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news from the indo-pacific scenario
by w 20 Sep '21

20 Sep '21

https://twitter.com/i/status/1438559198888009728

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Fwd: Forecast Forum 2021 online
by Keith Sanborn 01 Sep '21

01 Sep '21

Good luck Walter!!! Keith Begin forwarded message: > From: Art & Education <edu-news(a)mailer.e-flux.com> > Date: September 1, 2021 at 5:03:08 AM EDT > To: mrzero(a)panix.com > Subject: Forecast Forum 2021 online > Reply-To: Art & Education <edu-news(a)mailer.e-flux.com> > > > Art & Education > > September 01, 2021 > Forecast Forum 2021 > > Forecast > > > > © Forecast 2021. > > Online: September 9–11, 2021, 6pm > > forecast-platform.com > Facebook / Instagram > > The sixth edition of the international mentorship program Forecast will host a three-day virtual event showcasing the nominees' work. > > The 18 nominees will share their projects with the public for the first time through live performances, music, and films livestreamed online from their locations around the world. > > The mentors of Forecast’s sixth edition, who have selected their respective nominees and are supervising their projects' development, are architect Tatiana Bilbao, digital policy expert Francesca Bria, experimental singer and composer Sofia Jernberg, cartoonist Ulli Lust, choreographer Mathilde Monnier, and artist Emeka Ogboh. > > Handpicked by the mentors out of nearly 600 applications, the nominated projects have benefitted from remote mentoring since May. At the end of the Forum, each mentor will select one mentee, and accompany their project to completion. The final six productions will be presented at the Forecast Festival in April 2022, at radialsystem in Berlin. > > Join us September 9–11, at 6pm CET on forecast-platform.com. > The Forum is free and accessible to the public, no registration required. > > Forecast Forum program > Two mentorship fields will showcase their work each day. The public is invited to join the conversations in Q&A sessions. > > Thursday, September 9, 6pm CET: > > Translating Sensations > Cartoonist Ulli Lust has selected three nominees who will create graphic novels focusing on autobiographical material in which no topic is off-limits. Here, personal trauma stands in for big topics such as totalitarianism, abuse of power, and transactional relationships. > With works by Ness Ilene Garza (United States), M.S. Harkness (United States), and Özge Samancı (United States/Turkey) > > From Stories to Spaces > Under the mentorship of architect Tatiana Bilbao, the nominees analyze how a space’s design can impact the ways in which we perceive our own potential within it. This field's three projects share a common interest in exploring how architecture can foment creativity, autonomy, and a sense of dignity in its users. > With projects by Yasmin Schönmann (Germany), Luísa Sol (Portugal), and Sarah Oberrauch (Italy) > > Friday, September 10, 6pm CET: > > Data Democracy and the Green Transition > Digital policy expert Francesca Bria oversees three proposals which, at their core, share a strategic and aesthetic vision: how can digital technologies, Big Data, and AI support alternative projects based on data democracy, digital sovereignty, and citizen participation? > With works by Jaya Klara Brekke (Sweden), Walter Palmetshofer (Austria), and Pamela Breda (Italy) > > Sensing the World > Melding the personal and the political, each of the three nominees by artist Emeka Ogboh proposes a conceptual artwork that questions collective memories and histories through sensory experiences such as taste, smell, and hearing. > With works by Awuor Onyango (Kenya), Iman Jesmi (Iran), and Timothy Lee (United States) > > Saturday, September 11, 6pm CET: > > Unlimited Gestures > For choreographer Mathilde Monnier, the body is “an infinite reservoir of discovery and potential.” Her nominees propose projects that explore dance as the embodied expression of tacit knowledge shaped by quotidian domesticity, a personal battle for survival, or a massive political movement. > With works by Simona Deaconescu (Romania), Aída Herrera Peña (Colombia), and Samaké Moussa (Burkina Faso) > > Sound as Organized Time > The experimental musician Sofia Jernberg supports and facilitates three projects anchored in exploring music through time. The nominees bring new approaches rooted in movement, photography, and composition into their translations of concepts into contemporary sound. > With works by Flora Détraz (France), Talia de Vries (Israel), and Rylan Gleave (United Kingdom) > > Forecast—Mentorships for Audacious Minds > Since its inaugural edition in 2015, Forecast offers artists and creative thinkers from anywhere in the world the chance to work with accomplished mentors toward bringing their projects to fruition. For each edition, Forecast selects six mentors of various disciplines who offer selected participants their expertise in specifying and realizing their pioneering project ideas. Forecast transcends neatly defined disciplines and genres to provide insight into creative production processes, and carve out space for the questions on the minds of the next generation of trailblazers. > > > Forecast is a project by Skills e.V. It is supported by the Federal Government Commissioner for Culture and the Media. > > > > > > Art & Education > Contact Facebook Twitter Instagram > > This announcement was sent to mrzero(a)panix.com. You have received it because you have successfully subscribed to Art & Education. You can revoke your consent and unsubscribe from this email distribution list by clicking here at any time. For more information, please see our privacy policy. If you have any questions regarding data protection, please contact dataprivacy(a)e-flux.com. >

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From Tricksters in an age of dirty tricks
by w 22 Aug '21

22 Aug '21

The Yes Men still in good form: https://theyesmen.org/newsmax I wonder how Jacques made his voice sound so old and muffled. He must have cupped his hand in front of his mouth during the whole interview.

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I don't care if Bill Gates thinks it's communism!
by w 27 Jul '21

27 Jul '21

Philippe Aigrain, champion of the digital commons died two weeks ago in a mountain accident. He was 71: https://mondediplo.com/2005/11/13commons Is there any limit to property? Current developments might suggest not, as property rights are steadily extended. Property rights, in the form of patents, copyright and, to a lesser extent, brands, apply to ever wider fields and are protected by ever stronger laws, police powers and technological tools. Resistance to the patenting of medicines, software, plant varieties and cell strains has been active and determined. But it is up against a concerted offensive by multinational companies, patent offices, specialised legal consultants, the United States government and the European Union, all working together to reinforce and extend property rights. New technologies are helping to make copyright law more strictly enforceable, preventing the use of copyright material even for legitimate ends (1). When it comes to violating intellectual property rights, everyone is guilty until proven innocent, from users of peer- to-peer file-sharing networks to farmers whose crops have accidentally become mixed with genetically modified varieties for which they do not hold licences (2). Jean-René Fourtou, the CEO of Vivendi Universal and chairman of the International Chamber of Commerce, addressed directors representing pharmaceutical, media and software multinationals at the United Nations in October 2004. He announced a global war on intellectual property piracy, calling on business leaders to unite and form a massive lobby working to influence governments (3). This will be a pre-emptive war that lumps independent producers and users in with industrial counterfeiters and organised crime, imagining a single enemy that will be defeated via tightly and ingeniously enforced property mechanisms. There has been resistance to this offensive. Campaigns for access to medicines in developing countries have had some success, as have those against the patenting of software or living organisms. Increasingly, patent applications for GM crops or biotechnology products are rejected. But resistance is fragmented; campaigns only rarely succeed in pulling together as parts of a single cause. On the technological side, there is a strong pull away from ownership of published works or recorded media. New forms of collaborative innovation, whereby ideas and expertise are freely shared, are proving more productive than traditional ways of working. Once dismissed as the work of an eccentric fringe of naive scientists who didn’t understand the harsh reality of economics, these cooperative approaches are now being taken more seriously. They have the particular advantage of orienting innovation towards the general interest and the preservation of cultural diversity, rather than being tied to profit incentives. Academic research has convincingly established the superiority of what Yochai Benkler calls “commons-based peer production” (4) in a wide range of information technology development. In this model, every stage in the development of a product is freely accessible to all, and anyone who wants to use or modify it may do so as they see fit. The product is in this sense a common good, and is often protected against patenting by any individual or group. The development of diametrically opposed visions vying for pre-eminence will have profound implications for the future not only of technology, but also of the world’s economies and social systems. Two scenarios are proposed. One vision’s most fervent supporters are a small group of large multinationals, represented by Fourtou’s UN audience. Their position was summed up by Bill Gates, who dismissed those wishing to restrict intellectual property rights as “modern-day communists” (5). More moderately, the defence of intellectual property is based on a conviction that it is the oil, “black gold”, of the 21st century. Critics such as Jeremy Rifkin (6) regard that defensive vision as a plausible nightmare which is to be avoided. And the defensive vision has flaws that cannot be ignored. IT networks do not lend themselves to requisitioning or to restrictions on access and usage; such restrictions are a hindrance to their development. A number of important projects (see Open sources, below) have shown how powerful the alternative vision of cooperative development can be when freed of the constraints imposed by property and contracts. But there are difficulties: attempts to expand free cooperation models and apply them to new areas meet internal obstacles. One problem is the complexity and perceived impenetrability of technology, whose future we have been too willing to abandon to specialists. Another is fear about what reappropriation by the public might mean. Society’s inventiveness is gradually finding ways around these problems. The preservationists, with their artificial engineering of scarcity to maintain monopoly prices, are encountering serious difficulties: information capitalism is proving as fragile as it is powerful. A serious illustration of this fragility is the total divorce between pharmaceutical companies’ profits and share values, and their strategies’ real effects on public health. Financial concerns lead them to prioritise research objectives that are not those which society needs (7). Coalitions are now emerging to challenge the arrogance of big pharma proposing an alternative that will re-establish the common good alongside the principle of property, complementing the more general effort to rein in the financial sphere’s unrestrained power over the economy and society. Is this hoped-for coalition of the common good possible? Or is the fight against restrictions on the circulation of information goods (including data, software, expertise, genetic information and the organisms that contain it) a utopian dream? The movement has had a few successes: resistance to software patents in Europe; the emergence, at the World Intellectual Property Organisation; and at Unesco, of coalitions that bring diverse NGOs together with developing countries’ governments. Officially, documents such as the 2004 EU directive “on the enforcement of intellectual property rights” (8) are intended to fight organised crime and its links with industrial counterfeiting. In practice, they facilitate attacks on generic medicines, freeware and voluntary sharing of products. Do charities and campaign groups working with impoverished countries, plus a few lawyers and political figures, have a chance against highly organised business lobbies defending IP with armies of lawyers and connections at the highest level in governments and political parties? There are reasons for optimism. Though the international legal system seems biased towards the interests of multinational companies, it does not know how information is exchanged and innovation achieved in reality. Despite redoubled efforts, tighter rules and harsher enforcement practices, stopping free information exchange is about as easy as pushing water uphill. The popularity of freeware is helping to establish the principles on which it is based. Goods developed through free exchange and cooperative innovation present such advantages, in independence from suppliers, that they are finding their way into more homes and offices, including those of major administrations and companies. This kind of creeping, underground spread among users is not enough. It keeps commons-based peer production at a distance from the mainstream economy, instead of developing new forms of integration. It cannot provide funding to enable all citizens to participate in the development of common goods and of a large, vibrant sphere of activity. If it is to be credible, any coalition in defence of common goods must articulate its proposals around the general aim of bringing capitalism back under control. To do that, we need to reject the defeatist mentality that treats technological change as an external factor independent of human choices and actions. Philippe Aigrain Translated by Gulliver Cragg Philippe Aigrain is a campaigner for common goods and author of Cause Commune (Fayard, Paris, 2005, www.causecommune.org) (1) EU Directive 2001/09 frees the providers of “protection” technology from any obligation to allow for legitimate uses of the material they protect, even where the law recognises these legitimate uses. If the protection is bypassed, it is so hard to prove that this was for a legitimate end that in practice the technology makes the law instead of the judge. (2) See the case of Canadian farmer Percy Schmeiser’s battle with the chemical giant Monsanto. Schmeiser was found guilty of violating its patent even though the Monsanto patented crops he was accused of “exploiting” had grown on his land because of natural accidents. See www.percyschmeiser.com (3) Financial Times, London, 12 October 2004. (4) Yochai Benkler, “Coase’s Penguin, or Linux and the Nature of the Firm” in Yale Law Journal, New Haven, 4 June 2002. (5) Michael Kanellos, “Gates, ‘Restricting IP is Tantamount to Communism’”, CNET News.com. (6) Jeremy Rifkin, The Age of Access, Putnam Publishing Group, Itasca, 2000. (7) See Frederic M Scherer, “Global welfare and pharmaceutical patenting”, The World Economy, Oxford, July 2004. (8) Directive 2004/48/CE, 29 April 2004.

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THE CURRENT THING AT HOPSCOTCH JULY @(
by w 23 Jul '21

23 Jul '21

Hopscotch Reading Room Kurfürstenstraße 14 Berlin 10785 THURSDAY, JULY 29th, 7:30pm JOURNAL LAUNCH: THE CURRENT THING ISSUES ONE AND TWO edited by Caspar Stracke and Keith Sanborn A compilation of artists' writings, drawings, sounds and films Issue ONE contains thoughts and insights from the first eight weeks of the lockdown. The brand new issue TWO, features post-pandemic thoughts on resistance towards exaggerated online culture by means of time-travel. two readings from the current issue, films by duke & battersby, Mark Dean, yann beauvais, Sindhu Thirumalasisamy, Akram Zaatari and music by Rolux issue #1 works by Angel Nevarez & Valerie Tevere / Alexandro Segade / Almagul Menlibayaeva / Amanda McDonald Crowley /Andy Graydon / Anna Thew / Ashton Applewhite / Bradley Eros / Caspar Stracke / Cathy Lee Crane / Coco Sollfrank / Daniella Dooling / Emily Vey Duke & Cooper Battersby / Darrin Martin / Deborah Stratman / Diana Vidrascu / eteam / Emily Mode / Graeme Arnfield / Nordholt & Steingrobe / Jaakko Pallasvuo / Jackie Goss / Les LeVeque / lundi matin / Jason Livingston / Jeanne Liotta / Jeffrey Skoller / Jim Supanick / Juliane Henrich / Joy Chan / Kathy Brew / Keith Sanborn / Kim Modig / Leo Goldsmith / Lynne Sachs / Mark Street / Masha Godovannaya / Mike Hoolboom / Monika Czyżyk / Nina Katchadourian / Olav Westphalen / Peggy Ahwesh / Perry Bard / Rebekah Rutkoff / RPI / Ricardo Dominguez / Sean Cubitt / belit sağ & Robert Luxemburg / Sebastián Romo / Steve Reinke / The Society of the Friends of the Virus / Thomas Zummer / Torsten Zenas Burns / Wolfgang Staehle / yann beauvais / and Zoe Beloff / issue #2 works by Ayreen Anastas & Rene Gabri (NY) / Michael Baers (Berlin) / Craig Baldwin (SF) / Greg de Cuir Jr. (Belgrade) / Cathy Crane (NY)/ Mark Dean (London) / Christoph Draeger (Berlin) / Ursula Endlicher (NY) / Abigail Child (NY)/ Bradley Eros (NY)/ Rob La Frenais (London)/ Dee Dee Halleck (NY) / Sam Hopkins (Nairobi) / Juliet Jacques (London)/ Jeanne Liotta (NY) / Jason Livingston (Buffalo) / belt sağ + Sebastian Lütgert (A’dam/Berlin) / Gabriela Monroy (Mexico City) / Esma Moukhtar (A’dam)/ Wolfgang Müller (Berlin) / Ellen Pau (Hong Kong) / Rachel Rosalen (Sao Paulo) / Keith Sanborn (NY) / Kelly Sears ((Denver)/ Asli Serbest + Mona Mahall (Berlin) / Raquel Shapira (NY) / Caspar Stracke (Mexico City) / Jim Supanick (Denver) / Sindhu Thirumalaisamy (NY) / Leslie Thornton (NY) / Thomas Zummer (NY) / http://the.current.thing.net

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THE CURRENT THING. A proposal for issue 2
by Caspar Stracke 29 May '21

29 May '21

Dear all, One+ year into the pandemic we continue THE CURRENT THING. The thematic framing of the next issue is actually a time-travel experiment. We want to focus on off-culture and offline culture, makeshift technology and resistance. As resistance. With that we imagine to completely eliminate the internet. At least for time being. In conspiracy theory terms, we would like to propose the idea, that the internet does not exist. Has never existed. We also want to extend this type of analog mindset: form follows content. So the next issue will be a xeroxed magazine, only available offline, at your local copy shop (yes, we did research whether your city still had one!) Also only available in cities, which have at least one contributor present. Once again we are inviting you, dear thingists, to contribute with a text, an analog photo, a drawing or collage that embraces the topic of resistance, however defined. But one that defies digital technology. We are also interested in including texts that were written pre-internet. Before March 11, 1989, to be exact, the birth date of the www, according to its founder, Tim Berners-Lee. If you happen to be old enough, maybe you can dig up some articles you wrote for fanzines or magazines, see if you find a piece of writing that does not immediately reveal when it was written, and possesses a special relevance to this moment in time, to any type of resistance. Thirdly, we also welcome any kind of “what if” scenarios: imagining a current, or future world without the internet, mobile media, social media or the associated technology. The deadline for submissions is: June 30, 2021 Please use this mailing address: kasbah(a)thing.net <mailto:kasbah@thing.net> Yours, Caspar Stracke & Keith Sanborn

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Fwd: [Experimental-intermedia] John Cage's Empty Words
by w 28 Apr '21

28 Apr '21

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[Experimental-intermedia] Phill Niblock at Roulette.org on Dec 21
by w 21 Dec '20

21 Dec '20

late notice about a solistice treat from phill niblock!

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The era of fake news for good has (re)begun
by w 08 Dec '20

08 Dec '20

Another Yes Men caper, this time the poor victim is the Bank of England: https://theyesmen.substack.com/p/the-era-of-fake-news-for-good-has?utm_camp…

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Prime time crime
by w 10 Nov '20

10 Nov '20

https://www.nytimes.com/2020/11/10/business/amazon-eu-antitrust.html EU is finally taking action against Amazon. As usual, it's too little too late, but at least Vestager is moving, while Dorothee Bär prefers to play cheerleader for the games industry. https://www.t-online.de/unterhaltung/stars/royals/id_85558218/dorothee-baer… Attachment: Collage by Peter Fend Btw, Fend has a show opening soon at Galerie Barbara Weiss, Berlin: "Birds Reign" from November 21, 2020 until January 23, 2021.

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