@font-face {font-family:Times; panose-1:2 0 5 0 0 0 0 0 0 0; mso-font-alt:"Times Roman"; mso-font-charset:77; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:Helv; panose-1:0 0 0 0 0 0 0 0 0 0; mso-font-alt:Helvetica; mso-font-charset:77; mso-generic-font-family:swiss; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-alt:"Times New Roman"; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Helvetica; mso-fareast-font-family:Cambria; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Helvetica; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}a:link, span.MsoHyperlink {color:blue; text-decoration:underline; text-underline:single;}a:visited, span.MsoHyperlinkFollowed {mso-style-noshow:yes; color:purple; text-decoration:underline; text-underline:single;}p {margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Times; mso-fareast-font-family:Cambria; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Times; mso-bidi-font-family:"Times New Roman";}div.Section1 {page:Section1;}Somemore events this month!!Thisfirst one is audio only, or rather, RadioItwill be available online on the Wave Farm website, hopefully in a day after -wavefarm.orgPlease do not respond to this emailaddress, but to - pniblock(a)compuserve.com Musical Ecologies - On TheAirwavesTHURSDAY FEBRUARY 18, 2021, 8:00 PM –10:00 PM EST
–A LIVE RADIO EVENT–PHILL NIBLOCK: Works for Guitar & Bagpipes
Musical Ecologies returns to theairwaves Thursday, February 18th for a live radio event featuring composer andfilmmaker Phill Niblock.The event will be broadcast live from the Old Stone House in Park Slope,Brooklyn on Wave Farm’s WGXC 90.7-FM Radio for Open Earsin New York’s Upper Hudson Valley, and online at wavefarm.org/listen and on the Wave Farm Radio App (iOS). Due to Covid-19there will be no in-person audience attendance.
A living legend of New York’sDowntown avant-garde and beyond, Niblock’s influential style of drone-basedminimalism, usually in combination with his original moving images, hasinfluenced a generation of composers and multi-media artists. For tonight’sprogram, Niblock will present recent and not recent pieces of music, including Bag (2014), Sethwork (2003) and ExplWatson(2019), played live on bagpipes and guitar by musician David Watson along with a recorded part. Theprogram will begin with a conversation hosted by series curator Dan Joseph.
Now it its extended seventh season, MusicalEcologies is a monthly symposium on music and sound held atthe Old Stone House in Park Slope, Brooklyn. Curated and hosted by composer Dan Joseph, each event typically focuses ona single artist who presents a work or project either in the form of a talk orlecture, a multimedia presentation, a performance, or combination thereof. Eachpresentation is preceded by an extended conversation between the artist andcurator.About the artist:
Phill Niblock(b. 1933, USA) is an artist whose fifty-year career spans minimalist andexperimental music, film and photography. Since 1985, he has served as directorof Experimental Intermedia, a foundation for avant-garde music based in NewYork with a branch in Ghent, and curator of the foundation’s record label XI.Known for his thick, loud drones of music, Niblock’s signature sound is filledwith microtones of instrumental timbres that generate many other tones in theperformance space. In 2013, his diverse artistic career was the subject of aretrospective realized in partnership between Circuit (Contemporary Art CentreLausanne) and Musée de l’Elysée. The following year Niblock was honoured withthe prestigious Foundation for Contemporary Arts John Cage Award.
Tonight’s event is being broadcast live on Wave Farm’s WGXC 90.7-FM Radio for Open Ears inNew York’s Upper Hudson Valley, made possible by Wave Farm’s TransmitPartner Program; tune in online at wavefarm.org/listen and on the Wave Farm Radio App (iOS). *******“it’s about love!”Exhibition @ Caravan of Dreams, 405 E 6th St, New York NY10009(starting February 15th)Projections by Katherine Liberovskaya, Miah Artola & FumiMattersVideo works by Daniel McKleinfeldPhotographs by Gudrun Georges, Daniel Murtaugh &Kristofer Dan-Bergman *******Audioblast #9 Colloque / Seminar(in the context of Audioblast #9 on-line live digital soundand image festival)(APO-33, Nantes, France)Friday 19 February 14:00-17:00 (8am-11am NYC time)On-line eventhttp://apo33.org/index.php/2021/02/19/audioblast-9-colloque/with:Phill Niblock & Katherine Liberovskaya
Merryll Ampe / Milène Tournier
Marinos Koutsomichalis
Algo Noise Orchestra
GX-Jupitter Larsen
Christian Zanési
Lars Akerlund
Alexei Borisov
Barbara Dang
Gerard Lebik
Sisterloops
Dror Feiler
Gail Priest
Π Node
Radio Noise Collective
Chloé Malaise
Robin Plastre
Carine Lequyer
Jenny Pickett
Cendrine Robelin
Julien Ottavi
Fryderyck Lexpert
Kasper T. Toeplitz
Art Zoyd Studios Team
Apo33 Team ******* A 96th Birthday Celebration for Elaine SummersWhen: 20th February 2021
Where: Zoom
RSVP by 14 February Phill Niblock & Katherine Liberovskaya at around 1pm NYCTime (19:00 in Europe)
As Elaine's birthday is coming up, we feel it's time to celebrate &see each other again in this new decade, and would like to invite everyone whowould like to get together on Saturday, the 20th of February2021 on Zoom, hosted via the ArtisticEstate of Elaine Summers / Kinetic Awareness® Center,with special thanks to the JeromeRobbins Dance Division, the New York Public Library of thePerforming Arts. This event is meant to be a first, more informal try-outtowards a larger and official global and planetary re-creationof Elaine's visionary Skytime,with which we would like to begin her Centennial on February 20th,2025 into an entire year of related events in collaboration with ourvarious partner organizations. We're happy to learn by doing. Expect the unexpected ...Thomas Kortvelyessy ******* XFest MA 2021: Improvised Music Challenge (February26-27, 2021) - VIRTUAL- Katherine Liberovskaya with Bonnie Kane, Tracy Lisk, CraigPedersen, Andrea PensadoFriday February 26th at 8:45pm https://xfestma.com/ ******* Audioblast Festival #9 - From Friday 26 to Sunday 28February Co-production Apo33 (Nantes, France) and Art Zoyd Studios(Valenciennes, France)
Curation: Kasper T Toeplitz & Julien Ottavi - Niblock + Liberovskaya & Niblock + Ottavi and Toeplitz(Zzzzounds)Saturday 27 February at 22:00 in France (4pm NYC) http://apo33.org/index.php/2021/02/26/audioblast-festival-9/https://fb.me/e…
@font-face {font-family:Arial; panose-1:2 11 6 4 2 2 2 2 2 4; mso-font-alt:Arial; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:Times; panose-1:2 0 5 0 0 0 0 0 0 0; mso-font-alt:"Times Roman"; mso-font-charset:77; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-alt:"Times New Roman"; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Helvetica; mso-fareast-font-family:"Times New Roman"; mso-hansi-font-family:Helvetica; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}p.yiv6036613773msonormal, li.yiv6036613773msonormal, div.yiv6036613773msonormal {mso-style-name:yiv6036613773msonormal; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Times; mso-fareast-font-family:"Times New Roman"; mso-hansi-font-family:Times; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}div.Section1 {page:Section1;}An online event, with ahang out after itTwo events with Sun RaIt will be available forviewing until February 28 on the Fridman Gallery websitePlease do not respond tothis address, but to pniblock(a)compuserve.com Wednesday,February 3 at 7pmwww.fridmanlive.com Fridman Gallery is pleased to present two films honoring thelegacy and continued influence of Sun Ra, Marshall Allen, and the Sun RaArkestra on Wednesday, February 3 at 7pm (www.fridmanlive.com). Phill Niblock’s newlyrestored, seminal film The Magic Sun featuringoriginal footage of Sun Ra and his Solar Arkestra, will be followed by DaveSoldier’s new work The Eighth Hourof Amduat, starring Marshall Allen, who leads the Sun Ra Arkestra today.The videos will remain viewable through February 28. The screening will be followed by a "hang" with Niblockand Soldier on Zoom:Meeting ID: 789 059 3491
Passcode: 9KZkfA PHILLNIBLOCKTHE MAGICSUN (1966-68) Composer,photographer, and filmmaker Phill Niblock’s classic experimental undergroundfilm The Magic Sun features a sensational soundtrack by the legendaryjazz musician Sun Ra and the members of his Solar Arkestra. Niblock used a veryhigh contrast black-and-white film technique to shoot ultra-tight close-ups onthe moving hands and mouths of the musicians. This isthe premiere screening of the newly restored film, which has been transferredfrom 16mm to HD video, color corrected by Adam Hogan and Laura Stayton, andsound revitalized by Dan Evans Farkas. The 16mm film was originally processedby J&D Film Labs, in NY. DAVESOLDIERTHEEIGHTH HOUR OF AMDUAT (2017–20) ANOPERA BASED ON THE OLDEST SURVIVING MUSICAL SCORE MarshallAllen, the leader of the Sun Ra Arkestra, is featured in the part of theEgyptian god Sun Ra, in Dave Soldier’s new classical/jazz/electronic operabased on the oldest musical score known, the Eighth hour of the Book of theAmduat. In this version from 1425 BC, the sounds and music are clearlyspecified during Sun Ra’s nightly travels on the underworld river to age, die,and be reborn to rise again every morning. The ancient hieroglyphs aretranslated to Italian by Egyptologist Rita Lucarrelli (professor at UCBerkeley) and the parts of the other gods and demons are sung by mezzo soprano(Sahoko Sato TImpone from the Metropolitan Opera) and a choir and by additionalimprovisers (Dan Blacksberg, Nick Millevoi, Michael Winograd, Rebecca Cherry)with a classical orchestra.
@font-face {font-family:Times; panose-1:2 0 5 0 0 0 0 0 0 0; mso-font-alt:"Times Roman"; mso-font-charset:77; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:Helv; panose-1:0 0 0 0 0 0 0 0 0 0; mso-font-alt:Helvetica; mso-font-charset:77; mso-generic-font-family:swiss; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-alt:"Times New Roman"; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:hel; panose-1:0 0 0 0 0 0 0 0 0 0; mso-font-alt:Helvetica; mso-font-charset:77; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:auto; mso-font-signature:3 0 0 0 1 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Helvetica; mso-fareast-font-family:"Times New Roman"; mso-hansi-font-family:Helvetica; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}div.Section1 {page:Section1;}Hi, from Phill Niblock (please respond to this emailto - pniblock(a)compuserve.com) This will be the first time, ever,that everyone in the world, with an internet connection, can see/hear thisconcertMaybe there is a blessing in thepandemic, afterall Myshort announcement of the Roulette December 21 2020 concert: Iam playing at Roulette in NY, in my yearly December 21, Winter Solsticeconcert, six hours of music never before played at Roulette, most of them NewYork premiers, and many World premiers; there are another 3 to 6 hours ofpieces, not played at Roulette, which would not fit in the program; the concertwill be recorded and available after December 21 - roulette.org Andof course, there is much film/video as well. A novel way of presenting theimage work in this time of pandemicWitha chat screen, for text Andwith a short prelude/talk with Jim Staley and David Weinstein and me, before,probably starting at 5:40pm NY time, and the concert is from 6pm until midnight Vimeo Link: https://vimeo.com/event/472779 Playlist:1 UnMounted, Muted Noun2 ExplTiltBrass3 BaobabBozziniStringQuartet4 ExplPhoenixBasel5 Herbal Cooled6 ExplArdittiStringQuartet7 Noizzze One8 Browner9 ExplWatson10 Poom311 TwoBlooms & OneLargeRoseMix12 ExplMaranhaLisbon13 ExplWiessenthanerMachine14 BaobabDorf6.355Gb file, 378 minutes Fromthe Roulette.orgwebsite:Asthe longest night of the year unfolds and the journey of our planet nears thepoint when Winter commences in the Northern Hemisphere, Phill Niblock stageshis annual Winter Solstice concert for the 10th consecutive year at Roulette.Starting at 6pm, the performance will comprise of six sublime hours of acousticand electronic music and mixed media film and video in a live procession thatcharts the movement of our planet and the progress of ourselves through art andperformance at its maximal best. To mark this strange and extraordinary year,all of six hours of music on December 21 will be a Roulette premiere. Niblock’sminimalistic drone approach to composition and music was inspired by themusical and artistic activities of New York in the 1960s, from the art of MarkRothko, Carl Andre, Sol LeWitt, Donald Judd, and Robert Morris to the music ofJohn Cage and Morton Feldman. Niblock’s music is an exploration of soundtextures created by multiple tones in very dense, often atonal tunings(generally microtonal in conception) performed in long durations.6Hours of Music and Film will be presented virtually and available for free on avariety of streaming platforms. Roulette’s theater is currently closed forpublic performances as a result of the Covid-19 pandemic and the safetymeasures that Roulette has put in place to keep staff, artists, and the publicsafe.
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A novel way of presenting theimage work in this time of pandemicWitha chat screen, for text Andwith a short prelude/talk with Jim Staley and David Weinstein and me, before,probably starting at 5:40pm NY time, and the concert is from 6pm until midnight VimeoLink: https://vimeo.com/event/472779 Playlist:1UnMounted, Muted Noun2ExplTiltBrass3 BaobabBozziniStringQuartet4ExplPhoenixBasel5Herbal Cooled6 ExplArdittiStringQuartet7Noizzze One8Browner9ExplWatson10 Poom311TwoBlooms & OneLargeRoseMix12ExplMaranhaLisbon13ExplWiessenthanerMachine14BaobabDorf6.355Gbfile, 378 minutes From the Roulette.org website:As thelongest night of the year unfolds and the journey of our planet nears the pointwhen Winter commences in the Northern Hemisphere, Phill Niblock stages his annual WinterSolstice concert for the 10th consecutive year at Roulette. Starting at 6pm,the performance will comprise of six sublime hours of acoustic and electronicmusic and mixed media film and video in a live procession that charts themovement of our planet and the progress of ourselves through art andperformance at its maximal best. To mark this strange and extraordinary year, allof six hours of music on December 21 will be a Roulette premiere. Niblock’sminimalistic drone approach to composition and music was inspired by themusical and artistic activities of New York in the 1960s, from the art of MarkRothko, Carl Andre, Sol LeWitt, Donald Judd, and Robert Morris to the music ofJohn Cage and Morton Feldman. Niblock’s music is an exploration of soundtextures created by multiple tones in very dense, often atonal tunings(generally microtonal in conception) performed in long durations.6 Hours ofMusic and Film will be presented virtually and available for free on a varietyof streaming platforms. Roulette’s theater is currently closed for publicperformances as a result of the Covid-19 pandemic and the safety measures thatRoulette has put in place to keep staff, artists, and the public safe. This one isa bit long, but . . . . Phill Niblock’s Solstice Tradition by Kurt Gottschalk Roulette, 2018 There was a time whenPhill Niblock’s six-hour winter solstice concerts were a key part of theDowntown winter holidays, every bit as much as Phil Kline’s Unsilent Nightboombox parades from Washington Square Park to Tompkins Park or the annual NewYear’s Eve sets with James Blood Ulmer at the old Knitting Factory. From 6pmuntil midnight every December 21, Niblock could be found at ExperimentalIntermedia, his home and performance space on Centre Street, playing extended,drone-based music alongside his films of people around the world doing manuallabor.Those days are gone.Niblock still hosts a run of performances and screenings at the loft—which willmark its 50th year of operation in 2018— every March and December. Butconflicts with the building owner have forced him to scale back and keep aclose count on attendance. His solstice concerts—where people would meet up tolisten, socialize in the stairwell, pop over to Chinatown for dinner and returnto submerge again into the penetrating volumes of the music—proved too popularto continue at the loft . When Roulette opened its new theatre on AtlanticAvenue in 2011, the annual ritual was on the bill and a new tradition was born.Niblock presented hisfirst solstice concert in 1976 and has been doing it ever since, some yearsaugmented with a summer solstice concert as well. The original inspiration,however, seems at this point lost to history.“Actually, I don’treally know [how it started],” he said in August, speaking via Skype from hissecond home in Ghent, where he was preparing for concerts in Poland andCzechia. “I don’t have any memory of that whatsoever. It used to be eight hourslong, and I don’t know what the fuck I did in eight hours because there wasn’tthat much material then.”Whatever the origin,the solstice concerts in a sense epitomize much of Niblock’s work. Extendedtones, extreme volume and long, filmed scenes of people working are hallmarksof his artistic output. Asked what he thought people should take away from theconcerts, he said with a laugh, “It’s not my problem, it’s their problem.” Buthe has plenty to say about the work itself.“The volume isactually about two things,” he explained. “One is that it announces that themusic is not a soundtrack for the film but is a dominant feature. The otherthing, and probably the more important part, is that the music is all aboutthis microtonal interference in the sound cloud that appears and that occursmuch more at a very high volume. Sometimes the cloud of overtones that occursis there only when it’s fairly loud and if you turn the music down, it becomesthe sound of instruments rather than the sound of microtonal interferences.”While making musicmight be what he’s best known for today, Niblock’s first work was inphotography and filmmaking. When he arrived in New York City in 1958, he founda place in the jazz world, photographing Duke Ellington sessions and filmingthe Sun Ra and his Solar Arkestra, among others. Before long, he had had takento filming dance and, later, creating installation projects with dancersinterspersed among multiple screens projecting his films. (Some of those earlymulti-media events were revived in March, 2017, at the Tate Modern in London.)At that point, he said, he began to see parallels between the motions of danceand the motions of manual labor.“I was working with adance theater from ’65 to ’70 and I began doing this project called the‘Environment Series’ in ’68,” he said. “There were three screens of video plussome slide pieces on a fourth screen with music and live players. I found itvery difficult to do these pieces because there were five people and multiplescreens and we simply couldn’t do it. I began to do a series of films that Icould do with a single screen or possibly two or three when it was possible in’73. I decided to do this series of pieces looking at the movement of peopledoing very ordinary work. I was looking at the movement of people working inthe fields or fishing or whatever they were doing rather than live dance.”Those early films area major part of Niblock’s solstice concerts, but this year’s concert will givehim a chance to present more recent work as well.“There’s a lot of newvideo in the last few years, 100 minutes of finished videos, which iscompletely different than the people working, no people whatsoever,” he said.“We’re doing installations where there are three screens and a fourth set ofpieces that are shot on video and look better on a video monitor than they doon a large screen.”Niblock has a longhistory with Roulette, dating well before his moving the solstice concertsacross the East River. As far back as 1982, he was performing at Roulette’soriginal loft on West Broadway (not so far from his own space), presenting aprogram called “Once More For the Road” featuring his films from Shanghai andLesotho with Roulette co-founder and artistic director Jim Staley on “mobiletrombone.”That history mademoving to Roulette an easy invitation to accept. While Niblock originallyplanned to find a new location for the solstice concerts every year, he said heis glad to have found a permanent home.“I was thinking maybewe’d switch to different places but Roulette is really a great space for us,”he said. “I’m extremely happy to work with them.”His image on thescreen then jostled as he adjusted the camera on his laptop.“Let me pull this downa bit,” he said, “so you can see the hand on my heart.” The gesture wasfollowed by a laugh that might be as evocative of the experimental composer andfilmmaker, at least to those who were at those early concerts on Centre Street,as the loud and prolonged tones of his music.CONTRIBUTOR: KurtGottschalkKurtGottschalk writes about contemporary composition and improvisation forDownBeat, The New York City Jazz Record, The Wire, Time Out New York, and otherpublications and has produced and hosted the Miniature Minotaurs radio programon WFMU for the last ten years. Phill Niblock’s Winter Solstice is made possible in part with publicfunds from the New York State Council on the Arts’ Electronic Media and FilmPresentation Funds grant program, administered by the ARTS Council of theSouthern Fingerlakes.
<!-- /* Font Definitions */@font-face {font-family:Times; panose-1:2 0 5 0 0 0 0 0 0 0; mso-font-alt:"Times Roman"; mso-font-charset:77; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:Helv; panose-1:0 0 0 0 0 0 0 0 0 0; mso-font-alt:Helvetica; mso-font-charset:77; mso-generic-font-family:swiss; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-alt:"Times New Roman"; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:"Times New Roman \(Arabic\)"; panose-1:0 0 0 0 0 0 0 0 0 0; mso-font-alt:Arial; mso-font-charset:178; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:8193 0 0 0 64 0;} /* Style Definitions */p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Helvetica; mso-fareast-font-family:Cambria; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Helvetica; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}a:link, span.MsoHyperlink {font-family:"Times New Roman"; mso-bidi-font-family:"Times New Roman"; color:blue; text-decoration:underline; text-underline:single;}a:visited, span.MsoHyperlinkFollowed {mso-style-noshow:yes; color:purple; text-decoration:underline; text-underline:single;}size:8.5in 11.0in; margin:.5in .75in .5in .75in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;}div.Section1 {page:Section1;}Just another announcement of the EI December concertseries, now that we are almost halfway throughIt has been a great series so far, and theconcerts are recorded and possible to see by the next day, in their entirety Please respond to pniblock(a)compuserve.com, andnot to this addressPhill EXPERIMENTAL INTERMEDIAThe Forty-Seventh Anniversary of EIperformances at 224 Centre Street, The Fifty-Second Anniversary of the Foundingof Experimental Intermedia, the Fifty-Second Anniversary of the 224 CentreStreet loft, and, not least, The (Virtual) Fortieth Annual Festival withno fancy name, Part One (or A) PhillNiblock, curator December 2020 This edition of our concert series is entirelyvirtual. Concerts will be streamed live from our website at 9pm sharp NYC timeon the dates listed: www.experimentalintermedia.org Right after each concert we invite performersand audience to join "The EI Virtual Kitchen Hang", our Zoom meetingroom, to interact between each other and with us. TheEI Virtual Kitchen Hang Zoom link:https://zoom.us/j/2120765064?pwd=KzhqdkJmcUkrMGdTZGw0WnV0REZWQT09MeetingID: 212 076 5064Passcode:869302 EarlHoward (New York) Sunday 6 TheProgram: Curtis 2019 - Kurzweill 2600 synthesizer, Live performance - 46minutes and The Cold Hard Tooth 2020 - Alto- saxophone / composer andperformer-Live Performance 25 minutes; Notes about Curtis; It is often the case that music is defined by thedevelopment of thematic elements which tell a story; the sound of the music isa part of the elaboration of a story, whether in atonal, linear or nonlinearmusic; Curtis has no themes, but there are many stories; these are notstatements in themselves - they are components of their environments; sounddoes not only sing or harmonize - it is the substance and location of place,mass, and flow - for the sound elements, representing fieldrecordings from an imaginary world earlhowardmusic.com Bob Bellerue (New York) Monday 7 "Imperfect Conditions" - macrotonal music from a clutteredlandscape, improvised resonance and feedback bobbellerue.net Julien Ottavi and Jenny Pickett (UK, Fr) Wednesday 9 Solar Return - //UniVERSE//- Audio-visual performance using modular synth, crotales and mutant guitar-bass- invented instruments in combination with live 3D animation of cosmicastrophysics geometry; the artists duo Solar Return will once more embrace thenetworkfor acyber-performance through the fiber-optics into outer-spacehttp://noiser.orghttp://jennypickett.arthttp://apo33.org Austin Larkin (Connecticut) Friday 11Experiments and Observations on DifferentTypes of Reflection"; A solo performance of violin, light projector,mirror, perspective, gesture, room www.austinlark.in Gill Arno (New York) Monday 14Gill Arno’s current work explores sound/imagerelationships through a process of animated and sonified thermography; he is presenting aseries of short studies in which composition and improvisation are variously combined;Website (not updated since 1916) - http://www.m-i-c-r-o.net/mpld/mpldinfo/info.html Ka Baird (NewYork) Tuesday 15Ictum Exercises (Polyrhythmic Studies) is anaudiovisual performance that takes a single randomized pattern through severalpermutations using electronics, flute, recorder, breath and voice overlaid with sound reactive colorfields and pulses by multimedia artist Camilla Padgitt-Coles https://www.kabaird.comhttp://www.ivymeadows.net Matthias Kaiser, Hans Tammen, Shoko Nagai (Cologne,NY, NY) Wednesday16Kaiser, violin; Nagai, Moog; Tammen, buchla; Human sound sources join over theinternet to freely exchange sonic explorations using acoustic, electroacousticand electronic systems; Kaiser performs from Cologne, Germany, and Nagai /Tammen from NYC kaiserandsound.comshokonagai.nettammen.org Mike Bullock (Massachusetts) Thursday 17 Hydrophonisphere is a solo performance usingthe inner- & under-sounds of the flow and fall of water, filtered byanalog, digital, and mechanical means; the second in a three-part suite ofpieces that started with October's Ultrasonisphere mikebullock.bandcamp.com earsin.space Our programsare supported by the Aaron Copland Fund for Music, the PhaedrusFoundation, Fridman Gallery, and the New York State Council on the Arts withthe support of Governor Andrew Cuomo and the New York State Legislature;this project is also made possible with funds from the NYSCA ElectronicMedia/Film in Partnership with Wave Farm: Media Arts Assistance Fund,with the support of Governor Andrew Cuomo and the New York StateLegislature224Centre Street at Grand, Third Floor, N Y 10013 212 431 5127, 4316430www.experimentalintermedia.organd www.XIrecords.org The video-audio recordings of the concerts will be posted onour website the morning after each concert and will remain there until our nextseries in March 2021
<!-- /* Font Definitions */@font-face {font-family:Times; panose-1:2 0 5 0 0 0 0 0 0 0; mso-font-alt:"Times New Roman"; mso-font-charset:77; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:Helv; panose-1:0 0 0 0 0 0 0 0 0 0; mso-font-alt:Helvetica; mso-font-charset:77; mso-generic-font-family:swiss; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-alt:"Times New Roman"; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:"Times New Roman \(Arabic\)"; panose-1:0 0 0 0 0 0 0 0 0 0; mso-font-alt:Arial; mso-font-charset:178; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:8193 0 0 0 64 0;} /* Style Definitions */p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Helvetica; mso-fareast-font-family:Cambria; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Helvetica; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}a:link, span.MsoHyperlink {color:blue; text-decoration:underline; text-underline:single;}a:visited, span.MsoHyperlinkFollowed {mso-style-noshow:yes; color:purple; text-decoration:underline; text-underline:single;}size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;}div.Section1 {page:Section1;}We sent our concert announcement a few days ago, but thereis a possibility that it did not reach you, so we are sending it again, withoutthe descriptionsBut that information is on the website -www.experimentalintermedia.org - as well as the linksto join the concerts and the Virtual Kitchen after thatIf you are getting this for the first time now, just the dayof the first concert, we apologize Please do not respond to this email address, but topniblock(a)compuserve.com EXPERIMENTAL INTERMEDIAThe Forty-Seventh Anniversary of EIperformances at 224 Centre Street, The Fifty-Second Anniversary of the Foundingof Experimental Intermedia, the Fifty-Second Anniversary of the 224 CentreStreet loft, and, not least, The (Virtual) Fortieth Annual Festival withno fancy name, Part One (or A) PhillNiblock, curator December 2020 This edition of our concert series is entirelyvirtual. Concerts will be streamed live from our website at 9pm sharp NYC timeon the dates listed: www.experimentalintermedia.org Right after each concert we invite performersand audience to join "The EI Virtual Kitchen Hang", our Zoom meetingroom, to interact between each other and with us. TheEI Virtual Kitchen Hang Zoom link:https://zoom.us/j/2120765064?pwd=KzhqdkJmcUkrMGdTZGw0WnV0REZWQT09MeetingID: 212 076 5064Passcode:869302 EarlHoward (New York) Sunday 6 earlhowardmusic.com Bob Bellerue (New York) Monday 7 bobbellerue.net Julien Ottavi and Jenny Pickett (UK, Fr) Wednesday 9 http://noiser.orghttp://jennypickett.arthttp://apo33.org Austin Larkin (Connecticut) Friday 11www.austinlark.in Gill Arno (New York) Monday 14 Website (not updated since 1916) - http://www.m-i-c-r-o.net/mpld/mpldinfo/info.html Ka Baird (NewYork) Tuesday 15https://www.kabaird.comhttp://www.ivymeadows.net Matthias Kaiser, Hans Tammen, Shoko Nagai (Cologne,NY, NY) Wednesday16kaiserandsound.comshokonagai.nettammen.org Mike Bullock (Massachusetts) Thursday17 mikebullock.bandcamp.com earsin.space Our programsare supported by the Aaron Copland Fund for Music, the PhaedrusFoundation, the Fridman Gallery, and the New York State Council on the Arts withthe support of Governor Andrew Cuomo and the New York State Legislature;this project is also made possible with funds from the NYSCA Electronic Media/Filmin Partnership with Wave Farm: Media Arts Assistance Fund, with the support of Governor Andrew Cuomo and the New York State Legislature224Centre Street at Grand, Third Floor, N Y 10013 212 431 5127, 4316430www.experimentalintermedia.organd www.XIrecords.org The video-audio recordingsof the concerts will be posted on our website the morning after each concertand will remain there until our next series in March 2021
<!-- /* Font Definitions */@font-face {font-family:Helv; panose-1:0 0 0 0 0 0 0 0 0 0; mso-font-alt:Helvetica; mso-font-charset:77; mso-generic-font-family:swiss; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-alt:"Times New Roman"; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Helvetica; mso-fareast-font-family:Cambria; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Helvetica; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}span.yiv0240956791gmail-d2edcug0yiv0240956791gmail-hpfvmrgzyiv0240956791gmail-qv66sw1byiv0240956791gmail-c1et5uqlyiv0240956791gmail-oi732d6dyiv0240956791gmail-ik7dh3payiv0240956791gmail-fgxwclzuyiv0240956791gmail-a8c37x1jyiv0240956791gmail-keod5gw0y {mso-style-name:"yiv0240956791gmail-d2edcug0 yiv0240956791gmail-hpfvmrgz yiv0240956791gmail-qv66sw1b yiv0240956791gmail-c1et5uql yiv0240956791gmail-oi732d6d yiv0240956791gmail-ik7dh3pa yiv0240956791gmail-fgxwclzu yiv0240956791gmail-a8c37x1j yiv0240956791gmail-keod5gw0 y";}size:8.5in 11.0in; margin:.5in .75in .5in .75in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;}div.Section1 {page:Section1;}Here is aninteresting festival from Iklecktic in London and Klanghaus in AustriaWhich isgoing on now, as I write this noteWe are init tomorrow, and the only live performance of the festival, but from New Yorkand Barcelona, for usphillniblock, katherine liberovskaya and barbara held Nov 26 at2:30 PM EST – Nov 29 at 4 PM EST
IKLECTIK [off-site] and Klanghaus Sound Art Centre present: KlangzeitFestival 20204 days of experimental improvised music and sound artKlanghaus Untergreith and IKLECTIK have joined forces to presenta multidisciplinary and miscellaneous series of concerts with the participationof international renown musicians and composers.26 – 29 November 2020 | Free
IKLECTIK Youtube channel
Day 1: https://youtu.be/g8JIRoZ5sKs
Day 2: https://youtu.be/22RBuRLmTfc
Day 3: https://youtu.be/93wa1lAlpPg
Day 4: https://youtu.be/QDsEl_qVesI
IKLECTIK Facebook page: https://www.facebook.com/IKLECTIK
IKLECTIK Twitch channel: https://www.twitch.tv/iklectikArtists:
Me, Claudius (UK)
Viv Corringham (UK/USA)
Rhodri Davies (UK)
Matthias Forenbacher (AT)
Paul Jonas Kinnunen (FI)
Y/Liquid (AT) – Peta Kotzberg + Carmen Rosenkranz
Phill Niblock (US)
Katherine Liberovskaya (US)
Barbara Held (US)
Rahel Kraft (AT/ CH)
Samo Kutin (SI)
Tracy Lisk (USA)
Zahra Mani (UK/AT)
MUG Trio (SI)
Arun Natarajan (IN)
OWL OWL (NO)
Elise Passavant (USA)
Els avn Riel (BE)
Yoni Silver (UK)
Mia Zabelka (AT)
Wolfgang Temmel (AT)
Veronika Gmeindl (AT)
Richard Graf (AT)
Sebastian Leopold (AT)
STATION ROSE (AT)
Lukas MoritzWegscheider (AT) Programme:- Day 1 (Thursday 26/11) – 7.30pm (GMT) | 8.30pm (CET)
phonoECHOES competition – finalists performancesDay 1 is dedicated to present the performances of thefinalist of the phonoECHOES competition
The audience is kindly invited to vote for the best performance on the 26/11through the “voting poll link”: https://doodle.com/poll/5thb68bsy2qd9tua?utm_source=poll...Finalist:
Veronika Gmeindl (AT)
Richard Graf (AT)
Sebastian Leopold (AT)
Station Rose (AT)
Lukas Moritz Wegscheider (AT)Jury:
Mia Zabelka (Chair – no voting rights)
Rupert Huber (AT)
Johannes Kretz (AT)
Zahra Mani (AT) - Day 2 (Friday 27/11) – 7.30pm (GMT) | 8.30pm (CET)
Zahra Mani + Elise Passavant
Matthias Forenbacher
Rhodri Davies
Wolfgang Temmel
Me, Claudius - Day 3 (Saturday 28/11) – 7.30pm (GMT) | 8.30pm (CET)
Viv Corringham
Y/Liquid
Tracy Lisk + Mia Zabelka + Els Van Riel
Yoni Silver
Rahel Kraft
Phill Niblock + Katherine Liberovskaya + Barbara Held - Day 4 (Sunday 29/11) – 7.30pm (GMT) | 8.30pm (CET)
MUG Trio
OWL OWL
Mia Zabelka + Arun Natarajan + Paul Jonas Kinnunen
Samo Kutin phonoECHOES finalistsVeronika Gmeindl
born 1988 in Herdecke, Germany. Professionally engaged in theatre pedagogy,freelancing in the cultural sector and as a musician. She is currently activein artistic director of workshops on diverse topics at schools, based onmethods of Forum- and improvised theatre. Her artistic ambitions focus onimprovisation and experimentation with music/electroacustic music and thewritten/spoken word, where she seeks to incorporate here experiences into thefield of theatre and performance.„Du“
Electroacoustic composition for two players/performers(Cello/Voice/Live-electronics) by Veronika Gmeindl. „Du“ („You“), a directedinner monologue. By accident the initial lyrics were printed twice, much like adouble exposure, hardly legible. The subjective expression of a strugglingindividual, who in turn pleads guilty of denunciation. The principle ofmultiple exposure is mimicked on several levels (structure, soundesign,melodies and improvisation with double bass and cello). All of this leads to anever repeating and ever evolving game, always open to interpretation. Richard Graf
Studies in music and music education at the University of Music and PerformingArts Vienna (graduation Summa cum Laude) and the Berklee College of Music.Lecturer at the University of Southern California, Los Angeles/USA (1995).Since 2018 Dean and Head of Master Studies (faculty music education) at the„JAM MUSIC LAB University”. Founder and artistic director of the MAX BRANDEnsemble. Graf has received several national and international awards andprizes. His work has been published by: UNIVERSAL EDITION, ADVANCE MUSIC, SCHOTTMUSIC, RICH ART Records, IAJE (International Association of Jazz Educators),Austrian Broadcasting Cooperation – ORF, Musikerziehung etc. Co-Producer forECM-Records: Michael Mantler & MAX BRAND Ensemble: “Comment C’est”Matrix
for three guitars and live electronics
Richard GRAF – a composer, guitar player and three guitars plus electronics ininteraction to combine compositional, mathematical, tonal and technicalparameters. The “Matrix” is a nine-tone-row, which develops to horizontal andvertical musical structures, enriched by live electronics and improvisation Heuses three unique guitars which have been built by Roland Hauke: Baritonguitar, Fretless guitar, Standard electric guitar. Sebastian Leopold
Sebastian Leopold is a musician, instrument maker and engineer based in Vienna.After three years of internationally working as an engineer, he settled down toset up his own workshop where he could focus on building sounding objects andinstallations. Leopolds fascination for vibrating strings, membranes, blocksand blobs shows in his workpieces, which experiment with the eigenfrequenciesof bodies and their manipulation through means of electronics.„drift“
The workpiece “drift” is a big self-resonating feedback mirror made fromstainless steel driven by an air coupled 4×10″ speaker. The sounds you hear arethe intrinsic vibrations of the metal sheet, simply generated by feeding thesignals recorded by a contact microphone back to the mirror through thespeakers. The reflections caused by the mirror’s vibrations visualise thespatial expansion of the structure-born sound and magnify the moment when thestable oscillation breaks down into chaotic noise. “Drift” explores theboundaries and intersections between control and collapse, dissipation and resonance,reflection and transmission.STATION ROSE
STATION ROSE/STR was founded in Vienna, Austria, in 1988 by Gary Danner (sound)and Elisa Rose (art). As one of the first digital groups worldwide, STATIONROSE have used the potential of live audio visual media and the internet forperforming in their work. Their Gunafa Clubbings were the first AV- andonline-clubprojects worldwide (Frankfurt, 1992). STR are online since 1991 andare regarded as „Pioneers of Digital Culture (Frankfurter Allgemeine). Danner´scareer as professional musician/composer spans 4,5 decades, quite often usingreliable structures like Beat, Punk, Techno, and Minimal Music. STATION ROSEoperates at the interface of digital art, music and pop. Their artistic outputis characterized by exploring the boundaries between reality and virtuality,audio and video are organically interwoven by definition.“WEBCASTING STReaming 2020“
In Frankfurt in 1999, STR developed a new online broadcast format,„Webcasting”, which included animations, live music, live composition andimprovisation, talks and performances. It was streamed live from the STATIONROSE Studio, Elisa Rose’s image workstation and Gary Danner’s soundworkstation/DAW were broadcast over the internet. In 2020, by the circumstancesof quarantine, this unchanged contemporary STReaming format was used again anddeveloped further – from the studio in Vienna.
„For a STReam, I will prepare certain samples, rhythmic parameters and musichardware minimally, compose and arrange live in real time, and treat thiscomposition with digital effects. Music is created LIVE and synaestheticallywith the visual art that is created simultaneously.“ Gary Danner Lukas Moritz Wegscheider
Lukas Moritz Wegscheider is a composer for experimental music, sound- and mediaartist. In his work he currently deals with time, the ephemeral, theimperishable and what remains. Memories. He treats this subjects with liveperformances, sound- and video installations and exhibitions. Since 2016 hestudies at the university of music and performing arts in Graz. http://lukasmoritzwegscheider.com/”memoire”
In the room an impression of what has happened is presented, as the firstmemory, taken up again and sent to the ether. This sonic memory then getspicked up by the radio and confronts the audience once again. A rememberedmemory. The installation addresses the fact that you cannot simply forget, thatyou cannot simply make forgotten and that even after forgetting, you willalways remember what has been forgotten. From forgotten forgotten – tomemorized memory. The theme of KLANGZEIT Festival 2020 is Human Life / GreenSounds / Artificial Emotion.
‘Green Sounds’ are not just sounds of nature, they are sounds of the naturalinteraction of humans with the environment and at the same time the design oflife (environment). Working with sound is the embodiment of a political demand:reflecting on the self-regulation of nature, listening to the importance of theculture of designing for people. The design of “Green Sounds” means, a way oflife of nature as “art (of) living”. As the overcoming of the culture of therationality of seeing, “auditory culture” means not only the transfer of thenature of hearing to culture, but the merging of nature and culture into“Converged realities” – the virtual and the real overlap, the differencebecomes null and void. About phonoECHOES
In spring 2020, ÖKB (Österreichischer Komponistenbund – Austrian Composers’Association) and Klanghaus Untergreith announced for the first time‘phonoECHOES’, a competition for sound art and electronic music. The awardceremony will take place on November 26th. Klanghaus Untergreith
Klanghaus Untergreith is an international centre for sound art focusing oninterdisciplinary, experimental and border-crossing projects spanning visualarts, literature, performance art, media art and music.
https://klang-haus.athttp://iklectikoffsite.org/klangzeit-festival-2020/ Project supported by
Österreichischer Komponistenbund - AACS - austrian cultural forum londonFlyer by Lisa McKendrik
<!-- /* Font Definitions */@font-face {font-family:Times; panose-1:2 0 5 0 0 0 0 0 0 0; mso-font-alt:"Times New Roman"; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-alt:"Times New Roman"; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Helvetica; mso-fareast-font-family:Cambria; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Helvetica; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;}div.Section1 {page:Section1;}Please do not respond to this email, but write topniblock(a)compuserve.com >>>>Here is an event that is live in Vienna, ifyou happen to be there, except for us, we are in NY and BarcelonaAnd we are live at the time it's happening Phill Niblock, Katherine Liberovskaya and Barbara Held Tune in And thanks to our friends at klingt.org DerBlödeDritteMittwoch #99
8. JULI 2020, doors: 19h30, program & streaming starts 20h sharp
LIVE: Steinergasse 8, 1170 Wien
live streaming auf: https://echoraeume.klingt.org Sara Zlanabitnig(A) & Tomaš Grom (SLO): flute,electronics / double bass [konzert]Kathrin Stumreich(A): "Klack und die Gesetze der Thermodynamik"[performance] Phill Niblock & Katherine Liberovskaya & BarbaraHeld (US):A live video and sound set,streamed from Experimental Intermedia NYC and from BarcelonaAll three ofus for one set, with live visuals by Liberovskaya, and live flute andelectronics by Held, and sound collage pieces by Niblock And then Niblock Solo:
video screening: "The Movementof People Working" - Phill Niblock- Hungary,Hong Kong
"Praised Fan" by PhillNiblock ~17min, for bassoon; Dafne Vicent Sandoval: bassoon
"POOM" by Phill Niblock~30:00min, for e-bowed guitar; Stephen O'Malley, guitardue to limitedadmission please reserve via email to: bloedetickets@klingt.orghttp://bloedermittwoch.klingt.org/https://echoraeume.klingt.org/https://www.facebook.com/events/704090883494813/
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This is an announcement about 4 online music events on June 19, 20 and 21 The letter is from Oda.co, the producer of these music events, and they feature Phill Niblock and Katherine Liberovskaya, and this is a test event of their website and eventual series of webcasts On Saturday afternoon, the event will be a virtual premier of a new music piece by Phill, finished the day before, of course, named Poom, with Stephen O'Malley playing e-bowed guitar, from sound material recorded in the Trace Elements studio of RobertPoss, 28 minutes long The event will begin with a set by Phill and Katherine Liberovskaya An improvised sound collage by Katherine Liberovskaya & Phill Niblock Phill Niblock: live mixing of field recordings Katherine Liberovskaya: live small percussion instruments and other objects and gadgets Note that the Saturday afternoon event is at 3pm NY time, and 9pm European time You can see the poster with Katherine' drawing and the on-line version of OdA's newsletter here: https://mailchi.mp/1395e1aed7e7/ka-baird-shelley-hirsch-articulation-exerci…https://www.instagram.com/p/CBgRCRLFKUh/
| Letter from Oda.co
| Hi! |
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| Today we would like to invite you to spend the weekend with us and the artists Phill Niblock & Katherine Liberovskaya.
Regardless of what you know about the work of Phill and Katherine, speaking to someone like Perry is always interesting. Perry is a sound artist and the creator of the Oda speakers, which you will hear more about later this summer. Perry says: “Phill Niblock is often labelled a minimalist. This amounts to a dismissal. I would say monumentalist, because the sound is so thoroughly consuming, and commanding of attention. As when a tree falls in a forest, if you’re not giving this music your full attention does it even exist?”
Phill and Katherine have been collaborating together since the early 2000’s. In the past week, Perry has been working with them almost daily with sound-checks in advance of this weekend’s shows.
“You know, Katherine Liberovskaya is well known as a video artist, often collaborating with musicians to provide a visual element with musical qualities”, Perry says. “What I think is really interesting is, on this occasion, she is a musician. In this context she performs sound with visual qualities. It is hard not to conjure an image of how each sound is created.” He ends, “I so look forward to hearing this with Oda, which engages the room it is in so differently than any other speakers!” |
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| Here is this weekend’s schedule:
Friday, June 19 at 9pm ET
Phill Niblock - Live
Vlada BC, for viola d’amore 20 min
Exploratory Ensemble Phoenix Basel 22 min
Noizzze One,for the I R E Trio 23 min
A Cage of Stars, for electric built harp 28 min
Five More String Quartets 25 min
127 min = 2 hr 7 min
Saturday, June 20 at 3pm ET
An improvised sound collage by Katherine Liberovskaya & Phill Niblock - Live
“POOM” by Phill Niblock - Live (World Premiere!)
Saturday, June 20 at 9pm ET
Phill Niblock - Live
Herbal Cooled2, for cello 23 min
ExploratoryTiltBrass,for brass ensemble 22min
Baobab Bozzini String Quartet 23 min
A Rooks Pun, for soprano saxophone 23 min
Bag, for Scotish bagpipes 21 min
Ronet, for tenor saxophone 21 min
135 min = 1 hour 15 min
Sunday, 21 at 9pm ET
Phill Niblock - Live
Guitar too, for Four-Massed, for many guitars played with e-bow 30 min
Exploratory Arditti String Quartet 23 min
Euph, for Two Belled Euphonium 24 min
FeedCorn Ear 30 min
Praised Fan, for bassoon 17 min
V&LSG, for voice and lap steel guitar 21 min
145 min = 1 hour 25 min
To listen, please visit live.oda.co at the performance times listed above. If you leave your browser open, the broadcast will begin automatically as they start.
Love,
Oda |
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ps. if you’re on social media, you can follow us on instagram and twitter. |
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