EXPERIMENTAL INTERMEDIA The Fortieth Anniversary of EI performances at 224Centre Street, The Forty-fifth Anniversary of the Founding of ExperimentalIntermedia, the Forty-fifth Anniversary of the 224 Centre Street loft, and, notleast, The Twenty-fourth Annual Festival with no fancyname, Part Two (or B) Phill Niblock, curator March2013
Walter Branchi (Italy) Thursday14 I think of music in a systemic way; I think of my music as a single, great compositionformed of parts that can be performed separately but are not isolated from oneanother; I think of my music as a whole (as an “Intero”), which will take my entire life to compose and whichwill never be completed; “Un grandecanto,” where every part includes the whole and is included by it; whatI am going to present tonight are three recent parts of Intero - In memoriam György Ligeti -Sensibile - Behold.; and a time lapse video: Blue Mountain Lake that KristinJones has been working on that is set to my music www.walter-branchi.com
Krzysztof Knittel and Andrei Smirnov(Poland and Russia) Friday15 Smirnov, playing 3D Theremin+ MaxMSP; Knittel, playing interactive monochord (based on infra-red beams),iPhone and iPad - will perform three pieces: Brain Jazz 2, El. Free improv2, Free for(m) Macwin 3 (Brain Jazz 2 is a performance/installation basedon interactive brain-wave biofeedback system - all processes depend on mimicsof the face of the performer) asmir.info knittel.wizya.net https://vimeo.com/16889938 http://www.youtube.com/watch?v=f6B6s8Ctjcs
Cat Lamb (USA) Sunday17 shade/gradient- viola, voice, formant/filtered oscillators http://sacredrealism.org/catlamb/
Dan Joseph (USA) Tuesday19 TheBrooklyn-based composer performs works for electro-acoustic hammer dulcimer andfield recordings with guest artist Andrea Williams http://www.danjoseph.org
Grahame Weinbren (USA) Sunday24 Letters consistsof an indeterminate number of films, each one minute in duration, andconnected―in one way or another―with a letter of the alphabet. It is a kind oftest-ground for ideas about cinema, both technical and conceptual, but also foranother kind of idea, the externalization of an inner life, inasmuch as that tiredphrase describes anything grahameweinbren.net
Screen Compositions 9 - Curated by Katherine Liberovskaya Monday25 The ninth edition of Screen Compositions is once again a collectionof intersections of moving image with sonic art; a program of screen worksrepresenting dynamic two-way collaborations between video/ film artists andsound/ music artists specifically intended for single-channel projection withno live or performance component; featuring collaborations by: Nathalie Bujold/ Gerard Leckey + Lary 7; Nisi Jacobs / Michael Schumacher; Chris Jordan / DokGregory; Katherine Liberovskaya /Guy de Bievre; Diane T Tremblay / Sylvie Chenard; Ursula Scherrer / Brian Chase;Joel Schlemowitz / Rebecca Moore; Elaine Wood / Rick Breault; Erik Z / Brian Chase
Carlos Casas (Spain) Tuesday26 Aselection of Fieldworks filmsfrom his award winning trilogy End, these fieldworks are video notes in betweenfield recordings and radio frequencies captured in locationsin some of the most extreme environments on the planet - Patagonia, Aral,Siberia; these single channel films will be followed by a two screenprojection and live soundtrack of Tundra,a film about a day in the life of a reindeer herder community in Siberia carloscasas.net
Kristin Norderval and Kevin Norton(USA) Friday29 KN2- an evening of improvisations - Kevin on percussion andvibes, and Kristin on acoustic vocals, pre-recorded sounds ofprepared pianos, and live audio processing of all of the above; they are joinedby Katherine Liberovskaya working her magic with live video processing www.myspace.com/kristinnorderval www.kevinnorton.com
Our programs aresupported by the New York State Council on the Arts, the Aaron Copland Fund forMusic, The Adam MickiewiczInstitute, Poland and the Phaedrus Foundation
224 Centre Street atGrand, Third Floor, N Y 10013 9pm 212 431 5127, 431 6430 www.experimentalintermedia.organd www.XIrecords.org
PhillNiblock, Four Full Flutes(XI 101); Lois V Vierk, Simoom (XI 102); Guy Klucevsek, FlyingVegetables Of The Apocalypse (XI 104); DavidBehrman, Unforeseen Events (XI105); Tom Johnson, Music For 88 (XI 106); Mary Jane Leach, Celestial Fires (XI107); FastForward, Same Same (XI 108); Ellen Fullman, Body Music (XI 109); JacksonMac Low, Open Secrets (XI 110); Phill Niblock, Music By Phill Niblock(XI111); Allison Cameron, Raw Sangudo (XI 112); Daniel Goode, Clarinet Songs (XI 113); MaryEllen Childs, Kilter (XI 114); Richard Lainhart, Ten Thousand Shades Of Blue (XI 115); Peter Zummo, ExperimentingWith Household Chemicals (XI 116); LogosDuo, Logos Works (XI 117); Annea Lockwood / Ruth Anderson, Sinopah (XI 118); Eliane Radigue, Trilogie DeLa Mort (XI 119); Malcolm Goldstein,The Seasons: Vermont (XI 120); Phill Niblock, YPGPN (XI 121); PaulPanhuysen, Partitas For Long Strings(XI 122); Tom Johnson, The Chord Catalogue (All The 8178 ChordsPossible In One Octave) (XI 123); EllenBand, 90% Post Consumer Sound (XI124); Philip Corner, 40 Years And One: Philip Corner Plays ThePiano (XI 125); Gen Ken Montgomery,Pondfloorsample (XI 126); Michael J. Schumacher, Room Pieces (XI 127); Alan Licht, A New York Minute(XI 128); David Behrman, My Dear Siegfried (XI 129); Warren Burt, The Animation Of Lists And The Archytan Transpositions (XI130); Matt Rogalsky, Memory Like Water (XI 131); DavidWatson, Fingering An Idea (XI 132); MichaelJ. Schumacher, Five SoundInstallations (XI 133) (DVD-Rom); DavidFirst, Privacy Issue (XI 134); Charlie Morrow, Toot! (XI 135) www.XIRecords.org