Experimental-Intermedia

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Exp Intermedia December concert series #2
by Phill Niblock 14 Dec '20

14 Dec '20

<!-- /* Font Definitions */@font-face {font-family:Times; panose-1:2 0 5 0 0 0 0 0 0 0; mso-font-alt:"Times Roman"; mso-font-charset:77; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:Helv; panose-1:0 0 0 0 0 0 0 0 0 0; mso-font-alt:Helvetica; mso-font-charset:77; mso-generic-font-family:swiss; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-alt:"Times New Roman"; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:"Times New Roman \(Arabic\)"; panose-1:0 0 0 0 0 0 0 0 0 0; mso-font-alt:Arial; mso-font-charset:178; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:8193 0 0 0 64 0;} /* Style Definitions */p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Helvetica; mso-fareast-font-family:Cambria; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Helvetica; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}a:link, span.MsoHyperlink {font-family:"Times New Roman"; mso-bidi-font-family:"Times New Roman"; color:blue; text-decoration:underline; text-underline:single;}a:visited, span.MsoHyperlinkFollowed {mso-style-noshow:yes; color:purple; text-decoration:underline; text-underline:single;}size:8.5in 11.0in; margin:.5in .75in .5in .75in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;}div.Section1 {page:Section1;}Just another announcement of the EI December concertseries, now that we are almost halfway throughIt has been a great series so far, and theconcerts are recorded and possible to see by the next day, in their entirety Please respond to pniblock(a)compuserve.com, andnot to this addressPhill EXPERIMENTAL INTERMEDIAThe Forty-Seventh Anniversary of EIperformances at 224 Centre Street, The Fifty-Second Anniversary of the Foundingof Experimental Intermedia, the Fifty-Second Anniversary of the 224 CentreStreet loft, and, not least, The (Virtual) Fortieth Annual Festival withno fancy name, Part One (or A) PhillNiblock, curator December 2020 This edition of our concert series is entirelyvirtual. Concerts will be streamed live from our website at 9pm sharp NYC timeon the dates listed: www.experimentalintermedia.org Right after each concert we invite performersand audience to join "The EI Virtual Kitchen Hang", our Zoom meetingroom, to interact between each other and with us. TheEI Virtual Kitchen Hang Zoom link:https://zoom.us/j/2120765064?pwd=KzhqdkJmcUkrMGdTZGw0WnV0REZWQT09MeetingID: 212 076 5064Passcode:869302 EarlHoward (New York) Sunday 6 TheProgram: Curtis 2019 - Kurzweill 2600 synthesizer, Live performance - 46minutes and The Cold Hard Tooth 2020 - Alto- saxophone / composer andperformer-Live Performance 25 minutes; Notes about Curtis; It is often the case that music is defined by thedevelopment of thematic elements which tell a story; the sound of the music isa part of the elaboration of a story, whether in atonal, linear or nonlinearmusic; Curtis has no themes, but there are many stories; these are notstatements in themselves - they are components of their environments; sounddoes not only sing or harmonize - it is the substance and location of place,mass, and flow - for the sound elements, representing fieldrecordings from an imaginary world earlhowardmusic.com Bob Bellerue (New York) Monday 7 "Imperfect Conditions" - macrotonal music from a clutteredlandscape, improvised resonance and feedback bobbellerue.net Julien Ottavi and Jenny Pickett (UK, Fr) Wednesday 9 Solar Return - //UniVERSE//- Audio-visual performance using modular synth, crotales and mutant guitar-bass- invented instruments in combination with live 3D animation of cosmicastrophysics geometry; the artists duo Solar Return will once more embrace thenetworkfor acyber-performance through the fiber-optics into outer-spacehttp://noiser.org http://jennypickett.art http://apo33.org Austin Larkin (Connecticut) Friday 11Experiments and Observations on DifferentTypes of Reflection"; A solo performance of violin, light projector,mirror, perspective, gesture, room www.austinlark.in Gill Arno (New York) Monday 14Gill Arno’s current work explores sound/imagerelationships through a process of animated and sonified thermography; he is presenting aseries of short studies in which composition and improvisation are variously combined;Website (not updated since 1916) - http://www.m-i-c-r-o.net/mpld/mpldinfo/info.html Ka Baird (NewYork) Tuesday 15Ictum Exercises (Polyrhythmic Studies) is anaudiovisual performance that takes a single randomized pattern through severalpermutations using electronics, flute, recorder, breath and voice overlaid with sound reactive colorfields and pulses by multimedia artist Camilla Padgitt-Coles https://www.kabaird.com http://www.ivymeadows.net Matthias Kaiser, Hans Tammen, Shoko Nagai (Cologne,NY, NY) Wednesday16Kaiser, violin; Nagai, Moog; Tammen, buchla; Human sound sources join over theinternet to freely exchange sonic explorations using acoustic, electroacousticand electronic systems; Kaiser performs from Cologne, Germany, and Nagai /Tammen from NYC kaiserandsound.com shokonagai.net tammen.org Mike Bullock (Massachusetts) Thursday 17 Hydrophonisphere is a solo performance usingthe inner- & under-sounds of the flow and fall of water, filtered byanalog, digital, and mechanical means; the second in a three-part suite ofpieces that started with October's Ultrasonisphere mikebullock.bandcamp.com earsin.space Our programsare supported by the Aaron Copland Fund for Music, the PhaedrusFoundation, Fridman Gallery, and the New York State Council on the Arts withthe support of Governor Andrew Cuomo and the New York State Legislature;this project is also made possible with funds from the NYSCA ElectronicMedia/Film in Partnership with Wave Farm: Media Arts Assistance Fund,with the support of Governor Andrew Cuomo and the New York StateLegislature224Centre Street at Grand, Third Floor, N Y 10013 212 431 5127, 4316430www.experimentalintermedia.organd www.XIrecords.org The video-audio recordings of the concerts will be posted onour website the morning after each concert and will remain there until our nextseries in March 2021

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Experimental Intermedia December 2020 concerts listing
by Phill Niblock 06 Dec '20

06 Dec '20

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(no subject)
by Phill Niblock 26 Nov '20

26 Nov '20

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Professionally engaged in theatre pedagogy,freelancing in the cultural sector and as a musician. She is currently activein artistic director of workshops on diverse topics at schools, based onmethods of Forum- and improvised theatre. Her artistic ambitions focus onimprovisation and experimentation with music/electroacustic music and thewritten/spoken word, where she seeks to incorporate here experiences into thefield of theatre and performance.„Du“ Electroacoustic composition for two players/performers(Cello/Voice/Live-electronics) by Veronika Gmeindl. „Du“ („You“), a directedinner monologue. By accident the initial lyrics were printed twice, much like adouble exposure, hardly legible. The subjective expression of a strugglingindividual, who in turn pleads guilty of denunciation. The principle ofmultiple exposure is mimicked on several levels (structure, soundesign,melodies and improvisation with double bass and cello). All of this leads to anever repeating and ever evolving game, always open to interpretation. Richard Graf Studies in music and music education at the University of Music and PerformingArts Vienna (graduation Summa cum Laude) and the Berklee College of Music.Lecturer at the University of Southern California, Los Angeles/USA (1995).Since 2018 Dean and Head of Master Studies (faculty music education) at the„JAM MUSIC LAB University”. Founder and artistic director of the MAX BRANDEnsemble. Graf has received several national and international awards andprizes. His work has been published by: UNIVERSAL EDITION, ADVANCE MUSIC, SCHOTTMUSIC, RICH ART Records, IAJE (International Association of Jazz Educators),Austrian Broadcasting Cooperation – ORF, Musikerziehung etc. Co-Producer forECM-Records: Michael Mantler & MAX BRAND Ensemble: “Comment C’est”Matrix for three guitars and live electronics Richard GRAF – a composer, guitar player and three guitars plus electronics ininteraction to combine compositional, mathematical, tonal and technicalparameters. The “Matrix” is a nine-tone-row, which develops to horizontal andvertical musical structures, enriched by live electronics and improvisation Heuses three unique guitars which have been built by Roland Hauke: Baritonguitar, Fretless guitar, Standard electric guitar. Sebastian Leopold Sebastian Leopold is a musician, instrument maker and engineer based in Vienna.After three years of internationally working as an engineer, he settled down toset up his own workshop where he could focus on building sounding objects andinstallations. Leopolds fascination for vibrating strings, membranes, blocksand blobs shows in his workpieces, which experiment with the eigenfrequenciesof bodies and their manipulation through means of electronics.„drift“ The workpiece “drift” is a big self-resonating feedback mirror made fromstainless steel driven by an air coupled 4×10″ speaker. The sounds you hear arethe intrinsic vibrations of the metal sheet, simply generated by feeding thesignals recorded by a contact microphone back to the mirror through thespeakers. The reflections caused by the mirror’s vibrations visualise thespatial expansion of the structure-born sound and magnify the moment when thestable oscillation breaks down into chaotic noise. “Drift” explores theboundaries and intersections between control and collapse, dissipation and resonance,reflection and transmission.STATION ROSE STATION ROSE/STR was founded in Vienna, Austria, in 1988 by Gary Danner (sound)and Elisa Rose (art). As one of the first digital groups worldwide, STATIONROSE have used the potential of live audio visual media and the internet forperforming in their work. Their Gunafa Clubbings were the first AV- andonline-clubprojects worldwide (Frankfurt, 1992). STR are online since 1991 andare regarded as „Pioneers of Digital Culture (Frankfurter Allgemeine). Danner´scareer as professional musician/composer spans 4,5 decades, quite often usingreliable structures like Beat, Punk, Techno, and Minimal Music. STATION ROSEoperates at the interface of digital art, music and pop. Their artistic outputis characterized by exploring the boundaries between reality and virtuality,audio and video are organically interwoven by definition.“WEBCASTING STReaming 2020“ In Frankfurt in 1999, STR developed a new online broadcast format,„Webcasting”, which included animations, live music, live composition andimprovisation, talks and performances. It was streamed live from the STATIONROSE Studio, Elisa Rose’s image workstation and Gary Danner’s soundworkstation/DAW were broadcast over the internet. In 2020, by the circumstancesof quarantine, this unchanged contemporary STReaming format was used again anddeveloped further – from the studio in Vienna. „For a STReam, I will prepare certain samples, rhythmic parameters and musichardware minimally, compose and arrange live in real time, and treat thiscomposition with digital effects. Music is created LIVE and synaestheticallywith the visual art that is created simultaneously.“ Gary Danner Lukas Moritz Wegscheider Lukas Moritz Wegscheider is a composer for experimental music, sound- and mediaartist. In his work he currently deals with time, the ephemeral, theimperishable and what remains. Memories. He treats this subjects with liveperformances, sound- and video installations and exhibitions. Since 2016 hestudies at the university of music and performing arts in Graz. http://lukasmoritzwegscheider.com/”memoire” In the room an impression of what has happened is presented, as the firstmemory, taken up again and sent to the ether. This sonic memory then getspicked up by the radio and confronts the audience once again. A rememberedmemory. The installation addresses the fact that you cannot simply forget, thatyou cannot simply make forgotten and that even after forgetting, you willalways remember what has been forgotten. From forgotten forgotten – tomemorized memory. The theme of KLANGZEIT Festival 2020 is Human Life / GreenSounds / Artificial Emotion. ‘Green Sounds’ are not just sounds of nature, they are sounds of the naturalinteraction of humans with the environment and at the same time the design oflife (environment). Working with sound is the embodiment of a political demand:reflecting on the self-regulation of nature, listening to the importance of theculture of designing for people. The design of “Green Sounds” means, a way oflife of nature as “art (of) living”. As the overcoming of the culture of therationality of seeing, “auditory culture” means not only the transfer of thenature of hearing to culture, but the merging of nature and culture into“Converged realities” – the virtual and the real overlap, the differencebecomes null and void. About phonoECHOES In spring 2020, ÖKB (Österreichischer Komponistenbund – Austrian Composers’Association) and Klanghaus Untergreith announced for the first time‘phonoECHOES’, a competition for sound art and electronic music. The awardceremony will take place on November 26th. Klanghaus Untergreith Klanghaus Untergreith is an international centre for sound art focusing oninterdisciplinary, experimental and border-crossing projects spanning visualarts, literature, performance art, media art and music. https://klang-haus.athttp://iklectikoffsite.org/klangzeit-festival-2020/ Project supported by Österreichischer Komponistenbund - AACS - austrian cultural forum londonFlyer by Lisa McKendrik

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Live in Vienna, except those on the internet
by Phill Niblock 07 Jul '20

07 Jul '20

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The Oda.co events for June 19, 20, 21
by Phill Niblock 18 Jun '20

18 Jun '20

<!-- /* Font Definitions */@font-face {font-family:Times; panose-1:2 0 5 0 0 0 0 0 0 0; mso-font-alt:"Times New Roman"; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:Helv; panose-1:0 0 0 0 0 0 0 0 0 0; mso-font-alt:Helvetica; mso-font-charset:77; mso-generic-font-family:swiss; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-alt:"Times New Roman"; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Helvetica; mso-fareast-font-family:Cambria; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Helvetica; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}a:link, span.MsoHyperlink {color:blue; text-decoration:underline; text-underline:single;}a:visited, span.MsoHyperlinkFollowed {mso-style-noshow:yes; color:purple; text-decoration:underline; text-underline:single;}size:8.5in 11.0in; margin:.5in .75in .5in .75in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;}div.Section1 {page:Section1;} | Please do not respond to this email but topniblock(a)compuserve.com<!-- /* Font Definitions */@font-face {font-family:Helv; panose-1:0 0 0 0 0 0 0 0 0 0; mso-font-alt:Helvetica; mso-font-charset:77; mso-generic-font-family:swiss; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;}@font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-alt:"Times New Roman"; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Helvetica; mso-fareast-font-family:Cambria; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Helvetica; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;}div.Section1 {page:Section1;} This is an announcement about 4 online music events on June 19, 20 and 21 The letter is from Oda.co, the producer of these music events, and they feature Phill Niblock and Katherine Liberovskaya, and this is a test event of their website and eventual series of webcasts On Saturday afternoon, the event will be a virtual premier of a new music piece by Phill, finished the day before, of course, named Poom, with Stephen O'Malley playing e-bowed guitar, from sound material recorded in the Trace Elements studio of RobertPoss, 28 minutes long The event will begin with a set by Phill and Katherine Liberovskaya An improvised sound collage by Katherine Liberovskaya & Phill Niblock Phill Niblock: live mixing of field recordings Katherine Liberovskaya: live small percussion instruments and other objects and gadgets Note that the Saturday afternoon event is at 3pm NY time, and 9pm European time You can see the poster with Katherine' drawing and the on-line version of OdA's newsletter here: https://mailchi.mp/1395e1aed7e7/ka-baird-shelley-hirsch-articulation-exerci… https://www.instagram.com/p/CBgRCRLFKUh/ | Letter from Oda.co | Hi! | | | | | | Today we would like to invite you to spend the weekend with us and the artists Phill Niblock & Katherine Liberovskaya. Regardless of what you know about the work of Phill and Katherine, speaking to someone like Perry is always interesting. Perry is a sound artist and the creator of the Oda speakers, which you will hear more about later this summer. Perry says: “Phill Niblock is often labelled a minimalist. This amounts to a dismissal. I would say monumentalist, because the sound is so thoroughly consuming, and commanding of attention. As when a tree falls in a forest, if you’re not giving this music your full attention does it even exist?” Phill and Katherine have been collaborating together since the early 2000’s. In the past week, Perry has been working with them almost daily with sound-checks in advance of this weekend’s shows. “You know, Katherine Liberovskaya is well known as a video artist, often collaborating with musicians to provide a visual element with musical qualities”, Perry says. “What I think is really interesting is, on this occasion, she is a musician. In this context she performs sound with visual qualities. It is hard not to conjure an image of how each sound is created.” He ends, “I so look forward to hearing this with Oda, which engages the room it is in so differently than any other speakers!” | | | | Here is this weekend’s schedule: Friday, June 19 at 9pm ET Phill Niblock - Live Vlada BC, for viola d’amore 20 min Exploratory Ensemble Phoenix Basel 22 min Noizzze One,for the I R E Trio 23 min A Cage of Stars, for electric built harp 28 min Five More String Quartets 25 min 127 min = 2 hr 7 min Saturday, June 20 at 3pm ET An improvised sound collage by Katherine Liberovskaya & Phill Niblock - Live “POOM” by Phill Niblock - Live (World Premiere!) Saturday, June 20 at 9pm ET Phill Niblock - Live Herbal Cooled2, for cello 23 min ExploratoryTiltBrass,for brass ensemble 22min Baobab Bozzini String Quartet 23 min A Rooks Pun, for soprano saxophone 23 min Bag, for Scotish bagpipes 21 min Ronet, for tenor saxophone 21 min 135 min = 1 hour 15 min Sunday, 21 at 9pm ET Phill Niblock - Live Guitar too, for Four-Massed, for many guitars played with e-bow 30 min Exploratory Arditti String Quartet 23 min Euph, for Two Belled Euphonium 24 min FeedCorn Ear 30 min Praised Fan, for bassoon 17 min V&LSG, for voice and lap steel guitar 21 min 145 min = 1 hour 25 min To listen, please visit live.oda.co at the performance times listed above. If you leave your browser open, the broadcast will begin automatically as they start. Love, Oda | | | | ps. if you’re on social media, you can follow us on instagram and twitter. | | |

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in Solidarity, from Experimental Intermedia
by Phill Niblock 06 Jun '20

06 Jun '20

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An Online Event and Online Publication
by Phill Niblock 20 May '20

20 May '20

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font-size:12.0pt; font-family:"p∞Òø◊\0027Ï"; mso-ascii-font-family:Helvetica; mso-fareast-font-family:"Times New Roman"; mso-hansi-font-family:Helvetica; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}p.MsoListParagraphCxSpFirst, li.MsoListParagraphCxSpFirst, div.MsoListParagraphCxSpFirst {mso-style-type:export-only; margin-top:0in; margin-right:0in; margin-bottom:0in; margin-left:.5in; margin-bottom:.0001pt; mso-add-space:auto; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"p∞Òø◊\0027Ï"; mso-ascii-font-family:Helvetica; mso-fareast-font-family:"Times New Roman"; mso-hansi-font-family:Helvetica; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}p.MsoListParagraphCxSpMiddle, li.MsoListParagraphCxSpMiddle, div.MsoListParagraphCxSpMiddle {mso-style-type:export-only; margin-top:0in; margin-right:0in; margin-bottom:0in; margin-left:.5in; margin-bottom:.0001pt; mso-add-space:auto; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"p∞Òø◊\0027Ï"; mso-ascii-font-family:Helvetica; mso-fareast-font-family:"Times New Roman"; mso-hansi-font-family:Helvetica; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}p.MsoListParagraphCxSpLast, li.MsoListParagraphCxSpLast, div.MsoListParagraphCxSpLast {mso-style-type:export-only; margin-top:0in; margin-right:0in; margin-bottom:0in; margin-left:.5in; margin-bottom:.0001pt; mso-add-space:auto; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"p∞Òø◊\0027Ï"; mso-ascii-font-family:Helvetica; mso-fareast-font-family:"Times New Roman"; mso-hansi-font-family:Helvetica; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}span.yiv8320943758gmail-s1 {mso-style-name:yiv8320943758gmail-s1; font-family:"Times New Roman"; mso-bidi-font-family:"Times New Roman";}p.yiv0383275045msonormal, li.yiv0383275045msonormal, div.yiv0383275045msonormal {mso-style-name:yiv0383275045msonormal; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"p∞Òø◊\0027Ï"; mso-ascii-font-family:Times; mso-fareast-font-family:"Times New Roman"; mso-hansi-font-family:Times; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}span.addresswsitemitemselected {mso-style-name:"address wsitem itemselected"; font-family:"Times New Roman"; mso-bidi-font-family:"Times New Roman";}span.addressdispform {mso-style-name:addressdispform; font-family:"Times New Roman"; mso-bidi-font-family:"Times New Roman";}size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;}div.Section1 {page:Section1;}mso-level-start-at:5; mso-level-number-format:bullet; mso-level-text:-; mso-level-tab-stop:none; mso-level-number-position:left; text-indent:-.25in; font-family:Helv; mso-fareast-font-family:"Times New Roman";}ol {margin-bottom:0in;}ul {margin-bottom:0in;}Pleasedo not respond to this email at this address, but write to -pniblock(a)compuserve.com This is an announcementabout two events: A network arts event on May 24th, at 9pm Spanish (European)time, 3pm EDT (NY) The link for the event - https://nownetarts.org/series For May 24, 2020I was very disappointed in not being able to go to Spain tomake concerts in four venues in April. So we decided to organize a Zoom event for themThe museums are: - C3A Centro de Creación Contemporánea de Andalucía C/ CarmenOlmedo Checa, Córdoba, SpainAlvaro Rodriguez Fominaya, Artistic Director www.c3a.es - Centro José Guerrero, Oficios, 8, 18001 Granada, SpainDirector - Francisco Baena www.centroguerrero.es - Museo Vostell Malpartida, Carreterade Los Barruecos, 10910 Malpartida de Cáceres, SpainJosé Antonio AgúndezGarcía, Director museovostell.juntaex.es - Phonos, Universitat Pompeu Fabra, Edifici Mercè, Plaçade la Mercè, 10-12 08002 Barcelona, Director Angel Faraldo, https://www.upf.edu/web/phonos But everyone is invited to join the audience, in thegreater worldPlease!!The link for the event - https://nownetarts.org/series This is the program: - Set 1: Katherine Liberovskaya/ Barbara Held/ Phill Niblocklive video: Katherine Liberovskayalive flute and electronics: Barbara Heldlive sound collage: Phill Niblock - Set 2:Music and Film by Phill NiblockFilm/Video: China 88, a film from the Movement of PeopleWorking series, filmed in Sechuan Province in China in 1988Music: Vlada BC, for viola d'amore; Bag, for Scottish bagpipes; and PraisedFan, for bassoon This event is co-produced with Sarah Weaver of NowNet ArtsThe concert will take place in Zoom. Go the website on theconcert day and click the event button to enter Zoom. The concert can be heardon a phone, tablet, or computer. Best quality with headphones or externalspeakers and wired internet connection www.nownetarts.org/series Phill Niblock is an intermedia artist using music, film,photography, video and computers. He was born in Indiana in 1933. Since themid-60's he has been making music and intermedia performances which have beenshown at numerous venues around the world. Since 1985, he has been the directorof the Experimental Intermedia Foundation in New York -www.experimentalintermedia.org - where he has been an artist/member since 1968.He is the producer of Music and Intermedia presentations at EI since 1973 andthe curator of EI's XI Records label. Phill Niblock's music is available on theXI, Moikai, Mode and Touch labels. A DVD of films and music is available on theExtreme label. He is a retired professor at The College of Staten Island, theCity University of NewYork. In 2014, he is the recipient of the John Cage Awardfrom the Foundation for Contemporary Arts.www.experimentallintermedia.org Barbara Held flautista y compositora, vive en Barcelona. Supráctica como músico con formación clásica da prioridad a toda una vida decolaboración, de trabajo interdisciplinario en relación con otros artistas. Hacreado un conjunto muy personal de nuevo repertorio para flauta porcompositores españoles y estadounidenses, incluido el "Autorretrato"de Alvin Lucier para flauta y anemómetro de viento, y trabajos de cine yperformance con Carles Santos y el poeta Joan Brossa. Sus composicionescolaborativas de video y música se han presentado en entornos muy diversos,desde el “Z to A Festival” organizado por el Storefront for Art andArchitecture en las calles de New York hasta el Festival LOOP de videoarte enBarcelona. Conocida por su sutil exploración del material sonoro, crea untrabajo de sonido sensible y enfocado que expone el detalle del espacio físicode la escucha. Katherine Liberovskaya is a Canadian intermedia artist basedin New York City. Involved in experimental video since the 80's, she hasproduced numerous single-channel video art pieces, video installations andvideo performances, as well as works in other media, that have shown around theworld. Since 2001 her work predominantly focuses on the intersection of movingimage with sound/music in various both ephemeral and fixed forms (projections,installations, performance), notably through collaborations with many composersand sound artists in improvised live video+sound concert situations where herlive visuals seek to create improvisatory "music" for the eyes. In2014 she completed a PhD in art practice entitled "Improvisatory LiveVisuals: Playing Images Like a Musical Instrument" at the Universite duQuebec in Montreal (UQAM).www.facebook.com/liberovskaya And the SecondAnnouncement: OUT NOW: ce.onl_0033 ContourEditions is pleased to publish the video work Threshold ofPredictability: A Trilogy by NYC based media artist KatherineLiberovskaya with music by the legendary composer and filmmaker Phill Niblock.Katherine’s publication consists of three moving image pieces ranging between30’ to 60’ where a single event unfolds its outcome slowly with transparencytowards an inevitable conclusion. Each distinct piece features adifferent unmistakable drone music composition by Phill Niblock. The threepieces form a trilogy that spans approximately 138’ of audiovisualimmersion. For listening and detailed information about Threshold ofPredictability visit the publication page within catalog. Tolearn more about Katherine Liberovskaya and Phill Niblock please visittheir profiles here: artists Thisonline project is the latest development to present works that explore thevarious possibilities of sound and moving image, while also engaging withstudio experimentation, materiality, processes, and diverse techniques tocreate and treat material and media. Contour Editions' continued effort isto reach audiences globally on a personalized level, facilitating thepresentation of independent original works of art. Subsequently, establishing acommunity of artists sharing similar interests towards incrementallyinstituting a significant archive of media works. Onlineproject: ce.onl_0033 Artist: Katherine Liberovskaya with music by Phill Niblock Title: Threshold of Predictability Format: Online ScreeningDate:2020Catalog ContourEditionswww.contoureditions.cominfo(a)contoureditions.com

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Two events, online, from Nantes France
by Phill Niblock 01 May '20

01 May '20

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PhillNiblock (field recordings) & KatherineLiberovskaya (live video)6pm EDT(00:00 European time For ourset you will need to connect to both the audio and video streams at the sametime. audio here : http://apo33.org:8000/filiason video here : https://youtu.be/28U9Q9j7ECk come and chat with the artists: http://apo33.org/index.php/fr/contact/ Every saturday, discover artists who are playing live internet during theconfinement. Emotions will run high ! Experimental,new, noise music and mix of styles. Le plus : êtreconfortablement installé chez vous, tout en chattant avec les artistes 🙂 The extra : you can staycomfortably at home and chat with artists ! SOUTENEZ LES ARTISTES / SUPPORT ARTISTS : https://www.helloasso.com/associations/apo-33/formulaires/2 ARTISTES AU PRGRAMME : 20:30 (2:30pm EDT) William Nurdin http://nwwn.fr 21:30 (3:30pm EDT) sainsŵn http://suborg.net/tag/sainswn/ https://www.instagram.com/sain_swn/ 22:30 (4:30pm EDT) Lucio Capece https://luciocapece.bandcamp.com https://soundcloud.com/electro-batimento https://www.ursss.com/2020/01/lucio-capece/ https://www.facebook.com/lucio.capece.1 23:30 (5:30pm EDT) CERPINTXT https://soundcloud.com/alaayussry/sets/combing-her-torso-to-a-pile/s-7BsqCF… https://soundcloud.com/alaayussry/sets/les-non-dupes-errent/s-Q2qtq https://soundcloud.com/alaayussry/sets/crypt/s-lMAs4 https://soundcloud.com/alaayussry/sets/spaghettification https://soundcloud.com/alaayussry/sets/livesnips https://alaayussry.wixsite.com/antisense/videos-1 https://alaayussry.wixsite.com/antisense 0:00 (6pm EDT) Phill Niblock & Katherine Liberovskaya https://www.youtube.com/watch?v=JryBOCyzRzU https://phillniblock.com/ 00:30 (6:30pmEDT) Alexandra Cárdenas https://soundcloud.com/tiemposdelruido https://cargocollective.com/tiemposdelruido https://twitter.com/tiemposdelruido/ ================================= Wedon't have the performance times for this event, please check the website - apo33.org Drum& Percussion Madness # 8Hosted by Apo33, Nantes,France 36 hours non-stop : from Friday 8th May at noon to Sunday 10th May at midnight !(European time, France)so 6am Friday 8 May until Sunday 10 May 6pm NY timeEvery year, percussionists and drummers from all around theworld offer you different ways to tap, scrub, creak, rattle and other sounds ofthe art of percussion. For the last days of confinement, several artists meet to offer 24 hours oflive internet interspersed with a 12-hour broadcast of archives. Drum &Percussion Madness #8 is the time to fill up with rhythms and sounds,to explore this ancestral art that goes beyond borders and languages! list of confirmed participants : Chris Corsano (usa) Erwan Cornic (Fr) Yérri-Gaspar Hummel (Fr) Benoit Travers (Fr) Rodolphe Loubatière (Fr) Kevin Angboly (Fr)Crystabel Riley (Uk) Lise-Lotte Norelius (Se) Lê Quan Ninh (Fr) Peter Orins (Fr) Z’EV (Electronic Drum interprété par Thenoiser) - (Usa/Fr) 2Batmol (Uk) Phill Niblock / KatherineLiberovskaya / Julien Ottavi (Usa/Fr) MPC Electronic Drum Battle (Fr) Morihide Sawada (Jp) Wang Beibei (Chn) Burkhard Beins & Michael Renkel (De) Seijiro Murayama (Jp) Tatsuya Nakatani (Usa/Jp)

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OptoSonic [UnLock] (BYOTea) - on-line performance - Sunday April 26th
by Phill Niblock 24 Apr '20

24 Apr '20

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on-line version of Screen Compositions 16
by Phill Niblock 01 Apr '20

01 Apr '20

Please do not reply to this address, but write to pniblock(a)compuserve.com ====== With the lock-down now extended to the end of April we alsoextend our on-line version of Screen Compositions 16 that you can find at:https://vimeopro.com/richardgaret/screen-compositions-2020 Once again many thanks to Contour Editions and Richard Garet forhelping with getting this on-line.- SCREEN COMPOSITIONS 16 - curated by Katherine LiberovskayaFor its 16th edition Screen Compositions brings you againwithout fail a collection of inspiring and inspired intersections of movingimage with sonic art; a program of screen works representing dynamic two-waycollaborations between video/film artists and sound/music artists specificallyintended for single-channel projection with no live or performance component;featuring collaborations by: Benton Bainbridge / Barbara Held; Nathalie Bujold/ Michel Langevin (Voivod); Alexandra Dementieva / Guy De Bièvre; Bradley Eros/ Lea Bertucci; Muyassar Kurdi / Ka Baird; Katherine Liberovskaya / PhillNiblock; Geoff Matters / Mike Lerner; Eiichi Tosaki & Jutta Pryor / HitomiHonda; Twin Automat (Irini Karayannopoulou+Sandrine Cheyrol) / Yannis Saxonis;Adriana Vila Guevara / Alfredo Costa Monteiro Also continuing is Walter Wright's wonderful retrospective video program: http://experimentalintermedia.org/concerts/20/Walter3.20.shtml(Many thanks to Detta Andrea for help with this)- WALTER WRIGHT (Lowell, Massachusetts) Psychology says that “we see what we think we see”; Lightfalls on the retina and the resulting stimulation is transmitted by the opticnerve to the brain; the brain forms an image, resolves 3D, compares it to thelast image thus detecting movement, checks for imminent danger and, finally,compares it to images already stored in memory. The result loops through themind/body system resulting in an emotional reaction, producing meaning; realityis, in a sense, obscured by our own perceptions; as video artists, it is up tous to dis-cover or un-cover reality, then re-present or re-imagine reality in amanner that changes the viewers perception, to inform rather than affirm, tocreate rather than imitate - Videos by Walter Wright and a performance byWalter Wright and Al Margolis aka Elka Bong https://nohtv.wordpress.com/ <https://nohtv.wordpress.com/> Hoping everyone is well and safe !Katherine and Phillfrom the Experimental Intermedia Quarantine

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