Experimental-Intermedia

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by Phill Niblock 26 Nov '20

26 Nov '20

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Professionally engaged in theatre pedagogy,freelancing in the cultural sector and as a musician. She is currently activein artistic director of workshops on diverse topics at schools, based onmethods of Forum- and improvised theatre. Her artistic ambitions focus onimprovisation and experimentation with music/electroacustic music and thewritten/spoken word, where she seeks to incorporate here experiences into thefield of theatre and performance.„Du“ Electroacoustic composition for two players/performers(Cello/Voice/Live-electronics) by Veronika Gmeindl. „Du“ („You“), a directedinner monologue. By accident the initial lyrics were printed twice, much like adouble exposure, hardly legible. The subjective expression of a strugglingindividual, who in turn pleads guilty of denunciation. The principle ofmultiple exposure is mimicked on several levels (structure, soundesign,melodies and improvisation with double bass and cello). All of this leads to anever repeating and ever evolving game, always open to interpretation. Richard Graf Studies in music and music education at the University of Music and PerformingArts Vienna (graduation Summa cum Laude) and the Berklee College of Music.Lecturer at the University of Southern California, Los Angeles/USA (1995).Since 2018 Dean and Head of Master Studies (faculty music education) at the„JAM MUSIC LAB University”. Founder and artistic director of the MAX BRANDEnsemble. Graf has received several national and international awards andprizes. His work has been published by: UNIVERSAL EDITION, ADVANCE MUSIC, SCHOTTMUSIC, RICH ART Records, IAJE (International Association of Jazz Educators),Austrian Broadcasting Cooperation – ORF, Musikerziehung etc. Co-Producer forECM-Records: Michael Mantler & MAX BRAND Ensemble: “Comment C’est”Matrix for three guitars and live electronics Richard GRAF – a composer, guitar player and three guitars plus electronics ininteraction to combine compositional, mathematical, tonal and technicalparameters. The “Matrix” is a nine-tone-row, which develops to horizontal andvertical musical structures, enriched by live electronics and improvisation Heuses three unique guitars which have been built by Roland Hauke: Baritonguitar, Fretless guitar, Standard electric guitar. Sebastian Leopold Sebastian Leopold is a musician, instrument maker and engineer based in Vienna.After three years of internationally working as an engineer, he settled down toset up his own workshop where he could focus on building sounding objects andinstallations. Leopolds fascination for vibrating strings, membranes, blocksand blobs shows in his workpieces, which experiment with the eigenfrequenciesof bodies and their manipulation through means of electronics.„drift“ The workpiece “drift” is a big self-resonating feedback mirror made fromstainless steel driven by an air coupled 4×10″ speaker. The sounds you hear arethe intrinsic vibrations of the metal sheet, simply generated by feeding thesignals recorded by a contact microphone back to the mirror through thespeakers. The reflections caused by the mirror’s vibrations visualise thespatial expansion of the structure-born sound and magnify the moment when thestable oscillation breaks down into chaotic noise. “Drift” explores theboundaries and intersections between control and collapse, dissipation and resonance,reflection and transmission.STATION ROSE STATION ROSE/STR was founded in Vienna, Austria, in 1988 by Gary Danner (sound)and Elisa Rose (art). As one of the first digital groups worldwide, STATIONROSE have used the potential of live audio visual media and the internet forperforming in their work. Their Gunafa Clubbings were the first AV- andonline-clubprojects worldwide (Frankfurt, 1992). STR are online since 1991 andare regarded as „Pioneers of Digital Culture (Frankfurter Allgemeine). Danner´scareer as professional musician/composer spans 4,5 decades, quite often usingreliable structures like Beat, Punk, Techno, and Minimal Music. STATION ROSEoperates at the interface of digital art, music and pop. Their artistic outputis characterized by exploring the boundaries between reality and virtuality,audio and video are organically interwoven by definition.“WEBCASTING STReaming 2020“ In Frankfurt in 1999, STR developed a new online broadcast format,„Webcasting”, which included animations, live music, live composition andimprovisation, talks and performances. It was streamed live from the STATIONROSE Studio, Elisa Rose’s image workstation and Gary Danner’s soundworkstation/DAW were broadcast over the internet. In 2020, by the circumstancesof quarantine, this unchanged contemporary STReaming format was used again anddeveloped further – from the studio in Vienna. „For a STReam, I will prepare certain samples, rhythmic parameters and musichardware minimally, compose and arrange live in real time, and treat thiscomposition with digital effects. Music is created LIVE and synaestheticallywith the visual art that is created simultaneously.“ Gary Danner Lukas Moritz Wegscheider Lukas Moritz Wegscheider is a composer for experimental music, sound- and mediaartist. In his work he currently deals with time, the ephemeral, theimperishable and what remains. Memories. He treats this subjects with liveperformances, sound- and video installations and exhibitions. Since 2016 hestudies at the university of music and performing arts in Graz. http://lukasmoritzwegscheider.com/”memoire” In the room an impression of what has happened is presented, as the firstmemory, taken up again and sent to the ether. This sonic memory then getspicked up by the radio and confronts the audience once again. A rememberedmemory. The installation addresses the fact that you cannot simply forget, thatyou cannot simply make forgotten and that even after forgetting, you willalways remember what has been forgotten. From forgotten forgotten – tomemorized memory. The theme of KLANGZEIT Festival 2020 is Human Life / GreenSounds / Artificial Emotion. ‘Green Sounds’ are not just sounds of nature, they are sounds of the naturalinteraction of humans with the environment and at the same time the design oflife (environment). Working with sound is the embodiment of a political demand:reflecting on the self-regulation of nature, listening to the importance of theculture of designing for people. The design of “Green Sounds” means, a way oflife of nature as “art (of) living”. As the overcoming of the culture of therationality of seeing, “auditory culture” means not only the transfer of thenature of hearing to culture, but the merging of nature and culture into“Converged realities” – the virtual and the real overlap, the differencebecomes null and void. About phonoECHOES In spring 2020, ÖKB (Österreichischer Komponistenbund – Austrian Composers’Association) and Klanghaus Untergreith announced for the first time‘phonoECHOES’, a competition for sound art and electronic music. The awardceremony will take place on November 26th. Klanghaus Untergreith Klanghaus Untergreith is an international centre for sound art focusing oninterdisciplinary, experimental and border-crossing projects spanning visualarts, literature, performance art, media art and music. https://klang-haus.athttp://iklectikoffsite.org/klangzeit-festival-2020/ Project supported by Österreichischer Komponistenbund - AACS - austrian cultural forum londonFlyer by Lisa McKendrik

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Live in Vienna, except those on the internet
by Phill Niblock 07 Jul '20

07 Jul '20

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The Oda.co events for June 19, 20, 21
by Phill Niblock 18 Jun '20

18 Jun '20

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in Solidarity, from Experimental Intermedia
by Phill Niblock 06 Jun '20

06 Jun '20

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An Online Event and Online Publication
by Phill Niblock 20 May '20

20 May '20

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mso-ascii-font-family:Helvetica; mso-fareast-font-family:"Times New Roman"; mso-hansi-font-family:Helvetica; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}p.MsoListParagraphCxSpLast, li.MsoListParagraphCxSpLast, div.MsoListParagraphCxSpLast {mso-style-type:export-only; margin-top:0in; margin-right:0in; margin-bottom:0in; margin-left:.5in; margin-bottom:.0001pt; mso-add-space:auto; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"p∞Òø◊\0027Ï"; mso-ascii-font-family:Helvetica; mso-fareast-font-family:"Times New Roman"; mso-hansi-font-family:Helvetica; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}span.yiv8320943758gmail-s1 {mso-style-name:yiv8320943758gmail-s1; font-family:"Times New Roman"; mso-bidi-font-family:"Times New Roman";}p.yiv0383275045msonormal, li.yiv0383275045msonormal, div.yiv0383275045msonormal {mso-style-name:yiv0383275045msonormal; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"p∞Òø◊\0027Ï"; mso-ascii-font-family:Times; mso-fareast-font-family:"Times New Roman"; mso-hansi-font-family:Times; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}span.addresswsitemitemselected {mso-style-name:"address wsitem itemselected"; font-family:"Times New Roman"; mso-bidi-font-family:"Times New Roman";}span.addressdispform {mso-style-name:addressdispform; font-family:"Times New Roman"; mso-bidi-font-family:"Times New Roman";}size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;}div.Section1 {page:Section1;}mso-level-start-at:5; mso-level-number-format:bullet; mso-level-text:-; mso-level-tab-stop:none; mso-level-number-position:left; text-indent:-.25in; font-family:Helv; mso-fareast-font-family:"Times New Roman";}ol {margin-bottom:0in;}ul {margin-bottom:0in;}Pleasedo not respond to this email at this address, but write to -pniblock(a)compuserve.com This is an announcementabout two events: A network arts event on May 24th, at 9pm Spanish (European)time, 3pm EDT (NY) The link for the event - https://nownetarts.org/series For May 24, 2020I was very disappointed in not being able to go to Spain tomake concerts in four venues in April. So we decided to organize a Zoom event for themThe museums are: - C3A Centro de Creación Contemporánea de Andalucía C/ CarmenOlmedo Checa, Córdoba, SpainAlvaro Rodriguez Fominaya, Artistic Director www.c3a.es - Centro José Guerrero, Oficios, 8, 18001 Granada, SpainDirector - Francisco Baena www.centroguerrero.es - Museo Vostell Malpartida, Carreterade Los Barruecos, 10910 Malpartida de Cáceres, SpainJosé Antonio AgúndezGarcía, Director museovostell.juntaex.es - Phonos, Universitat Pompeu Fabra, Edifici Mercè, Plaçade la Mercè, 10-12 08002 Barcelona, Director Angel Faraldo, https://www.upf.edu/web/phonos But everyone is invited to join the audience, in thegreater worldPlease!!The link for the event - https://nownetarts.org/series This is the program: - Set 1: Katherine Liberovskaya/ Barbara Held/ Phill Niblocklive video: Katherine Liberovskayalive flute and electronics: Barbara Heldlive sound collage: Phill Niblock - Set 2:Music and Film by Phill NiblockFilm/Video: China 88, a film from the Movement of PeopleWorking series, filmed in Sechuan Province in China in 1988Music: Vlada BC, for viola d'amore; Bag, for Scottish bagpipes; and PraisedFan, for bassoon This event is co-produced with Sarah Weaver of NowNet ArtsThe concert will take place in Zoom. Go the website on theconcert day and click the event button to enter Zoom. The concert can be heardon a phone, tablet, or computer. Best quality with headphones or externalspeakers and wired internet connection www.nownetarts.org/series Phill Niblock is an intermedia artist using music, film,photography, video and computers. He was born in Indiana in 1933. Since themid-60's he has been making music and intermedia performances which have beenshown at numerous venues around the world. Since 1985, he has been the directorof the Experimental Intermedia Foundation in New York -www.experimentalintermedia.org - where he has been an artist/member since 1968.He is the producer of Music and Intermedia presentations at EI since 1973 andthe curator of EI's XI Records label. Phill Niblock's music is available on theXI, Moikai, Mode and Touch labels. A DVD of films and music is available on theExtreme label. He is a retired professor at The College of Staten Island, theCity University of NewYork. In 2014, he is the recipient of the John Cage Awardfrom the Foundation for Contemporary Arts.www.experimentallintermedia.org Barbara Held flautista y compositora, vive en Barcelona. Supráctica como músico con formación clásica da prioridad a toda una vida decolaboración, de trabajo interdisciplinario en relación con otros artistas. Hacreado un conjunto muy personal de nuevo repertorio para flauta porcompositores españoles y estadounidenses, incluido el "Autorretrato"de Alvin Lucier para flauta y anemómetro de viento, y trabajos de cine yperformance con Carles Santos y el poeta Joan Brossa. Sus composicionescolaborativas de video y música se han presentado en entornos muy diversos,desde el “Z to A Festival” organizado por el Storefront for Art andArchitecture en las calles de New York hasta el Festival LOOP de videoarte enBarcelona. Conocida por su sutil exploración del material sonoro, crea untrabajo de sonido sensible y enfocado que expone el detalle del espacio físicode la escucha. Katherine Liberovskaya is a Canadian intermedia artist basedin New York City. Involved in experimental video since the 80's, she hasproduced numerous single-channel video art pieces, video installations andvideo performances, as well as works in other media, that have shown around theworld. Since 2001 her work predominantly focuses on the intersection of movingimage with sound/music in various both ephemeral and fixed forms (projections,installations, performance), notably through collaborations with many composersand sound artists in improvised live video+sound concert situations where herlive visuals seek to create improvisatory "music" for the eyes. In2014 she completed a PhD in art practice entitled "Improvisatory LiveVisuals: Playing Images Like a Musical Instrument" at the Universite duQuebec in Montreal (UQAM).www.facebook.com/liberovskaya And the SecondAnnouncement: OUT NOW: ce.onl_0033 ContourEditions is pleased to publish the video work Threshold ofPredictability: A Trilogy by NYC based media artist KatherineLiberovskaya with music by the legendary composer and filmmaker Phill Niblock.Katherine’s publication consists of three moving image pieces ranging between30’ to 60’ where a single event unfolds its outcome slowly with transparencytowards an inevitable conclusion. Each distinct piece features adifferent unmistakable drone music composition by Phill Niblock. The threepieces form a trilogy that spans approximately 138’ of audiovisualimmersion. For listening and detailed information about Threshold ofPredictability visit the publication page within catalog. Tolearn more about Katherine Liberovskaya and Phill Niblock please visittheir profiles here: artists Thisonline project is the latest development to present works that explore thevarious possibilities of sound and moving image, while also engaging withstudio experimentation, materiality, processes, and diverse techniques tocreate and treat material and media. Contour Editions' continued effort isto reach audiences globally on a personalized level, facilitating thepresentation of independent original works of art. Subsequently, establishing acommunity of artists sharing similar interests towards incrementallyinstituting a significant archive of media works. Onlineproject: ce.onl_0033 Artist: Katherine Liberovskaya with music by Phill Niblock Title: Threshold of Predictability Format: Online ScreeningDate:2020Catalog ContourEditionswww.contoureditions.cominfo(a)contoureditions.com

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Two events, online, from Nantes France
by Phill Niblock 01 May '20

01 May '20

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OptoSonic [UnLock] (BYOTea) - on-line performance - Sunday April 26th
by Phill Niblock 24 Apr '20

24 Apr '20

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on-line version of Screen Compositions 16
by Phill Niblock 01 Apr '20

01 Apr '20

Please do not reply to this address, but write to pniblock(a)compuserve.com ====== With the lock-down now extended to the end of April we alsoextend our on-line version of Screen Compositions 16 that you can find at:https://vimeopro.com/richardgaret/screen-compositions-2020 Once again many thanks to Contour Editions and Richard Garet forhelping with getting this on-line.- SCREEN COMPOSITIONS 16 - curated by Katherine LiberovskayaFor its 16th edition Screen Compositions brings you againwithout fail a collection of inspiring and inspired intersections of movingimage with sonic art; a program of screen works representing dynamic two-waycollaborations between video/film artists and sound/music artists specificallyintended for single-channel projection with no live or performance component;featuring collaborations by: Benton Bainbridge / Barbara Held; Nathalie Bujold/ Michel Langevin (Voivod); Alexandra Dementieva / Guy De Bièvre; Bradley Eros/ Lea Bertucci; Muyassar Kurdi / Ka Baird; Katherine Liberovskaya / PhillNiblock; Geoff Matters / Mike Lerner; Eiichi Tosaki & Jutta Pryor / HitomiHonda; Twin Automat (Irini Karayannopoulou+Sandrine Cheyrol) / Yannis Saxonis;Adriana Vila Guevara / Alfredo Costa Monteiro Also continuing is Walter Wright's wonderful retrospective video program: http://experimentalintermedia.org/concerts/20/Walter3.20.shtml(Many thanks to Detta Andrea for help with this)- WALTER WRIGHT (Lowell, Massachusetts) Psychology says that “we see what we think we see”; Lightfalls on the retina and the resulting stimulation is transmitted by the opticnerve to the brain; the brain forms an image, resolves 3D, compares it to thelast image thus detecting movement, checks for imminent danger and, finally,compares it to images already stored in memory. The result loops through themind/body system resulting in an emotional reaction, producing meaning; realityis, in a sense, obscured by our own perceptions; as video artists, it is up tous to dis-cover or un-cover reality, then re-present or re-imagine reality in amanner that changes the viewers perception, to inform rather than affirm, tocreate rather than imitate - Videos by Walter Wright and a performance byWalter Wright and Al Margolis aka Elka Bong https://nohtv.wordpress.com/ <https://nohtv.wordpress.com/> Hoping everyone is well and safe !Katherine and Phillfrom the Experimental Intermedia Quarantine

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Experimental Intermedia on-line programs and event cancellations because of Covid19
by Phill Niblock 20 Mar '20

20 Mar '20

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Exp Intermedia March concert calendar
by Phill Niblock 25 Feb '20

25 Feb '20

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Premiere of audio/video network arts piece“Duplexity State” (S W, electronics, Daniel Pinheiro, movement and visuals, remoteperformer live via the internet) www.sarahweaver.org/syncsource/label John King and DavidWatson (New York) Wednesday 11A first-time collaboration between two long-time New Yorkmusic creators: David Watson on Great Highland Bagpipes and Scottishsmallpipes, and John King playing viola; a conversation of drones, tones,listening and playing, extreme frequency and amplitude explorations will ensue http://johnkingmusic.com https://davidwatsonmusic.net Carl Stone (Tokyo)and Ulrich Krieger (LosAngeles) Friday 13Stone (live electronics) and Krieger (saxophone) have beenworking together as a duo for a few years; they are listening into the depthsof the instruments, using microphones and electronics to facilitate hiddensounds to emerge, thereby creating quasi-hyper-realistic soundscapes from lushto hard where saxophone sounds and the electronics merge and becomeindistinguishable http://www.rlsto.net/Nooz/ http://www.ulrich-krieger.com/ Kathy High (New YorkState) A Video Event Saturday 14I have been deep in art and science investigations,particularly trying to understand the interconnections of our ecosystems, ourimmune systems, and our microbiomes; of late, I have been making videos thatare obsessed with the gut microbiome and becomings; I will show a smattering ofworks on this night: documentary, speculative and otherwise www.kathyhigh.com Luca Forcucci (Italy/Switzerland) Sunday 15Alerta ! is a poem of the Brazilian author Oswald de Andradeabout dictatorship during the 1960-1980’s in Brazil, resistance and love; thecomposition is a process based work: The poem told by the composer JorgeAntunes was recorded in Recife (Br); graphic scores were then given to acellist (Noémie Braun), and a percussionist (Lucas Gonseth) in LaChaux-de-Fonds (CH); the resulting material was recorded and recombined,brought forward in Switzerland, in Portugal, now in the USA, until its unknownfinal form www.lucaforcucci.comwith support from Nicati -de Luze Foundation and ProHelvetia Jens Brand(Berlin) Monday 16With the intense collaboration of BenManley and Dan Evans Farkas;they are collaborating in one way orthe other on the basis of overlapping unaltered individual approaches on timeconsuming media since the middle of the 90s; this concert will be not so loudbut somtimes not so not so loud and most likely be loud enough to considerbringing earplugs a good idea; the performance will feature Dan's Frankensteinrelated approach to live electronics (By sewing together the various electronicdevices with patch cords, I seek a sound that makes the soul shout out: “It’salive! IT’S ALIVE!") and in particular the use of a lot of toywalkie talkies; Ben will generate electroacoustic sounds and let them bloom anddecay, several times, and Jens will focus on a somewhat medieval-backwardsvisions of electronic music without speakers, featuring the NEW mechanicorchestra of ratchets and the first presentation of the mysterious andautomatic quartet of the FHDCMS (four harmonic dc motors sisters) www.jensbrand.com Walter Wright(Massachusetts) A Video Event Friday 20Psychology says that “we see what we think we see”; Lightfalls on the retina and the resulting stimulation is transmitted by the opticnerve to the brain; the brain forms an image, resolves 3D, compares it to thelast image thus detecting movement, checks for imminent danger and, finally,compares it to images already stored in memory. The result loops through themind/body system resulting in an emotional reaction, producing meaning; realityis, in a sense, obscured by our own perceptions; as video artists, it is up tous to dis-cover or un-cover reality, then re-present or re-imagine reality in amanner that changes the viewers perception, to inform rather than affirm, tocreate rather than imitate - Videos by Walter Wright and a performance byWalter Wright and Al Margolis aka Elka Bong https://nohtv.wordpress.com/ SCREEN COMPOSITIONS16 - curated by Katherine Liberovskaya Sunday 22ndFor its 16th edition Screen Compositions brings you againwithout fail a collection of inspiring and inspired intersections of movingimage with sonic art; a program of screen works representing dynamic two-way collaborationsbetween video/film artists and sound/music artists specifically intended forsingle-channel projection with no live or performance component; featuringcollaborations by: Benton Bainbridge / Barbara Held; Nathalie Bujold / MichelLangevin (Voivod); Alexandra Dementieva / Guy De Bièvre; Bradley Eros / LeaBertucci; Muyassar Kurdi / Ka Baird; Katherine Liberovskaya / Phill Niblock;Geoff Matters / Mike Lerner; Eiichi Tosaki & Jutta Pryor / Hitomi Honda;Twin Automat (Irini Karayannopoulou+Sandrine Cheyrol) / Yannis Saxonis; AdrianaVila Guevara / Alfredo Costa Monteiro Tony Martin (NewYork) A Video Event Tuesday 24He sees Video as a joining place; Recipes can bring together - Live electronics -personal/custom/invented and computer modulated;Variable voltage interfaces; Observation by camera; Abstract video and optical translating;Hands-on drawing and painting-in-time using projection equipment; Personaloptical and mirror techniques; Collaborative Sound composition; This programwill feature works from the 1970's, 1990's and Now www.tonymartinartist.net/intermedia Nicola L. Hein(Berlin) and Viola Yip (NewYork) Wednesday 25Hein (guitar, electronics) and Yip (lightbulbs, electronics)are an transdisciplinary duo that creates immersive site-specificperformances and installations bridging the vibrations of light and sound;trained as musicians, both of them are interested in looking into the ontologyof sound and how musical experience can be transformed beyond its commonmaterial: sound; in their duo project they research about the possibilities oflight as an expanded musical material; connecting lightbulbs, electronics andelectric guitar as an integrated instrument; in their performances they utilizelights and sounds as equally important and yet dialecticalmusicalmaterialshttps://nicolahein.com/ https://www.youtube.com/watch?v=huhDK4GkFVM Our programs are supported by The David& Sylvia Teitelbaum Fund, Inc, the Aaron Copland Fund for Music, thePhaedrus Foundation, and the New York State Council on the Arts with thesupport of Governor Andrew Cuomo and the New York State Legislature224 Centre Street at Grand, Third Floor, NY 10013 212 431 5127, 431 6430www.experimentalintermedia.org andwww.XIrecords.org 9pm We are now streaming the concerts live on the Wave FarmWebsite:https://wavefarm.org/radio/partner-streams/schedule/e7hkxy XI CDs are now available for sale on the www.XIRecords.org website:Phill Niblock - FourFull Flutes (XI 101); Lois V Vierk - Simoom (XI 102); Guy Klucevsek - FlyingVegetables Of The Apocalypse (XI 104); David Behrman - Unforeseen Events (XI105); Tom Johnson - Music For 88 (XI 106); Mary Jane Leach - Celestial Fires(XI 107); Fast Forward - Same Same (XI 108); Ellen Fullman - Body Music (XI109); Jackson Mac Low - Open Secrets (XI 110); Phill Niblock - Music By PhillNiblock (XI 111); Allison Cameron - Raw Sangudo (XI 112); Daniel Goode -Clarinet Songs (XI 113); Mary Ellen Childs - Kilter (XI 114); Richard Lainhart- Ten Thousand Shades Of Blue (XI 115); Peter Zummo - Experimenting WithHousehold Chemicals (XI 116); Logos Duo - Logos Works (XI 117); AnneaLockwood/Ruth Anderson - Sinopah (XI 118); Eliane Radigue - Trilogie De La Mort(XI 119); Malcolm Goldstein - The Seasons: Vermont (XI 120); Phill Niblock -YPGPN (XI 121); Paul Panhuysen - Partitas For Long Strings (XI 122); TomJohnson - The Chord Catalogue (XI 123); Ellen Band - 90% Post Consumer Sound(XI 124); Philip Corner - 40 Years And One (XI 125); Gen Ken Montgomery - Pondfloorsample (XI126); Michael J. Schumacher - Room Pieces (XI 127); Alan Licht - A New YorkMinute (XI 128); David Behrman - My Dear Siegfried (XI 129); Warren Burt - TheAnimation Of Lists And The Archytan Transpositions (XI 130); Matt Rogalsky -Memory Like Water (XI 131); David Watson - Fingering An Idea (XI 132); MichaelJ. Schumacher - Five Sound Installations (XI 133) (Dvd-Rom); David First –Privacy Issue (XI 134); Charlie Morrow – Toot! (XI 135); Michael Vincent Waller– The South Shore (XI 136); Ulrich Krieger -/RAW:ReSpace/ (XI 137); Dan Joseph- ElectroacousticWorks (XI 138); AmnonWolman/Neil Leonard - Security Vehicles Only (XI 139) digital only release;Cecilia Lopez – Red/Machinic Fantasies (XI 140); Leslie Ross – drop by drop,suddenly (XI 141) Coming Soon: Tom Chiu (XI 142) The Following ReleasesAre 2 Cds For The Price Of 1: XI 115, XI 121, XI 126, XI 127, XI 128, XI 129,XI 130, XI 131, XI 132, XI 136, XI 137, XI 138; XI 140; XI 141 The FollowingReleases Are 3 Cds For The Price Of 2: XI 119, XI 134, XI 135

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