback and bassoon; Minos Circuit Rewired is a site-specific exploration of the contingent musicality of feedback; through microphone feedback, various resonant spaces - the cavities of a disassembled bassoon, the concert room itself – are made audible, turning physical volume into frequency and unintended harmony; *portraitsgrm.bandcamp.com/album/minos-circuit <http://portraitsgrm.bandcamp.com/album/minos-circuit>* *Kristin Norderval with Miguel Frasconi* * (NYC) - at Fridman Gallery Friday 19 *Kristin Norderval and Miguel Frasconi stretch time and coax sounds from thin air with gesturally controlled multiphonic vocals, glass objects and electronics; their improvising partners - glass in various stages of devolution, and the EVII (the Expanded Vocal Improvising Instrument) - require presence, flow, and learning to handle whatever surprises they mete out; just like life; *www.kristinnorderval.com <http://www.kristinnorderval.com>*; *frasconimusic.bandcamp.com <http://frasconimusic.bandcamp.com>* *Venues:* Various/Artists: 19 Essex St, New York, NY 10002 - www.variousartistsrecords.com/19essex Harvestworks: 596 Broadway #602, New York, NY 10012 - www.harvestworks.org Fridman Gallery, 169 Bowery, New York, NY 10002 - www.fridmangallery.com *As well*: Phill Niblock - Winter Solstice at Roulette: Six Hours of Music and Film on Sunday, December 21, from 6pm to midnight Roulette Intermedium Inc, 509 Atlantic Ave, Brooklyn, New York 11217, www.roulette.org *Exper**imental Intermedia, **www.experimentalintermedia.org <http://www.experimentalintermedia.org> and **www.XIrecords.org* <http://www.XIrecords.org>, *212 431 5127* Our programs are supported by the Aaron Copland Fund for Music, the Phaedrus Foundation, the Ulla Dydo Charitable Fund, a Donor Advised Fund of Renaissance Charitable Foundation, and the New York State Council on the Arts with the support of Office of the Governor and the New York State Legislature *XI Records CDs:* Phill Niblock - Four Full Flutes (XI 101); Lois V Vierk - Simoom (XI 102); Guy Klucevsek - Flying Vegetables Of The Apocalypse (XI 104); David Behrman - Unforeseen Events (XI 105); Tom Johnson - Music For 88 (XI 106); Mary Jane Leach - Celestial Fires (XI 107); Fast Forward - Same Same (XI 108); Ellen Fullman - Body Music (XI 109); Jackson Mac Low - Open Secrets (XI 110); Phill Niblock - Music By Phill Niblock (XI 111); Allison Cameron - Raw Sangudo (XI 112); Daniel Goode - Clarinet Songs (XI 113); Mary Ellen Childs - Kilter (XI 114); Richard Lainhart - Ten Thousand Shades Of Blue (XI 115); Peter Zummo - Experimenting With Household Chemicals (XI 116); Logos Duo - Logos Works (XI 117); Annea Lockwood/Ruth Anderson - Sinopah (XI 118); Eliane Radigue - Trilogie De La Mort (XI 119); Malcolm Goldstein - The Seasons: Vermont (XI 120); Phill Niblock - YPGPN (XI 121); Paul Panhuysen - Partitas For Long Strings (XI 122); Tom Johnson - The Chord Catalogue (XI 123); Ellen Band - 90% Post Consumer Sound (XI 124); Philip Corner - 40 Years And One (XI 125); Gen Ken Montgomery - Pondfloorsample (XI 126); Michael J. Schumacher - Room Pieces (XI 127); Alan Licht - A New York Minute (XI 128); David Behrman - My Dear Siegfried (XI 129); Warren Burt - The Animation Of Lists And The Archytan Transpositions (XI 130); Matt Rogalsky - Memory Like Water (XI 131); David Watson - Fingering An Idea (XI 132); Michael J. Schumacher - Five Sound Installations (XI 133) (Dvd-Rom); David First – Privacy Issue (XI 134); Charlie Morrow – Toot! (XI 135); Michael Vincent Waller – The South Shore (XI 136); Ulrich Krieger /RAW:ReSpace/ (XI 137); Dan Joseph - Electroacoustic Works (XI 138); Amnon Wolman/Neil Leonard - Security Vehicles Only (XI 139) digital only release; Cecilia Lopez – Red/Machinic Fantasies (XI 140); Leslie Ross – drop by drop, suddenly (XI 141); Phill Niblock/The Dorf – Baobab / Echoes (XI 142); Dave Seidel – Involution (XI 143); Tom Chiu - The Live One (XI 144); Phill Niblock - NuDaf (XI 145/AKOH 145); Neil Leonard – Sonance for the Precession (LP) (XI 146/AKOH 146); Amnon Wolman - Book/DVD (XI 147/AKOH 147); Michael Winter – Counterfeiting in Colonial Connecticut/a lot of tiles (trivial scan) (XI 148); Matt Rogalsky – Visitations and Revisitations (XI 149); Merche Blasco/Lucie Vítková - Blasco / Vítková / Anette (XI 150); Upcoming: Julian Knowles, David First XI releases are available for sale on our website (www.xirecords.org), as well as from Forced Exposure (USA) (www.forcedexposure.com); titles are also available through Amazon.com, Bandcamp (xirecords.bandcamp.com) and Soundohm, Italy (www.soundohm.com); most releases are also available digitally through outlets such as Spotify etc.

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Wave Farm news for December 2025
by Wave Farm + WGXC 90.7-FM 02 Dec '25

02 Dec '25

View this email in your browser (https://mailchi.mp/wavefarm.org/june2025-2892903?e=296a2cc47c) https://wavefarm.org/ ** News for December 2025: ------------------------------------------------------------ We are excited to share some major news this month! In May 2024, Wave Farm's WGXC relocated from Hudson to a Catskill storefront right on Main Street. This new location has already been a success story and now we are hoping to expand! The WGXC Catskill studio at 393 Main Street has been a shared space since our relocation, but we are now in a position to be the sole tenant (with your help!). With your support we will build this space as a place for more community programming, workshops, and in-studio performances. WGXC’s Catskill studio has become a grounding place for our station, and on this Giving Tuesday through the end of year, we hope you will consider donating as an investment in community spaces and media (http://wgxc.org/donate) . This month, turn out in person to the Wave Farm/WGXC Holiday Party (https://us2.campaign-archive.com/?e=__test_email__&u=9d607a40fa0db412d064db…) at The Avalon Lounge on December 18th! And tune in for special broadcasts,including Radio Art Research Fellow Bill Corrigan's Marine Navigation series (https://us2.campaign-archive.com/?e=__test_email__&u=9d607a40fa0db412d064db…) broadcasts on three Saturdays: December 6th, 13th, and 20th. Also new to the WGXC airwaves are On the Mic (https://us2.campaign-archive.com/?e=__test_email__&u=9d607a40fa0db412d064db…) : Eclectic music, discussion, and interviews hosted by 3 teenage girls in Columbia County, archival recordings from Woodstockhausen (https://us2.campaign-archive.com/?e=__test_email__&u=9d607a40fa0db412d064db…) East 2025 festival, soundscape and performance "The Sounds of the Winter Solstice," (https://us2.campaign-archive.com/?e=__test_email__&u=9d607a40fa0db412d064db…) and over 40 new tracks (https://us2.campaign-archive.com/?e=__test_email__&u=9d607a40fa0db412d064db…) added to the Local Waves music library. Applications are now open for NYSCA/Wave Farm funding opportunities (https://us2.campaign-archive.com/?e=__test_email__&u=9d607a40fa0db412d064db…) for media arts artists and organizations. And, for those around Catskill, NY, we are pleased to offer another year of the Sound Engineering and Public Performance Mentorship (#avalon) program in partnership with Avalon Lounge! Moving into 2026 are a bevy of new programs that engage our local, regional, and international communities, and deepen access to the airwaves. Also, stay tuned for an announcement about Wave Farm’s 2026 residency, fellowship, and visiting artist opportunities coming in the next few weeks! https://secure.givelively.org/donate/wave-farm-inc/wgxc-annual-listener-sup… ** GRANT OPPORTUNITIES ------------------------------------------------------------ https://wavefarm.org/grants-services/nysca-regrants/maaf-artists/about ** Apply by January 15, 2026 ------------------------------------------------------------ ** NYSCA/Wave Farm: Media Arts Assistance Fund (MAAF) for Artists 2026 (https://wavefarm.org/grants-services/nysca-regrants/maaf-artists/about) ------------------------------------------------------------ For New York State artists, the Media Arts Assistance Fund (MAAF) provides support for the completion and/or public presentation of a new or recently completed artwork in all genres of sound and moving image art, including emergent technology. Grant awards assist artists in completing new work, reaching public audiences, and advancing artistic exploration and public engagement in the media arts. Artists may apply for up to $7,500 in support by January 15, 2026. The Media Arts Assistance Fund is a regrant program in partnership with New York State Council on the Arts (NYSCA). There is no fee to apply to MAAF. For full guidelines and application instructions, click here (https://wavefarm.org/grants-services/nysca-regrants/maaf-artists/about) ! Featured image: still from 2025 MAAF for Artists Grantee Tamar Ettun (https://tamarettun.com/) 's IVF Documents. ** Apply by May 1, 2026 ------------------------------------------------------------ ** NYSCA/Wave Farm: Media Arts Assistance Fund (MAAF) for Organizations 2026 (https://wavefarm.org/grants-services/nysca-regrants/maaf-orgs/about) ------------------------------------------------------------ For organizations, MAAF provides funds to support technical strategies for online development as well as to hire outside consultants to support organizational and professional development. Eligible organizations have missions specific to the media arts, dedicate the majority of their programming to technology as an art form, and are current NYSCA grantees. Priority will be given to Electronic Media and Film organizations. Applications from multi-disciplinary organizations that incorporate art and technology will be considered on a case-by-case basis for applications that are specific to their media arts activities. For full guidelines and application instructions, click here (https://wavefarm.org/grants-services/nysca-regrants/maaf-orgs/about) ! ** Wave Farm in Partnership with The Avalon Lounge ------------------------------------------------------------ ** Apply by December 15, 2025 ------------------------------------------------------------ ** Sound Engineering and Public Performance Mentorship Opportunities ------------------------------------------------------------ Wave Farm is pleased to announce a unique opportunity, in partnership with the Catskill, NY performance venue The Avalon Lounge (https://www.theavalonlounge.com/) , for 2026. One individual will be selected from an open call for a Mentorship Program in 2026. Mentees learn the ins-and-outs of presenting independent and experimental performance in a community setting. For more info and to apply, click here (https://build.fillout.com/editor/3vgw4ZyUugus/edit) ! ** TURN OUT IN PERSON ------------------------------------------------------------ https://wavefarm.org/radio/wgxc/calendar/s3a9nw ** Breaking the Algorithm IRL: Wave Farm/WGXC Holiday Party (https://wavefarm.org/radio/wgxc/calendar/s3a9nw) ------------------------------------------------------------ Thursday, December 18, 2025, 7 - 9 p.m. Upstairs at Avalon Lounge 29 Church St, Catskill, NY 12414 Turn out on Thursday, December 18th at 7pm Upstairs at the Avalon Lounge for the next edition of “Breaking the Algorithm IRL"! This month is the Wave Farm/WGXC holiday party, so join us to hear from WGXC volunteer programmers both on the mic and on the turntables. And, maybe bring a record or track of your own for us to cue up! Theme: holiday music that's unusual, askew, or downright weird. "Breaking the Algorithm IRL" is a monthly series presented by Wave Farm’s WGXC 90.7-FM as part of our Local Waves initiative and the show "Local Waves in Conversation." Part conversation led by Mike Amari of Chosen Family and part DJ set by a WGXC volunteer, the series highlights local artists, musicians, venue owners and bookers, and record label owners. ** SPECIAL BROADCASTS ------------------------------------------------------------ https://wavefarm.org/wf/calendar/80h7fz ** The Radio Art Hour: Marine Navigation series produced by Bill Corrigan (https://wavefarm.org/wf/calendar/80h7fz) ------------------------------------------------------------ Marine Navigation 1: Hydroacoustics (https://wavefarm.org/radio/wgxc/schedule/gkcnbb) Saturday, December 6, 2025, 3 - 4 p.m. Marine Navigation 2: Round Trip (https://wavefarm.org/radio/wgxc/schedule/t4606x) Saturday, December 13, 2025, 3 - 4 p.m. Marine Navigation 3: Across the Atlantic (https://wavefarm.org/radio/wgxc/schedule/x8r2hn) Saturday, December 20, 2025, 3 - 4 p.m. WGXC 90.7-FM: Radio for Open Ears 90.7-FM in NY's Upper Hudson Valley and wgxc.org/listen everywhere Radio airspace and seaspace share a problem of mapping and, therefore, of control. In 1609, Hugo Grotius accelerated the project of empire by arguing in his Mare Liberum that the sea and the air were alike in the sense that they could not be permanently occupied and were without limit, and that therefore they should be regarded as a commons. A breach formed between the empty expanse of this ideal landscape and the reality of turbulent waters. Waves of broadcast and of water are linked by more than metaphor: when they meet at the surface they produce interference, which can disrupt navigation. These pieces occur within the pattern of that interference and in the space of the breach. Listen in, and don’t worry if you find yourself getting lost. Image: A hydrophone used by Jean-Daniel Colladon in the first recorded attempt to measure the speed of sound underwater. The year was 1826; Colladon was listening for the sound of a bell submerged beneath the waters of Lake Geneva. Item from the Musée d'histoire des sciences de la Ville de Genève. Image courtesy of Rama. https://wavefarm.org/radio/wgxc/schedule/gycb2b ** From the Wave Farm Transmit Partner Archives (https://wavefarm.org/radio/wgxc/schedule/gycb2b) : Woodstockhausen East '25 Performance Archive ------------------------------------------------------------ Leila Adu/Paul Geluso (Duo) + Angel Names + Ximena Bedoya (https://wavefarm.org/radio/wgxc/schedule/a630y2) Friday, December 12, 2025, 2 - 3 p.m. Dean Fraser + softbits (https://wavefarm.org/radio/wgxc/schedule/bpjxf4) Friday, December 19, 2025, 2 - 3 p.m. WGXC 90.7-FM: Radio for Open Ears 90.7-FM in NY's Upper Hudson Valley and wgxc.org/listen everywhere Starting on December 12, tune in on Fridays at 2 p.m. for broadcasts from the Woodstockhausen 25’ East performance archive. Woodstockhausen (https://www.woodstockhausen.net/) is a bi-coastal festival dedicated to experimental music, installation, and audiovisual performance. In 2025, the festival was held in a barn and on a field in Bloomville, NY in July, and in a redwood clearing in Boulder Creek, CA in August. This festival brings local, regional, national, and international artists together to showcase boundary-pushing works, encouraging creative exchange and extra-regional community in an open and generative atmosphere. Recordings produced by Paul Geluso and Ben Krasner. "From Our Transmit Partners" features archival recordings from Wave Farm's institutional and individual Transmit Partners. Wave Farm has a growing list of institutional and individual Wave Farm Transmit Partners who use the Wave Farm Radio app to transmit their own programming. For more information, visit the Wave Farm Transmit Partner page here (https://wavefarm.org/radio/partner-streams/about) . Image: Ximena Bedoya performing at Woodstockhausen East '25 on Friday, July 25, 2025, courtesy of Woodstockhausen. https://wavefarm.org/radio/wgxc/schedule/bk67bh ** Audio Buffet: Sounds of the Winter Solstice (Woodstock Land Conservancy) (https://wavefarm.org/radio/wgxc/schedule/bk67bh) ------------------------------------------------------------ Sunday, December 21, 2025, 10 - 11 a.m. WGXC 90.7-FM: Radio for Open Ears 90.7-FM in NY's Upper Hudson Valley and wgxc.org/listen everywhere Tune in for a special solstice broadcast of "The Sounds of the Winter Solstice," a soundscape and vocal performance by artist Zaneta. This piece is an excerpt of a larger work called "Invitations from the Land," which was recorded at WLC’s Israel Wittman Sanctuary in the Zena Highwoods on the winter solstice of 2024. Drawing from field recordings captured at powerful celestial moments like solstices and equinoxes, Zaneta creates immersive sonic worlds where the forest itself becomes both stage and collaborator. Layered within these soundscapes are her sung responses, an intimate practice rooted in her Filipinx heritage and the tradition of singing to the forest passed down by her grandmother. The piece features interviews from residents of the Zena Highwoods, the WLC Land Stewards who maintain Israel Wittman Sanctuary, and WLC’s Program Curator, Miranda Javid. This broadcast invites listeners to slow down, attune to seasonal rhythms, and experience the living dialogue between artist and landscape. ** NEW TO THE WGXC BROADCAST SCHEDULE ------------------------------------------------------------ https://wavefarm.org/radio/wgxc/schedule/tmf9sv ** On the Mic: (https://wavefarm.org/radio/wgxc/schedule/tmf9sv) Eclectic music, discussion, and interviews hosted by 3 teenage girls ------------------------------------------------------------ 1st Wednesdays from 4 p.m. to 5 p.m. WGXC 90.7-FM: Radio for Open Ears 90.7-FM in NY's Upper Hudson Valley and wgxc.org/listen everywhere Premiering on Wednesday, December 3 at 4 p.m., "On The Mic" is hosted by Pepper Goldfarb, Anabelle Bissonnette, and Adele Golby. The show contains eclectic music, discussion, and interviews with invited guests. This is a program hosted by 3 teenage girls from Columbia county. ** LOCAL WAVES UPDATES ------------------------------------------------------------ BIG MONTH for Local Waves! With our Open Call this month to any and all local bands/artist who released music in 2025 to send in their work for the Local Waves Library, we have (so far) received 40+ submissions in November alone! While I split this up into 2 months of updates, here is a somewhat random selection of 20 of those releases (all released in 2025): Al Olender (https://alolender.bandcamp.com/) / Al’s heart on sleeve indie songwriter (but with some grit) is on full display with new singles and an album coming in February Birchwing (https://www.instagram.com/birchwing/) / Feel good electro wave from Redhook Bradford Reed (https://bradfordreed.bandcamp.com/album/petal-tones) / Acra’s own, who creates/builds his own instruments and then tames them in surprising and interesting jazz-inflected electronic pieces Breakfast In Fur (https://breakfastinfur.bandcamp.com/album/blue-heaven-2) / in my opinion one of the hudson valley’s best bands in the 2010s, they have been on hiatus for nearly 10 years and out of nowhere dropped this gem of an album. Big twee indie rock vibes, think Galaxie 500 or Belle & Sebastian Brother Jax (https://brotherjax.bandcamp.com/album/end-times) / very cool, tropicalia-tinged indie folk from Kerhonkson Escavela (https://escavela.bandcamp.com/album/iterations-i-tones) / vibey slowly evolving soundscapes from this Beacon artists debut release Jackson Simpson (https://www.youtube.com/watch?v=oHjUSC-xKCE) / Finally someone putting some respect on Stewart’s (https://www.youtube.com/watch?v=oHjUSC-xKCE) name Karen Schoemer (https://dromedaryrecords.bandcamp.com/album/august) / prolific and wide ranging spoken word punk writer, Karen’s new album is an experiment in form and creation that is not to be missed. Released on the Kingston-based Dromedary Records. Kira McSpice (https://kiramcspice.bandcamp.com/album/the-compartmentalization-of-decay) / dark and witchy folk from (no pun here) South Salem, NY. Very good record, highly recommended for fans of Marissa Nadler or the quieter side of Chelsea Wolfe. Lea Bertucci (https://leabertucci.bandcamp.com/album/the-oracle) / another totally unique and engaging release from this prolific composer, sound experimenter, sometimes minimalist. One of the reviews says “Lea has her own musical language” and that is very true. Mikaela Davis (https://mikaeladavis.bandcamp.com/track/11-11) / a new, one-off track that exemplifies Mikaela’s dreamy americana vibes Miss America (https://missamerica1.bandcamp.com/album/miss-america) / this record rips! Lo-fi, garaging but emotional songs. Red Hook is killing it Most Serene Congress (https://mostserenecongress.bandcamp.com/album/live-at-verbatim) / weird unknowable sounds, improvised spoken word. A Wave Farm / WGXC classic. And it was recorded live at the VERBATIM event near Hunter in October! Sam Shepard (https://samshep.bandcamp.com/track/frozen-dairy) / this song about frozen dairy is giving Ween in the 90s vibes Schmave (https://schmavemusic.bandcamp.com/album/due-knot-throe-would-ore-mettle-inn…) / New Paltz-based band has been around for a minute and every record zigs and zags in new directions. Very playful, spacious indie rock that you can (almost) dance to Schune (https://schune.bandcamp.com/album/schune) / A new project for longtime Setting Sun leader Gary Levitt. Schune is an experiment in that he wrote and recorded these songs without guitar, and that led to new, industrial leaning sounds. Sweet Harm (https://sweetharm.bandcamp.com/album/certain-sun) / the type of sophisticated lo-fi pop punk that only middle-age folks who used to throw DIY shows can make The Veggies (https://theveggieshv.bandcamp.com/album/vitamins-and-minerals) / crunchy and on theme with its bedroom-punk riffs and distorted drum machine Velouria (https://vimeo.com/1083756259) / how is this kid from Columbia County making the best garage pop in the area ? Will Lawrence (https://wtlawrence.bandcamp.com/album/rooftops-in-the-centerfold) / known as a hired hand in some of the best americana bands going today, Philmont’s Will Lawrence also crafts his own beautifully written and performed (almost entirely by him) pastoral chamber folk pieces. -Mike Amari of Chosen Family Presents Local Waves airs every Friday at 8PM. All local artists are encouraged to send music to be added to this ever growing library. Send to music(a)wgxc.org (mailto:music@wgxc.org) with ‘‘Local Waves’ in subject, mp3s (320kps) or Bandcamp download codes are preferred! ** Your Generosity Makes Wave Farm Possible! ------------------------------------------------------------ ** ------------------------------------------------------------ Wave Farm remains tirelessly committed to making the airwaves a participatory medium. We are an international transmission arts organization driven by experimentation with the electromagnetic spectrum. We cultivate creative practices in radio and support artists and nonprofits in their cultural endeavors. These activities are made possible, in part, from state and federal art grants, foundation support, earned income derived from consulting services and curatorial engagements, and from private, tax-deductible, support from individuals like you. Support from listeners, attendees, and collaborators provides a critical piece to keeping Wave Farm programs afloat, especially WGXC 90.7-FM Radio for Open Ears, and we are grateful to the many individuals who have shown their generosity past, present, and future. Support Wave Farm (https://wavefarm.org/support) or Target your support to WGXC-FM (http://wgxc.org/donate) ============================================================ ** Wave Farm Instagram (https://www.instagram.com/wavefarmradio/) ** Website (http://wavefarm.org) ** WGXC Instagram (https://www.instagram.com/wgxc_90.7fm/) Wave Farm programs are made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; the Greene County Legislature through the Greene County Cultural Fund; the Alexander and Marjorie Hover Foundation; and hundreds of other generous individual donors, including WGXC Monthly Supporters, who provide critical monthly support to Wave Farm's radio station WGXC 90.7-FM. ** (http://arts.ny.gov) Copyright © 2025 Wave Farm, All rights reserved. You are receiving this email because you've either opted in via our website, signed up at a Wave Farm / WGXC event, or because you've corresponded with staff to express interest in Wave Farm programs. Our mailing address is: Wave Farm 5662 Route 23 PO Box 13 Acra, NY 12405 USA Want to change how you receive these emails? You can ** update your preferences (https://wavefarm.us2.list-manage.com/profile?u=9d607a40fa0db412d064dbd33&id…) or ** unsubscribe from this list (https://wavefarm.us2.list-manage.com/unsubscribe?u=9d607a40fa0db412d064dbd3…) .

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Re:
by MacKenzie Scott 30 Nov '25

30 Nov '25

Ciao, sono Mackenzie Scott, ex moglie del fondatore e CEO di Amazon. Sto donando 4 miliardi di dollari dalla fondazione di Scott a enti di beneficenza, privati 0B 0Be universit� in tutto il mondo, per fornire supporto immediato alle persone che soffrono economicamente a causa della pandemia di COVID-19. Tu sei uno dei fortunati vincitori: ho una sovvenzione per una donazione del valore di 100.800.000,00 dollari per te. Se sei interessato, puoi contattarmi per maggiori informazioni.

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Fall News - EI-related - Niblock - Niblock-Liberovskaya - Liberovskaya-Margolis...
by EI-NYC 09 Sep '25

09 Sep '25

To reply, please use info(a)experimentalintermedia.org Dear friends of Experimental Intermedia, Sending you all Experimental Intermedia related news available so far for Fall 2025: ** SEPTEMBER 12th* @INDEPENDENT FILM SHOW 2025 giovedì 11 - venerdì 12 - sabato 13 settembre 2025 Friday September 12th "Wind Waves / Rumble Mumble" (2023) - 22:00 video: Katherine Liberovskaya / sound: Phill Niblock + Francisco Janes The last video-audio project completed by Liberovskaya together with Niblock in the summer of 2023 at an informal residency in Lithuania at the country residence of artist friends Francisco Janes and Jurate Jarulyte. As part of program "FLUSSI" curated by Raffaella Morra Museo Archivio Laboratorio per le Arti Contemporanee Hermann Nitsch https://www.museonitsch.org/en/ https://www.facebook.com/photo/?fbid=10235586224249027&set=a.1181363727089 ** SEPTEMBER 13th* The US Premieres of *Phill Niblock*'s Late Work - K+L for KL2 (for two bass clarinets), 2022. Performed by Katie Porter and a special guest with live video by Katherine Liberovskaya. - BLK + LND (for bass and bass clarinet), 2023. Performed by Neil Leonard and James Ilgenfritz with a film by Phill Niblock. Saturday, September 13, 6:30pm @ The Emily Harvey Foundation NYC 537 Broadway, #2 New York, NY 10012 https://emilyharveyfoundation.org/JS/pdfjs/web/viewer.html?file=/newyork/PD… ** SEPTEMBER 15th* Current Experimental Intermedia President Al Margolis (electronics) and Artistic Director Katherine Liberovskaya (live video) in concert with Austrian violinist-vocalist-composer Mia Zabelka At Striped Light @LIC NYC 7:30 doors, show 8:00 Also featuring sets by: Zosha Warpeha Phase to Phase (Katie Porter & LC) https://www.instagram.com/p/DNr5ZulWCTg/ https://www.instagram.com/striped_light/?hl=en ** SEPTEMBER 25th* Phill Niblock concert + opening of installation "We Played It Loud!" (supervised by Katherine Liberovskaya) As part of To Listen To (TLT) Experimental Listening Festival www.to-listen-to.it 18:00 September 25, 2025 @ Galleria d’Arte Moderna (GAM), Turin, Italy Via Magenta, 31, 10128 Torino TO, Italy www.gamtorino.it Installation until October 4th (10:00 – 18:00, closed September 29th) https://www.to-listen-to.it/en/evento-festival/we-played-it-loud-phill-nibl… ** OCTOBER 2nd* Exhibition & Concert - October 92 (KL/PN OptoSonic InterPlays) Katherine Liberovskaya & Phill Niblock Opening October 2nd 18:30 Organized by APO33, Nantes, France apo33.org @ La Plateforme Intermédia 4 Boulevard Léon Bureau, 44200, Nantes "October 92" presents a series of audio-video installations by Katherine Liberovskaya, created in collaboration with Phill Niblock (1933–2024), a central figure of intermedia art. Through projected images and dense sound layers, the works explore slowness, repetition, and deep listening. The exhibition opens on Thursday, October 2 at 6:30 PM, on the date that would have marked Phill Niblock’s 92nd birthday — a tribute to his memory and to more than two decades of artistic collaboration with Liberovskaya. - Exhibition dates: October 3 – November 9, 2025 Open Fridays & Saturdays | 14:00-18:00 - Concert — Saturday, October 4 at 18:00 Local musicians will perform several works by Phill Niblock, immersing audiences in his radical and demanding music, where dense textures and microtonal layers expand the experience of time. https://apo33.org/?p=12357 https://fb.me/e/6Ctp27oIx https://mobilizon.fr/events/76695e94-44fc-4d4c-a20d-72fb95d56d9e ** OCTOBER 18th* Planned opening of exhibition by Carmen-Sibha Keiso Curated by Katherine Liberovskaya and Joan Hacker at the PN Experimental Intermedia House window gallery in Gent, Belgium (now PN/EI Huis, ex EI v.z.w. Gent or simply EI Huis) Sassekaai 45, B9000 Gent, Belgium More info soon: https://pneihuis.wordpress.com/2025/04/29/walking-dance-for-any-number/ Current exhibition: "Walking Dance for Any Number" (1968) by Elaine Summers with cinematography by Phill Niblock - as film loop Curated by Katherine Liberovskaya and Joan Hacker in consultation with Thomas Körtvélyessy, executor of the Artistic Estate of Elaine Summers ** OCTOBER 19th* Phill Niblock’s V&LSG (2015) - composed for Loré Lixenberg and Guy De Bièvre Performed as part of Loré Lixenberg’s residency @ Cafe Oto www.cafeoto.co.uk October 19th, 19:30 18–22 Ashwin Street, Dalston, London E8 3DL www.cafeoto.co.uk/events/lixo-residency-3/ ** OCTOBER 21-26* "The Magic Sun" by Phill Niblock (1966-1968) As part of the Centre Pompidou's contribution from its collection to the new section “Acquisitions et Découvertes” of OFFSCREEN Paris, a nomadic event that values contemporary, historic and avant-garde artists with experimental image-based practice during Paris Art Week each October. For its fourth edition, OFFSCREEN Installations, Still and Moving images, returns to an exceptional new venue, La Chapelle Saint-Louis de la Salpêtrière. La Chapelle Saint-Louis de la Salpêtrière Access through Marie Curie Garden 47, Bd de l’Hôpital, 75013 Paris https://offscreenparis.com/ ** DECEMBER 21st* Katherine Liberovskaya has once again been invited by Roulette NYC to put together the annual Phill Niblock WINTER SOLSTICE 6 hours of Music and Film https://roulette.org/event/phill-niblock-winter-solstice-2025/ ** ALSO* Stay tuned for the Experimental Intermedia December 2025 Series ** AS WELL* Since early June 2025 the transfer of all 400 EI concert recording DATS has been completed by our amazing engineer Garry Rindfuss. We've saved the DATs! Many thanks again to all of you who have contributed to our fundraiser for this crucially important endeavor and especially to major benefactor Mr Les Shimmin from Sydney, Australia. Mr. Shimmin, who passed away in 2024 and his son, Nick Shimmin, who agreed to use a portion of his estate to promote experimental music and art. Indeed, after occasional meetings with Phill Niblock over the last 15 years, Nick understood the importance of the digitization of the EI DAT recordings. Once more a huge Thank You on behalf of Experimental Intermedia, and all the musicians and composers who are assisted by this generous donation. www.experimentalintermedia.org

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DATs Saved ! And Experimental Intermedia NYC at Subtropics Miami FL this weekend
by Katherine Liberovskaya 22 Apr '25

22 Apr '25

Dear friends of Experimental Intermedia, We did it – well, actually YOU did it !!! We saved the DATs !!!. Thanks to your generous contributions, EIF raised enough money to transfer the DAT recordings from 20+ years of events to digital files. The process is in fact almost done (at this writing DATs 251 to 400 have been picked up by our amazing engineer Garry Rindfuss and are being transferred). So EIF greatly thanks all of you who helped and expressed their understanding of the need for this process to go forward ! We would especially like to recognize a major benefactor to our digitization process: Mr Les Shimmin from Sydney, Australia. Mr. Shimmin, who passed away in 2024 and his son, Nick Shimmin, who agreed to use a portion of his estate to promote experimental music and art. Indeed, after occasional meetings with Phill Niblock over the last 15 years, Nick understood the importance of the digitization of the EI DAT recordings. Many thanks on behalf of Experimental Intermedia, and all the musicians and composers who are assisted by this generous donation, we thank you for this show of support for our efforts. Nick has also asked that we mention his recently opened new experimental arts venue in Sydney, The Red House, and anyone visiting Australia who is interested in performing or exhibiting there should contact him at duxextra(a)gmail.com ******** As well, Experimental Intermedia is at Subtropics, Miami FL, this April 26th and 27th. It is a tribute to Phill Niblock, long time director of Experimental Intermedia, who passed away in 2024, to the centennial, which is this year, of Elaine Summers who founded Experimental Intermedia in 1968, and to the work of Experimental Intermedia over the years. https://subtropics.org/author/sfca-isawsubtropics/ Deering Estate + Subtropics + Cyland with support from Miami-Dade Department of Cultural Affairs present EI — Subtropics Tribute Mini-Festival of Experimental Music and Film Deering Estate Blackbox Theater Hosts Current Artist and Director of Experimental Intermedia, NYC, Katherine Liberovskaya in a Weekend of Events Celebrating the Iconic Legacy of Phill Niblock, Elaine Summers, and Experimental Intermedia Foundation NYC Saturday, April 26, 2025 | 4 PM — Elaine Summers Saturday, April 26, 2025 | 6 PM — Katherine Liberovskaya Sunday, April 27, 2025 | 4 PM — Phill Niblock Deering Estate Blackbox Theater Visitor's Center Parking Lot 7220 SW 168th Street Miami, FL 33157 Free and open to the public R.S.V.P. at: https://cts.vresp.com/c/?SFCAisawsubtropics/962d21274a/TEST/bfa946fed4 Eventbrite.com Palmetto Bay, FL — Join us for a weekend dedicated to the pioneering spirit of Phill Niblock, Elaine Summers and the Experimental Intermedia Foundation, presented by the Subtropics Organization under the artistic direction of Deering Estate’s artist in residence Gustavo Matamoros. This captivating series of events curated by Ms. Liberovskaya will take place at the Deering Estate Blackbox Theater, located at 7220 SW 168th Street, Palmetto Bay, FL 33157. In collaboration with the Cyland Foundation, Inc. and the Deering Estate, these events will showcase intermedia art that merges sound and film in groundbreaking ways. The event will feature Katherine Liberovskaya, long time partner of Phill Niblock currently heading Experimental Intermedia Foundation (EI) in New York. This weekend promises to be an enriching and enlightening experience for all those interested in intermedia arts. Secure your seats now and be part of preserving and celebrating this rich artistic legacy. Note: Program subject to change without notice. Tickets and Information: Free and open to the public with R.S.V.P. at https://cts.vresp.com/c/?SFCAisawsubtropics/962d21274a/TEST/bfa946fed4 Eventbrite.com FESTIVAL DETAILS - Saturday, April 26, 2025 | 4 PM Elaine Summers: Intermedia Film-Dances Early Films by Elaine Summers Explore the early works of intermedia pioneer Elaine Summers, featuring unique Filmdances, including Walking Dance for Any # with Phill Niblock’s cinematographic expertise. PROGRAM Walking Dance for Any # (1968, four-projections-edit, 8:00, bw no sound, dance score for 2-10 performers, all to be combined as of interest) Dancers on filmdance, camera, editing: Elaine Summers and Phill Niblock Director: Elaine Summers Two Girls Downtown Iowa (1973, 11:00, bw, no sound) Dancers: Ellen Krueger, Monica Wilson Camera: Bill Rowley Editing: Elaine Summers Director: Elaine Summers Iowa Blizzard (1973, 12:00, bw, no sound) Dancers: Students of the Department of Intermedia, Iowa University, thanks to Professor Hans Breder Camera and editing: Bill Rowley Director: Elaine Summers. Windows in the Kitchen (1981, 12:00, 16mm film, color, sound) Choreographer: Elaine Summers Dancer: Matt Turney Composer, singer: Jay Clayton Camera: Paula Court Dir: Elaine Summers Prod: Elaine Summers Dance & Film Co., The Kitchen Center for Video, Music, Dance, Performance, Film and Literature, thanks to Experimental Intermedia Foundation, National Endowment for the Arts, CAPS Fellowship Absence & Presence (1985 – 7:00, bw, no sound) Filmdance by Elaine Summers Dancers: Carla Blank, Elaine Summers Camera: Phill Niblock, Elaine Summers Editing: Elaine Summers Original ©1984 Experimental Intermedia Foundation, renewed 2015 by the heirs of Elaine Summers via the Artistic Estate of Elaine Summers. Showing by courtesy of the Jerome Robbins Dance Division, the New York Public Library for the Performing Arts, with thanks to the heirs of Elaine Summers and the Artistic Estate of Elaine Summers. all rights reserved. With many many thanks to: Friends of the New Cinema, Jonas Mekas, Hans Breder, Nancy Glamore, Tammy Aisenson, Elisabeth Ross, Art + Art History, The University of Iowa, Iowa City, Iowa, The National Endowment of the Arts, New York State Council on the Arts - Saturday, April 26, 2025 | 6 PM Katherine Liberovskaya: KL/PN OptoSonic InterPlays video-audio works by Katherine Liberovskaya in collaboration with Phill Niblock Experience the potent and evocative creations of Katherine Liberovskaya performed LIVE with music by Phill Niblock. Their works capture 22 years of artistic synergy, blending dynamic visuals and intricate soundscapes. PROGRAM Peindre La Peinture / Painting the Painting (2002-2003) – 15:30 video: Katherine Liberovskaya / music: Phill Niblock (“Hurdy Hurry” (1999) Jim O’Rourke, hurdy gurdy (samples) from Works for Hurdy Gurdy and Voice on Touch TO49) Four-Wheel Drive (2008) – 5:00 video: Katherine Liberovskaya / sound: Phill Niblock Tilting at Windmills (2015) – 9:00 video: Katherine Liberovskaya / sound: Phill Niblock LockStorm (2020) – 13:25 video: Katherine Liberovskaya / sound: Phill Niblock + Katherine Liberovskaya Wind Waves / Rumble Mumble (2023) – 22:00 video: Katherine Liberovskaya / sound: Phill Niblock + Francisco Janes Source&Delta (2025) – 6:00 video: Katherine Liberovskaya / sound: Phill Niblock - Sunday, April 27, 2025 | 4 PM Phill Niblock: Intermedia Concert Music and Films Immerse yourself in the minimalist depth of Phill Niblock’s music, accompanied by films from “The Movement of People Working” series. This program offers a profound reflection on labor and life through art. PROGRAM Music by Phill Niblock Films from The Movement of People Working series: China88 and Brasil84 The Movement of People Working is the title of the long series of films made by Phill Niblock between 1973 and 1985 in rural areas in countries around the world (China, Brazil, Portugal, Lesotho, Puerto Rico, Hong Kong, Mexico, Hungary, Peru, Japan…). BIOGRAPHICAL INFORMATION Elaine Summers (1925 – 2014) was an American choreographer, experimental filmmaker, and intermedia pioneer. She was a founding member of the original workshop-group that would form the Judson Dance Theater and she significantly contributed to the interaction of film and dance, as well as the expansion of dance into other related disciplines, such as visual art, film, and theater. She fostered the expansion of performing dance in new, often outdoor locations. Her movement approach Kinetic Awareness offers a comprehensive perspective on human movement and dance. In 1968 Summers founded the non-profit Experimental Intermedia (The Elaine Summers Experimental Intermedia Foundation) to provide organizational support for artists working in intermedia forms. Elaine Summers Dance+Film: https://cts.vresp.com/c/?SFCAisawsubtropics/962d21274a/TEST/635146cf81 Skytime: https://cts.vresp.com/c/?SFCAisawsubtropics/962d21274a/TEST/4a489142f2 History of Skydance/Skytime: https://cts.vresp.com/c/?SFCAisawsubtropics/962d21274a/TEST/fca0aa856a Youtube Channel: https://cts.vresp.com/c/?SFCAisawsubtropics/962d21274a/TEST/2030a4dcf1 Wikipedia: https://cts.vresp.com/c/?SFCAisawsubtropics/962d21274a/TEST/820f9bc0d0 Jerome Robbins Dance Division, New York Public Library: https://cts.vresp.com/c/?SFCAisawsubtropics/962d21274a/TEST/e820c9afcd Katherine Liberovskaya is a Canadian intermedia artist based in NYC. Involved in experimental video since the 80’s, she has produced numerous single-channel video art pieces, video installations and video performances, as well as works in other media, that have been shown around the world. Since 2001 her work predominantly focuses on the intersection of moving image with sound/music in various both ephemeral and fixed forms (projections, installations, performances), notably through collaborations with many composers and sound artists in improvised live video+sound concert situations where her live visuals seek to create improvisatory “music” for the eyes. For over 22 years she collaborated with composer/intermedia artist Phill Niblock on various live, video and installation projects. Other frequent collaborators include: Dafna Naphtali, Keiko Uenishi, Shelley Hirsch, Barbara Held, Mia Zabelka, Al Margolis (IF,BWANA), David Watson, among many others. In addition to her art work she curates events in experimental video/film, sound/music and A/V performance, notably the yearly Screen Compositions evenings at EI NYC since 2005 and, since 2006 the OptoSonic Tea salons (co-curated with Ursula Scherrer) in NYC and various nomadic locations in North America and Europe as well as on-line during the Covid pandemic. In 2014 she completed a PhD in art practice entitled “Improvisatory Live Visuals: Playing Images Like a Musical Instrument” at the Université du Québec à Montréal (UQAM). She is currently the artistic director of Experimental Intermedia NYC. www.facebook.com/liberovskaya Phill Niblock (1933-2024) was an intermedia artist using music, film, photography, video and computers. He was born in Indiana in 1933. Since the mid-60’s he was making music and intermedia performances which have been shown at numerous venues around the world. He made thick, loud drones of music, filled with microtones of instrumental timbres generating many other tones in the performance space. He said: “What I am doing with my music is to produce something without rhythm or melody, by using many microtones that cause movements very, very slowly.” Simultaneously, he would present films / videos looking at the movement of people working. Since 1985, he was the director of the Experimental Intermedia Foundation in New York – www.experimentalintermedia.org – where he had been an artist/member since 1968. He was the producer of Music and Intermedia presentations at EI from 1973 to 2023 and the curator of EI’s XI Records label until 2023. Phill Niblock’s music is available on the XI, Moikai, Mode, Matiere Memoire, Room 40, and Touch labels. DVDs of films and music are available on the Extreme label and Von Archive. Until 1995 he was a professor of film, video and photography at The College of Staten Island, the City University of New York. In 2014, he was the recipient of the prestigious John Cage Award from the Foundation for Contemporary Arts. www.phillniblock.com Experimental Intermedia Foundation NYC is a non-profit 501(c)(3) organization was directed from1985 to 2023 by Phill Niblock. Its current artist director is Katherine Liberovskaya. It was founded in 1968 by Elaine Summers to provide organizational support for artists working in intermedia forms. It has been presenting experimental music concerts and other intermedia work at its SOHO location since 1973, featuring both American and international composers and artists. Experimental Intermedia remains one of the principal venues for the presentation of untried work in New York City. The Foundation also manages its own recording label, XI Records, that continues to garner extremely positive press and radio coverage, both nationally and internationally. To date, the label has released 50 recordings, a majority of which are by American composers. EI produces some 20 events each season and develops and implements international projects in collaboration with like-minded organizations both local and international for the creation & presentation of innovative, technically sophisticated music & intermedia artwork. www.experimentalintermedia.org SPECIAL THANKS Katherine Liberovskaya and Experimental Intermedia Foundation NYC, Thomas Körtvélyessy and the Artistic Estate of Elaine Summers, Anna Frants and the Cyland Foundation, Claudia Ariano and Ariano Design Studio, Freddy Jouwayed and FJP Design Logistics, Lili Dominguez, Ileana Lopez, Amarantha Bailly and the Deering Estate Foundation, the board of directors of Subtropics Organization: Cyjo + Tim Archambault, Mark Weber, Duane Brant, Rene Barge, Jim Peele, and Arthur D’Amato, the new Subtropics advisory board members Jennie Gottschalk and Fast Forward, alongside Alison Knowles, Trimpin, George E Lewis, Brenda Hutchinson, Steve Stuempfle, Steve Peters, Gregory Whitehead, Jim Staley and Lou Mallozzi. DEERING ESTATE SOUND ARTS SERIES CURATOR GUSTAVO MATAMOROS works in the areas of experimental music, sound installations and intermedia. He is the founding artistic director of the Subtropics Festival in Miami (1989) and is a core member of Frozen Music. He is also the curator of this program. Currently, he is artist-in-residence at Deering Estate, and at Florida International University's i360 XR Theater. A profile article by Barbara London was published on Flash Art and can be found at - https://cts.vresp.com/c/?SFCAisawsubtropics/962d21274a/TEST/95c22c261e here and you can visit his website - https://cts.vresp.com/c/?SFCAisawsubtropics/962d21274a/TEST/a88a5d43b8 here. CREDITS SUBTROPICS ORG explores the boundaries of sound and art. At Subtropics, we believe that experimental music, sound art, and intermedia have the power to connect artists and audiences in profound and transformative ways. Our mission is to foster the creation, presentation, and preservation of these art forms, and to promote meaningful interactions between artists and communities. We are dedicated to pushing the boundaries of traditional music and art, and to creating a space where creativity and innovation can thrive. Our 2022-23 programs are possible with the support of Miami-Dade County Mayor, the Board of County Commissioners and the Cultural Affairs Department; and The Blank Family Foundation. Special thanks to our presenting sponsors, Deering Estate, Books & Books, Vertical Response, The Estate of Charles Recher, Ariano DEsign Studio, Florida International University, Art and Science Laboratory of Santa Fe, NM, and Sennheiser USA, leader in superior sound technology. CYLAND is a nonprofit organization founded in 2007 by independent artists and curators. We are promoting the emergence of new forms of art and high technology interactions, developing professional connections between artists, curators, engineers and programmers around the world and exposing wide audiences to the works in the field of robotics, video art, sound art and net art. Emerging or established, local or international — selected artists are provided with resources from technicians to equipment and professional development. THE DEERING ESTATE is a 21st Century house museum, cultural and ecological field station, and a national landmark listed on the National Register of Historic Places, owned by the State of Florida, and managed by Miami-Dade County Parks, Recreation and Open Spaces Department. 2022 marks the 100th anniversary of the construction of the Stone House, and along with our philanthropic partners, the Deering Estate Foundation & 100 Ladies of Deering, we will be hosting a series of events & programs in celebration of this momentous occasion. The Deering Estate is located at 16701 SW 72 Ave. in Miami. THE DEERING ESTATE FOUNDATION — For those who treasure the Deering Estate, who advocate for its preservation and wish to invest in its future, The Deering Estate Foundation provides opportunities for individuals and corporations alike to partake in membership, signature events, and one-of-a-kind experiences, all in service of providing vital funding and support to the Deering Estate. Through these efforts, the foundation fulfills its mission to uphold the legacy of Charles Deering's cherished 1920s-era property, to provide funding for the cultural, educational and recreational experiences it offers, as well as its significant scientific and archaeological endeavors to conserve its diverse flora, fauna and the eight native ecosystems that thrive on its 450 acres, and to ensure its longevity as a prized American heritage site. Established in 1989, The Deering Estate Foundation, Inc. is a community-based charitable 501(c) 3 Florida Corporation and the philanthropic partner of the Deering Estate. Deering Estate Blackbox Theater Visitor's Center parking lot 7220 SW 168th Street Palmetto Bay, FL 33157 With support from Cyland Foundation, Inc. With the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners. For more information at www.miamidadearts.org <http://www.miamidadearts.org/> ______________________________________________________________________ Click to view this email in a browser http://hosted.verticalresponse.com/365406/962d21274a/TEST/TEST/ SFCA [isaw+subtropics.org <http://subtropics.org/> ] po box 612712 miami, Florida 33261-2712 US

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Starting today!: EI NYC March 2025 Series - March 24-31 - 7pm various locations
by Katherine Liberovskaya 24 Mar '25

24 Mar '25

To reply, please use info(a)experimentalintermedia.org *EXPERIMENTAL INTERMEDIA* *The **Fifty-Second** Anniversary of EI performances, the Fifty-Seventh Anniversary of the Founding of Experimental Intermedia, the Fifty-Seventh Anniversary of the 224 Centre Street loft, and, not least, The Thirty-Fifth Annual Festival with no fancy name, Part One (or A) * *Katherine Liberovskaya, curator * *MARCH 2025 - All events at 7PM in all places* *Please note all the different venues for this series* *Suggested donation $10 except Monday 31st at Zürcher Gallery 2 sets / $20* *Alex Chechile (Providence, RI) - at Harvestworks Monday 24* Using findings from his psychoacoustic research on the perception of spectrally complex difference tones, Alex Chechile will perform works from his On the Sensations of Tone series; the pieces explore expanded layers of spatial depth created by tones that are generated by the ear and appear localized within the head; the multichannel works will employ modular synthesizers and Chechile’s custom Ear Tone Toolbox, and the concert will be accompanied by an artist/research talk on difference tones and otoacoustic emissions - http://alexchechile.com *Thessia Machado & Ranjit Bhatnagar (NYC) - at Various/Artists Thursday 27* >From an assortment of mechanical, acoustic, organic, and sometimes electronic sound-making objects, Bhatnagar and Machado tease out loops, drones, voices, and textures in an unpredictable landscape; misusers of tools & devices, senses-focused, the duo sings the unsung song of the objects- https://thessiamachado.com - https://moonmilk.com *Eric Letourneau (Montreal, Canada) - at Various/Artists Friday 28* Eric Létourneau utilizes his queer body to interweave oblique ways of combining experimental music and performance art; he is interested in queer phenomenology as a way of apprehending research-creation; the sound performance Joncs cagettes bassesterres incorporates minimalist elements that open up a fantasmatic world in which traditional dialectical models are blurred in favor of a transductive aesthetic through sound and action; with Brian McCorkle, Yvette Massoudi, and Katherine Liberovskaya - http://systememinuit.com/actions *Benton C Bainbridge (Erie, PA) - at Various/Artists* *Saturday 29* Benton C Bainbridge will present an abridged account of 4+ decades of electronic art experimentation, with stories of folx and the spaces they ran to support the creative underground, such as Phill Niblock and the Experimental Intermedia loft; Benton will also talk about future plans for FEED.art, a new space he's building for media arts in downtown Erie, PA - https://en.wikipedia.org/wiki/Benton_C_Bainbridge *SCREEN COMPOSITIONS 21 curated by Katherine Liberovskaya - at Various/Artists Sunday 30* Wow! who would have thought that Screen Compositions would continue beyond 20 years into a third decade? but here we are, with our 21st edition, still bringing you a yet new collection of ever intriguing and enthralling intersections of moving image with sonic art; a program of screen works representing dynamic two-way collaborations between video/film artists and sound/music artists specifically intended for single-channel projection with no live or performance component; featuring collaborations by: Jo Andres / Hahn Rowe; CHIKA / Hiromi Kiba; Agnes Gruz / Nikolaus Gerszewski; Carmen-Sibha Keiso / Bonnie Mercer; Scott Kiernan / Shelley Hirsch; Katherine Liberovskaya / Phill Niblock; Andrew Neumann / Robert Poss; Phill Niblock / Tim Shaw; Monika Trotula / Mia Zabelka + Stefan Strasser + Tungu; Alessandra Zucchi / Antonio Della Marina *Charmaine Lee (NYC) - at Zürcher Gallery Monday 31* Solo improvisation for voice and electronics, exploring feedback and sonic palettes between wires and breath - https://www.charmainelee.com *MV Carbon (NYC) - at Zürcher Gallery Monday 31*Prioritizing sound exploration over traditional musical structures, rhythm and emotion weave and unravel as dense orchestrations magnify the ritual embedded within music; chaotic moments of sonic trajectory are leveled with contrasting elements of pure tone; percussive backgrounds are created with hand made instruments as electric cello is processed through a meticulous chain of effects; structure is established then shifts, allowing sound to metamorphosize into space - https://mvcarbon.com *Venues:* Harvestworks: 596 Broadway #602, New York, NY 10012 - www.harvestworks.org Various/Artists: 19 Essex St, New York, NY 10002 - www.variousartistsrecords.com/19essex Zürcher Gallery: 33 Bleecker St, New York, NY 10012 - www.galeriezurcher.com *Exper**imental Intermedia, **www.experimentalintermedia.org <http://www.experimentalintermedia.org/> and **www.XIrecords.org* <http://www.xirecords.org/>, *212 431 5127* Our programs are supported by the Aaron Copland Fund for Music, the Phaedrus Foundation, the Ulla Dydo Charitable Fund, a Donor Advised Fund of Renaissance Charitable Foundation, and the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature *XI Records CDs:* Phill Niblock - Four Full Flutes (XI 101); Lois V Vierk - Simoom (XI 102); Guy Klucevsek - Flying Vegetables Of The Apocalypse (XI 104); David Behrman - Unforeseen Events (XI 105); Tom Johnson - Music For 88 (XI 106); Mary Jane Leach - Celestial Fires (XI 107); Fast Forward - Same Same (XI 108); Ellen Fullman - Body Music (XI 109); Jackson Mac Low - Open Secrets (XI 110); Phill Niblock - Music By Phill Niblock (XI 111); Allison Cameron - Raw Sangudo (XI 112); Daniel Goode - Clarinet Songs (XI 113); Mary Ellen Childs - Kilter (XI 114); Richard Lainhart - Ten Thousand Shades Of Blue (XI 115); Peter Zummo - Experimenting With Household Chemicals (XI 116); Logos Duo - Logos Works (XI 117); Annea Lockwood/Ruth Anderson - Sinopah (XI 118); Eliane Radigue - Trilogie De La Mort (XI 119); Malcolm Goldstein - The Seasons: Vermont (XI 120); Phill Niblock - YPGPN (XI 121); Paul Panhuysen - Partitas For Long Strings (XI 122); Tom Johnson - The Chord Catalogue (XI 123); Ellen Band - 90% Post Consumer Sound (XI 124); Philip Corner - 40 Years And One (XI 125); Gen Ken Montgomery - Pondfloorsample (XI 126); Michael J. Schumacher - Room Pieces (XI 127); Alan Licht - A New York Minute (XI 128); David Behrman - My Dear Siegfried (XI 129); Warren Burt - The Animation Of Lists And The Archytan Transpositions (XI 130); Matt Rogalsky - Memory Like Water (XI 131); David Watson - Fingering An Idea (XI 132); Michael J. Schumacher - Five Sound Installations (XI 133) (Dvd-Rom); David First – Privacy Issue (XI 134); Charlie Morrow – Toot! (XI 135); Michael Vincent Waller – The South Shore (XI 136); Ulrich Krieger -/RAW:ReSpace/ (XI 137); Dan Joseph - Electroacoustic Works (XI 138); Amnon Wolman/Neil Leonard - Security Vehicles Only (XI 139) digital only release; Cecilia Lopez – Red/Machinic Fantasies (XI 140); Leslie Ross – drop by drop, suddenly (XI 141); Phill Niblock/The Dorf – Baobab / Echoes (XI 142); Dave Seidel – Involution (XI 143); Tom Chiu - The Live One (XI 144); Phill Niblock - NuDaf (XI 145/AKOH 145); Neil Leonard – Sonance for the Precession (LP) (XI 146/AKOH 146); Amnon Wolman – Book/DVD (XI 147/AKOH 147); Michael Winter – Counterfeiting in Colonial Connecticut/a lot of tiles (trivial scan) (XI 148); Matt Rogalsky – Visitations and Revisitations (XI 149); Merche Blasco/Lucie Vítková - Blasco / Vítková / Anette (XI 150); Upcoming: Julian Knowles, David First XI releases are available for sale on our website (www.xirecords.org), as well as from Forced Exposure (USA) (www.forcedexposure.com); titles are also available through Amazon.com, Bandcamp (https://xirecords.bandcamp.com) and Soundohm, Italy (www.soundohm.com); most releases are also available digitally through outlets such as Spotify etc. Add reaction

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EI NYC March 2025 Series - March 24-31 - 7pm various locations
by Katherine Liberovskaya 15 Mar '25

15 Mar '25

To reply, please use info(a)experimentalintermedia.org *EXPERIMENTAL INTERMEDIA* *The **Fifty-Second** Anniversary of EI performances, the Fifty-Seventh Anniversary of the Founding of Experimental Intermedia, the Fifty-Seventh Anniversary of the 224 Centre Street loft, and, not least, The Thirty-Fifth Annual Festival with no fancy name, Part One (or A) * *Katherine Liberovskaya, curator * *MARCH 2025 - All events at 7PM in all places* *Please note all the different venues for this series* *Suggested donation $10 except Monday 31st at Zürcher Gallery 2 sets / $20* *Alex Chechile (Providence, RI) - at Harvestworks Monday 24* Using findings from his psychoacoustic research on the perception of spectrally complex difference tones, Alex Chechile will perform works from his On the Sensations of Tone series; the pieces explore expanded layers of spatial depth created by tones that are generated by the ear and appear localized within the head; the multichannel works will employ modular synthesizers and Chechile’s custom Ear Tone Toolbox, and the concert will be accompanied by an artist/research talk on difference tones and otoacoustic emissions - http://alexchechile.com *Thessia Machado & Ranjit Bhatnagar (NYC) - at Various/Artists Thursday 27* >From an assortment of mechanical, acoustic, organic, and sometimes electronic sound-making objects, Bhatnagar and Machado tease out loops, drones, voices, and textures in an unpredictable landscape; misusers of tools & devices, senses-focused, the duo sings the unsung song of the objects- https://thessiamachado.com - https://moonmilk.com *Eric Letourneau (Montreal, Canada) - at Various/Artists Friday 28* Eric Létourneau utilizes his queer body to interweave oblique ways of combining experimental music and performance art; he is interested in queer phenomenology as a way of apprehending research-creation; the sound performance Joncs cagettes bassesterres incorporates minimalist elements that open up a fantasmatic world in which traditional dialectical models are blurred in favor of a transductive aesthetic through sound and action; with Brian McCorkle, Yvette Massoudi, and Katherine Liberovskaya - http://systememinuit.com/actions *Benton C. Bainbridge (Erie, PA) - at Various/Artists* *Saturday 29* Benton C Bainbridge will present an abridged account of 4+ decades of electronic art experimentation, with stories of folx and the spaces they ran to support the creative underground, such as Phill Niblock and the Experimental Intermedia loft; Benton will also talk about future plans for FEED.art, a new space he's building for media arts in downtown Erie, PA - https://en.wikipedia.org/wiki/Benton_C_Bainbridge *SCREEN COMPOSITIONS 21 curated by Katherine Liberovskaya - at Various/Artists Sunday 30* Wow! who would have thought that Screen Compositions would continue beyond 20 years into a third decade? but here we are, with our 21st edition, still bringing you a yet new collection of ever intriguing and enthralling intersections of moving image with sonic art; a program of screen works representing dynamic two-way collaborations between video/film artists and sound/music artists specifically intended for single-channel projection with no live or performance component; featuring collaborations by: Jo Andres / Hahn Rowe; CHIKA / Hiromi Kiba; Agnes Gruz / Nikolaus Gerszewski; Carmen-Sibha Keiso / Bonnie Mercer; Scott Kiernan / Shelley Hirsch; Katherine Liberovskaya / Phill Niblock; Andrew Neumann / Robert Poss; Phill Niblock / Tim Shaw; Monika Trotula / Mia Zabelka + Stefan Strasser + Tungu; Alessandra Zucchi / Antonio Della Marina *Charmaine Lee (NYC) - at Zürcher Gallery Monday 31* Solo improvisation for voice and electronics, exploring feedback and sonic palettes between wires and breath - https://www.charmainelee.com *MV Carbon (NYC) - at Zürcher Gallery Monday 31*Prioritizing sound exploration over traditional musical structures, rhythm and emotion weave and unravel as dense orchestrations magnify the ritual embedded within music; chaotic moments of sonic trajectory are leveled with contrasting elements of pure tone; percussive backgrounds are created with hand made instruments as electric cello is processed through a meticulous chain of effects; structure is established then shifts, allowing sound to metamorphosize into space - https://mvcarbon.com *Venues:* Harvestworks: 596 Broadway #602, New York, NY 10012 - www.harvestworks.org Various/Artists: 19 Essex St, New York, NY 10002 - www.variousartistsrecords.com/19essex Zürcher Gallery: 33 Bleecker St, New York, NY 10012 - www.galeriezurcher.com *Exper**imental Intermedia, **www.experimentalintermedia.org <http://www.experimentalintermedia.org/> and **www.XIrecords.org* <http://www.xirecords.org/>, *212 431 5127* Our programs are supported by the Aaron Copland Fund for Music, the Phaedrus Foundation, the Ulla Dydo Charitable Fund, a Donor Advised Fund of Renaissance Charitable Foundation, and the New York State Council on the Arts with the support of Office of the Governor and the New York State Legislature *XI Records CDs:* Phill Niblock - Four Full Flutes (XI 101); Lois V Vierk - Simoom (XI 102); Guy Klucevsek - Flying Vegetables Of The Apocalypse (XI 104); David Behrman - Unforeseen Events (XI 105); Tom Johnson - Music For 88 (XI 106); Mary Jane Leach - Celestial Fires (XI 107); Fast Forward - Same Same (XI 108); Ellen Fullman - Body Music (XI 109); Jackson Mac Low - Open Secrets (XI 110); Phill Niblock - Music By Phill Niblock (XI 111); Allison Cameron - Raw Sangudo (XI 112); Daniel Goode - Clarinet Songs (XI 113); Mary Ellen Childs - Kilter (XI 114); Richard Lainhart - Ten Thousand Shades Of Blue (XI 115); Peter Zummo - Experimenting With Household Chemicals (XI 116); Logos Duo - Logos Works (XI 117); Annea Lockwood/Ruth Anderson - Sinopah (XI 118); Eliane Radigue - Trilogie De La Mort (XI 119); Malcolm Goldstein - The Seasons: Vermont (XI 120); Phill Niblock - YPGPN (XI 121); Paul Panhuysen - Partitas For Long Strings (XI 122); Tom Johnson - The Chord Catalogue (XI 123); Ellen Band - 90% Post Consumer Sound (XI 124); Philip Corner - 40 Years And One (XI 125); Gen Ken Montgomery - Pondfloorsample (XI 126); Michael J. Schumacher - Room Pieces (XI 127); Alan Licht - A New York Minute (XI 128); David Behrman - My Dear Siegfried (XI 129); Warren Burt - The Animation Of Lists And The Archytan Transpositions (XI 130); Matt Rogalsky - Memory Like Water (XI 131); David Watson - Fingering An Idea (XI 132); Michael J. Schumacher - Five Sound Installations (XI 133) (Dvd-Rom); David First – Privacy Issue (XI 134); Charlie Morrow – Toot! (XI 135); Michael Vincent Waller – The South Shore (XI 136); Ulrich Krieger -/RAW:ReSpace/ (XI 137); Dan Joseph - Electroacoustic Works (XI 138); Amnon Wolman/Neil Leonard - Security Vehicles Only (XI 139) digital only release; Cecilia Lopez – Red/Machinic Fantasies (XI 140); Leslie Ross – drop by drop, suddenly (XI 141); Phill Niblock/The Dorf – Baobab / Echoes (XI 142); Dave Seidel – Involution (XI 143); Tom Chiu - The Live One (XI 144); Phill Niblock - NuDaf (XI 145/AKOH 145); Neil Leonard – Sonance for the Precession (LP) (XI 146/AKOH 146); Amnon Wolman – Book/DVD (XI 147/AKOH 147); Michael Winter – Counterfeiting in Colonial Connecticut/a lot of tiles (trivial scan) (XI 148); Matt Rogalsky – Visitations and Revisitations (XI 149); Merche Blasco/Lucie Vítková - Blasco / Vítková / Anette (XI 150); Upcoming: Julian Knowles, David First XI releases are available for sale on our website (www.xirecords.org), as well as from Forced Exposure (USA) (www.forcedexposure.com); titles are also available through Amazon.com, Bandcamp (https://xirecords.bandcamp.com) and Soundohm, Italy (www.soundohm.com); most releases are also available digitally through outlets such as Spotify etc.

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January 8th - a live candle on EI website in remembrance of Phill Niblock 1 year departed
by Katherine Liberovskaya 07 Jan '25

07 Jan '25

To reply, please use info(a)experimentalintermedia.org Dear friends of Experimental Intermedia, This January 8th is the 1 year anniversary of the passing of our beloved director of many years Phill Niblock. To mark this anniversary we will live-stream on the Experimental Intermedia website via our YouTube account a real-time burning candle in front of the urn containing Phill's ashes from 00:00 to 23:59 EST (New York time) on January 8th 2025. Do visit our website to find the link on our homepage if you wish to share a moment of silence in remembrance of Phill during this 24-hour modest memorial: www.experimentalintermedia.org Onward, upward, and memory eternal PN, The Experimental Intermedia team

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Last days in 2024 to SAVE THE DAT(S) ! - (EI NYC audio recordings 1986-2009)
by Katherine Liberovskaya 30 Dec '24

30 Dec '24

To reply to this email, please use - info(a)experimentalintermedia.org <pniblock(a)compuserve.com> Dear Friends of Experimental Itermedia, Last 2024 chance to *SAVE THE *DAT*(S) !* Just a friendly reminder that these are the last days in 2024 for fully tax-deductible donations of any amount *specifically for help with the preservation of the portion of the Experimental Intermedia archive consisting of some 400 DATs, recorded between1986 and 2009, which could completely deteriorate if nothing is done soon.* EIF is around the corner from getting through its first full year of activities post-Phill Niblock, not without many difficulties, under the curation of new Artistic Director Katherine Liberovskaya and the help of a number of invaluable assistants. While we are looking ahead and contemplating various approaches to continue, and perhaps modify, EIF's programs into the future, we also face the important challenge of finding a worthy home for the extensive EIF archive. Experimental Intermedia Foundation, founded in 1968 by Elaine Summers, has been presenting performances as of 1973. Since that time, Phill Niblock has produced and curated over 1500 concerts at his NYC loft, opening his doors to hundreds of composers, providing them with a place to explore the use of new ideas and technologies in their music. His original plan had been to choose 20 composers whose work interested him and then present them every year, giving an audience a chance to observe how their careers evolved over time. But each year the numbers grew and soon Experimental Intermedia was producing 35 to 50 concerts a year. What has made the Experimental Intermedia series different from other concert series is that each evening was typically focused on only one artist's music, as opposed to a musician or ensemble playing the works of many different composers. Archiving these concerts has been a primary concern for Experimental Intermedia, and each concert since 1978 has been recorded on audio and, as of the 1980s, video. The goal was, on the one hand, to provide the performing artists with high quality recordings of their work, on the other to constitute a physical historical record of work presented at EIF that could eventually find a home in an institution that would make the material available to the general public and for archival research. From 1973 through the late 80s the recordings were analog, and after that, in digital formats. From the late 80s to the mid 2000s the audio format EIF used was DATs. Since 2017-18 there has been quite a bit of interest in EIF's archive from different institutions, even one informal agreement for it to be taken leading us to believe that it would be off our hands by 2020. But then the pandemic halted everything... to not ever come back to how anything was pre-Covid. And thus, here we are 8 years later with no concrete developments with any previous interested parties, no confirmation for the archive going anywhere... A stand-still. And the problem is that the entire audio archive from the late 80's to 2008-09 is all on DAT. Some 400 DATs. (See below the impressive list of all artists presented by EIF between 1986 and 2009, most recorded on DAT, except for screenings or other non-music). And DAT tapes are notoriously unstable. They degrade over time. That means you can't rely on them as a long-term preservation tool. In fact, DAT tapes can degrade completely in just 20 years. When you bear in mind that the earliest DAT tapes date back to 1986. And recordings made at that time are now nearly 40 years old. So, they may already have begun to deteriorate. Digitizing them as quickly as possible is vital and urgent to prevent their contents from being lost forever. Now EIF has been given a very generous estimate for their transfer to digital from a local sound engineer (who was one of Phill’s favorites), and we would like to move forward on this process as soon as possible. To this end we are hoping to raise $8,000.00 to cover the cost of this process. But whatever we can raise we will use to start the process of transferring little by little, and seek more funds to continue later. So, if you were inspired, challenged or moved by Experimental Intermedia Foundation's programming over the past 50 odd years, or if you performed yourself, or have come to see friends perform, or to see any of your experimental music heroes... we hope you will consider supporting this fundraising effort. Your fully tax-deductible donation of any amount can be crucial for SAVING THE DAT(S) or at least some of the DATs ! Donations can be made through the "Donate" button on the landing page of our website: https://experimentalintermedia.org (PayPal) or by sending a check by mail. Many thanks to all who have donated so far which has allowed us to already start transferring the first 50 DATs of the Experimental Intermedia NYC archive (the oldest DATs from the 80s and early 90s). In gratitude, The Elaine Summers Experimental Intermedia Foundation 224 Centre Street, #3W New York, NY, 10013 *EI NYC ARTISTS 1986-2009* *- 1986 / 1987:* Bonnie Barnett, David Behrman and Angela Greene, Gregg Bendian, Robert Black, David Borden, Warren Burt, Edmond Chibeau, Marek Choloniewski, Tony Conrad, Hawley Currens, Stuart Dempster, Nick Didkovsky and Yves Duboin, Phil Edelstein, James Emery, Ensemble Antidogma, Angelika Festa, Fast Forward, Russell Frehling, James Fulkerson, Ellen Fullman, Michael Gordon, Shelley Hirsch, Earl Howard, The Hub (John Bischoff, Chris Brown, Scott Gresham-Lancaster, Tim Perkis, Phil Stone, Mark Trayle), Julius, Jin Hi Kim, Takehisa Kosugi, Larry Kucharz, Ron Kuivila, Richard Lainhart, Mary Jane Leach, Jackson MacLow and Anne Tardos, Denman Maroney, Ben Neill, Phill Niblock, Michael Peppe, Tom Plsek, Godfried-Willem Raes and Moniek Darge, Peter Rose, Mary Ross, Jeffrey Schanzer and Bernadette Speach, Stefano Scodanibbio, James Sellars and Finn Byrhard, Dan Senn, James Staley, Ushio Torikai, Livio Tragtenberg, and Peter Zummo *- 1987 / 1988:* K Atchley, David Behrman, Samm Bennett and Takashi Kazamaki, Marion Brandis, Joseph Celli and Jin Hi Kim, Rhys Chatham, Anthony Coleman, Gyula Csapo, Lesli Dalaba, Robert Dick and Steve Gorn, Mark Dresser, Phil Edelstein, David First, David Fulton, Barbara Golden, Malcolm Goldstein, Daniel Goode, Tom Guralnick, Gerry Hemmingway, Ed Herrmann and Bob Beswick, Bill Horvitz, John Bischoff, Kumiko Kimoto, John King and Ed Hynes, Guy Klucevsek, Petr Kotik, Richard Lerman, Robert Mandel, Pierre Marietan, Don Metz and John Toth, Phill Niblock, Morgan O'Hara, Joseph Pinzarrone, Larry Polansky, Ronald Robboy, Herb Robertson, Ned Rothenberg, Norman Salant and Benjamin Bossi, Myrna Schloss, Armand Schwerner and Ellen Zweig, Elliot Sharp, Alan Sondheim, Susan Stenger, Yasunao Tone, Peter Zummo and Stephani Woodward *- 1988 / 1989:* David Behrman, Warren Burt, Joseph Celli, Joel Chadabe, Rhys Chatham, Phil Corner, John Driscoll, David Gibson, Jon Gibson, Malcolm Goldstein and Simone Forti, Daniel Goode, William Hellerman, Larry Johnson, Guy Klucevsek, Alison Knowles, Takehisa Kosugi, Petr Kotik, Mary Jane Leach, Garrett List, Annea Lockwood, Jackson MacLow and Anne Tardos, Linda Montano, Phill Niblock and Muna Tseng, Wil Offermans and Junko Ueda, Joseph Pinzarrone, Eliane Radigue, Godfried-Willem Raes and Moniek Darge, Don Ritter and George Lewis, Ned Rothenberg, Arthur Russell, Tibor Szemszõ and Peter Forgacs, Lois V Vierk, and Yoshi Wada *- 1989 / 1990:* David Behrman, Robert Black and Richard Zvonar, Andreas Bosshard and Christian Buess, Joseph Celli, Nicolas Collins and Peter Cusak, Andrew Culver, James Dashow, Laetitia De Compiegne Sonami and Paul DeMarinis, David First, David Gearey, Tom Hamilton, The Hub ( John Bischoff, Chris Brown, Scott Gresham-Lancaster, Tim Perkis, Phil Stone, Mark Trayle) Jin Hi Kim, Larry Kucharz, Ron Kuivila, Bun Ching Lam, Mary Jane Leach, Denman Maroney, Benoit Maubry, Dary John Mizelle, Charlie Morrow, David Myers, Ben Neill, Phill Niblock, Morgan O'Hara, Larry Polansky, Godfried-Willem Raes and Moniek Darge, Don Ritter and George Lewis, Joel Ryan, Jeffrey Schanzer and Bernadette Speach, Stefano Scodannibio, David Shea, James Staley, Emile Tobenfeld, David Weinstein, Reynold Weidenaar *- 1990 / 1991:* Mary Ellen Childs, Nicolas Collins, Roberto Paci Dalo and Isabella Bordoni, Nick Didkovsky, Russell Frehling, James Fulkerson, Tom Hamilton, Sorrel Hays, Eleanor Hovda, Earl Howard, Brenda Hutchinson, Kumiko Kimoto and Yuval Gabay, Richard Lerman, Bea Licata, Gustavo Matamoros, Diana Meckley, Gen Ken Montgomery, Ben Neill, Phill Niblock, J D Parran, Douglas Quinn, Eliane Radigue, Neil Rolnick, Arthur Russell, Jeffrey Schanzer, Michael Schell, Yasunao Tone and Barbara Held, Livio Tragtenberg, David Watson *- 1991 / 1992:* Alex Adriaansens and Joke Brouwers, Clarence Barlow, Wolfgang Becker-Carsten, Jens Brand and Andreas Sippel, Joseph Celli, Abigail Child and Ikue Mori with 77 HZ, Philip Corner, Dan Farkas and Matthew Ostrowski, David First, Steven Hall and Johnny Fu, Haruo Higuma, Ulrich Krieger, Mary Jane Leach, Jackson Mac Low and Anne Tardos, Phill Niblock, Larry Polansky, PoMo CoMo, Dieter Schnebel, Dan Senn, David Soldier and Leslie Vosshall, Johan Vercruysse, Stephan Wunderlich, and Krzyztof Zarebski and John King *- 1992 / 1993:* Johannes Fritsch, Werner Durand and Erik Balke and Silvia Ocougne, Ernstalbrecht Stiebler, Bonnie Barnett, James Fulkerson, Godfried-Willem Raes and Moniek Darge, Elaine Summers, Davidson Gigliotti, Malcolm Goldstein, Phill Niblock, Ellen Band, Paulo Feliciano, Jackson Mac Low and Anne Tardos, Daniel Goode, Morgan O'Hara, Ben Manley, Richard Lainhart, Tom Hamilton, Phill Niblock *- 1993 / 1994:* Jin Hi Kim, Hans Peter Kuhn, Madelon Hooykaas and Elsa Stansfield, J. D. Parran and Carmen Kolodzey, Eliane Radigue, Rafael Toral, Jane Henry, Jerry Hunt Memorial, Richard Povall, Luc Houtkamp, John Driscoll, Fung Mei-wah, David T. Dienes, Machine for Making Sense, John Bischoff, Ed Osborn, Peter Van Riper, Neil B. Rolnick, Neil Leonard and Maria Magdalena Campos-Pons, Phill Niblock *- 1994 / 1995:* Kenneth Gaburo and Herbert Brün, Ken Butler, Elodie Lauten, Fast Forward, Andrew Neumann, Nicolas Collins, Jens Brand and Waldo Riedl, David First, Maria Blondeel, Jaap Blonk, Christoph Bangert, Dan Evans Farkas, Arne Deforce, Hans Peter Kuhn, Phill Niblock, Mario van Horrik *- 1995 / 1996:* Ernstalbrecht Stiebler, Ron Kuivila, Elise Kermani, Michael Vorfeld, Fred Lonberg-Holm, Julian Knowles, Manuel Mota, Kyle Gann, Wade Matthews, Michael Schumacher, Phill Niblock *- 1996 / 1997:* Shelley Hirsch and Richard Teitelbaum, Tom Hamilton, Roger Kleier, Morgan O'Hara, Volker Staub, Manuel Mota, Kaffe Matthews, Jim O’Rourke and Tony Conrad, Pierre Bastien and Karel Doing, Harald Busch, Matt Rogalsky, Werner Schurmans and Stefaan Smagghe, Paulo Raposo, Peter Wiessenthaner, Pierre Marietan, Phill Niblock *- 1997 / 1998:* David Gibson, Ken Montgomery with Andrea Beeman, David Maranha, David Means, Pauline Oliveros, Jaroslav Koran and Michael Delia, Nina Goede, Tom Johnson, Victoria Jordanova, Tim Brady, Richard Povall, Phill Niblock *- 1998 /1999:* David Watson, Martha Mooke, Paul Panhuysen, Ned Rothenberg, Dan Senn, David Behrman, Lukas Ligeti, Phill Niblock, David First, Robert Poss, Paul DeMarinis, Dean Roberts, hans w koch and Andreas Wagner, Adriana Sá, Ron Kuivila, Lois V Vierk, Zbigniew Karkowski and Atau Tanaka and Edwin van der Heide, Ryoji Ikeda *- 1999 / 2000*: Sam Ashley and Jens Brand, Shelley Hirsch, Hans Breder, Elaine Summers, Judy Dunaway & Dan Evans Farkas, Chris Rice and Ian Nagoski, Marek Choloniewski and Krzysztof Knittel and WLodzimierz Kiniorski, Lou Malozzi, John McGuire, Phill Niblock, Thomas Lehn and Gerry Hemmingway, Elsa Stansfield and Madelon Hooykaas, Alan Licht, Sonia Rodrigues, Norman Yamada, Christof Migone and Alexandre St-Onge, Haruo Higuma *- 2000 / 2001:* Fast Forward and Michael Evans, Zeena Parkins and Janene Higgins, Annie Gosfield, Harald Busch and Erhard Hirt, Andreas Weixler and Se-Lien Chuang, Jon Abbey and Michael Goodstein, Myriam Gourfink and Kasper Toeplitz, Phill Niblock, Matt Rogalsky, Atau Tanaka, Julian Knowles, Yasuhiro Otani, Joao Pinto, Fred Lonberg-Holm and Lotte Melin, Brandon LaBelle *- 2001/ 2002: *John Butcher and Phil Durrant, Don Ritter, Richard Lainhart, Annea Lockwood, Robert Poss, Manuel Rocha Iturbide, John Hudak and Bruce Tovsky, Phill Niblock. Guy De Bievre, Jim O’Rourke, Anne Wellmer, Elga Ferreira, Michael Northam, Nicolas Collins *- 2002 / 2003:* December 2002 - Christian Eloy, Al Margolis, Dafna Naphtali and Hans Tammen, Bruce Gremo, Nick Didkovsky, Amnon Wolman, Phill Niblock; March 2003 - Stephan Mathieu, Thomas Ankersmit and Jason Lescalleet, Jason Kahn, Stephen Vitiello, James Fei and Kato Hideki, John Duncan, Dean Roberts, Margarida Garcia *- 2003 / 2004:* December 2003 - Emanuel Dimas de Melo Pimenta; Kaffe Matthews; Peter Zummo and Tom Hamilton; Mary Jane Leach; David Behrman; Okkyung Lee; Phill Niblock; March 2004 - Marcus Schmickler and Thomas Lehn; Jo Truman; Robert Engelbrecht, Peter Imig, Moxi Beidenegl, Ignatz Mendez & Jens Rohm; Angie Eng and Dafna Naphtali; Ruben Verdadeiro; Marina Rosenfeld *- 2004 / 2005:* December 2004 - Janek Schaefer; Emi Maeda; Benny Nilsen and Lary Seven; Guy van Belle and Haeyoung Kim; Melvyn Poore; A special event: Jon Abbey and Tim Barnes DJing; Phill Niblock; March 2005 - Malcolm Goldstein; Shawn Hansen; Screen Compositions; Janene Higgins; Elliot Sharp; Christian Marclay; Adam Kendall; Satoshi Takeishi and Shoko Nagai; Andrew Lampert; Okkyung Lee; Katherine Leiberovskaya; Marie-Helene Parent; Maxime Rioux-De Le Rochefoucauld; Ursula Sherrer; Michael J Schumacher; Casper Stracke; Terre Thaemlitz; Jon Wozencroft; Ryoji Ikeda and Christian Fennesz; Sten Hanson; Florian Hecker and Yasunao Tone; Tom Chiu and David First; Andre Goncalves; George Brunner and Douglas Cohen *- 2005 / 2006:* December 2005 - Andor Orand; Alessandro Bosetti; Io Casino; Matthew Ostrowski; Aernoudt Jacobs, Alexandra Dementieva and Johan Vandermaelen; o.blaat (Keiko Uenishi); Phill Niblock; March 2006 - Chris Mann; Katherine Liberovskaya curates: Screen Compositions 2; Nathalie Bujold; Gerard Leckeyl; Lary Seven; Tony Cokes; Mike Bell-Smith; Angie Eng; Simon Hostettler; David Weinstein; Katherine Liberovskaya; Al Margolis; Mika Taanila; The User; Sami van Ingen; Petri Kuljuntausta; Fred Worden; Tom Hamilto; Paul Devens; Domenico Sciajno; Ido Govrin & Liora Belford; Yella; Michael Lytle, Nic Didkovsky, Gerry Hemingway; Ulrich Maiss and Butch Rovan; Kasper Toeplitz *- 2006 / 2007:* December 2006 - Giles Thomas and Patries Wichers; Andreas Weixler & Se-Lien Chuang; Andrea Parkins, Yasunao Tone, Maria Blondeel, Phill Niblock; March 2007 - Jason Kahn and Jon Mueller, Katherine Liberovskaya curates: Screen Compositions 3; Benton-C Bainbridge; Bobby Previte; Betsey Biggs; Scott Smallwood and Stephan Moore; Cedrick Eymenier; Fennesz; Margarida Garcia; Manuel Mota; Kurt Ralske; Micheal Schumacher; Jennifer Reeves; Anthony Burr; Paul Ryan; Annea Lockwood; Shimpei Takeda; Michael Vernusky; Bas Van Koolwijk; Gert-Yan Prins; Ines Wickmann; Ingrid Drese; Johannes Sistermanns, Larry Austin, Michael Fahres, Gerhardt Muller-Goldboom, Luis Miguel Girao, Hans w Koch and Bettina Wenzel, Robin Hayward, Adachi Tomomi *- 2007 / 2008:* December 2007 - Els Van Reil and Chiyoko Szlavnics, Audrey Chen, Pierre Berthet, Madelon Hooykaas, Marcus Schmickler, Travis Just, Bernhard Gal, Jens Brand, Phill Niblock; March 2008 - Miya Masaoka. Pierre Marietan, Christian Kesten, Manuel Rocha Iturbide, Esther Venrooy, Screen Compositions 4; Liora Belford; Ido Govrin; Kjell Bjorgeengen; Marc Ribot; Yan Breuleux; Alain Thibault; Alexandra Dementieva; Aernoudt Jacobs; Richard Garet; Wolfgang R. von Stuermer; Katherine Liberovskaya; Phill Niblock; Francesca Llopis; Barbara Held; Marlena Novak; Jay Alan Yim; Billy Roisz; Toshimaru Nakamura; Billy Roisz; dieb13; Folke Rabe, Jean Piche *- 2008 / 2009:* December 2008 - Katherine Liberovskaya and Anne Wellmer, Carl Michael von Hausswolff, Jon Abbey and Jason Lescalleet, Stefaan Quix, Andrew Lafkas and Bryan Eubanks, Francisco Janes, Leslie Ross, Phill Niblock; March 2009 - Michael Thieke and kai Fagaschinksi, Andre Goncalves, Margarida Garcia, Barry Weisblat, Kato Hideki and Ursula Scherrer, Screen Compositions 5; Tali Hinkis; Kyle Lapidus; Katherine Liberovskaya; Al Margolis; Lillevan; Fennesz; Lillevan; Vladislav Delay; Van McElwee; Tom Hamilton; Marie-Helene Parant; Jim Bell; Leah Singer; Lee Ranaldo; Fred Barney Taylor; Bradley Eros; Els Van Riel; Julia Eckhardt; Thomas Buckner and Matthias Kaul, Zbigniew Karkowski, Alexei Borisov and Jeffrey Surak, David Daniell; October 2009 - Roberto Paci Dalo and Alexandra Parcaru, Patrick McGinley, Jim Haynes, Brendan Murray, Anna Holmer, Michael Delia, Al Margolis, Katherine Liberovskaya

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Season's Greetings! and year-end fundraiser from EI NYC
by Katherine Liberovskaya 27 Dec '24

27 Dec '24

To reply to this email, please use - info(a)experimentalintermedia.org <pniblock(a)compuserve.com> Dear Friends, Wishing you the happiest of holiday seasons and upcoming 2025 New Year! As 2024 comes to its end we once more turn to you for any change you might be able to spare to help us continue our activities, *this year specifically to continue Saving the DATs!* that risk deterioration if not dealt with quickly. Thanks to your generous support in response to our Giving Tuesday SAVE THE DATs! appeal at the beginning of this month, the first 50 DATs of the Experimental Intermedia archive of its concert recordings (the oldest DATs from the 80s and early 90s) are being transferred to digital files by a trusted sound engineer as you read this... thus preserving their invaluable cultural and historic content for posterity. *There are however some 350 more DATs to go and we still need to raise around $ 6,500.00 to be able to get them all transferred.* So again, we ask, if you were inspired, challenged or moved by Experimental Intermedia Foundation's programming over the past 50 odd years, or if you performed yourself, or have come to see friends perform, or to see any of your experimental music heroes... we hope you will consider supporting this fundraising effort. Your fully tax-deductible donation of any amount can be crucial for SAVING THE DAT(S) or at least some of the DATs ! You can do this now if you still want to for the 2024 year, or just get an early start for your 2025 donations if you prefer... Donations can be made through the "Donate" button on the landing page of our website: https://experimentalintermedia.org (PayPal) or by sending a check by mail. *An overview of our 2024 year:* In the very beginning of 2024 our beloved director and curator since the 1980s Phill Niblock passed away leaving a tremendous void for all of us. Nevertheless, Experimental Intermedia's programs have continued into their fifty-first year, under the new artistic directorship of long time curatorial collaborator Katherine Liberovskaya. This past year Experimental Intermedia Foundation was again able to present artists in several different contexts, bringing new and exciting works into the world. Our March 2024 Series presented eight in-person evenings of concerts or screenings held at five different New York City locations: Zürcher Gallery, Harvestworks, WhiteBox, Emily Harvey Foundation and ISSUE Project Room. Concerts were by Dave Seidel, Kaffe Matthews, Sarah Bernstein, Lary 7 and William Hooker, and screenings by Joan Jonas, a series of experimental portraits of Phill Niblock by Rina Sherman, Loré Lixenberg, Maurits Wouters and Gilles Paté, as well as the 20th annual Screen Compositions event curated by Katherine Liberovskaya. The recently completed December 2024 Series had eight concerts or screenings over seven evenings at four New York City venues: Emily Harvey Foundation, Harvestworks, WhiteBox and Zürcher Gallery. Artists presented included Reg Bloor, C. Spencer Yeh, Kevin Ramsay + Yuma Uesaka, Nina Sobell, Zoe Beloff, Jenn Grossman, Ian Douglas-Moore + Dominic Coles, Hans Tammen + Marcus Cummins + Shelley Hirsch. All events were in-person and simultaneously live-streamed from our website and audio-streamed via Wave Farm's web radio. Video recordings of all the events remain on our website and can be viewed by anyone near or far at any time. Experimental Intermedia Foundation also assisted in producing the first edition of Phill Niblock's annual winter Solstice concert without Phill at Roulette NYC on December 21st. In addition, Experimental Intermedia's label XI Records remains active. In 2024 it released a 2-CD set by Matt Rogalsky "Visitations and Revisitations". And we are currently working on a new release by Julian Knowles scheduled to be out in 2025. In gratitude, Experimental Intermedia Foundation 224 Centre Street, #3W New York, NY, 10013

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