Experimental-Intermedia

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Experimental Intermedia on-line programs and event cancellations because of Covid19
by Phill Niblock 20 Mar '20

20 Mar '20

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Exp Intermedia March concert calendar
by Phill Niblock 25 Feb '20

25 Feb '20

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Premiere of audio/video network arts piece“Duplexity State” (S W, electronics, Daniel Pinheiro, movement and visuals, remoteperformer live via the internet) www.sarahweaver.org/syncsource/label John King and DavidWatson (New York) Wednesday 11A first-time collaboration between two long-time New Yorkmusic creators: David Watson on Great Highland Bagpipes and Scottishsmallpipes, and John King playing viola; a conversation of drones, tones,listening and playing, extreme frequency and amplitude explorations will ensue http://johnkingmusic.com https://davidwatsonmusic.net Carl Stone (Tokyo)and Ulrich Krieger (LosAngeles) Friday 13Stone (live electronics) and Krieger (saxophone) have beenworking together as a duo for a few years; they are listening into the depthsof the instruments, using microphones and electronics to facilitate hiddensounds to emerge, thereby creating quasi-hyper-realistic soundscapes from lushto hard where saxophone sounds and the electronics merge and becomeindistinguishable http://www.rlsto.net/Nooz/ http://www.ulrich-krieger.com/ Kathy High (New YorkState) A Video Event Saturday 14I have been deep in art and science investigations,particularly trying to understand the interconnections of our ecosystems, ourimmune systems, and our microbiomes; of late, I have been making videos thatare obsessed with the gut microbiome and becomings; I will show a smattering ofworks on this night: documentary, speculative and otherwise www.kathyhigh.com Luca Forcucci (Italy/Switzerland) Sunday 15Alerta ! is a poem of the Brazilian author Oswald de Andradeabout dictatorship during the 1960-1980’s in Brazil, resistance and love; thecomposition is a process based work: The poem told by the composer JorgeAntunes was recorded in Recife (Br); graphic scores were then given to acellist (Noémie Braun), and a percussionist (Lucas Gonseth) in LaChaux-de-Fonds (CH); the resulting material was recorded and recombined,brought forward in Switzerland, in Portugal, now in the USA, until its unknownfinal form www.lucaforcucci.comwith support from Nicati -de Luze Foundation and ProHelvetia Jens Brand(Berlin) Monday 16With the intense collaboration of BenManley and Dan Evans Farkas;they are collaborating in one way orthe other on the basis of overlapping unaltered individual approaches on timeconsuming media since the middle of the 90s; this concert will be not so loudbut somtimes not so not so loud and most likely be loud enough to considerbringing earplugs a good idea; the performance will feature Dan's Frankensteinrelated approach to live electronics (By sewing together the various electronicdevices with patch cords, I seek a sound that makes the soul shout out: “It’salive! IT’S ALIVE!") and in particular the use of a lot of toywalkie talkies; Ben will generate electroacoustic sounds and let them bloom anddecay, several times, and Jens will focus on a somewhat medieval-backwardsvisions of electronic music without speakers, featuring the NEW mechanicorchestra of ratchets and the first presentation of the mysterious andautomatic quartet of the FHDCMS (four harmonic dc motors sisters) www.jensbrand.com Walter Wright(Massachusetts) A Video Event Friday 20Psychology says that “we see what we think we see”; Lightfalls on the retina and the resulting stimulation is transmitted by the opticnerve to the brain; the brain forms an image, resolves 3D, compares it to thelast image thus detecting movement, checks for imminent danger and, finally,compares it to images already stored in memory. The result loops through themind/body system resulting in an emotional reaction, producing meaning; realityis, in a sense, obscured by our own perceptions; as video artists, it is up tous to dis-cover or un-cover reality, then re-present or re-imagine reality in amanner that changes the viewers perception, to inform rather than affirm, tocreate rather than imitate - Videos by Walter Wright and a performance byWalter Wright and Al Margolis aka Elka Bong https://nohtv.wordpress.com/ SCREEN COMPOSITIONS16 - curated by Katherine Liberovskaya Sunday 22ndFor its 16th edition Screen Compositions brings you againwithout fail a collection of inspiring and inspired intersections of movingimage with sonic art; a program of screen works representing dynamic two-way collaborationsbetween video/film artists and sound/music artists specifically intended forsingle-channel projection with no live or performance component; featuringcollaborations by: Benton Bainbridge / Barbara Held; Nathalie Bujold / MichelLangevin (Voivod); Alexandra Dementieva / Guy De Bièvre; Bradley Eros / LeaBertucci; Muyassar Kurdi / Ka Baird; Katherine Liberovskaya / Phill Niblock;Geoff Matters / Mike Lerner; Eiichi Tosaki & Jutta Pryor / Hitomi Honda;Twin Automat (Irini Karayannopoulou+Sandrine Cheyrol) / Yannis Saxonis; AdrianaVila Guevara / Alfredo Costa Monteiro Tony Martin (NewYork) A Video Event Tuesday 24He sees Video as a joining place; Recipes can bring together - Live electronics -personal/custom/invented and computer modulated;Variable voltage interfaces; Observation by camera; Abstract video and optical translating;Hands-on drawing and painting-in-time using projection equipment; Personaloptical and mirror techniques; Collaborative Sound composition; This programwill feature works from the 1970's, 1990's and Now www.tonymartinartist.net/intermedia Nicola L. Hein(Berlin) and Viola Yip (NewYork) Wednesday 25Hein (guitar, electronics) and Yip (lightbulbs, electronics)are an transdisciplinary duo that creates immersive site-specificperformances and installations bridging the vibrations of light and sound;trained as musicians, both of them are interested in looking into the ontologyof sound and how musical experience can be transformed beyond its commonmaterial: sound; in their duo project they research about the possibilities oflight as an expanded musical material; connecting lightbulbs, electronics andelectric guitar as an integrated instrument; in their performances they utilizelights and sounds as equally important and yet dialecticalmusicalmaterialshttps://nicolahein.com/ https://www.youtube.com/watch?v=huhDK4GkFVM Our programs are supported by The David& Sylvia Teitelbaum Fund, Inc, the Aaron Copland Fund for Music, thePhaedrus Foundation, and the New York State Council on the Arts with thesupport of Governor Andrew Cuomo and the New York State Legislature224 Centre Street at Grand, Third Floor, NY 10013 212 431 5127, 431 6430www.experimentalintermedia.org andwww.XIrecords.org 9pm We are now streaming the concerts live on the Wave FarmWebsite:https://wavefarm.org/radio/partner-streams/schedule/e7hkxy XI CDs are now available for sale on the www.XIRecords.org website:Phill Niblock - FourFull Flutes (XI 101); Lois V Vierk - Simoom (XI 102); Guy Klucevsek - FlyingVegetables Of The Apocalypse (XI 104); David Behrman - Unforeseen Events (XI105); Tom Johnson - Music For 88 (XI 106); Mary Jane Leach - Celestial Fires(XI 107); Fast Forward - Same Same (XI 108); Ellen Fullman - Body Music (XI109); Jackson Mac Low - Open Secrets (XI 110); Phill Niblock - Music By PhillNiblock (XI 111); Allison Cameron - Raw Sangudo (XI 112); Daniel Goode -Clarinet Songs (XI 113); Mary Ellen Childs - Kilter (XI 114); Richard Lainhart- Ten Thousand Shades Of Blue (XI 115); Peter Zummo - Experimenting WithHousehold Chemicals (XI 116); Logos Duo - Logos Works (XI 117); AnneaLockwood/Ruth Anderson - Sinopah (XI 118); Eliane Radigue - Trilogie De La Mort(XI 119); Malcolm Goldstein - The Seasons: Vermont (XI 120); Phill Niblock -YPGPN (XI 121); Paul Panhuysen - Partitas For Long Strings (XI 122); TomJohnson - The Chord Catalogue (XI 123); Ellen Band - 90% Post Consumer Sound(XI 124); Philip Corner - 40 Years And One (XI 125); Gen Ken Montgomery - Pondfloorsample (XI126); Michael J. Schumacher - Room Pieces (XI 127); Alan Licht - A New YorkMinute (XI 128); David Behrman - My Dear Siegfried (XI 129); Warren Burt - TheAnimation Of Lists And The Archytan Transpositions (XI 130); Matt Rogalsky -Memory Like Water (XI 131); David Watson - Fingering An Idea (XI 132); MichaelJ. Schumacher - Five Sound Installations (XI 133) (Dvd-Rom); David First –Privacy Issue (XI 134); Charlie Morrow – Toot! (XI 135); Michael Vincent Waller– The South Shore (XI 136); Ulrich Krieger -/RAW:ReSpace/ (XI 137); Dan Joseph- ElectroacousticWorks (XI 138); AmnonWolman/Neil Leonard - Security Vehicles Only (XI 139) digital only release;Cecilia Lopez – Red/Machinic Fantasies (XI 140); Leslie Ross – drop by drop,suddenly (XI 141) Coming Soon: Tom Chiu (XI 142) The Following ReleasesAre 2 Cds For The Price Of 1: XI 115, XI 121, XI 126, XI 127, XI 128, XI 129,XI 130, XI 131, XI 132, XI 136, XI 137, XI 138; XI 140; XI 141 The FollowingReleases Are 3 Cds For The Price Of 2: XI 119, XI 134, XI 135

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Experimental Intermedia december concerts
by Phill Niblock 26 Nov '19

26 Nov '19

to respond,please use PNIBLOCK(a)COMPUSERVE.COM EXPERIMENTAL INTERMEDIAThe Forty- fth Anniversary of EI performances at 224 Centre Street, The Fiftieth Anniversary of the Founding of Experimental Intermedia, the Fiftieth Anniversary of the 224 Centre Street loft, and, not least, The Twenty-eight Annual Festival with no fancy name, Part Two (or B) Phill Niblock, curatorDecember 2019Walter Branchi (Rome) and Kristin Jones (New York) Monday 9Images of Time by Jones and music from Intero by Branchi; alternating filmic work by Jones and individual compositions by Branchi; video editing by Jacob Nelson; sound engineer Daniel Neumann; Images of Time are an evolving series of filmic works composed independently and woven together with the music of Roman composer Walter Branchi; the works frame the world from a single position so as to slow down and magnify the most fundamental daily phenomena: the cycle of light, wind and weather; the images are intended as quiet meditations on the nuances and subtle events perpetually occurring in nature; composed of thousands of individual instances photographed seconds apart, the images are then reassembled at different tempos into lyrical sequences, then intricately interwoven with the ethereal musical compositions by Branchi; the compositions that coexist with the Images of Time are pieces of his lifelong work: Interohttp://www.kristinandreajones.com http://www.walter-branchi.comDavid First (NYC) Tuesday 10Choir Practice: New works for current and outmoded technologies, just intonation video and correlated waveforms, two- way causations inspired by a third, gestural improvisations through safe-cracked spelunking; featuring Sam Kulik, trombone and Ian Douglas-Moore, guitar http://www.davidfirst.com https://davidfirst.bandcamp.comRitwik Banerji (USA) Wednesday 11An astromusicological encounter with the Maxineans; whereas it would seem tonight's event falls into the canonical, traditional genre of audiovisual performance, it's better understood as a bridging of social science, interstellar ethnography, and the arts; we will engage in a collaborative exercise in understanding the culturally-specific sonic motion practices of beings living in a distant region of space called M9, ruled by the spirit of Maxine, a brainchild who has fled earth and declared that all sound was already motion; in this region of space, Maxineans have developed a wide variety of expressive -- or really just practical -- practices which allow them to deal with Maxine's whims; on screen we see a live feed sent back to earth from a remote exploration vehicle in deep space; on earth, live sound from EI is sent back to M9, thereby allowing navigation and interaction according to the bizarre laws of physics of M9. Live performers are Hamilton Berry, cello, and Tony Malaby, saxophonehttps://www.ritwikbanerji.netAki Onda (USA, Japan) Thursday 12"Reflections and Repercussions" 2018, a multi-media performance exploring the interplay among luminosity, acoustic, and architectural relationships within the space.; performing with various types of lighting equipment such as theater lights, flashlights, bare light bulb, mirrors and other objects, I arrange and rearrange the tools composing the visual and aural as a total environment; the complex relationship between the concrete and the ephemeral is explored https://akionda.net/Paul Devens (Maastricht Netherlands) Friday 13An artist working in the field of composed sounds, architecture, acoustics and he researches history and social structures; he will perform a couple of new pieces, based upon improvisation and experimental technologies; electro- magnetic and conductive fields will be used to mix pre-recorded synthesized sounds into a new composition, recorded noises of air conditioning systems and fans in public space will feature in a soundscape and other experiments will be performed live at the concert; also another new work will be performed: with artist Eline Kersten, Devens developed a work featuring found coral skeletons from the Caribbean island of Curacao; with digital imageprocessing- and sonification techniques, the work addresses the collision between ecology and economy, Supported by IBB Curacao and the Mondriaan Fundhttps://en.wikipedia.org/wiki/Paul_Devens https://www.pauldevens.comGudinni Cortina (Mexico) and Mario De Vega (Mexico, Berlin) Sunday 15Overtones, interruptions and concrete sounds melted as an audio-visual setup; a dialog executed by two players with different vocabularies and intentions, including a third role: A messenger; present, admiring devotion and commitment http://mariodevega.info http://gudinni-cortina.com/João Castro Pinto and Sofia A. Carvalho (Portugal) Monday 16SPECTRUM EXTENSO is an audiovisual intermedia performance, which is a work-in-progress, that consists in a reflection centered on the work of the Portuguese poet Teixeira de Pascoaes (1877-1952); João Castro Pinto will process sounds and images, in real time, and also excerpts of several of the more impressive and profound poems, interpreted live by Sofia A. Carvalho; the sound and visual landscapes will be juxtaposed with words, phrases and variable duration vocal utterances, that will wander through the live electroacoustic processes, turning the primary meaning of the poet1s words into new levels of signification and therefore creating impromptu audiovisual sceneryhttp://www.agnosia.me https://lisboa.academia.edu/SofiaAlexandraCarvalhoAndrea Parkins (New York, Berlin)https://soundcloud.com/jcastropinto https://grimaceseditions.org/hiante-2/Wednesday 18presents a new long-form work for multi-diffusion fixed media, incorporating her live interventions on electronically- processed accordion, amplified objects, and electronic processing; her works feature subtle sonic examination of everyday objects and surfaces, the layering of extended accordion techniques with multi-pitched electronic feedbacks, and the investigation of embodiment and chance with her custom-designed virtual instruments; this new project addresses her sonic materials both past and present: amplified drawing tools, electronic and acoustic instruments, the- body-as-foley, objects, images, gesture-presence-absence https://soundcloud.com/andreaparkinsAnnabelle Playe (France) Thursday 19Sound is a physical experience: density, intensity, variations and saturation; GEYSER, composed in three parts, deploys an energy with strong contrasts around sound shots sometimes stripped, sometimes massive; clear sounds, pure timbres switch to distortion evoking the subterranean eruption and the release of tension; her live music is based on a device made of analog synthesizers; sound is weaving between electronic and electroacoustic music, some of them made from different sources (voices, concrete sounds) are processed, put into spaces and mixed to analog http://www.annabelleplaye.com https://vimeo.com/201441665 https://www.youtube.com/watch?v=8NKZaaF0tKcOur programs are supported by The David & Sylvia Teitelbaum Fund, Inc, the Aaron Copland Fund for Music, the Phaedrus Foundation, and the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature224 Centre Street at Grand, Third Floor, N Y 10013 212 431 5127, 431 6430 www.experimentalintermedia.org and www.XIrecords.org9pmXI CDs are now available for sale on the www.XI Records.org website: Phill Niblock - Four Full Flutes (XI 101); Lois V Vierk - Simoom (XI 102); Guy Klucevsek - Flying Vegetables Of The Apocalypse (XI 104); David Behrman - Unforeseen Events (XI 105); Tom Johnson - Music For 88 (XI 106); Mary Jane Leach - Celestial Fires (XI 107); Fast Forward - Same Same (XI 108); Ellen Fullman - Body Music (XI 109); Jackson Mac Low - Open Secrets (XI 110); Phill Niblock - Music By Phill Niblock (XI 111); Allison Cameron - Raw Sangudo (XI 112); Daniel Goode - Clarinet Songs (XI 113); Mary Ellen Childs - Kilter (XI 114); Richard Lainhart - Ten Thousand Shades Of Blue (XI 115); Peter Zummo - Experimenting With Household Chemicals (XI 116); Logos Duo - Logos Works (XI 117); Annea Lockwood/Ruth Anderson - Sinopah (XI 118); Eliane Radigue - Trilogie De La Mort (XI 119); Malcolm Goldstein - The Seasons: Vermont (XI 120); Phill Niblock - YPGPN (XI 121); Paul Panhuysen - Partitas For Long Strings (XI 122); Tom Johnson - The Chord Catalogue (XI 123); Ellen Band - 90% Post Consumer Sound (XI 124); Philip Corner - 40 Years And One (XI 125); Gen Ken Montgomery - Pondfloorsample (XI 126); Michael J. Schumacher - Room Pieces (XI 127); Alan Licht - A New York Minute (XI 128); David Behrman - My Dear Siegfried (XI 129); Warren Burt - The Animation Of Lists And The Archytan Transpositions (XI 130); Matt Rogalsky - Memory Like Water (XI 131); David Watson - Fingering An Idea (XI 132); Michael J. Schumacher - Five Sound Installations (XI 133) (Dvd-Rom); David First – Privacy Issue (XI 134); Charlie Morrow – Toot! (XI 135); Michael Vincent Waller – The South Shore (XI 136); Ulrich Krieger -/RAW:ReSpace/ (XI 137); Dan Joseph – Electroacoustic Works (XI 138); Amnon Wolman/Neil Leonard - Security Vehicles Only (XI 139) digital only release; Cecilia Lopez – Red/Machinic Fantasies (XI 140); Leslie Ross – drop by drop, suddenly (XI 141) Coming Soon: Tom Chiu (XI 142)The Following Releases Are 2 Cds For The Price Of 1: XI 115, XI 121, XI 126, XI 127, XI 128, XI 129, XI 130, XI 131, XI 132, XI 136, XI 137, XI 138; XI 140; XI 141 The Following Releases Are 3 Cds For The Price Of 2: XI 119, XI 134, XI 135

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The Month ahead for Phill Niblock
by Phill Niblock 22 Nov '19

22 Nov '19

A few events in the next month that I would like for you to know about Phill Fridman Gallery, NY, 169 Bowery NYC, exhibition of Phill Niblock - photo works, music, films, etc. and four concerts, from November 25 2019 to January 5 2020, concerts Nov 26th, Dec 6, Jan 4&5 November 30, 9pm until midnight, rainy days festival: Philharmonie Luxembourg - Phill Niblock, «Night shift» Drones and films-Lydia Rilling, curator; live musicians - Arne Deforce, cello; Guy De Bievre, guitars; Christian Kobi, saxophones December 21, 6pm until midnight, Roulette, Atlantic Ave and 3rd Avenue, Brooklyn NY, the Winter Solstice, 6 hours of Phill Niblock films and music A press release, but without a picture: FRIDMAN GALLERY For immediate release Phill Niblock Working Photos November 25, 2019–January 5, 2020 Opening reception Monday, November 25 6–8pm Fridman Gallery is honored to present a solo exhibition of the iconic composer, experimental filmmaker, and photographer Phill Niblock. Working Photos compiles still photography, video, and minimalist sound works created all over the world throughout his six-decade career. The gallery will feature many of Niblock’s photographs scored by his drone compositions, editioned prints of his images from around the world, and layered photographs and video works such as Light Patterns, a series of high-contrast black and white slides that slowly dissolve into one another, suggesting the fluidity of memory and place. The gallery will also screen his videos including The Magic Sun (1966) featuring Sun Ra and his Solar Arkestra, a 1986 collaborative video project with Arthur Russell, as well as works featuring Rhodri Davies, and Max Neuhaus. His series, Anecdotes (Stories from Childhood) (1985–1992) will present video portraits of individuals looking into the camera lens and candidly relating childhood memories, which range from the sensational to the abstract. The exhibition will be accompanied by a series of performances at Fridman Gallery: November 26 8:00pm Music and Images by Phill Niblock, Film from the Environments Series of the Late Sixties and Early Seventies and Niblock's music featuring some prominent live players - Robert Poss, David First, James Moore and David Watson (also on bagpipes), on guitar December 6 8:00pm Images by Phill Niblock and Music by Others (William Hooker and Neil Leonard, live) plus Images by Katherine Liberovskaya and Sound by Phill Niblock More to be announced, on January 4 and 5 Niblock will also host a series of concerts throughout the month of December at his nearby historic Experimental Intermedia loft at 224 Centre Street. Finally, on December 21st, Niblock will stage his annual Winter Solstice marathon concert at Roulette Intermedium in Brooklyn. Phill Niblock (b. 1933, Anderson, IN) is an intermedia artist using music, film, photography, video, and computers as his medium. The artist’s minimalistic drone approach to composition and music was inspired by the musical and artistic activities of New York in the 1960s, from the art of Mark Rothko, Carl Andre, Sol LeWitt, Donald Judd, and Robert Morris to the music of John Cage and Morton Feldman. Over the past six decades, his music and intermedia performances have been shown at numerous venues around the world, including the Tate Modern in London, The Museum of Modern Art, The Kitchen, The Institute of Contemporary Art in London, and World Music Institute at Merkin Hall. Since 1985, Niblock has been the director of the Experimental Intermedia Foundation in New York where he has been an artist and member since 1968. He is the producer of Music and Intermedia presentations at Experimental Intermedia since 1973 (with 1000 performances to date) and the curator of EI’s XI Records label. Niblock’s music is available on the XI, Moikai, Mode and Touch labels. He is the recipient of the prestigious 2014 Foundation for Contemporary Arts John Cage award. For inquiries: info(a)fridmangallery.com FRIDMAN GALLERY | 169 Bowery NYC 10002 | www.fridmangallery.com | info(a)fridmangallery.com

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EI March calendar
by Phill Niblock 04 Mar '19

04 Mar '19

please do not reply to this address, but send to pniblock(a)compuserve.com EXPERIMENTAL INTERMEDIA The Forty-fifth Anniversary of EIperformances at 224 Centre Street, The Fiftieth Anniversary of the Founding ofExperimental Intermedia, the Fiftieth Anniversary of the 224 Centre Streetloft, and, not least, The Twenty-eight Annual Festival with no fancyname, Part Two (or B) Phill Niblock,curator March 2019 Peer Bode, Andrew Deutschand Rebekkah Palov A Video Event Monday11 CarrierBand: Bode, Deutsch and Palov, with historical recordings by HaraldBode,1949-1986, and Pauline Oliveros,1970-2002; the video "UberOrgan" was made at the Experimental Television Center in Owego, NY and atPeer Bode's home studio on his hand-built, custom Dave Jones Design, digitalframe buffer - experimental video instrument; much as life moves forward andback, so do the frames of the video frame buffer with its 48 framedigital-memory-chamber used for looking and considering nearly fifty years ofHarald Bode's notebooks; spanning the years 1937 to 1986, the notebooks ofpioneering electronic instrument designer Harald Bode are spaces where a newthinking about sound and future electronic instruments evolved and percolated.;a number of new videos as well as "Uber Organ" will be accompanied bythe live electroacoustic music of Carrier Band with Peer Bode performingvocoder/language, Rebekkah Palov DJ and real-time processed samples fromthe Harald Bode Archive and Andrew Deutsch with live mix featuring theunpublished recordings of Pauline Oliveros peerbode.com; http://www.art-into-life.com/product-list/188; https://vimeo.com/andrewdeutsch;rebekkahpalov.us https://andrewdeutschmagicif.bandcamp.com/releases Chuck Bettis and Dave Grant(New York) Tuesday 12 SNAKEUNION is Chuck Bettis (electronics) & David Grant (modular synth). a duothat works in improvisational rhythmic explorations that match analog synthsand digital sound processing, modular wires and max patches. By turnspsychedelic, delicate, and fuzzed out, the sequenced collides with the freeformas these two soundmakers push into new realms With live video projections byKatherine Liberovskaya https://snakeunion.bandcamp.com http://chuckbettis.com James Fei (Oakland) and KatoHideki (New York) Wednesday 13 James(analog electronics) and Kato (bass, electronics) have been working togethersince 2002; with a shared interest in translating studio recording techniquesto live performance and vice versa, the duo’s release Sieves was created withmultiple processes where live electronic improvisations were subjected toradical mixing and reverberation in an echo chamber; their performance practicecontinued to shift over the years through the investigation of feedback,speaker-room interaction and analog circuitry www.jamesfei.com www.katohideki.com Shalom Gorewitz (New Jersey) A Video Event Thursday 14 Thepoet Wallace Stevens said that art should be abstract, change, and givepleasure; with the addition of risk, this describes recent work by pioneervideo artist Shalom Gorewitz; the screening will include Gorewitz’ infamousstrip tease to the national anthem from the early 1970s; a new 360 video Goat’sHead recorded on one of the most dangerous beaches in California; DTTV(dystrumpia television) which explores the causes and possible antidotes forthis psycho-traumatic disorder; and collaborations with the poet Rachel Hadas;one of their projects, Elegy for Stivenson Magloire, celebrates the work of anextraordinary Haitian artist Gorewitz met in Port au Prince in 1992 who wasassassinated shortly after; Arcade Fire member Richard Parry gave permission touse his music for the soundtrack http://www.gorewitz.com Shelly Silver (NewYork) A VideoEvent Friday 15 InShelly Silver’s frog spider hand horse house, the effort of all things to keepexisting has been observed by someone with a camera who seems, as far aspersonality goes, to be no one; this acutely neutral watcher—curious andpatient, pushing very close and holding steady there registers thesuper-focused effort of all creatures toward the expression of vitality, thestubborn going-on in time of particularly shaped and textured bodies; the firstin Silver’s trilogy on our current moment of destabilization, where the animal,vegetable and mineral are jolting into reconfiguration; animals and childrenare being placed on the frontline of this change and they are the soft and hardfocus of frog spider hand horse house Bull.Miletic (Oslo) A VideoEvent Sunday 17 PROXISTANTVISION – a selection of three videos from the body of work created alongBull.Miletic’s ongoing artistic research project focused on the proliferationof new aerial moving imaging technologies and the emergence of a visualmodality they call proxistance; the videos are single-channel versions of thethree multi-media artworks realized in collaboration with Holly L. Aaron, MarkBoswell, Tom Gunning, Danielle Jorgens, Christopher Myers, Jan C. Schacher andPhill Niblock, whose music features in one of the videos; the production of theartworks was generously supported by Arts Council Norway, Arts Research Centerand Center for Science, Technology, Medicine, & Society at University ofCalifornia, Berkeley, Norwegian University of Science and Technology,Department of Media and Communication at University of Oslo, and Department ofCinema and Media Studies at University of Chicago http://bull.miletic.info SCREEN COMPOSITIONS 15- curated by Katherine Liberovskaya A Video Event Monday18 Fifteenyears! seems like the first edition was only yesterday... for this 15thedition Screen Compositions presents as every year a collection ofintersections of moving image with sonic art; a programof screen works representing dynamic two-way collaborations betweenvideo/film artists and sound/music artists specifically intended forsingle-channel projection with no live or performance component; featuringcollaborations by: Miah Artola / Hitomi Honda; Pip Chodorov / CharlemagnePalestine; Kostas Chondros / Giovanni Lami; Michael Delia / Al Margolis; AndrewDemirjian / Matthew Gantt; Richard Garet / Michael Waller; Phill Niblock /William Hooker; Anna Pasztor / Žibuoklė Martinaitytė; Andrea Saggiomoaka 70fps. / SEC_ aka Mimmo Napolitano; GuillaumeVallée / DataSlum (Martin Rodriguez & Leon Louder) Biliana Voutchkova and AlMargolis (If Bwana) (Berlin, New York) Tuesday 19 afirst encounter of bi and al will occur publicly tonight; a phenomena ofreaching far beyond the trivia of a first meeting, they will go straight (anddeeply) into a musical communication based on devotion, long experience andtrust; using strings, reeds, objects, contact mics (or all of the above), listening,responding, conversing; Al describes his most recent work as "quietwall" or the search for the sounds between: bi's work focuses on detailand slowly developing textures, but still allowing unexpected surprises; they'llmerge with the flow of the current moment, or perhaps with the edge of nothing www.bilianavoutchkova.net http://ifbwana.bandcamp.com/ Catherine Lamb and Phill Niblock Thursday21 EnsembleneoN visits Experimental Intermedia on the occasion of the release of thegroup's new album NEON: NIBLOCK/LAMB on Hubro; in addition to Niblock's Two TeaRoses, the group will give the American premiere of Catherine Lamb's ParallaxisForma; Ensemble neoN is a Norwegian contemporary music group workingacross artistic forms, collaborating with visual artists and performers suchas Susanna, Phill Niblock, Alvin Lucier, Johannes Kreidler, Oren Ambarchi,Marina Rosenfeld, Jan St. Werner; neoN strives to listen to a world that isconstantly changing. It is this attitude that keeps challenging and expandingthe ensemble’s musical language With the friendly support of stikk.no ensembleneon.no Our programs are supported by The David& Sylvia Teitelbaum Fund, Inc, the Aaron Copland Fund for Music, thePhaedrus Foundation, and the New York State Council on the Arts with thesupport of Governor Andrew Cuomo and the New York State Legislature 224 Centre Street at Grand, Third Floor, NY 10013 212 431 5127, 431 6430 www.experimentalintermedia.org andwww.XIrecords.org 9pm XI CDs are now available for sale on the www.XIRecords.org website: Phill Niblock - FourFull Flutes (XI 101); Lois V Vierk - Simoom (XI 102); Guy Klucevsek - FlyingVegetables Of The Apocalypse (XI 104); David Behrman - Unforeseen Events (XI105); Tom Johnson - Music For 88 (XI 106); Mary Jane Leach - Celestial Fires(XI 107); Fast Forward - Same Same (XI 108); Ellen Fullman - Body Music (XI109); Jackson Mac Low - Open Secrets (XI 110); Phill Niblock - Music By PhillNiblock (XI 111); Allison Cameron - Raw Sangudo (XI 112); Daniel Goode -Clarinet Songs (XI 113); Mary Ellen Childs - Kilter (XI 114); Richard Lainhart- Ten Thousand Shades Of Blue (XI 115); Peter Zummo - Experimenting WithHousehold Chemicals (XI 116); Logos Duo - Logos Works (XI 117); AnneaLockwood/Ruth Anderson - Sinopah (XI 118); Eliane Radigue - Trilogie De La Mort(XI 119); Malcolm Goldstein - The Seasons: Vermont (XI 120); Phill Niblock -YPGPN (XI 121); Paul Panhuysen - Partitas For Long Strings (XI 122); TomJohnson - The Chord Catalogue (XI 123); Ellen Band - 90% Post Consumer Sound(XI 124); Philip Corner - 40 Years And One (XI 125); Gen Ken Montgomery - Pondfloorsample (XI126); Michael J. Schumacher - Room Pieces (XI 127); Alan Licht - A New YorkMinute (XI 128); David Behrman - My Dear Siegfried (XI 129); Warren Burt - TheAnimation Of Lists And The Archytan Transpositions (XI 130); Matt Rogalsky -Memory Like Water (XI 131); David Watson - Fingering An Idea (XI 132); MichaelJ. Schumacher - Five Sound Installations (XI 133) (Dvd-Rom); David First –Privacy Issue (XI 134); Charlie Morrow – Toot! (XI 135); Michael Vincent Waller– The South Shore (XI 136); Ulrich Krieger -/RAW:ReSpace/ (XI 137); Dan Joseph- Electroacoustic Works (XI 138); AmnonWolman/Neil Leonard - Security Vehicles Only (XI 139) digital only release;Cecilia Lopez – Red/Machinic Fantasies (XI 140); Leslie Ross – drop by drop,suddenly (XI 141) Coming Soon: Tom Chiu (XI 142) The Following ReleasesAre 2 Cds For The Price Of 1: XI 115, XI 121, XI 126, XI 127, XI 128, XI 129,XI 130, XI 131, XI 132, XI 136, XI 137, XI 138; XI 140; XI 141 The FollowingReleases Are 3 Cds For The Price Of 2: XI 119, XI 134, XI 135

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Exp Intermedia December 2018 calendar
by Phill Niblock 28 Nov '18

28 Nov '18

Please do not respond to this address, but to info(a)experimentalintermedia.org EXPERIMENTAL INTERMEDIA The Forty-fifthAnniversary of EI performances at 224 Centre Street, The Fithtieth Anniversaryof the Founding of Experimental Intermedia, the Fiftieth Anniversary of the 224Centre Street loft, and, not least, The Twenty-eight Annual Festival withno fancy name, Part One (or A) PhillNiblock, curator December2018 Marla Hlady and Christof Migone (Toronto) Friday 7 Theycollaborate on somatic performance and mechanized kinetics with sound at thecentre; they each have individual practices that began in the late 1980s/early1990s; they started collaborating in 2015 with a project at the Errant Bodiesproject space in Berlin and have since performed at Ftarri (Tokyo), the ArtGallery of Ontario and Array Music (Toronto); their strategies include:Shifting singulars into plural; adding ad infinitum, butthen distilling until densities emerge; some humour tinged withpathos; taking the word ‘concern’ seriously, yet steeped in explorations thatretain a notion of play; rerouting, reinjecting, responding; finding edges;mining particularities; rippled resonances; subtle alterations of tension andattention; moored, anchored even, yet nimble, and at times furtive http://marlahlady.com/ http://christofmigone.com/ ClaudiaRobles (Colombia/Germany) Monday 10 Her work and research cover different aspects ofvisual and sound art, which span from audiovisual fixed-media compositions toperformances and/or installations featuring the interaction with biomedicalsignals; on this occasion, she presents some of her audiovisual compositionsand the performance SKIN - a piece in which she interacts with sounds andimages through her skin’s moisture measured by a GSR (Galvanic Skin Response)interface; variations of values in skin moisture are an indication ofpsychological or physiological arousal, such as stress or relaxation; thevisual environment of SKIN is therefore created by microscopic images from theperformer’s skin recorded in real-time whilst the sound environment istransformed by the performer’s emotional states through the measurement of herskin’s moisture www.claudearobles.de RobertPoss (New York) Tuesday 11 Distortion,drones, dystopia, optimism and a layer cake of electronics; Poss will presentnew and old pieces for electric guitar including from his recent release Frozen Flowers Curse The Day;Jennifer Coates will provide a painterly visual accompaniment https://www.robertposs.com/ http://www.jenniferlcoates.com/ Laura Ortman (WhiteMountain Apache, New York City) Wednesday 12 Fromthe rosined-out beast of Ortman’s tough stained violin emerges derangedcrumpled wings twirling in starlight and oil slickness and shininess; bearingheavy use of amplification and effects, she also incorporates over-rosining toadd smoke, dust, wind and slow-motion grittiness in her scored / improvisedcompositions for amplified violin, Apache violin, whistles, tree branches,slides, guitar picks, bells and tuning fork; with live video projectionsby Katherine Liberovskaya https://thedustdiveflash.bandcamp.com BenRichter (Los Angeles) Thursday 13 Isa composer, accordionist, and director of New York’s Ghost Ensemble, whosemusic explores the perceptual experience of music through subtly shiftingtimbres, distant pulses, and sliding microtonal fluctuations that createsound-worlds of constant transformation; Panthalassa:Dream Music of the Once and Future Ocean combines recorded and liveprepared accordion to conjure the voice of the primordial Earth-wide ocean, amesmerizing dreamscape of shimmering just-intonation harmonies and sliding,moaning melodies that carry the listener deep into an otherworldly abyss www.benrichtermusic.com http://infrequentseams.bandcamp.com/album/panthalassa-dream-music-of-the-on… Matt Rogalsky (Canada) Friday 14 Visitations andRevisitations; new pieces out of old: defining resonances of familiar andunfamiliar musics, explored through spectral slicing and suspension http://mattrogalsky.bandcamp.com http://mrogalsky.net LeslieRoss (Maine) Monday 17 In tide wave, a quadraphonic videoinstallation, each change from mud flats to high tide and back is transformedinto corresponding and overlapping sound waves; this preset will open an eveningof new pieces for multi-mic'ed bassoon, quadraphonic speakers and otherperipherals; the crossover terrain of timbre and pitch, the inherent dissonancebetween harmonics of any two consonances, and the tensions between lunar andsolar cycles all play a part in the performance, the whole interspersed withminiature acoustic improvisations http://leslieross.net/otherT.html TimShaw and John Bowers (UK) Tuesday 18 Since2015, they have beendeveloping a creative practice they have come to call ‘mythogeosonics’;Mythogeosonics works with an extended conception of field recording toincorporate such diverse practices as geophysical data sonification andparanormal investigation; think of all the fields: radio, magnetic, electric,esoteric; we cross between on-site investigation, installation-making,soundwalks, and an improvisatory performance practice combining soundscapes,documentary recordings, film, text, and process material using modularsynthesizers, resonant found objects, DIY software and self-made instruments;think of all the ways that the mythogeosonic can be heard, witnessed,appreciated and transformed; this performance will serve as an Annual Reviewdrawing on our collective archive from 2018 as well as local investigationscarried out in New York City https://tim-shaw.net http://www.jmbowers.net/ GerardLebik (Poland) Wednesday 19 "Airon Air" (2018) is a spatial composition that uses the propagation of apure sine wave as the main principle in creating a spatial acousticenvironment; placing hanging, rotating sound objects that generate white noisecreated by the compressed, expanding air gives it an ambisonic character; spatialcomposition modeled due to the specific acoustics of the place in which it ispresented http://gerardlebik.net/ http://festiwal.sanatoriumdzwieku.pl/en/ http://gerardlebik.blogspot.com/ Our programs are supported by The David & Sylvia TeitelbaumFund, Inc, the Aaron Copland Fund for Music, the Phaedrus Foundation, and theNew York State Council on the Arts with the support of Governor Andrew Cuomoand the New York State Legislature 224 Centre Street at Grand, Third Floor, N Y 10013 212431 5127, 431 6430 www.experimentalintermedia.org andwww.XIrecords.org 9pm It is the 50th anniversary of the 224 CentreStreet Loft and the founding by Elaine Summers of the Experimental IntermediaFoudation, 1968 December 16, Sunday - A Record Release Party, at9pm but you may come at 7pm and have sonmething to drink and listen to somesamples of sound *On ImportantRecords - Phill Niblock music played by David Gibson on cello, from the 70s and80s www.importantrecords.com *On SuperiorViaduct - a reissue of the second India Navigation LP - Niblock for Celli /Celli Plays Niblock, and a reprint of the first LP - Nothing to Look At, Just aRecord *Onthe Bozzini String Quartet label - Two pieces for orchestra - Baobab andDisseminate, with all parts played by the quartet, www.quatuorbozzini.ca *On XI - Cecilia Lopez- Red/Machinic Fantasies (XI 140) This 2 CD set is aperfect combination of flavors that slowly reveal themselves as you spendmore time enjoying it. It has marvelous layers of sonic explorationsthat slowly unfold and draw you in. *On XI - Leslie Ross -drop by drop, suddenly (XI 141) A 2 CD set of elevencompositions for bassoon composed and performed by Leslie Ross,internationally renowned instrument builder and uncompromising creativemusician. and December 21, 6pm to midnight, the Winter Solstice at Roulette, inBrooklyn, 6 hours of Phill Niblock films and music, Roulette.org XI CDs are now available for sale on thewww.XIRecords.org website: PhillNiblock - Four Full Flutes (XI 101); Lois V Vierk - Simoom (XI 102); GuyKlucevsek - Flying Vegetables Of The Apocalypse (XI 104); David Behrman -Unforeseen Events (XI 105); Tom Johnson - Music For 88 (XI 106); Mary JaneLeach - Celestial Fires (XI 107); Fast Forward - Same Same (XI 108); EllenFullman - Body Music (XI 109); Jackson Mac Low - Open Secrets (XI 110); PhillNiblock - Music By Phill Niblock (XI 111); Allison Cameron - Raw Sangudo (XI112); Daniel Goode - Clarinet Songs (XI 113); Mary Ellen Childs - Kilter (XI114); Richard Lainhart - Ten Thousand Shades Of Blue (XI 115); Peter Zummo -Experimenting With Household Chemicals (XI 116); Logos Duo - Logos Works (XI117); Annea Lockwood/Ruth Anderson - Sinopah (XI 118); Eliane Radigue -Trilogie De La Mort (XI 119); Malcolm Goldstein - The Seasons: Vermont (XI120); Phill Niblock - YPGPN (XI 121); Paul Panhuysen - Partitas For LongStrings (XI 122); Tom Johnson - The Chord Catalogue (XI 123); Ellen Band - 90%Post Consumer Sound (XI 124); Philip Corner - 40 Years And One (XI 125); GenKen Montgomery - Pondfloorsample(XI 126); Michael J. Schumacher - Room Pieces (XI 127); Alan Licht - A New YorkMinute (XI 128); David Behrman - My Dear Siegfried (XI 129); Warren Burt - TheAnimation Of Lists And The Archytan Transpositions (XI 130); Matt Rogalsky -Memory Like Water (XI 131); David Watson - Fingering An Idea (XI 132); MichaelJ. Schumacher - Five Sound Installations (XI 133) (Dvd-Rom); David First – PrivacyIssue (XI 134); Charlie Morrow – Toot! (XI 135); Michael Vincent Waller – TheSouth Shore (XI 136); Ulrich Krieger -/RAW:ReSpace/ (XI 137); Dan Joseph -Electroacoustic Works(XI 138); Amnon Wolman/Neil Leonard - Security Vehicles Only (XI 139) digitalonly release; Cecilia Lopez – Red/Machinic Fantasies (XI 140); Leslie Ross –drop by drop, suddenly (XI 141) Coming Soon: Tom Chiu (XI 142) TheFollowing Releases Are 2 Cds For The Price Of 1: XI 115, XI 121, XI 126, XI127, XI 128, XI 129, XI 130, XI 131, XI 132, XI 136, XI 137, XI 138; XI 140; XI141 The Following Releases Are 3 Cds For The Price Of 2: XI 119, XI 134, XI 135

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EI March calendar
by Phill Niblock 23 Feb '18

23 Feb '18

Please do not reply to this address, but to pniblock(a)compuserve.com EXPERIMENTAL INTERMEDIA The Forty-fifth Anniversary of EIperformances at 224 Centre Street, The Fithtieth Anniversary of the Founding ofExperimental Intermedia, the Fiftieth Anniversary of the 224 Centre Streetloft, and, not least, The Twenty-eight Annual Festival with no fancyname, Part Two (or B) Phill Niblock,curator March 2018 JimDenley (Australia) Friday 2 The Ditch: David Watson(guitar and bagpipes) and Mij Yelned (Australia, prepared bass flute and altosax) and Chris Mann (voice and text); Chris and Mij formed Machine for MakingSense in the late 1980’s, Chris in Melbourne and Mij in Sydney; Mij and Davidfirst played together in Sydney in the 1990s — making “Bit Part Actor” (BrailleRecords) together with Mij’s other Machine for Making Sense colleagues and IkueMori; David has resided in NYC since 1987 and often playing with Chris; Mij andDavid have occasionally met on David’s trips downunder, when he crosses TheDitch (Tasman Sea) to perform in Sydney; they’ve only played alltogether once – NYC sometime in the early 2000s? http://theuse.info/ https://soundcloud.com/jim-denley https://xirecords.bandcamp.com/album/fingering-an-idea www.splitrec.com NateWooley (New York) and Nicola L. Hein (Berlin) Sunday 4 The trumpet player andguitarist will follow a philosophical question and play a conceptualcomposition - What is skeptic improvisation? The question of what itmeans to be skeptical about improvisation and to be an improvising skeptic willbe followed; it is the scepticism of the musicians regarding destiny, habitus,certainties, playing and the sense-games of musical action; the compositionserves to irritate the players and their certainties; it is about the challengeof thinking, the aesthetic thinking about thinking with the means ofimprovised music,, playing around and with the limits of musicalthought; revolving around the impossibility of an hyperbolic skepsis,watching the certainties arise on their own, which Nietzsche and Wittgensteinunderstood as an inherent feature of (musical) grammar; the aim is theidiosyncratic aesthetics of the sceptic musical act http://natewooley.com/ https://nicolahein.com/ AbigailChild (New York) A Video Event Thursday 15 “A BRACE OF SHAKES”—Aselection of short films (16mm and digital) from across three decades,exhibiting "a playful musicality and poetic and rigorouscompression…working against the manufactured ambush that images have in store;”Child has long created a subtle form of agitprop, exploringissues of gender and class through montage, with a fearless sense ofstructure and unself-conscious delight in the visual; she has worked withdowntown musicians including John Zorn, Sylvie Courvoisier, Mark Feldman,Andrea Parkins and Marty Ehrlich, all of whose music will befeatured in thefilms shown tonight www.abigailchild.com PerryBard (New York) A Video Event Friday 16 Aprogram of timely political shorts from 1997 to the present dealing with Nazis,heightened security, immigration, and war; No Flak, a recent text animation in collaboration with Richard Sullivan, links theattitudes of Dada and Theatre of the Absurd to the current administrationreferencing the despotic King Ubu, 1984, and Jonathan Crary's 24/7:Capitalism and the End of Sleep; followed by a crowdsourced version of Dziga Vertov's1929 masterpiece, Man With A Movie Camera: The Global Remake www.perrybard.net. dziga.perrybard.netarchived at http://rhizome.org/art/artbase/artwork/man-with-a-movie-camerathe-global-re… PierreMarietan (Paris) A Video Event Sunday 18 Thisis an invitation for you to use your power of ubiquity; it is proposed herewith the transfer of a distant world to the moment of your listening and gazeonto the present; I have traveled the World and captured 32 short visualsequences and recorded and retained 37 audio situations; with theseelements I have composed a set juxtaposing/superimposing images and musicindependently from each other, leaving the freedom of interpretation betweensight and sound up to the spectator; it is by this perceptible process that thegift of ubiquity is acquired ttps://pierremarietan.wordpress.com/ RencontreArchitecturemusiqueecologie.co ScreenCompositions 14, curated by Katherine Liberovskaya A Video Event Monday 19 For the 14th year, Screen Compositions bringsyou, as every time, a collection of intersections of moving image with sonicart; a program of screen works representing dynamic two-waycollaborations between video/film artists and sound/music artists specificallyintended for single-channel projection with no live or performance component;featuring collaborations by: Charlotte Clermont / Alain Lefebvre ; KatherineLiberovskaya / Ranjit Bhatnagar ; Francesca Llopis / Barbara Held ; MiloszLuczynski / Marek Choloniewski ; Noriko Nakano / Akio Mokuno with Hitomi Honda; Rob Parrish / Richard Chartier ; Emily Pelstring / Katherine Kline ; LorenzoSanjuan / Bob Bellerue ; Jorge Simonet / Francisco Lopez ; Beth Warshafsky /Gerry Hemingway Bettina Wenzel(Germany) Wednesday 21 Elasticmaterials are stretchable, over-stretchable and mostly unbreakable; a vocalresearch based on that principle leads to fall-out frequencies and wanted sideeffects that provide the main sound material for an ongoing research; unadulteratedand therefore natural, the resonating body generates extreme - minimal andmaximal - sound vibrations instantly shaped into musical structures; this canbe done in the way of a sculptor and by accepting the uncontrollable part; oneof the most recent results is "head oscillator", a serie ofproductive voice glitches http://soundcloud.com/bettina-wenzel,http://www.wenzelvoice.de GuyDe Bievre (Brussels) Thursday 22 Drone Shyness, version fortrombone and lap steel guitar; is a study of the becoming or not becoming ofdrone, investigating how much change and interruption "dronemusic" can tolerate before it becomes something else; with Peter Zummo,trombone www.guydebievre.org https://en.wikipedia.org/wiki/Peter_Zummo ClarenceBarlow (Santa Barbara, Barcelona) Friday 23 Since about thirty yearsago, the composer has been making films to accompany or illustrate his music;the video component is either based on the compositional principle of themusic, or based on visual material by other artists, from film archives, orrecorded on site www.clarlow.org RicardoArias (Colombia) and Judy Dunaway (US) - Sunday 25 Both have separately specialized in free improvisationand experimental music on the latex balloon fordecades, making it their main instrument; Arias’ background as a percussionistled him to develop the "balloon kit"("batería global”), andDunaway’s background as a guitaristled her to approach each size and shape of balloon as a soloinstrument; they will combine their expertise to expand and explore the detailsof their shared world and present heretofore unimagined sonic landscapes; thisconcert marks the first meeting of these two avant-garde virtuosi http://www.judydunaway.com/judy-dunaway-and-ricardo-arias-duets.html Our programs are supported by The David & Sylvia TeitelbaumFund, Inc, the Aaron Copland Fund for Music, the Phaedrus Foundation, and theNew York State Council on the Arts with the support of Governor Andrew Cuomoand the New York State Legislature 224 Centre Street at Grand, Third Floor, N Y 10013 212431 5127, 431 6430 www.experimentalintermedia.org andwww.XIrecords.org 9pm XI CDs are now available for sale on thewww.XI Records.org website: Phill Niblock - Four Full Flutes(XI 101); Lois V Vierk - Simoom (XI 102); Guy Klucevsek - Flying Vegetables OfThe Apocalypse (XI 104); David Behrman - Unforeseen Events (XI 105); TomJohnson - Music For 88 (Xi 106); Mary Jane Leach - Celestial Fires (Xi 107);Fast Forward - Same Same (XI 108); Ellen Fullman - Body Music (XI 109); JacksonMac Low - Open Secrets (XI 110); Phill Niblock - Music By Phill Niblock (XI111); Allison Cameron - Raw Sangudo (XI 112); Daniel Goode - Clarinet Songs (XI113); Mary Ellen Childs - Kilter (XI 114); Richard Lainhart - Ten ThousandShades Of Blue (XI 115); Peter Zummo - Experimenting With Household Chemicals(XI 116); Logos Duo - Logos Works (XI 117); Annea Lockwood/Ruth Anderson -Sinopah (XI 118); Eliane Radigue - Trilogie De La Mort (XI 119); MalcolmGoldstein - The Seasons: Vermont (XI 120); Phill Niblock - YPGPN (XI 121); PaulPanhuysen - Partitas For Long Strings (XI 122); Tom Johnson - The ChordCatalogue (XiI 123); Ellen Band - 90% Post Consumer Sound (Xi 124); PhilipCorner - 40 Years And One (Xi 125); Gen Ken Montgomery - Pondfloorsample (XI126); Michael J. Schumacher - Room Pieces (Xi 127); Alan Licht - A New YorkMinute (XI 128); David Behrman - My Dear Siegfried (XI 129); Warren Burt - TheAnimation Of Lists And The Archytan Transpositions (XI 130); Matt Rogalsky -Memory Like Water (XI 131); David Watson - Fingering An Idea (XI 132); MichaelJ. Schumacher - Five Sound Installations (XI 133) (Dvd-Rom); David First –Privacy Issue (XI 134); Charlie Morrow – Toot! (XI 135); Michael Vincent Waller– The South Shore (XI 136); Ulrich Krieger-/RAW:ReSpace/ (XI 137); Dan Joseph - Electroacoustic Works (XI 138) Coming Soon:Releases By Leslie Ross (XI 139), Tom Chiu (XI 140) The Following Releases Are 2 CdsFor The Price Of 1: XI 115, XI 121, XI 126, XI 127, XI 128, XI 129, XI 130, XI131, XI 132, XI 136, XI 137, XI 138; The Following Releases Are 3 Cds For ThePrice Of 2: XI 119, XI 134, XI 135

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January Event at EI
by Phill Niblock 22 Jan '18

22 Jan '18

Please respond to pniblock(a)compuserve.com, not to this address EXPERIMENTAL INTERMEDIA The Forty-fourth Anniversary of EIperformances at 224 Centre Street, The Forty-ninth Anniversary of the Foundingof Experimental Intermedia, the Forty-ninth Anniversary of the 224 CentreStreet loft, and, not least, The Twenty-seventh Annual Festival with nofancy name, Part Two (or B) Phill Niblock,curator January 2017 A special event for the end of January, two special artistscoming through town: Anne-F Jacques (Montreal) + RyokoAkama (Japan, England) Monday January29, 9pm FailedExperiments, this is their first appearance in the USA; is theirperformance/installation series comprised of small objects, motors, fans andmagnets; these animated contraptions are the result of their precarious studioexperiments; the work is never complete but is forever - a work in progress;sounding objects are arranged and assembled in the space as to make tiniesttonal occurrences to sporadical patterns of noise; the audience will experiencepapers, bottles, wood branches, hearing aids, brass, all mundane materialsscattering around in order to magnify the architecture of the space This collaboration wasfirst presented at Algomech Festival (2017, UK). http://anne-fff.tumblr.com/ http://www.ryokoakama.com http://www.melangeedition.com http://www.mumeipublishing.com http://www.amespace.uk Our programs are supported by The David & Sylvia TeitelbaumFund, Inc, the Aaron Copland Fund for Music, the Phaedrus Foundation, and theNew York State Council on the Arts with the support of Governor Andrew Cuomoand the New York State Legislature 224 Centre Street at Grand, Third Floor, N Y 10013 212431 5127, 431 6430 www.experimentalintermedia.org andwww.XIrecords.org XI CDs are now available for sale on the www.XI Records.org website: PhillNiblock - Four Full Flutes (XI 101); Lois V Vierk - Simoom (XI 102); GuyKlucevsek - Flying Vegetables Of The Apocalypse (XI 104); David Behrman -Unforeseen Events (XI 105); Tom Johnson - Music For 88 (Xi 106); Mary JaneLeach - Celestial Fires (Xi 107); Fast Forward - Same Same (XI 108); EllenFullman - Body Music (XI 109); Jackson Mac Low - Open Secrets (XI 110); PhillNiblock - Music By Phill Niblock (XI 111); Allison Cameron - Raw Sangudo (XI112); Daniel Goode - Clarinet Songs (XI 113); Mary Ellen Childs - Kilter (XI114); Richard Lainhart - Ten Thousand Shades Of Blue (XI 115); Peter Zummo -Experimenting With Household Chemicals (XI 116); Logos Duo - Logos Works (XI117); Annea Lockwood/Ruth Anderson - Sinopah (XI 118); Eliane Radigue -Trilogie De La Mort (XI 119); Malcolm Goldstein - The Seasons: Vermont (XI120); Phill Niblock - YPGPN (XI 121); Paul Panhuysen - Partitas For LongStrings (XI 122); Tom Johnson - The Chord Catalogue (XiI 123); Ellen Band - 90%Post Consumer Sound (Xi 124); Philip Corner - 40 Years And One (Xi 125); GenKen Montgomery - Pondfloorsample (XI 126); Michael J. Schumacher - Room Pieces(Xi 127); Alan Licht - A New York Minute (XI 128); David Behrman - My DearSiegfried (XI 129); Warren Burt - The Animation Of Lists And The ArchytanTranspositions (XI 130); Matt Rogalsky - Memory Like Water (XI 131); DavidWatson - Fingering An Idea (XI 132); Michael J. Schumacher - Five SoundInstallations (XI 133) (Dvd-Rom); David First – Privacy Issue (XI 134); CharlieMorrow – Toot! (XI 135); Michael Vincent Waller – The South Shore (XI 136); Ulrich Krieger-/RAW:ReSpace/ (XI 137); Dan Joseph - Electroacoustic Works(XI 138) Coming Soon:Releases By Leslie Ross (XI 139), Tom Chiu (XI 140) TheFollowing Releases Are 2 Cds For The Price Of 1: XI 115, XI 121, XI 126, XI127, XI 128, XI 129, XI 130, XI 131, XI 132, XI 136, XI 137, XI 138; TheFollowing Releases Are 3 Cds For The Price Of 2: XI 119, XI 134, XI 135 Also: February4 - Fridman Gallery New Ear Festival, New York - Phill Niblock, Tim Shaw,Katherine Liberovskaya - FRIDMANGALLERY 287 Spring St. New York / +1 (646)775-6406 / info(a)fridmangallery.com

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EI December Calendar
by Phill Niblock 27 Nov '17

27 Nov '17

EXPERIMENTAL INTERMEDIA The Forty-fifth Anniversary of EI performances at 224 Centre Street,The Fiftieth Anniversary of the Founding of Experimental Intermedia, theFiftieth Anniversary of the 224 Centre Street loft, and, not least, TheTwenty-eighth Annual Festival with no fancy name, Part One (orA) Phill Niblock, curator December2017 Tibor Szemzo and LászlóGoz (Budapest) Monday11 Counter/culture Closure Night: Part One - Experimental Intermedia and Balassi Institute -Hungarian Cultural Center, New York is co-presenting the first CLOSURE NIGHT ofthe Center's COUNTER/CULTURE programming series; to celebrate and wrap-up theevents which were focusing on artistic resistance during the era of stateSocialism in Hungary around the Sixties and Seventies; founders of theworld-renowed Group 180, Tibor Szemzo (visuals, music, narration, flutes) and LászlóGoz (bass trumpet, sea shells) will give a very special cinematographicmusic event paying homage to the Hungarian avantgarde film and music scene ofthe given decades and will prepare for the evening with a specially curated,exclusive program http://szemzo.org/en/tibor-szemzo-2/ http://www.culturehungary.org Henry Flynt (New York) Tuesday12 "You Are MyEverlovin’", for rock electric violin and amplified tambura; Tambura: C.C.Hennix, playing a Pandit Pran Nath tambura; This is a semi-composed,semi-improvised duet, it waspremiered in SOHO in June 1981, and the recording of that performance has beenreleased three times; the piece is literally an alap in the broad sense of the word, that is, a completeperformance without drums; the violin is conventionally tuned and the pedalpoint is D; the musical material is wide-ranging—all the same, two gats were at the core of the originalperformance; at times, Flynt alludes to Shuddh Todi by tonicizing f#; for therest of it, he alludes to various musics outside the European orbit and also tovarious compositions of his henryflynt.org; http://www.recorded.com/releases/003.html; https://www.superiorviaduct.com/collections/upcoming/products/henry-flynt-y… Paula Matthusen and Seth Cluett (Conn, New York) Wednesday 13 Fortheir first performance together, Paula Matthusen and Seth Cluett will fill atable with transduced tubes, 3D printed shapes, amplified objects, and cassetterecorders; feedback will be used to explore spaces large and small whilesoftware and hardware instruments capture sound as a material to be sculpted intime; both are composers, artists, and performers in equal and sometime notequal parts, so no particular preference will be given to whether the soundsare loud or soft or short or long but a great deal of attention will almostcertainly be paid to listening in the moment http://www.onelonelypixel.org http://vimeo.com/sethcluetthttp://soundcloud.com/sethcluett http://www.paulamatthusen.com/ Bernd Klug (New York) Thursday14 ‘sides-systems under test’ is a live sound work based on ongoing research about thephysical impact of societies as acoustic properties; it traces the question ofwhat happens if we temporally, spatially and intellectually feedback our lackof control over the world; maybe void and silence are not too far apart andactive listening can be an information session about our inabilities, a benefitfor our crumbled actions, a funeral party for lost dreams and a launch ofattempts and approaches http://klug.klingt.org David Lee Myers (New York) Friday 15 CD release party andperformance by Myers, who sometimes works under the name Arcane Device; thealbum “Ether Music” is produced by the new music champion Starkland label; hewill be performing his signature “Feedback Music” on decades-evolvingmatrix-mixed sound processors accompanied by projected lissajou graphicscreated directly from his sounds; marking the 30th anniversary of FeedbackMusic, this is Myers’ only performance this year! www.pulsewidth.com https://www.youtube.com/watch?v=Ytqotxofy6Q https://davidleemyers.bandcamp.com Michael Schumacher (New York) Sunday17 ThePortable Multi-Channel Sound System is a musical instrument designedspecifically for Michael J. Schumacher’s spatialized compositions; building onthe pioneering work of composers such as Alvin Lucier and Maryanne Amacher,presentations explore the relationship between musical form and architecturalspace and how this relationship can inform listening; combining installationand performance, algorithmic composition and improvisation, this goes beyondacoustics to the way people inhabit and use spaces, creating paradigms forlistening and formal expectations http://michaeljschumacher.com/PM-CSS Lucie Vítková (Czech Republic/New York) Monday 18 MUSIC DOMESTIC is an album, releasedon the New York label Bánh Mì Verlag in March 2017; it is a series ofperformances focused on domestic space; in each piece, an automatic domesticinstrument such as vacuum cleaner, kettle, washing machine, toilet, shower,heating and fans is played together with 2 accordions, hichiriki, voice,harmonica, objects and electronics; the music aesthetics are derived from agentle manipulation of the domestic instruments, followed by my set ofinstruments; I am going to play four pieces from this album live, with thedomestic instruments found at the venue https://soundcloud.com/banhmiverlag/lucie-vitkova-music-domestic-excerpt Yasunao Tone (New York) Tuesday19 Hehas collaborated with Prof. Tony Myatt, University of Surrey UK, and a team ofresearchers including Dr. Paul Modler, with the support of the ISSUE ProjectRoom in 2016; a series of performances using Tone’s MP3 Deviation software werecaptured in a laboratory then used to train Kohoen Neural Networks to developartificial intelligences that can simulate several of his performance approaches;the AIs are integrated in a software framework and computer performance systemthat extracts attributes from the audio they generate to “listen” to the outputand make performance actions as if they were virtual Tone performers; fiveversions of Tone AI exist in the performance software, each of which exhibitscertain responses modeled on those previously adopted by Tone; in performance,Tone will deviate and control AI versions of himself along with the mechanismsthat each AI uses to hear and respond to the audio they generate; deviating andcorrupting the technologies designed to simulate his own performances,deviating and interacting live with AI versions of himself as performer;special guest artist, Ami Yamasaki, outstanding voice performance artist www.Google him Our programs are supported by The David& Sylvia Teitelbaum Fund, Inc, the Aaron Copland Fund for Music, thePhaedrus Foundation, and the New York State Council on the Arts with thesupport of Governor Andrew Cuomo and the New York State Legislature 224 Centre Street at Grand, Third Floor, NY 10013 212 431 5127, 431 6430 www.experimentalintermedia.org andwww.XIrecords.org 9pm Phill Niblock at Roulette for Six Hours ofMusic and Film on Thursday, December 21, from 6pm to midnight - the WinterSolstice Roulette Intermedium, Inc, 509 AtlanticAve, Brooklyn, New York 11217, www.roulette.org XI CDs are now available for sale on the www.XI Records.org website: Phill Niblock - Four Full Flutes (XI 101); Lois V Vierk - Simoom (XI102); Guy Klucevsek - Flying Vegetables Of The Apocalypse (XI 104); DavidBehrman - Unforeseen Events (XI 105); Tom Johnson - Music For 88 (XI 106); Mary Jane Leach - CelestialFires (XI 107); Fast Forward -Same Same (XI 108); Ellen Fullman - Body Music (XI 109); Jackson Mac Low - OpenSecrets (XI 110); Phill Niblock - Music By Phill Niblock (XI 111); AllisonCameron - Raw Sangudo (XI 112); Daniel Goode - Clarinet Songs (XI 113); MaryEllen Childs - Kilter (XI 114); Richard Lainhart - Ten Thousand Shades Of Blue(XI 115); Peter Zummo - Experimenting With Household Chemicals (XI 116); LogosDuo - Logos Works (XI 117); Annea Lockwood/Ruth Anderson - Sinopah (XI 118);Eliane Radigue - Trilogie De La Mort (XI 119); Malcolm Goldstein - The Seasons:Vermont (XI 120); Phill Niblock - YPGPN (XI 121); Paul Panhuysen - Partitas ForLong Strings (XI 122); Tom Johnson - The Chord Catalogue (XI 123); Ellen Band - 90% PostConsumer Sound (XI 124); PhilipCorner - 40 Years And One (XI125); Gen Ken Montgomery - Pondfloorsample (XI 126); Michael J. Schumacher -Room Pieces (XI 127); Alan Licht- A New York Minute (XI 128); David Behrman - My Dear Siegfried (XI 129);Warren Burt - The Animation Of Lists And The Archytan Transpositions (XI 130);Matt Rogalsky - Memory Like Water (XI 131); David Watson - Fingering An Idea(XI 132); Michael J. Schumacher - Five Sound Installations (XI 133) (Dvd-Rom);David First – Privacy Issue (XI 134); Charlie Morrow – Toot! (XI 135); MichaelVincent Waller – The South Shore (XI 136); Ulrich Krieger -/RAW:ReSpace/ (XI137); Dan Joseph - Electroacoustic Works (XI 138) Coming Soon:Releases By Leslie Ross (XI 140),Tom Chiu (XI 141) AmnonWolman/Neil Leonard - Security Vehicles Only (XI 139) – Our first digital onlyrelease. Recorded live at Experimental Intermedia performance. Available onbandcamp as well as through most digital outlets (iTunes etc) Thecover art and full notes for the release will be on the www.experimentalintermedia.orgwebsite, and in a form to print and place into a burned CD case

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Phill Niblock in the late spring
by Phill Niblock 08 Jun '17

08 Jun '17

A few events for the late spring by Phill Niblock please respond to this email at pniblock(a)compuserve.com not to the sending address phill June 4, 8pm, Montreal -Bozzini String Quartet plays Phill Niblock at Suoni PerIl Popolo Music Festival, LA SALA ROSSA, 4848 St.Laurent, Montréal, Qc www.suoniperilpopolo.org This concert includes two pieces for orchestra, Disseminate and Baobab,played by multples of the Bozzini String Quartet, recorded in Montreal on May31 and June 1; and three pieces of music with film/video, by Phill Niblock June 8, 9 10, in TorinoItaly PHILL NIBLOCK – PLAY IT LOUD! UN PROGETTO IN COOPERAZIONE TRA: MuseoNazionale del Cinema, Conservatorio di Torino Universitàdi Torino, Superbudda, produced by Stefano Bassanese June 8 - 11 am AULA 12 - PALAZZO NUOVO,Via Sant'Ottavio 20 (Università di Torino) Interview with Phill Niblock, by Giacomo Albert, Riccardo Fassone, Vincenzo Santarcangelo,Stefano Bassanese (Conservatorio di Torino) Corso di Semiologia del film e dell'audiovisivo , Andrea Valle Laurea magistrale in Cinema e Media ====== Concert, 9pm: Phill Niblock: the movement of the artist working, with music Piazza Bodoni, Salone Concerti Del Conservatorio http://www.conservatoriotorino.gov.it/evento/play-it-loud/ Music and Film by Phill Niblock: Unipolar Dance per viola, violino – Li Xinyu: violino, Giorgia Lenzo: viola Nagro (aka Organ) per organo a canne - Matteo Cotti: organo First out per chitarra elettrica - Carlo Barbagallo: chitarra elettrica Film: China88 ======= June 9: AULA 40 - CONSERVATORIO, 10am Phill Niblock: workshop with the compositionstudents SMET - Scuola di Musica Elettronica, SUPERBUDDA, Docks Dora / Via Valprato 68,hours 4 to 11pm http://www.superbudda.com/ The Movement of People Working, with Music - installazion with 3 screens and I video monitor 1 China88 1:50:21 2 Brasil84 1:17:16 3 Hong Kong & Hungary 1:51:20 4 BayJames 24:46 1 Japan89 1:58:35 2 Peru - Mexico 1:14:14 3 China86 1:15:14 4 Brasil83 53:05 1 China87 1:40:56 2 TresFamilias 1:16:49 3 Lesotho 42:27 4 Arctic 38:45 5 Portugal 50:33 1 Remo Osaka 1:59:02 2 Romania 1:14:41 3 Sumatra 4:14:36 (on video monitor) Cotinuous music in the hall Concert at 9pm Stosspeng per 2 chitarre elettriche - AmosCappuccio e Luca Morino: chitarra elettrica June 10 - CINEMAMASSIMO - SALA UNO, Via Giuseppe Verdi,18 4:30pm -Thomas Maury, Niblock’s Sound Spectrums[2016-2017] (70') The first screening of this version ofThomas Maury's documentary of Phill Nilbock 6pm - Phill Niblock, Six Films [1966-1969](79') MORNING (1966-69) from an idea by PhillNiblock and Jean Claude Van Itallie, filmed by PN, text by Lee Worley and Michael Corner, with members of the OpenTheater Group. Black and White 16mm film. THE MAGIC SUN (1966 - 68) with members ofthe Sun Ra Arkestra, music by Sun Ra and the Arkestra. Filmed with a high contrast Black and White 16mm film. DOG TRACK (1969) A film by Phill Niblock,with a found text read by Barbara Porte. Color 16mm film. ANNIE (1968) A portrait of the dancer AnnDanoff, with a sound collage sound track. Color 16mm film. MAX (1966 - 68) An image collage film/portrait of Max Neuhaus, with a collage sound track by Max Neuhaus. Black and White 16mm film. RAOUL (1968 - 69) A portrait of thepainter Raoul Middleman, with extensive use of time-lapse film technique. Thesound track is improvised by Raoul Middleman andPhill Niblock. Color 16mm film. 9pm - Phill Niblock, Video-concerto Recent HD Videos [2013-2016] (100') Meudrone 1, Agosto, DH Sand-Water, Vent 4,Meudrone 2 e l’esecuzionie dal vivo di: 9pm - Phill Niblock, Video-concerto Recent HD Videos [2013-2016] (100') Meudrone 1, Agosto, DH Sand-Water, Vent 4,Meudrone 2 e l’esecuzionie dal vivo di: Held Tones (1981) per flauto, AlessandraGiura Longo: flauto Sweet Potato (2001) per clarinetto basso,,Takayo Hiramatsu: clarinetto basso Twelve Tones (1977) per contrabbasso,Michele Anelli: contrabbasso A Third Trombone (1979/1994) per trombone,Stefano Cicerone: trombone Ronet (2014) per sassofono tenore, Pasquale Calò: sassofonotenore

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