Experimental-Intermedia

experimental-intermedia@mailman.thing.net

1 participants
93 discussions

Exp Intermedia December Concert Series
by Phill Niblock 22 Nov '14

22 Nov '14

EXPERIMENTAL INTERMEDIA The Forty-first Anniversary of EI performances at 224 Centre Street,The Forty-sixth Anniversary of the Founding of Experimental Intermedia, theForty-sixth Anniversary of the 224 Centre Street loft, and, not least, TheTwenty-Fifth Annual Festival with no fancy name, Part One (or A) Phill Niblock, curator December2014 Ákos Rózmann(1939-2005) - at 6PM Thursday4 His legendary work ”Twelve Stations,” recently relased on the MEGOlabel (7CDs) - presented in full scale: 6 hours 33 minutes 34 seconds in livediffusion by EMS director Mats Lindström; presented by EMS/Elektronmusikstudion as part ofSwedish Energies 2014 http://issueprojectroom.org/program/swedish-energies-2014-ems-50 http://editionsmego.com/release/SOMA021 http://www.elektronmusikstudion.se/ Al Margolis (If, Bwana)(New York) Monday8 with Katherine Liberovskaya (live video) and Claire ElizabethBarratt and Joe Burgio (movement) perform Margolis's Nocrem - a series of worksbased on Cesare Pavese's poem Nocturne; first performance with livevideo and movement and live mix of prerecorded sound/music includingspoken text, voices, percussion and trumpet www.ifbwana.com www.pogus.com Jaap Blonk (Netherlands) Wednesday10 Presents "YappiScope": his first full show with visualprojections; it contains new videos, scores he wanders through, interactiveanimations, live sound to silent films and other new multi-media work http://www.jaapblonk.com/ http://www.jaapblonk.com/Pages/yappiscope.html Roger Kleier (NewYork) Friday12 Roger Kleier (electric guitar), Brian Chase (drums and percussion),with Annie Gosfield (sampling keyboard); a trio born in a torrential rainstormmeets again to mix equal parts drama and static, rhythm and abstraction, in a parallel universebuilt out of guitars, electronically altered guitars, drums, electronicallyaltered drums, and noisy altered sample world https://soundcloud.com/roger-kleier http://chasebrian.com/ http://www.anniegosfield.com/ Emanuel Dimas de MeloPimenta (Lisbon) Sunday14 Voyager 66 = a trip - Route 66 = romantic reference - 66 streets,New York City - Voyager's trip - space probe - Sounds out from the Solar system - Sounds of a 1977's planet Earth,inside the probe, now about 20 billion km from Earth - 37 years ago - acabalistic number! Also a trip inside each one of us - The concert includes the soundsof the audience - It is a party! It is a celebration! Like life. - Your sound - voice, movements, words,silence, glasses... everything - Inside outside - Starting when you arrive,ending when you go to sleep - in another dimension - What reminds me Suzuki when he said:"The right art is purposeless, aimless!". - In this way, Voyager 66 has no explanation - It simply is http://www.emanuelpimenta.net/voyager66 Carver Audain (New York) Monday 15 My current work is an ongoing articulation of my interest intemporality and transition - aural intersections and physicality; a new piececomprised of prepared audio and radio will be presented along with recent workintended for a unique listening environment, such as the one provided at EI www.carveraudain.com Jacques Diennet (Marseille) Wednesday17 Le Pic Saint Loup - Jacques Diennet: composition, MIDI keyboard; JoeMcPhee: saxophone, pocket trumpet; Richard Dubelski: percussion & voice;René Bottlang: piano; Suzanne Joubert: text; Julie Demaison: production /distribution; it does not apply here a descriptive music, but the re-drawing ofthe image and imagination of the first emotional charge, catalyzing a place,harmonies and melodic undulations that load causes, its faults and escarpments - as a relief of mind; playing stretching, longsequences, also built on an adversarial principle (a dialogue ) between the abrupt tone, almost harshpercussive instruments (piano, percussion), their connotation"primitive", the saxophone and the most sophisticated digitaltechnology instruments - Pic Saint Loup tries slipping spatio -temporal and thus blurs confused elements of the universe, water, earth, andbring the viewer to live a contemplative experience Production - Ubris Studio, with the support of Marseille City;Region PACA; General Council of Bouches-du-Rhône Seth Cluett (US) Thursday18 The artist and composer presents a new long-form work for amplifiedpaper, oscillators and prepared zither http://www.onelonelypixel.org http://www.lineimprint.com/editions/cd/line_067/ Maurits Wouters (Belgium)with a documentary on Phill Niblock Friday 19 Arcadia is a non-narrative, meditative 70 minute film; the filmcontains 7 shots; it has one subject: a lake (and his mystic aura) - Arcadia isa meditative exercise in watching; the film was made in the context of a PhD about domestic andperformative filmpractice; it is funded by Brussels Art Platform http://www.brusselsartsplatform.be/ Our programs are supportedby The David & Sylvia Teitelbaum Fund, Inc, the Aaron Copland Fund forMusic, the Phaedrus Foundation, and the New York State Council on theArts with the support of Governor Andrew Cuomo and the New YorkState Legislature 224 Centre Street at Grand, Third Floor, N Y10013 9pm 212 431 5127, 4316430 www.experimentalintermedia.org and www.XIrecords.org And for the fourth year, Phill Niblock will be at Roulette inBrooklyn on Sunday December 21, the Winter Solstice, for six hours of Music andFilm/Video – 5pm to 11pm (newtimes) ROULETTE,509 Atlantic Ave (and 3rd Ave), Brooklyn, (917)267-0363 www.roulette.org A special offer, all tickets for this event are $10

1 0

Experimental Intermedia March concert series, NYC
by Phill Niblock 06 Mar '14

06 Mar '14

E XPERIMENTAL I NTERMEDIA The Fortieth Anniversary of EIperformances at 224 Centre Street, The Forty-fifth Anniversary of the Foundingof Experimental Intermedia, the Forty-fifth Anniversary of the 224 CentreStreet loft, and, not least, The Twenty-fourth Annual Festival with nofancy name, Part Two (or B) Phill Niblock, curator March 2014 BolsaErnesto de Sousa, a memorial fellowship named for the Portuguese IntermediaArtist, sponsored by the Luso-Americana Foundation and the Fundação CalousteGulbenkian, in Lisbon, coordinated by Isabel Alves, presents an intermediaperformance by: Pedro Sousa (Portugal) Friday 7 A Songfor True: Performance for Plural Larynx: "Using as an inspiration -Jerry True, an American saxophonist who used an air compressor to be able toplay saxophone following a throat cancer operation, this composition aims atthe experimentation of the saxophone as an unusual medium for the creation ofdrone music - exploring the microtonal, reflective and acoustic properties ordifferences that are characteristic of these woodwind instruments http://www.facebook.com/Pedro.Sousa.Musician https://soundcloud.com/pedro-sousa-a-carajillo Benjamin Thigpen and Stefano Bassanese (USA/Italy/France) Sunday9 Les Frères Bobine - Paris-basedelectroacoustic composers working regularly at GRM and fascinated by electromagnetismand gesturality; they collaborate on sonic research experiments and performinstant collective compositions based on newly-invented instruments and (silent)magnetic feedback loops; they will perform Les Aimants by Stefano Bassanese, malfunction30931 by Benjamin Thigpen, and a new collective work,Induction http://www.benjaminthigpen.net; http://www.stefanobassanese.eu/ https://soundcloud.com/benjamin-thigpen/sets; https://soundcloud.com/user4482641 Sarah Halpern (New York) A Video Presentation Monday10 Aseries of collages made with printed text, found images and discarded film,mounted onto 35mm leader and projected frame by frame through a film stripprojector; each of these new compositions presents the viewer with suggestivelanguage and imagery, as an experiment in the perception of meaning sarahhalpern.com MaricaRadojčić Prešić (Belgrade, Serbia) A Video Presentation Tuesday11 BRANCHING: - DIGITAL AMBIENT:diffracted projections of 3D animations and video, digital sound, soundeffects; the artist wasinspired by the tree; expertsand public have found the project as a kind of mathematical poetic ambience throughwhich public can walk - the tree is one of the oldest symbols with layers ofmeanings developed through history; old meanings culminated in the twentiethcentury with the mathematical theory oftrees; and the branchingitself, so much more powerful than the human step-by-step traveling through thecrags of its own existence, has a power of growing-up, but also the power ofdisappearance – fatal power of Death http://youtu.be/Hi82udn6Nr4,http://youtu.be/1e8p3D4JNdU Marco Donnarumma (UK) Wednesday 12 BiophysicalMusic: This concert includes two music performances, Music for Flesh II andOminous both for the Xth Sense, a biophysical musical instrument I perform withsince 4 years; in these pieces I create music by literally composing in realtime the sounds emitted by my body muscular tissues; by performing physical,whole-body gestures, muscle sounds are produced by my limbs, amplified, livesampled, and diffused through loudspeakers; the natural sound of my flesh andits virtual counterpart blend together into an unstable sonic object; this iswhat I call biophysical music, music that is a joint result of bioacoustic bodymechanisms and physical performance http://marcodonnarumma.com http://res.marcodonnarumma.com/xth-sense/ HallveigAgustsdottir (Belgium, Iceland) Thursday13 FromGraphic Score To Sound Drawing - herperformances are purified reflections on sound and image, finding their rootsin the 'graphic score' as it started to appear in the 1950s in the works ofcomposers such as J. Cage, E. Brown, and M. Feldman; each drawing leads towardsand is at the same time the immediate result of a new composition; theimprovised communication between artist, computer and musician creates anenvironment where sound and image combine and conduct each other - what remainsis a witness; a drawing / a video composition capturing the gesture of drawing,melody and rhythm; with David Watson, collaboration http://www.hallveiggkagustsdottir.com/ SCREEN COMPOSITIONS 10 curated by Katherine Liberovskaya Saturday22 AVideo Presentation Screen Compositionscelebrates its 10th edition this year! as always a collection of intersectionsof moving image with sonic art; a program of screen works representing dynamictwo-way collaborations between video/ film artists and sound/ music artistsspecifically intended for single-channel projection with no live or performancecomponent; featuring collaborations by: Carlos Casas / Ghedalia Tazartes;Bradley Eros / Rachael Guma; Kit Fitzgerald / Peter Gordon; Richard Garet /Wolfgang Gil; Sarah Halpern / Matt Wellins; Victoria Keddie / Scott Kiernan;Hedya Klein / Bulbul; Carole Kim / Toshimaru Nakamura + Lewis Keller; KatherineLiberovskaya / Al Margolis (If,Bwana); Marie Verry / Yvan Etienne Our programs are supported by the NewYork State Council on the Arts, The David & Sylvia Teitelbaum Fund, Inc,the Aaron Copland Fund for Music, and the Phaedrus Foundation 224 Centre Street at Grand, ThirdFloor, N Y 10013 9pm 212 431 5127, 4316430 www.experimentalintermedia.org andwww.XIrecords.org

1 0

A few . . . .
by Phill Niblock 15 Jan '14

15 Jan '14

A few - Events for Phill Niblock, January - March 2014 Jan 15 , Klub Katarakt Festival 37 A premier of a newpiece for three orchestras, commisioned by the Katarakt Festival "Three Petals" for the ensembles - Nelly Boyd, Hamburg;Trio Scordatura +, Amsterdam; Neon Ensemble, Oslo Three Petals is originally conceived to be performed by three ensemblesplus pre-recorded playback. The first performance (by the commissioners - Klub Katarakt Festival in Hamburg) will takeplace in separate but contiguous halls. The audience can only hear the completework by walking through the spaces. The piece could also be performed by threeseparated ensembles in one common space (e.g., a concert hall). The first and third ensemble move up a semitonethrough the piece (one from F to F#, the other from C to C#), while the secondensemble remains « stationary » around A. This, theoretically, results in amove, over 24 minutes, from major to minor, albeit blurred by the microtonalcharacter of the totality. D i e Ö f f n u ng d e s R a u m s Kampnagel Hamburg www.klubkatarakt.net www.facebook.com/klub.katarakt Jan 27 - A set in a concert at Club Transmediale, HebbelTheater 2, Berlin Featuring a new performance and recording of the orchestrapiece - "Baobab" by the Zinc and CopperWorks brass quartet, plus aperformance of "Vlada" for viola d'amore, with Elisabeth Smalt; AshEli, with Eli Keszler, percussion Jan 30 - Thursday - A concert by Phill Niblock and Thomas Ankersmit - at KörberForum, produced by Elbe Philharmonie, Hamburg, Germany, www. elbphilharmonie.de Feb 5, Wednesday - A concert at the Logos Foundation in GentBelgium, playing a piece realized for the Logos Robot Orchestra, "One BlueRose", Vlada BC, with Elisabeth Smalt, viola d'amore; and others, www.logosfoundation.org Feb 24 - 28, aseries of lectures and concerts by Phill Niblock at Dartmouth College, HanoverNH, with Carlos Casas and Neil Leonard + students from Berklee College ofMusic, Boston March 25 - 30 - University of Maine, campuses at Orono andFarmington, a series of lectures and concerts, with Katherine Liberovskaya,Alan Margolis, Neil Leonard, produced by Gustavo Aguilar Please respond to this email to - pniblock(a)compuserve.com

1 0

A January Event at EI
by Phill Niblock 03 Jan '14

03 Jan '14

A january event to start the new year EXPERIMENTAL I NTERMEDIA Isaac Diego 9pm,Monday, January 6 Isaac Diego, Ferrer-Molinaand Miguel Alvarez-Fernandez (Spain); with Jan Rohwedder and Stine Hertel asRotterdam Presenta (Germany) The three Spanish soundartists will propose an event incorporating audio and video projections,harmonic chant and musical performances created from everyday objects;Rotterdam Presenta will join them with their mobile, massive spatial object -they plant a room into the space that allows them to import and play withconcrete auditive and visual realities http://www.youtube.com/watch?v=d5WISYDEz70 http://www.youtube.com/watch?v=iGf1Y8mfiGw http://www.youtube.com/watch?v=Kx--GgSEmeI http://vimeo.com/59757849 Our programs are supported by the NewYork State Council on the Arts, The David & Sylvia Teitelbaum Fund, Inc,the Aaron Copland Fund for Music, and the Phaedrus Foundation 224 Centre Street at Grand, ThirdFloor, N Y 10013 212 431 5127, 431 6430 www.experimentalintermedia.org andwww.XIrecords.org phill niblock Please respond to this email to -pniblock(a)compuserve.com And not by clicking the respond button

1 0

December Concerta at Exp Intermedia
by Phill Niblock 07 Dec '13

07 Dec '13

E XPERIMENTAL I NTERMEDIA The Fortieth Anniversary of EIperformances at 224 Centre Street, The Forty-fifth Anniversary of the Foundingof Experimental Intermedia, the Forty-fifth Anniversary of the 224 CentreStreet loft, and, not least, The Twenty-fourth Annual Festival with no fancyname, Part One (or A) Phill Niblock, curator December 2013 Tom Chiu (New York) Wednesday11 Pingpong effects, angular amplitudes, registral retrogrades, timbral topology, andemotive extremes all mesh into one in the blender of sonic ideas; variedvelocities throughout; violin and other sound-producing accessories included www.fluxquartet.com Michael Evans and Susan Hefner (New York) Friday13 RoundSquare: Escapees from the usual musician/dancer roles improviseduets moving objects through space - using a washing machine guts drum,wood, skins, aluminum bowls, the back of a dryer, random sheet metal, pots andpans, and various motorized homemade instruments, sound makes movementmake sound; video collaborator Nelson Simon www.michaelevanssounds.com www.susanhefner.com TOITURE (Canada) Saturday14 Toitureis a Montreal-based duo collaboration that presents a sound performance forbass clarinet, percussions and an installation of small motors fixed ondifferent instruments; between a composed and an improvised playing, their work creates an interaction between thehuman and motorized feel that melds together in a surprising orchestration; theywill invite the live video artist Katherine Liberovskaya as a guest to jointhem for the second half http://www.toituremusic.com/ Chris McIntyre (New York) Sunday15 Brooklyn-basedcomposer/performer Chris McIntyre brings together two current projects, UllU and TILT Brass, for a special evening of collaborative music making; thefirst half features UllU, the ecstatic noise duo project of McIntyre andpercussionist Dave Shively (Either/Or); for the second half, a 6-piececompliment of TILT Brass joins the duo to perform works composed by McIntyre incollaboration with Shively (featuring the latter's innovative use of drums andmetal as feedback instruments); UllU is Chris McIntyre (trombone, Nord Lead 2,percussion) and David Shively (feed back percussion, analog organ); TILT Brassat EI is Gareth Flowers, Tim Leopold on trumpet, Jen Baker and Will Lang ontrombone, and James Rogers on contrabass trombone cmcintyre.com / tiltbrass.org/ ullumusic.com Lea Bertucci (New York) Monday16 Acomposer, improvisor and sound artist who works with the Bass Clarinet in anelectro-acoustic context; her preparation of the instrument hinges on sustainedtones created by pitched feedback from two mics placed inside the chamber ofthe horn; through the use of extended technique, she is able to create a denseyet diverse sonic palette with sounds generated from creative misuse of hertools; a harsh tape collage of prepared piano, vibraphone and metal objectsaugments the two improvisational compositions she will present this evening http://brokendiorama.com/Sounds.html www.soundcloud.com/lea-bertucci www.youtube.com/watch?v=L9kVXHfPVDA Bob Bellerue (New York) Tuesday17 Performs improvised free-noisewithin resonating/feedback systems, using most of the following: amplifiedwhisk, janky wind organ, ultra-slack'd hollow body guitar, buzina, apito,gambuh suling, voice, radio, cassette tape, Supercollider programming, andelectronics   bobbellerue.net Our programs are supported by the NewYork State Council on the Arts, The David & Sylvia Teitelbaum Fund, Inc,the Aaron Copland Fund for Music, and the Phaedrus Foundation 224 Centre Street at Grand, ThirdFloor, N Y 10013 9pm 212 431 5127, 4316430 www.experimentalintermedia.org andwww.XIrecords.org And for the third year, Phill Niblock will be at Roulette inBrooklyn on Wednesday December 21, the Winter Solstice, for six hours of Music andFilm/Video – 6pm to 12am ROULETTE,509 Atlantic Ave (and 3rd Ave), Brooklyn,(917) 267-0363 www.roulette.org A special offer, alltickets for this event are $10

1 0

Niblock Fall Events
by Phill Niblock 28 Oct '13

28 Oct '13

I have been remiss insending this current events out. But this festival in Koln(Cologne), produced by Georg Dietzler, prompts me to do it. And the issue of a newdouble CD on Touch. Phill Niblock Current Events "Touch Five", a new double CD on Touch, is published onOctober 14. Music by Phill Niblock CD One: FeedCorn Ear - Arne Deforce, cello (2012, 29:48) A Cage of Stars - Rhodri Davies, electric harp (2012,28:18) CD Two: Two Lips - Zwerm Guitar Quartet (2011, 23 minutes) Two Lips - Dither Guitar Quartet (2011, 23 minutes) Two Lips - Coh Da Guitar Quartet (2011, 23 minutes) (available from Touch, Metamkine Fr andForcedExposure.com US) Sept 28 - 30, Anthology Film Archives, NY - environmentsfilms, etc. at anthology, i'll show the three screens films from twoof the Environments series - Hundred Mile Radius and Ten Hundred Inch Radii, onthe 28. not shown since 1970 and 1972. www.anthologyfilmarchives.org October 5 - Eybeam (540 W 21st St. New York, NY 1001; 9pm) Daniel Neumann, producer. On the occasion of renowned experimental composer andfilmmaker, Phill Niblock's 80th birthday, CT-SWaM (Contemporary Temporary SoundWorks and Music), Eyebeam’s late night concert series, presents the artist'sintermedia works in three constellations. Including the world premier of a newpiece for two violins performed by Pauline Kim and Conrad Harris, and livevideo dedicated to and performed by Katherine Liberovskaya. Theperformances will include:World premiere of UNIPOLAR DANCE (an anagram ofPauline Conrad). Music by Phill Niblock, Live Video by KatherineLiberovskaya. This piece is dedicated to Katherine Liberovskaya. Livesound collage in a duo with Katherine Liberovskaya on live video. And A CAGE OFSTARS with Rhodri Davies, electric harp (28 minutes), and TWO LIPS, a versionwith the Coh Da guitar quartet (Robert Poss and David First play live in thisconcert; Susan Stenger, Seth Joselalso on the recording) (23 minutes) and the premiere of the new video transferof the film BRASIL83. These pieces are to be published on a new double CDon Touch - Touch Five, on October 14 2013, at the Kontraste Festival in KremsAustria. October 6 - Silent Barn, Brooklyn, with Bob Bellerue Silent Bomb :: experimental music events at Silent Barn,produced by the folks who bring you Ende Tymes Fest Phill Niblock Katherine Liberovskaya + Al Margolis + Leslie Ross Marcia Bassett + Barry Weisblat Bob Bellerue + Philip White + Jeff Donaldson $7 Oct 6 8pm doors, 9pm music Silent Barn 603 Bushwick Ave J/M Myrtle Broadway https://www.facebook.com/events/862356473851913/876496802437880/ Oct 10 , Riga Latvia , Skanu Mez and CTM (Berlin)collaboration - PN, Stephan Mathieu, KTL www.skanumezs.lv/‎ Oct 13 (arrive 11th) - Kontraste Festival, Krems Austria- guest-curated by the sonic acts team from amsterdam., with Thomas Ankersmit It's also a Touch artists event, and the new PN DoubleCD "Touch Five" will be released on October 14 www.kontraste.at October 25 @ Beirut Art Center on the opening day of theDream Machine Festival, Beirut Lebanon, with Katherine Liberovskaya and ThomasAnkersmit, and Magda Mayas playing N+M http://www.beirut.com/l/28890 October 27 - Katherine Liberovskaya and Al Margolisopening at the EI house in Gent Belgium www.experimentalintermedia.be Oct 17 - Nov 10 , Koln PN festival, Georg Dietzler,producer; this festival is long, with many events www.gerngesehen.de November15 - Arnolfini,Bristol, UK - Phill Niblock & Thomas Ankersmit Nov 18 - Huddersfield Music Festival, Phill Niblock andThomas Ankersmit Nov 20 -Manca Festival, Villa Arson, Nice Fr, with Thomas Ankersmit November23 - Audio ArtFestival, Krakow, Poland, with Thomas Ankersmit Nov 24 - Wroclaw (not confirmed) Nov 26 - Fylkingen, Stockholm, Sweden,with Thomas Ankersmit Nov 29, 30 - Mexx, Kunstlerhaus Dortmund, Germany (PNinstallation) other events of my work, but where i will not bepresent: Nuit Blanche, Paris France La Maison des Métallos in the Nuit Blanche, Paris Fr, October 52013 A twelve hour exhibition of the Movement of People Working filmsand music by Phill Niblock (six images and immersive sound). 7pm to 7am Meudrone Two huge videos, 30 hours of sound,two huge red sofas in André Bloc’s Habitacle, Meudon. An original space wherethe galerist Natalie Seroussi presents an unique multimedia performance of theworld famous artist, Phill Niblock : Meudrone THIR. The spectator isdeeply immersed in a both visual and sonorous experience. Creating a place ofmeditation. These works, realizedespecially for this exhibition space by Phill Niblock, are directly inspired bythe flora surrounding the site, and demonstrate the artist capacity to use andto mix music, videos and photography. Born in Indiana in 1933,Phill Niblock, since the middle of the sixties, is specialized in therealization of multimedia performances. Mostly known for his minimalistcompositor talents, he presents simultaneously during his concerts moviesshowing the movement of working persons or abstract pictures. Phill Niblock is the director ofthe Experimental Intermedia Foundation since 1985. During his carreer, herealized more than 1000 performances, was the conservator of the novative XIRecords label, and launched a second EI Space in Ghent, Belgium. This installation on Sundayafternoons, can be visited by appointement during the year. To contact theGalerie Natalie Seroussi : evevements-seroussi(a)wanadoo.fr I wrote a short preview of your Eyebeam show in the WallStreet Journal today (Oct 2), in print in the section "Greater NewYork" and online here: http://online.wsj.com/article/SB10001424052702303918804579109702848623952.h… Andy Battaglia www.andybattaglia.com andy.battaglia(a)gmail.com

1 0

Fwd: September 28-30 - Films To Look At: A Tour Of Phill Niblock’s Film Work @ Anthology
by Phill Niblock 23 Sep '13

23 Sep '13

wow!! phill -----Original Message----- From: Katherine Liberovskaya <katlib7(a)gmail.com> To: Katherine Liberovskaya <liberovskaya(a)compuserve.com> Sent: Sun, Sep 22, 2013 8:04 am Subject: September 28-30 - Films To Look At: A Tour Of Phill Niblock’s Film Work @ Anthology ANTHOLOGY FILM ARCHIVES http://www.anthologyfilmarchives.org 32 SECOND AVENUE NEW YORK, NY 10003 (212) 505-5181 FOR IMMEDIATE RELEASE FILMS TO LOOK AT: A TOUR OF PHILL NIBLOCK’S FILM WORK September 28-30 An 80th birthday tribute curated by Katherine Liberovskaya. It is mindboggling that a man with the tireless energy and ceaseless touring schedule of Phill Niblock is about to turn 80. An internationally recognized artist with a wide body of music, film, photography, video, and computer works, Niblock has specialized in making intermedia performance since the mid-1960s. As a composer, he creates thick clouds of drones that are filled with surprisingly active microtones and timbres that generate many other tones in the performance space. During concerts of his music, Niblock simultaneously presents films/videos focused on the movement of people working, or computer-driven black-and-white abstract images floating through time. While Niblock is best known today as a minimalist composer, he actually started his artistic practice with film (and photography) – in fact, his first compositions were created to accompany his films. Born in Indiana in 1933, he has been an artist/member of the vital Experimental Intermedia Foundation in New York since 1968, and its Director since 1985. Over the years he has produced more than 1,000 performances at the EI loft in Soho, acted as curator of the innovative XI Records label, and launched a second EI space in Ghent, Belgium. Recordings of his music are available on the XI, Moikai, Mode, and Touch labels, and DVDs containing his films and music have been released on the Extreme and Die Schachtel labels. This program provides a glimpse into the broad range of Niblock’s cinematic explorations, from rarely-presented early works to a selection of films from his well-known “Movement of People Working” series, which he usually shows at his concerts. For more information on Niblock please visit: www.phillniblock.com www.experimentalintermedia.org ============================================================ *Sat, Sept 28 at 7:00. PROGRAM 1: ENVIRONMENTS The ‘Environments’ were a series of non-verbal theater and museum installations/performances that Niblock produced at the turn of the 1960s. These were originally presented in various venues – Judson Church, NYC, the Everson Museum of Art in Syracuse, the Herbert F. Johnson Museum of Art at Cornell University, and the Whitney Museum. Only the last three ‘Environments’ still exist in their complete versions. We will be screening them as they were originally presented, as three 16mm film images projected simultaneously side-by-side – the first time they’ve been shown this way since the 70s – and with early analog music by Niblock. - CROSS COUNTRY/ENVIRONMENT II (1970, ca. 60 min, 16mm) - 100 MILE RADIUS/ENVIRONMENT III (1971, ca. 60 min, 16mm) - TEN HUNDRED INCH RADII/ENVIRONMENT IV (1971, ca. 60 min, 16mm) Total running time: ca. 3 hours * Sun, Sept 29 at 1:00. PROGRAM 2: THE MOVEMENT OF PEOPLE WORKING, PART 1 The series of films ‘The Movement of People Working’ portrays human labor in its most elementary form. Shot by Niblock between 1973-91, on 16mm color film and later video, and in locations including Peru, Mexico, Hungary, Hong Kong, the Arctic, Brazil, Lesotho, Portugal, Sumatra, China, and Japan, the series comprises over 25 hours of footage (from which we’ll be showing a selection). It focuses on work as a choreography of movements and gestures, dignifying the mechanical yet natural repetition of laborers’ actions. - PERU AND MEXICO 1973/74, 96 min, 16mm-to-digital video - BAY JAMES 1976, 25 min, 16mm-to-digital video - ARCTIC 1977, 25 min, 16mm-to-digital video - BRASIL 1984, 90 min, 16mm-to-digital video ...Presented with music by Niblock from 1990 to 2013. Total running time: ca. 245 min. *Sun, Sept 29 at 6:00. PROGRAM 3: THE MOVEMENT OF PEOPLE WORKING, PART 2 - CHINA 1987, 110 min, 16mm-to-digital video - JAPAN 1989, 120 min, 16mm-to-digital video ...Presented with music by Niblock from 1990 to 2013. Total running time: ca. 240 min. *Mon, Sept 30 at 7:15. PROGRAM 4: 70 FOR 70 (+ 1): SEVENTY (ONE) SIDES OF PHILL NIBLOCK by Katherine Liberovskaya 2004, 103 min, digital video - A dynamic portrait composed from fragments of seventy (+1) extremely close-up interventions on video about Niblock by seventy (+1) people connected to him in some way. These interventions, or monologues, were collected in honor of his 70th year (2003-2004) and the piece premiered the day of his 71st birthday, October 2, 2004, as an installation at Diapason Gallery for Sound and Intermedia, NYC. Seventy people among his numerous colleagues and friends were invited to say anything they wanted about Niblock within the constraints of a very tight shot of their face. The result is an intimate collage of meditations, reminiscences, anecdotes, stories, impressions, feelings…from seventy-one different angles: seventy (one) sides of Phill Niblock. - With Chris Anderson, Thomas Ankersmit, Jeff Bauer, David Behrman, Tara Bhattacharya, Maria Blondeel, Krystyna Borkowska, Jens Brand, Tom Buckner, Yu-Fei Chen, Steve Dalachinsky, Irina Danilova, Guy De Bièvre, Michael Delia, John Duncan, Jean Dupuy, Angie Eng, Dan Evans Farkas, Esther Ferrer, David First, Bernhard Gal, Dave Geary, Madeleine Gekiere, Malcolm Goldstein, Annie Gosfield, Matt Griffin, Shelley Hirsch, Andrea Hull, Tom Johnson, Seth Josel, Tomi Keranen, Roger Kleier, Hans W. Koch, Yumi Kori, Mary Jane Leach, Okkyung Lee, Katherine Liberovskaya, Alan Licht, Chris Mann, Frankie Mann, Al Margolis, Eric Mattson, Charlie Morrow, Boris Nieslony, Morgan O’Hara, Yuko Otomo, Paul Panhuysen, Vitaly Patsyukov, Emanuel Dimas de Melo Pimenta, Jurgita Remeikyté, Don Ritter, Matt Rogalsky, Ursula Scherrer, Claudia Schmacke, Michael Schumacher, Shelly Silver, Jim Staley, Gerd Stern, Volker Straebel, Elaine Summers, Michael Timpson, Yasunao Tone, Jo Truman, Keiko Uenishi, Ruben Verdadeiro, David Watson, Monika Weiss, Anne Wellmer, Amnon Wolman, Dion Workman, Nina Zaretskaya. *Mon, Sept 30 at 9:30. PROGRAM 5: SIX FILMS FROM THE 60s The six films are 16mm sound films, made in the late 1960s, transferred to video. - MORNING (1966-69, 17 min, 16mm-to-video, b&w) With members of the Open Theater Group, including Lee Worley, James Barbosa, Cynthia Harris, Sharon Gans, and Joseph Chaikin. - THE MAGIC SUN (1966-68, 17 min, 16mm-to-video, b&w) A high contrast black and white work featuring members of the Sun Ra Arkestra; music by Sun Ra and the Arkestra. - DOG TRACK (1969, 9 min, 16mm-to-video) A film based on a found text. Read by Barbara Porte. - ANNIE (1968, 8 min, 16mm-to-video) A portrait of the dancer Ann Danoff, with a sound-collage score. - MAX (1966-68, 7 min, 16mm-to-video, b&w) An collage film portrait of Max Neuhaus, with a collage soundtrack by Neuhaus. Edited by David Geary. - RAOUL (1968-69, 20 min, 16mm-to-video) A portrait of the painter Raoul Middleman, made with extensive use of time-lapse film technique. The sound track is improvised by Middleman and Niblock. ...Total running time: ca. 85 min. *Phill Niblock and Katherine Liberovskaya will be present at all the screenings. For screeners, images, and further details, contact: Ava Tews, Publicist, Anthology Film Archives 212.505.5181 ext. 20 ava(a)anthologyfilmarchives.org About Anthology Film Archives: Founded in 1969, Anthology's mission is to preserve, exhibit, and promote public and scholarly understanding of independent, classic, and avant-garde cinema. Anthology screens more than 1,000 film and video programs per year, publishes books and catalogs annually, and has preserved more than 900 films to date. Directions: Anthology is at 32 Second Ave. at 2nd St. Subway: F to 2nd Ave; 6 to Bleecker. Tickets: $10 general; $8 for students, seniors, & children (12 & under); $6 AFA members; $8 Essential Cinema (free for members) : Founded in 1969, Anthology's mission is to preserve, exhibit, and promote public and scholarly understanding of independent, classic, and avant-garde cinema. Anthology screens more than 1,000 film and video programs per year, publishes books and catalogs annually, and has preserved more than 900 films to date. : Anthology is at 32 Second Ave. at 2nd St. Subway: F to 2nd Ave; 6 to Bleecker. : $10 general; $8 for students, seniors, & children (12 & under); $6 AFA members; $8 Essential Cinema (free for members) Web: Twitter: Facebook: : : : ** http://www.anthologyfilmarchives.org (http://www.anthologyfilmarchives.org/) ** http://twitter.com/anthologyfilm (http://twitter.com/anthologyfilm) ** http://www.facebook.com/AnthologyFilm (http://www.facebook.com/AnthologyFilm) ** Unsubscribe from this list (http://anthologyfilmarchives.us6.list-manage1.com/unsubscribe?u=fd770539b60…) ** Update subscription preferences (http://anthologyfilmarchives.us6.list-manage.com/profile?u=fd770539b60f2d1f…) This email was sent to katlib7(a)gmail.com why did I get this? (http://anthologyfilmarchives.us6.list-manage.com/about?u=fd770539b60f2d1fce…) unsubscribe from this list (http://anthologyfilmarchives.us6.list-manage1.com/unsubscribe?u=fd770539b60…) update subscription preferences (http://anthologyfilmarchives.us6.list-manage.com/profile?u=fd770539b60f2d1f…) Anthology Film Archives · 32 Second Avenue · New York, NY 10003 Email Marketing Powered by MailChimp http://www.mailchimp.com/monkey-rewards/?utm_source=freemium_newsletter&utm…

1 0

phill niblock events
by Phill Niblock 01 May '13

01 May '13

I know you've been missingthose emails with my tour info. So here is a biggish one, after my dislocationfrom touring in November 2012. I'll list the coming onesfirst, and the previous ones second. An review of the book - Working Title, by Yusef Sayed, is in thecurrent issue of The Wire magazine. In conjunction with the Phill Niblock Retrospective at Circuit and the Musée de l’Elysée http://www.elysee.ch/ May 3 - Friday Susan Stenger and RobertPoss play Phill Niblock at Le Bourg, Lausanne www.le-bourg.ch May 4 - Saturday, Phill Niblock and Thomas Ankersmitat Circuit (Contemporary Art Centre Lausanne - http://www.circuit.li/ ) May 5in Basel - Phill Nilbock and Thomas Ankersmti, at OSLO 10 |OSLOSTRASSE 10 | CH-4142 MÜNCHENSTEIN | info(a)oslo10.ch ===== May 9, Berlin - The festival - Emitter Micro: http://emittermicro.com/ The venue is at the Musik Instrumenten Museum, http://www.sim.spk-berlin.de/curt-sachs-saal_455.html The Emitter Micro Festival 2013 will feature performances by PhillNiblock, Thomas Ankersmit, Kim Cascone, Jochen Arbeit+Hopek Quirin, Rinus VanAlebeek+Barbara Lazara, Seiji Morimoto, Louis Laurain, SchneiderTM+kptmichigan, David Gomez (aka Krapoola) and LOUP, as well as workshops andtalks with Peter Cusack, Udo Noll and Derek Holzer. ==== June 30,6 pm, Pulheim-Stommeln (suburb of Cologne) AlteKirche St. Martin, Ingendorfer Str, 50259 Pulheim-Stommeln Aconcert of Phill Niblock, with his music and film: FeedCornEar, played by Arne Deforce and A Cage of Stars, played by Rhodri Davies, Part ofthe series raumklaenge, curatorical team: Harald Kimmig and Georg Dietzler www.raumklaenge.de / www.gerngesehen.de ======= 4th July Walcheturm Zuerich Tomas Korber+ Konus Quartett "Musik für ein Feld" for electronics and saxophonequartet PhillNiblock + Konus Quartett "To Two Tea Roses" PhillNiblock + Tomas Korber, N. N. "Two Lips" PhillNiblock + Konus Quartett "Sax Mix" 5th July Dampfzentrale Berne PhillNiblock + Konus Quartett "To Two Tea Roses" These are ongoing or past. However, the retrospectivecontinues only until May 12. Phill Niblock retrospective in Lausanne CH - the exhibition will berealised in partnership between Circuit (Contemporary Art Centre Lausanne -http://www.circuit.li/ ) and the Musée de l’Elysée (the national museum devotedto photography - http://www.elysee.ch/ ), Mathieu Copeland, curator; January 29until May 12, 2013 ==== A review from 1973, of a concert / performance of my Environmentsseries. www.vasulka.org/archive/Artists4/Niblock,Phil/general.pdf ====== A documentary video by Frederick Bernas of Phill Niblock: Minimalist composer Phill Niblock has been living in his Chinatownloft since the late 1960s, and curating concerts there for almost as long. This film explores Niblock's work, and tracks its significance forNew York's downtown experimental music scene – past and present... Published online by The Wire magazine – February 6, 2013. Watch here: http://www.thewire.co.uk/video/watch-an-exclusive-video-about-phill-niblock ========== An interview of Phill Niblock by Yusef Sayed: http://audiovisualsalvage.blogspot.co.uk/2013/04/working-life-conversation-… ===== Concert by Phill Niblock and Thomas Ankersmit, Feb 7 2013 Musee dArt Moderne et Contemporain de Strasbourg, 1, place Hans-JeanArp Strasbourg, France www.musees.strasbourg.eu ==== A book launch for "Working Title",articles about Phill Niblock, edited by Yvan Etienne, published by Les Presses du Réel, with 4 DVDsincluded http://www.lespressesdureel.com/ Saturday February 9 at 7PM at Palais de Tokyo, Paris www.palaisdetokyo.com/fr/ Intervenants : Phill Niblock et Kasper Toeplitz: Atau Tanaka,Mathieu Saladin, Dan Warburton et Anne Roquigny, produced by Patrick Javault ====== ARANÉIDE (La Danse en Levitation), 14 & 15 FÉVR. 2013 MYRIAMGOURFINK Chorégraphie : Myriam Gourfink / trapèze : Clémence Coconnier / musique: Kasper T.Toeplitz / création lumière : Séverine Rième / réalisation structure: Pierre-Yves Guillaumin. Phill Niblock, figure américaine du minimalisme,réalisateur de films et compositeur, pour plusieurs pièces emblématiques de sonparcours. Music and Films by PN, with Kasper Toeplitz, bass guitar and electronics Le Manège de Reims Scène nationale, King's Fountain, in Reims France www.manegedereims.com/ ======= February 19, Bolsa Ernesto de Sousa, Lisbon, Portugal - a jury toselect an artist for a residency at Experimental Intermedia in New York forthis year, the 20th year of the residency, sponsored by the Luso AmericanaFoundation and Gulbenkian Foundation ===== Phill Niblock and Al Margolis (If Bwana) in Lisbon Portugal February 21 2013, 10PM Galeria Ze Dos Bois, Rua da Barroca, nº 59, Lisbon, Portugal http://www.ip.pt/zedosbois ==== February 27, Café Oto radio broadcast on ResonanceFM London, 10 / 11pm,with Rie Nakajima and Phill Niblock - https://soundcloud.com/resonance-fm/22-00-00-oto-broadcasts-5 Phill Niblock and Thomas Ankersmit, concert, Cafe Oto, 22 AshwinStreet, London, February 28; www.cafeoto.co.uk The Sonic Art Research Unit atOxford Brookes University are delighted to announce the 3rd annualAudiograft Festival of experimental music and sound art, 25 February–3 March. Featuring liveperformances by Phill Niblock, Daniel Teruggi, Thomas Ankersmit, John Tilbury,Pierre Berthet, Tim Parkinson, Valerio Tricoli, Susanna Borsch,installations by Rolf Julius, Max Eastley, Helmut Lemke, Kathy Hinde andmore. PN and Thomas Ankersmit, March 2 at Modern Art Oxford's basement space ====== Dither Guitar Orchestra perform Phill Niblock's '2 Lips' at the DitherExtravaganza http://www.youtube.com/watch?v=toAV4z4E9-U&feature=youtube_gdata_player There are a bunch pf Phill Niblock videos on "you tube", do asearch ===== A review of the Café Oto concert. It is preceded by my comments. http://www.londonjazznews.com/2013/03/review-phill-niblock-at-80.html Retort comments from Niblock - this concert follows the formthat i have used since the late '60s. i am not a stage front "star".i use the film to be my performance visuals. i choose to work with thematerials i use so that i am not on stage. the film itself, shot in video in osaka japan in 2009 / 2010(not in the film series that i usually use from 1973 - 1991), was a premiershowing for england, here. two of the pieces of music will be on a new Touch double CD(out soon), the first piece - FeedCorn Ear, for cellist Arne Deforce, wasfinished and played in lyon in march 2012; the third piece - "TwoLips", played by the Coh Da guitar quartet, recorded in 2011 (a scored piecefor ensemble from 2007) will be on the same touch CDs. neither piece has beenplayed in england before. Sweet Potato has recorded tones by Carol Robinson,and was played live by David Ryan, and is on the re-released touch double CD -Touch Food as far as i know, Sweet Potato has not been played in londonbefore, and David Ryan was magnificent. http://www.londonjazznews.com/2013/03/review-phill-niblock-at-80.html 'Phill Niblock at 80' (Café Oto, 28February 2013. Drawing and review by Geoff Winston) This was, in manyways, a lost opportunity. There had been a fair amount of low-key hype about Phill Niblock's concert at Café Oto,as part of his 80th birthday celebration, coinciding with his retrospectiveexhibition in Lausanne, yet although he was 'in the house', it was just as ashadowy presence, lurking entirely unannounced at the back of the room - eitherat the mixing desk or by the bar. Given that it wasto be a rare sighting in the UK of an influential figure in the New York'sMinimalist firmament, it would have been fairer to his followers, and thosejust intrigued by the tantilising publicity, to have scheduled a pre-concertconversation with the composer/film-maker, and/or to devise a concert whichinvolved Niblock performing onstage, or at the very least to have introducedhim to the audience before the concert started or at its conclusion. Theclosest we'll get is Frederick Bernas's concise, well-paced short documentary about Niblock. The net resultwas a curiously impersonal non-encounter, leavened only by David Ryan's excellent interaction onbass clarinet - recalling Dolphy's significant impact on Reich on seeing himlive - during a section of the lengthy 'SweetPotato', a composition from Niblock's Xenakis Centre Paris residency in2001. Sampled tones from the instrument were the partial subject matter ofmulti-tracked, pre-prepared drones of fluidity verging perilously close to thesoporific in the packed, airless room, which played alongside the projection ofan excerpt from his 1988/89 film series, 'TheMovement of People Working', shot in small workshops in China and Japan. Against theintently observed takes of workshop process, primarily in a fish preparation factory(‘101 Things to do with a Dead Fish’?)and food and veneer production workshops, the dense, minimally accented fluxacted like a soundtrack. The audience, probably drawn by the musical promise,were unwittingly, or cynically, turned into a cinema audience, as the film wasthe only visual focus offered. As with Niblock's non-appearance, one didquestion the validity of constantly recycling his archive films to form thevisual element of a performance/installation; the challenge of creating a newvisual artefact with interactive components for this special event would havebeen much more satisfying. If the sonicproposition, compelling to a degree as it was, would have offered a morechallenging aspect, building on the kind of intense and expressive involvementthat Ryan demonstrated, then the concert might have taken on a mythicdimension. As it as, it was a bit of a damp squib, as evidenced by the tepidapplause at its termination. Earlier, in soloperformance, Thomas Ankersmit, afrequent collaborator of Niblock's, got to grips with a two-panel analoguesynthesiser in a flush of synthetic abstraction and imagism which evoked theblustering wind catching the sails out at sea and rhythmic aircraft choppers,with skids and deep drones evaporating in to flickering intrusions and elusivetinnitus-like whistles. The whole concertcould have been a more imaginatively connected and integrated event and, givenCafé Oto's superb track record, it was a shame that its promise was notfulfilled. On Saturday, March 02, 2013 http://www.londonjazznews.com/2013/03/review-phill-niblock-at-80.html ======= JohnsonMemorial Art Building, Middlebury College, Middlebury Vermont, Sunday, March10, Music and Film / Video by Phill Niblock, Neil Leonard playingsaxophones, produced by Heimo Wallner ========= Monday, March11, 2013 at 7PM, Wellesley College, Jewett Art Gallery, 106 Central Street, Wellesley,MA, 02481 - Free and open to the public Music ofPhill Niblock, Neil Leonard, saxophones ====== March12 2013, 7 - 9PM; MIT Program in Art, Culture and Technology,School of Architecture and Planning, Wiesner Bldg. (E15-224), 20Ames St., Cambridge, MA 02139; Freeand open to the public, act.mit.edu http://act.mit.edu/projects-and-events/events/public-programs/working-title… Event Title: Working Title,A Phill Niblock Book Launch Join us for the launch of WorkingTitle, a monograph on the avant-garde musician, filmmaker, and performerPhill Niblock. Written in both French and English, the book provides anin-depth look at Niblock’s musical and cinematographic work, as well ashistorical background, philosophical insights and technical advice. The book isaccompanied by two double-sided DVDs of atypical videos: Remo Osaka, a continuation of The Movement of People Workingseries; two separate DVDs of the Anecdotesfrom Childhood; and Katherine Liberovskaya’s 70 for 70 (+1), Seventy (one) Sides of Phill Niblock. The evening includes a live performanceof Two Lips, a piece written byNiblock and recorded in 2011 bythree different guitar quartets. At MIT, TwoLips will be played by studentsfrom the Berklee Interdisciplinary Arts Institute under the direction of NeilLeonard: Yun Yun Huang, Andrew Ikenberry, Jason Lim, Aseem Suri, and WilliamWingnall. An introduction by Florian Hecker. ====== Fri, March22, 2013 - 8:00pm, Issue Project Room ForElectronics and Instruments: Al Margolis and Phill Niblock at 110Livingston Street., Brooklyn (Greenpoint) Entrance at 22 Boerum Place In thisevening of live electronics and instrumentalists, Al Margolis premieres a newquartet of bassoonist Leslie Ross, trombonist Monique Buzzarté, live video byKatherine Liberovskaya, and Margolis on laptop. Phill Niblock presents hisnow-classic "Sethwork", a duo for laptop and guitar featuring DavidWatson. ===== April 6, 8:15pm - CounterflowsFestival, Glasgow, Scotland, at the CCA, Phill Niblock and Thomas Ankersmit http://blog.counterflows.com/ Counterflows is pleased to present for the last session at the CCACounterflows Saturday and as part of the celebrations of Phill Niblock at 80,this intriguing and exciting duo. Ankersmit will perform a short solo set whichthen will lead into the pair performing together and ending with Niblock’s ownmusic and images filling the CCA auditorium with the intense aural experienceand the visual bombardment of his studies of people at work. The set willcontain older pieces and also completely new work. With a career spanning morethan 40 years, Phill Niblock has not only proven himself as one of the mostpreeminent composers of the American musical avantgarde, but also anaccomplished filmmaker and performer. ======= Amori Water will play at the Listening Gallery,SFCA [isaw+subtropocs] :: studio 101, 924 Lincoln road, miami beach :: untilMay 1, 2013 :: “Aomori Water is a sound collagepiece made in 1998, in Aomori Japan. I was in a residency with other artists. AJapanese sculptor was making a round house and wanted a sound piece to play init. I recorded some very gentle waves lapping the beach, for the first part.And a very small mountain stream, flowing, for the second part. I layered 8tracks. This was the first work that I did in ProTools.” — Phill Niblock http://turbulence.org/networked_music_review/2013/04/11/phill-niblock-aomor… =======

1 0

help
by Phill Niblock 11 Mar '13

11 Mar '13

the list is still denying my just re-listed password, s i cannot authorize the email that i need to send!!! my just posted password - soranoro is " authorization failed"

1 0

EI March schedule
by Phill Niblock 11 Mar '13

11 Mar '13

EXPERIMENTAL INTERMEDIA The Fortieth Anniversary of EI performances at 224Centre Street, The Forty-fifth Anniversary of the Founding of ExperimentalIntermedia, the Forty-fifth Anniversary of the 224 Centre Street loft, and, notleast, The Twenty-fourth Annual Festival with no fancyname, Part Two (or B) Phill Niblock, curator March2013 Walter Branchi (Italy) Thursday14 I think of music in a systemic way; I think of my music as a single, great compositionformed of parts that can be performed separately but are not isolated from oneanother; I think of my music as a whole (as an “Intero”), which will take my entire life to compose and whichwill never be completed; “Un grandecanto,” where every part includes the whole and is included by it; whatI am going to present tonight are three recent parts of Intero - In memoriam György Ligeti -Sensibile - Behold.; and a time lapse video: Blue Mountain Lake that KristinJones has been working on that is set to my music www.walter-branchi.com Krzysztof Knittel and Andrei Smirnov(Poland and Russia) Friday15 Smirnov, playing 3D Theremin+ MaxMSP; Knittel, playing interactive monochord (based on infra-red beams),iPhone and iPad - will perform three pieces: Brain Jazz 2, El. Free improv2, Free for(m) Macwin 3 (Brain Jazz 2 is a performance/installation basedon interactive brain-wave biofeedback system - all processes depend on mimicsof the face of the performer) asmir.info knittel.wizya.net https://vimeo.com/16889938 http://www.youtube.com/watch?v=f6B6s8Ctjcs Cat Lamb (USA) Sunday17 shade/gradient- viola, voice, formant/filtered oscillators http://sacredrealism.org/catlamb/ Dan Joseph (USA) Tuesday19 TheBrooklyn-based composer performs works for electro-acoustic hammer dulcimer andfield recordings with guest artist Andrea Williams http://www.danjoseph.org Grahame Weinbren (USA) Sunday24 Letters consistsof an indeterminate number of films, each one minute in duration, andconnected―in one way or another―with a letter of the alphabet. It is a kind oftest-ground for ideas about cinema, both technical and conceptual, but also foranother kind of idea, the externalization of an inner life, inasmuch as that tiredphrase describes anything grahameweinbren.net Screen Compositions 9 - Curated by Katherine Liberovskaya Monday25 The ninth edition of Screen Compositions is once again a collectionof intersections of moving image with sonic art; a program of screen worksrepresenting dynamic two-way collaborations between video/ film artists andsound/ music artists specifically intended for single-channel projection withno live or performance component; featuring collaborations by: Nathalie Bujold/ Gerard Leckey + Lary 7; Nisi Jacobs / Michael Schumacher; Chris Jordan / DokGregory; Katherine Liberovskaya /Guy de Bievre; Diane T Tremblay / Sylvie Chenard; Ursula Scherrer / Brian Chase;Joel Schlemowitz / Rebecca Moore; Elaine Wood / Rick Breault; Erik Z / Brian Chase Carlos Casas (Spain) Tuesday26 Aselection of Fieldworks filmsfrom his award winning trilogy End, these fieldworks are video notes in betweenfield recordings and radio frequencies captured in locationsin some of the most extreme environments on the planet - Patagonia, Aral,Siberia; these single channel films will be followed by a two screenprojection and live soundtrack of Tundra,a film about a day in the life of a reindeer herder community in Siberia carloscasas.net Kristin Norderval and Kevin Norton(USA) Friday29 KN2- an evening of improvisations - Kevin on percussion andvibes, and Kristin on acoustic vocals, pre-recorded sounds ofprepared pianos, and live audio processing of all of the above; they are joinedby Katherine Liberovskaya working her magic with live video processing www.myspace.com/kristinnorderval www.kevinnorton.com Our programs aresupported by the New York State Council on the Arts, the Aaron Copland Fund forMusic, The Adam MickiewiczInstitute, Poland and the Phaedrus Foundation 224 Centre Street atGrand, Third Floor, N Y 10013 9pm 212 431 5127, 431 6430 www.experimentalintermedia.organd www.XIrecords.org PhillNiblock, Four Full Flutes(XI 101); Lois V Vierk, Simoom (XI 102); Guy Klucevsek, FlyingVegetables Of The Apocalypse (XI 104); DavidBehrman, Unforeseen Events (XI105); Tom Johnson, Music For 88 (XI 106); Mary Jane Leach, Celestial Fires (XI107); FastForward, Same Same (XI 108); Ellen Fullman, Body Music (XI 109); JacksonMac Low, Open Secrets (XI 110); Phill Niblock, Music By Phill Niblock(XI111); Allison Cameron, Raw Sangudo (XI 112); Daniel Goode, Clarinet Songs (XI 113); MaryEllen Childs, Kilter (XI 114); Richard Lainhart, Ten Thousand Shades Of Blue (XI 115); Peter Zummo, ExperimentingWith Household Chemicals (XI 116); LogosDuo, Logos Works (XI 117); Annea Lockwood / Ruth Anderson, Sinopah (XI 118); Eliane Radigue, Trilogie DeLa Mort (XI 119); Malcolm Goldstein,The Seasons: Vermont (XI 120); Phill Niblock, YPGPN (XI 121); PaulPanhuysen, Partitas For Long Strings(XI 122); Tom Johnson, The Chord Catalogue (All The 8178 ChordsPossible In One Octave) (XI 123); EllenBand, 90% Post Consumer Sound (XI124); Philip Corner, 40 Years And One: Philip Corner Plays ThePiano (XI 125); Gen Ken Montgomery,Pondfloorsample (XI 126); Michael J. Schumacher, Room Pieces (XI 127); Alan Licht, A New York Minute(XI 128); David Behrman, My Dear Siegfried (XI 129); Warren Burt, The Animation Of Lists And The Archytan Transpositions (XI130); Matt Rogalsky, Memory Like Water (XI 131); DavidWatson, Fingering An Idea (XI 132); MichaelJ. Schumacher, Five SoundInstallations (XI 133) (DVD-Rom); DavidFirst, Privacy Issue (XI 134); Charlie Morrow, Toot! (XI 135) www.XIRecords.org

1 0

← Newer
1
2
3
4
5
6
7
8
9
10
Older →

2025

2024

2023

2022

2021

2020

2019

2018

2017

2016

2015

2014

2013

2012

Experimental-Intermedia